The PMA is committed to being an open, accessible, inclusive, and welcoming museum for all, and the exhibitions in 2018 reflect the full range of voices in our community and create experiences with art that strengthen our bonds and bring us together. In this spirit, 2018 exhibitions at the PMA highlight intersectionality and inclusivity in Maine.
The 2018 PMA Biennial
January 26 – June 3
Featuring more than 60 works by 25 participating artists, the Biennial highlights the diverse perspectives and interests of artists connected to Maine, and makes a powerful statement about art’s impact in this historical moment.
German Art in a Time of Crisis
February 23 – July 15
Highlighting the complete portfolio of George Grosz’s 1922 The Robbers, this exhibition also includes provocative artworks by printmakers such as Max Beckmann, Otto Dix, and Käthe Kollwitz.
Eliot Porter’s Nature
On view now through March 18
“Almost every photograph is about the external world, yet the work of few photographers has helped change that world. Eliot Porter helped alter both the medium and society. The extent of those changes now obscures the extent of his influence. “Eliot Porter’s Nature”…is a welcome reminder of just how exacting an artist he was.” – Boston Globe
Art from the 1980s
March 30 – August 10
A cross-section of diverse 1980’s aesthetics, revealing varied visual ways that the artists of this decade shaped and reflected the rapidly changing artistic and social realities of the time.
Painter and Poet: The Art of Ashley Bryan
August 3 – November 25
Bryan has committed himself to filling the void of black representation in children’s literature by creating books about African and African American experiences. This exhibition highlights the breadth of the Maine-based artist and author’s creative output.
August 17 – TBD
Composed of magnificent works by artists such as Winslow Homer, John Singer Sargent, Mary Cassatt, and others, Americans Abroad will examine watercolors, prints, and paintings by American artists who traveled to Europe for training and inspiration in the late 19th century.
June 22 – September 16
This exhibition is the first in over 40 years to survey the work of Clarence White (United States, 1871–1925), a founding member of the Photo-Secession, a gifted photographer known for his beautiful scenes of quiet domesticity and outdoor idylls, and a major teacher and mentor. It will survey White’s career from its beginnings in 1895 in Newark, Ohio, to his death in Mexico in 1925.
Beyond the Pedestal: Isamu Noguchi and the Borders of Sculpture
October 5 – January 6, 2019
Japanese-American modernist Isamu Noguchi (1904-1988) reimagined the possibilities of sculpture as he experimented endlessly with the intersection of objects, people, and space over the course of his 60-year career. Beyond the Pedestal: Isamu Noguchi and the Borders of Sculpture examines Noguchi’s expansive artistic practice, and through approximately 40 sculptures and 10 works on paper, encourages visitors to to ask fundamental questions about what defines our understanding of sculpture. In addition to reflecting the myriad ways in which Noguchi self-consciously crossed modes of production, brought together artistic and philosophical ideas from across the globe, and played with form and function, Beyond the Pedestal also focuses on the ways in which he engaged with causes of social justice, forming a thorough examination not only of the renowned artist’s perspective on sculpture, but on the world itself.
For more information please visit www.portlandmuseum.org