Archive for Artists Reception

Woodcuts, Paintings & Drawings Ogunquit 1968 – 2018 – Don Gorvett 50 years in Ogunquit Maine

Railway, Perkins Cove Oil Paint on Canvas, 30” x 22” by Don Gorvett, 1968

Railway, Perkins Cove
Oil Paint on Canvas, 30” x 22”
by Don Gorvett, 1968

Piscataqua Fine Arts Studio & Gallery will be presenting “DON GORVETT, 50 YEARS IN OGUNQUIT, ME 1968 – 2018.” Opening reception is Saturday, Nov 4 at 4 – 7 pm at 123 Market St, Portsmouth, NH. On view Nov 4 to Jan 31, 2018

For More Information:

dongorvett@dongorvettgallery.com
603.436.7278
www.dongorvettgallery.com

 

Greenhut Galleries Features Thomas Connolly “Scenes I’ve Seen” featuring Fred Lynch in the side gallery

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Thomas Connolly’s exhibition, “Scenes I’ve Seen” runs from November 2 – 25 with an Opening reception Thursday, November 2nd from 5 – 7pm.  This exhibition highlights Connolly’s keen gift for capturing and conveying the mood of any given location, as well as his ability to shift with ease from tight, detail-driven though painterly realist observations of architectural subjects to loose, lively and impressionistic land- and seascapes. Whether laboring in the studio on his architectural paintings or en plein air on his scenes of nature, Connolly’s stated goal is “to convey an emotional sense of place that is consistent with all the work I do. I want my paintings to have a sensual combination of colors that makes them feel like there is light coming from within the paintings, and this all comes from adjustments and balances within the work.”

With regard to his cityscapes, Connolly wants “to make the paintings look the way a city feels.” In this he is quite successful. As arts writer Mariel Melnick observes, “Connolly’s paintings are entirely realistic, but they are so much more. They contain brilliant, lyrical touches of paint that stand out like high notes in prominent harmonies. . .His paintings represent atmospheric light and emit their own luminosity. And instead of allowing architectural prestige and iconography to occupy the spotlight, Connolly forces them to succumb to the mood and atmosphere of his paintings. He deliberately chooses to paint identifiable sights, which are subsequently overshadowed by their painterly rendering.”

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In the side gallery this month, Greenhut is pleased to announce its first exhibition of works from the estate of one of Maine’s most celebrated abstract artists, Frederick Lynch. His obituary states, “In a career spanning more than 50 years, Lynch pursued a singular vision that began with the observed world and went deep into the underlying structure of appearances.” This exhibition features a group of Lynch’s sculptural segments, with each displayed beside a gouache on paper representation of itself. The works on paper feel a bit like architectural specs and are, in Lynch’s own words, “almost obsessively accurate” renderings of the geometric oil and enamel on pine segments they represent. “I tried to translate every nick, every texture,” he says. Though Lynch’s method is systematic, it is not formulaic. Lynch’s aesthetic is drawn from the ordered chaos of nature, his shapes a bit quirky. “Deviations, mutations, and the unexpected” are welcome advents, staving off predictability. “Art,” Lynch says, “is perhaps the most interesting subject there is to me, and my art the most interesting of that—not out of ego, certainly, but out of curiosity. I make art to see what happens.”

These two and three dimensional renderings of each respective form are separately and independently beautiful; the combined effect is not only beautiful, but also fascinating. Observing each segment as it confronts its own image, the viewer is invited to contemplate the transformative effects of media, scale, and dimensionality. But philosophical ponderings are not at all necessary to appreciate the exhibition. As Lynch puts it, “My art is about aesthetics. All other positive associations, invocations, or implications are bonus points, incurred with the advantage of a second look.”

Greenhut Galleries located at 146 Middle Street, Portland is open Monday through Friday 10:00 – 5:30 and Saturday 10:00 – 5:00. For more information visit www.greenhutgalleries.com or call 207.772.2693.

Upcoming Shows at Kefauver Studio & Gallery

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“The Little Holiday Show,” running from November 18th through January 2nd. An Artists’ Reception, open to the public, will be held on Saturday, November 18th, from 4:30 pm – 6:30 pm. The show will feature artwork that will include miniatures and smaller pieces, priced to suit every budget. Original art is perfect for holiday gift giving!

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Until November 12th you can still see, “The 6 x 6 Show.” The show features artwork that is 6” x 6” or smaller. The art is small in size but big in impact! This show features Beth Badger, Deena Ball, Judy Bernier, Sandra Dunn, Virginia Forrest, Claudia Noyes Griffiths, Hannah Ineson, Jan Kilburn, Lisa Kyle, Sherie Lehman, Sally Loughridge, DiTa Ondek, Brooke Pacy, Elizabeth Palmer, Laurie Raba, Helen Warner, and Carol Wiley.

For more information visit www.kefauverstudio.com, call 207.226.0974 or email will@kefauverstudio.com

CSA II: Community Supporting Arts at Harlow Gallery

“Rake Them Seeds”, woodcut print, Anna O’Sullivan

“Rake Them Seeds”, woodcut print, Anna O’Sullivan

Harlow Gallery presents a series of 3 exhibitions showcasing artwork from CSA II: Community Supporting Arts in which participating artists have been visiting their partner farms regularly since January, at the start of the 2017 growing season, creating art inspired by their farmer’s lives, work, and landscape. The resulting body of artwork will be exhibited at 3 prominent Maine galleries beginning with The Maine Farmland Trust Gallery September 22-November 10. Maine Farmland Trust gallery, located at 97 Main Street in Belfast, celebrates agriculture through art, capturing the vibrancy of Maine’s farms and farmers—their intimate relationship to the earth, the crops they grow and animals they tend. (www.mainefarmlandtrustgallery.org.)

“Wise Guys”, film photograph, Karen Merritt

“Wise Guys”, film photograph, Karen Merritt

CSA II is also on view at Harlow Gallery, located at 160 Water Street in Hallowell, from October 27-December 2 with an opening reception Friday, October 27, 5-7pm; and at Engine, located at 128 Main Street in Biddeford, from November 10-December 16 with an opening reception Friday, November 10, 5-8pm. Harlow Gallery is home to the Kennebec Valley Art Association, a membership based 501(c)3 nonprofit dedicated to connecting and celebrating art, artists and community in central Maine since 1963. (www.harlowgallery.org.) Engine’s mission is to foster and integrate the arts and design, education, and sustainable creative entrepreneurialism as an explicit community value and civic priority in Biddeford. (www.feedtheengine.org.)

“Hand Tools Tumbler”, wheel-thrown ceramic tumbler, Rebecca May Verrill

“Hand Tools Tumbler”, wheel-thrown ceramic tumbler, Rebecca May Verrill

Participating artists and farms are: Ingrid Ellison of Camden (paired with Hope’s Edge Farm), Helene Farrar of Manchester (paired with Farmer Kev’s), Dylan Gifford of Kents Hill (paired with Wholesome Holmstead), Karen Merritt of Portland (paired with Crystal Spring Farm), Anna O’Sullivan of Portland (paired with The FarmME), Tim Ouillette of Portland (paired with Hancock Family Farm), Tyson Pease of Gardiner (paired with Tender Soles Farm), Alyssa Phanitdasack of Portland (paired with Sheepscot General Farm and Store), Jessica Rhoades of Thomaston (paired with Whatley Farm), Susan Bartlett Rice of Walpole (paired with Tarbox Farm), Nicholas Runco of Oakland (paired with KVCC CSA), Kris Sader of Orono (paired with Ripley Farm), and Rebecca May Verrill of Portland (paired with Frith Farm).

“Still Frozen Spring”, oil on panel, Ingrid Ellison

“Still Frozen Spring”, oil on panel, Ingrid Ellison

All the participating farms are Community Supported Agriculture (CSA farms). A CSA farm sells shares at the beginning of the growing season and then provides fresh, seasonal food on a regular basis to each shareholding household throughout the growing season. CSA II will use the power of art to promote the economic and environmental benefits of organic farming and of buying locally grown food. Our food industry is a critical key to a sustainable economy and the health and well-being of Maine citizens in an age of accelerating climate change.

“Bovine Hierarchy” ceramic sculptures, Dylan Gifford

“Bovine Hierarchy” ceramic sculptures, Dylan Gifford

For more information please visit harlowgallery.org or call 207-622-3813.

Cynthia Winings Gallery presents Kids Talk About Art

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First Friday Blue Hill, Kids Talk About Art, Friday, October 6 at 5:00PM

The October Kids Program! Children are invited to the gallery for First Friday Blue Hill, to view the artworks and tell me what they think! The gallery will be open late, until 7PM, and there will be refreshments, Everyone is welcome! For more information contact Cynthia at info@cynthiawiningsgallery.com, or call, 917.204.4001.

Work from Maine’s Craft Apprentice Program on display at Caleb Johnson Studio

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The Maine Craft Association’s Craft Apprentice Program (CAP) offers Maine-based master craft artists and apprentices the opportunity to learn, create and connect. The 2017 Craft Apprentice Program will celebrate with capstone exhibition on view at Caleb Johnson Studio, 110 Exchange Street, Portland, Maine October 3-31, 2017.

Please join us for the artist reception and refreshments
October 6th, 4-7pm
during the Portland First Friday Art Walk!

Apprentice Cara Taggersell

Apprentice Cara Taggersell

In 2017, the two master-apprentice pairs selected through a competitive application process were glass artists, the exhibition will feature new glass work created during the 2017 seven month apprenticeship.

Exhibiting Artists:

Ben Coombs
Charlie Jenkins
Carel Shonerd
Cara Taggersell
Terrill Waldman

CAP is a program of the Maine Crafts Association in partnership with the Maine Arts Commission. Maine Magazine is the exclusive magazine sponsor of the CAP exhibition. Caleb Johnson Studio partners with CAP to host the exhibition.

For more information contact Sadie Bliss, MCA Director  at 207-205-0791 or sbliss@mainecrafts.org

Higgins, Welliver & Lloyd: Opening reception at Greenhut Galleries

J. Thomas R. Higgins

J. Thomas R. Higgins

Greenhut Galleries presents an exhibition of three incredible Maine artists from October 5th through 28th with an opening reception Thursday, October 5th from 5 – 7pm.

Growing up in Bucks County, Pennsylvania, J. Thomas R Higgins’s earliest exposure to art was the work of Edward Redfield, Daniel Garber and related Pennsylvania Impressionists. Later, as a college student, principal influences were Van Gogh, Kokoschka, Abstract Expressionists and other painters with a romantic vision. For more than four decades Higgins’s paintings have responded to the Maine landscape with passion and a personal viewpoint.

“As a painter, what I find most interesting is the dialogue between perception and the act of painting, how a gesture of paint can become the equivalent of what is observed and subjectively transformed. Painting for me is an active and intuitive process of participating in natural spaces. By working on site through direct sensory experience, I hope to achieve a dynamic, animated, and painterly response to a subject that is often untamed and in flux.”

This exhibition consists of paintings produced during a residency at Maine Farmland Trust’s Joseph A. Fiore Art Center in Jefferson, Maine during the summer of 2016. The residency provided me with the opportunity to immerse myself in the rustic landscape from North Whitefield to Nobleboro, Maine—a subject matter to which I related unabashedly and enthusiastically.

Neil Welliver

Neil Welliver

This month Greenhut is also thrilled to announce its first exhibition of works by Neil Welliver. Welliver’s huge oil paintings of the Maine landscape are considered by art critic Robert Hughes to be “among the strongest images in modern American art.” While this exhibition includes oil paintings, it is primarily designed to celebrate the artists’ talents as a printmaker. The ten selected prints showcase Welliver’s use of the following media in creating an intuitive yet precise vision of the wild natural world: etching (using the difficult, laborious aquatint process) and woodblock (created in the intricate, exacting and time intensive Japanese tradition of ukiyo-e).

As former US poet laureate Robert Strand notes: “The world of the prints seems more vulnerable than that of the paintings. In fact, it seems oddly, radically poised for dissolution. Subjects are singled out, regarded, and given, finally, a painstaking mortal presence, reminding us that what we see will come to an end and that nothing in nature will last. It is on this that their lyric character depends, this terrible, gratuitous knowledge of limitation by which we make things matter.”

Neil Welliver was born in Pennsylvania in 1929 and lived in Maine for 35 years prior to his death in 2005. He received his BFA from Philadelphia Museum, College of Art and his MFA from Yale School of Art. He taught at Yale and the University of Pennsylvania, where he served as chairman the Graduate School of Fine Art from 1966 to 1989. Welliver’s works are included in many major museum collections, including Metropolitan Museum of Art, Museum of Modern Art, Museum of Fine Arts, Boston, and the Hirshhorn Museum and Sculpture Garden, as well private collections worldwide.

George Lloyd

George Lloyd

This month our side gallery show will feature works by George Lloyd. These paintings were made in the 80s and 90s, following the artist’s move to Maine from the San Francisco Bay Area, where he had spent the previous 13 years as both painter and teacher.

The 8 works included in the present exhibit were selected in part on the basis of their Maine-centric palette. As poet and critic W.S. DiPiero puts it: “George Lloyd has lived west and east, and different weathers coexist in his work to strong, sometimes disturbing effect, especially in the paintings he has made while living in Maine. While haunted by Bay Area light, his work has also been infused with New England’s brutally changeful weather.” Lloyd’s paintings are marked by their exuberant vitality, and a brand of sensuality that incorporates both masterful brushwork and an extraordinary command of color.

George Lloyd received his BFA from the Rhode Island School of Design and his MFA from Yale School of Art. In 1969, he moved to Berkeley to teach at the University of California. There he met and was befriended by Elmer Bischoff, a leader of the Bay Area Figurative Movement, with whom he drew from the figure model in weekly drawing sessions in a group that also included the painter Joan Brown.

Lloyd has received grants from the Pollack-Krasner Foundation in 1994 and 2006, and the
Elizabeth Foundation in 1995. He was a Visiting Artist at the American Academy in Rome in 2002. His work is included in numerous museum collections as well as private collections both here and abroad.

For more information call 207-772-2693 or visit greenhutgalleries.me

Dowling Walsh Gallery to Exhibit the Work of Eric Green in October

Eric Green, Mirrored Room Five, Graphite grisaille, colored pencil and UV varnish on board, 18" x 16"

Eric Green, Mirrored Room Five, Graphite grisaille, colored pencil and UV varnish on board, 18″ x 16″

Dowling Walsh Gallery will host an exhibition in the month of October of Eric Green’s work. An opening reception will be Friday, October 6th from 5-8pm in conjunction with Rockland’s First Friday Art Walk.

 

Heroes and Mirrors is an exhibition of a few bodies of work. The first is from the early 1990’s depicting a nostalgic reality of baseball heroes, while the other two series twist that nostalgic reality into a surreal perspective that challenges the viewers ability to comprehend the true image.

Eric Green was born in Gorham, New Hampshire in 1956 and currently lives and works in Belfast, Maine. Green has had several solo exhibitions including Ameringer McEnery Yohe, New York, NY; Gallery Henoch, New York, NY; Thomas Moser Gallery, Portland, ME; and Haley and Steele, Boston, MA. Green is the recipient of the National Academy of Design Merit Award and the Vermont Council Arts Fellowship.

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

For more information, visit us online at www.dowlingwalsh.com  or call 207-596-0084

The Sohns Gallery Presents Paintings by Martin Gallant

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The Sohns Gallery, located in The Rock & Art Shop presents Paintings by Martin Gallant. The show runs from September 18th through November 5th. A reception and an artist talk will be held with conjunction with the First Fright ArtWalk on October 6th from 5-8pm.

This is Martin Gallant’s first time showing his large scale acrylic painting of beach stones. His artistic eye drew him to the stones describing them as “forested, wind worn, and sea worn gems”. Growing up in Bangor and attending the Mary Snow School art has always been his ticket to being noticed. He has lived his life around Maine and has always adored the Maine Landscape. Over the last 37 years he has produced hinders of painting ranging from murals to realistic landscapes. Now retired Martin Gallant has the time to focus of the smaller beauties of Maine. His large scale paintings of Maine beach stones are exquisitely rendered.

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Farnsworth Free Community Opening for Black and White: Louise Nevelson/Pedro Guerrero

Pedro E. Guerrero, Louise Nevelson Gazes at her Artwork in New York, 1978, Courtesy of Dixie Guerrero, ©Pedro E. Guerrero Archives

Pedro E. Guerrero, Louise Nevelson Gazes at her Artwork in New York, 1978, Courtesy of Dixie Guerrero, ©Pedro E. Guerrero Archives

On Friday, October 6, the Farnsworth Art Museum, in Rockland, Maine, will celebrate a free community opening for the exhibition Black and White: Louse Nevelson/Pedro Guerrero. The opening, which will take place from 5 – 8 p.m., will feature black and white films in the library accompanied by live music, fun craft activities, both chocolate and regular milk, Oreo cookies, and other creative activities. Also opening on that night will be an exhibition of studies that Jamie Wyeth did for his now-famous portrait of JFK. The opening is part of the museum’s First Fridays at the Farnsworth sponsored by First National Bank.

Jamie Wyeth, Portrait of President John F. Kennedy, Oil Study, 1967, oil on canvas, 14 x 18 inches. Collection of Jamie and Phyllis Wyeth

Jamie Wyeth, Portrait of President John F. Kennedy, Oil Study, 1967, oil on canvas, 14 x 18 inches. Collection of Jamie and Phyllis Wyeth

Louise Nevelson (1899-1988) is recognized as one of the most important sculptors of the twentieth century, whose wood sculptures, painted in black or white, revolutionized artists’ ideas of what sculpture could be. This exhibition will feature signature examples of these works drawn from the Farnsworth’s collection, the second largest collection of Nevelson’s work in the world. Some of these works reflect the artist’s interests in creating environments, in which her home and studio were laboratories for her innovations.

Nevelson’s home and studio were captured in a series of arresting black and white photographs by Pedro E. Guerrero (1917-2012) taken in 1978 and 1979. Guerrero, a renowned architectural photographer, is perhaps best known for his images of Frank Lloyd Wright buildings which brought him to national attention. Guerrero’s photographs of Nevelson in her home and studio, in combination with examples of her sculpture, offer a captivating look at her life and work.

The Lead Sponsor of the exhibition is Gail Catharine Bertuzzi. The exhibition is made possible in part through a grant from the Davis Family Foundation. The primary media sponsor of this exhibition is Maine Home + Design. Support for the community opening is also provided by Oakhurst Dairy.

Closing Celebration at Finch Gallery

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Fog is rolling in. Summer has ebbed. Another successful season at The Finch Gallery in Belfast is coming to an end.

Come in September 28,29 or 30 to enter your name in the drawing for door prizes. They are very cool ones-

One of Jay Hoagland’s Granite Apples, and a few of Jerri Finch’s on paper, prints on canvas, and cards will be given away.

You need not be present to win…

On our last day, September 30 we will have gallery talks-

At 2:00 pm, Jay Hoagland will entertain us. And then Jerri Finch will share pearls of wisdom at 2:30….Refreshments will be served.

Special Pricing on Select Items all of September-25% off all canvas prints, and 10% off all original art, including Jerri Finch’s paintings and Jay Hoagland’s scupltures. For more information visit www.jerrifinch.com or call 207-338-1060

Fall Exhibitions and Barn Gallery Memories

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Fall Exhibitions include ‘Shadows and Reflections’ by artists of the Ogunquit Art Association from September 13 through October 9 with an Opening Reception on Saturday September 16, 5 – 7:30 PM. See ‘OAA Expressions’ with its wide variety of style, subject, medium and price. Remember painter Norman West in a small Memorial Exhibition of his work. Enjoy work by photographer Steven Holt and painter Shiao-Ping Wang in the North Gallery. Walk through the three-dimensional work by Invited New England Sculptors in the outdoor Sculpture Court. Browse through our ever-changing array of small works of art in the Collectors Gallery.

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Join us for ‘Barn Gallery Memories’ an engaging remembrance of Norman West, Mary-Leigh Smart, Barbara Hilty, DeWitt Hardy and George Burk on Thursday, September 21 at 6 PM.

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Don’t miss Andy Happel and Los Galactacos String Band – “Songs of the Americas” on Friday, September 15, 7:30 PM. Tickets in advance or at the door. And Poetry Readings by Richard Foerster & Alice B. Fogel, Poet Laureate of New Hampshire on Wednesday, September 20, 7 PM

For more information call 207-646-8400, email oacbarngallery@gmail.com, or visit www.barngallery.org

Courthouse Gallery Fine Art presents Jessica Lee Ives: Watermark

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Courthouse Gallery Fine Art is pleased to present Jessica Lee Ives: Watermark, the
gallery’s first solo show for Ives. The show opens on Friday, September 15, with an artist
reception from 5–6pm, and an artist talk at 6pm. The show runs through October 28. The event is
free and open to the public.

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

In her most recent series, Ives explores the figure as it moves through water—at the surface,
below, and looking down from above—creating colorful ripples or exploding above a swimmer’s
head like a jeweled headdress. These contemporary figures, combined with her exquisite
portrayal of water, make Ives’ paintings fresh, exciting, and relevant.

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Tuesday–Saturday 10am–
5pm. For more information on upcoming shows call 207-667-6611, or visit
www.courthousegallery.com

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

WINE & CHEESE ART RECEPTION AT Centre St Arts Gallery

Reliquary, carved wood, by guest artist Roger Barry

Reliquary, carved wood, by guest artist Roger Barry

Centre St Arts Gallery, LLC, invites the public to a Wine and Cheese Reception on Friday, September 15, 2017, from 4 to 7 pm, during Bath’s Third Friday Art Walk.  Join artists and art lovers in opening a new exhibition featuring work by guest artists Alston Stoney Conley, watercolor, and Roger Barry, wood sculpture, as well as the 20 members of the gallery showing many new works.All artworks are original pieces in a variety of media including oil, acrylic, watercolor, pastel, tempera, clay and wood.  Twenty artists from the midcoast area are Barbara Bean, Sharon Bouchard, Laurie Burhoe, Judy Conlan, John Gable, Andrea Galuza, Claudette Gamache, Livy Glaubitz, Marnie Hackenberg, Sarah Harvey, Jillian Herrigel, Tom Hinkle, Victoria Jackson, Daniele Lambrechets, Jackie Melissas, Shelby Patton, Lea Peterson, Sharon Renk-Greenlaw, Jane Rosenfield, and Sarah Wilde.

Roger Barry is a sculptor of wood.  He produces furniture, abstract sculpture, and, featured in this exhibition: Reliquaries.  Barry writes “Working with wood is in my blood. My great-grandfather published The Lumberman’s Actuary and my grandfather and father were  in the lumber milling business. In 1975 I received a BFA in wood sculpture from Eastern Michigan University. Secret locks have intrigued me all my life. Many of my reliquaries incorporate hidden mechanisms which enhance the interaction with the piece. After the process of creation, I love to display a sculpted box and say, “open it.”

River Odyssey, watercolor, by guest artist Alston Stoney Conley

River Odyssey, watercolor, by guest artist Alston Stoney Conley

Alston Stoney Conley graduated from the School of the Museum of Fine Arts Boston in 1974, and is on the faculty of the Fine Arts Department of Boston College.  His work in watercolor features landscapes with trees, water and clouds at sunset/sunrise.  Conley says:
“I live under a New England sky. The light, its color, intensity, sensation, season, and length of day influence my psyche, mood, interior life and art practice. The long hours of daylight during summer and short hours during winter define our seasons, influence our lives, and distance us from our southern neighbors. The low sun, color-rich light and long shadows of early morning or end of the day often silhouette the horizon or individual trees in shadow, while the light fills the sky.”

Admission is free and light refreshments will be served.  Centre St Arts Gallery, LLC, is open 7 days a week during the summer, Monday through Saturday 10:30 am to 5:00 pm, and Sunday 12 noon to 4:00 pm.  For more information, please call 207-452-0300, or visit the Gallery at 11 Centre Street, Bath.

Littlefield Gallery ends season with “Beyond the Sea”

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“Grindstone” by Caren-Marie Michel

Littlefield Gallery in Winter Harbor concludes its ninth season with a group show “Beyond the Sea” featuring  artists Ben Lincoln, Caren-Marie Michel, Rachael Eastman, and John David O’Shaughnessy. This unique variety of interpretations of the coast of Maine will begin September 17 and run through Columbus Day, October 9. A reception celebrating the artists is Saturday, September 30, from 3-5 pm littlefieldgallery.com

Open Studio Day at Joseph A. Fiore Art Center Sept. 30

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Open Studio Day Saturday September 30, 11-3 at the Joseph A. Fiore Art Center, 152 Punk Point Rd, Jefferson

Join Maine Farmland Trust on Saturday, September 30th, from 11am-3pm, at our Joseph A. Fiore Art Center at Rolling Acres Farm for a family-friendly Open Studio Day. Come meet and view the work of September’s artists Anne Alexander, a sculptor from Windham who creates nature-based work (MFA in Sculpture from Alfred University, NY, 1989) and Jude Valentine, a printmaker and pastel artist hailing from East Machias, (MFA in Visual Art  with a concentration in multi-disciplinary media, Vermont College of Fine Art, Montpelier, VT.)  Resident gardener and artist Nellie Sweet will be on site to share the beautiful kitchen garden she has created this year; Center co-directors David Dewey and Anna Witholt Abaldo will be available to offer tours of the residency center and gallery. There will be live music on the lawn by Marsh & Lane – a young guitar/cello duo associated with the Midcoast Music Academy – and free coffee, tea and ice cream. Located right on Damariscotta Lake the public is invited to bring a picnic and enjoy the Center’s grounds for the day.

FMI: https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/

MFT Gallery opening Sept. 22, presenting CSA II

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Susan Bartlett Rice, Tarbox Start, oil on canvas, 24 x 24”,

 

On View: Sept. 22 – Nov.10 at Maine Farmland Trust Gallery in Belfast, Maine
Opening Reception: Fri., Sept. 22, 5:30-8pm (during Belfast Art Walk) with artist talks preceding at 5pm.

Maine Farmland Trust Gallery, in partnership with the Harlow Gallery/Kennebec Valley Art Association, presents CSA II – one of three exhibitions of work by 13 Maine artists who have been partnered with CSA (Community Supported Agriculture) farms throughout the 2017 growing season.

Meet the artists and farmers at the opening reception on Friday, September 22, from 5-8pm with a gallery talk at 5pm. Maine Farmland Trust is located at 97 Main Street in Belfast; the exhibition is on view from September 22 through November 10, 2017. For more information about Maine Farmland Trust Gallery please visit www.mainefarmlandtrust.org/public-outreach-new/gallery/

Merritt_FarmTruck

Karen Merritt, Farm Truck, gelatin silver print, 9 x 9”

Participating artists and farms are: Ingrid Ellison of Camden (paired with Hope’s Edge Farm), Helene Farrar of Manchester (paired with Farmer Kev’s), Dylan Gifford of Kents Hill (paired with Wholesome Holmstead), Karen Merritt of Portland (paired with Crystal Spring Farm), Anna O’Sullivan of Portland (paired with The FarmME), Tim Ouillette of Portland (paired with Hancock Family Farm), Tyson Pease of Gardiner (paired with Tender Soles Farm), Alyssa Phanitdasack of Portland (paired with Sheepscot General Farm and Store), Jessica Rhoades of Thomaston (paired with Whatley Farm), Susan Bartlett Rice of Walpole (paired with Tarbox Farm), Nicholas Runco of Oakland (paired with KVCC CSA), Kris Sader of Orono (paired with Ripley Farm), and Rebecca May Verrill of Portland (paired with Frith Farm).

During CSA II (Community Supporting Arts), participating artists have been visiting their partner farms regularly since January 2017, at the very start of this year’s growing season, creating art inspired by their farmers’ lives, work, and landscape. The resulting body of artwork will be exhibited at three venues in the fall of 2017: at the Maine Farmland Trust Gallery in Belfast September 22 – November 10; at the Harlow Gallery in Hallowell October 27 – December 2; and at Engine in Biddeford November 10 – December 16.

 

OSullivan_Makin_Maple

Anna O’Sullivan, Makin’ Maple, woodcut, 11 x 17”

 

In 2012 Harlow Gallery organized the first Community Supporting Arts (CSA) project to connect Maine’s artist and farming communities, two vibrant and idealistic groups that are key to our state’s unique sense of place. The first CSA project was a huge success and the Harlow Gallery staff and volunteers are thrilled to bring it back for 2017.

All the participating farms are Community Supported Agriculture (CSA farms).  A CSA farm sells shares at the beginning of the growing season and then provides fresh, seasonal food on a regular basis to each shareholding household throughout the growing season. CSA II will use the power of art to promote the economic and environmental benefits of organic farming and of buying locally grown food. Our food industry is a critical key to a sustainable economy and the health and well-being of Maine citizens in an age of accelerating climate change.

Verrill_FarmBowl

Rebecca May Verrill, Farm Bowl, wheel-thrown earthenware, 8”L x 8”W x 4”H

 

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org.

 

Tina Ingraham and Roy Germon at Greenhut Galleries

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham’s Rocks, Trees, Sand & Sea: Popham to Blue Hill will be on display September 7th – 30th, 2017 with an opening reception Thursday September 7th, 5-7pm. Roy Germon featured in the side gallery.

Tina Ingraham’s inspiration for her most recent group of paintings is the Maine landscape. She finds beauty in the subtleties of the world around her and in the paint itself, pushing and pulling the paint with the use of palette knife and brush. Tina was classically trained and received her MFA from Brooklyn College of CUNY in 1996 and holds a BS in Design from the University of Cincinnati. As a John Simon Guggenheim Grant recipient, Ingraham painted in Italy and traveled Europe from 1999 to 2003 to study master paintings integral to her work. She is also the recipient of the Maine Commission for the Arts Project Grant, the Pollock Krasner Foundation Award, and the Milton and Sally Avery Fellowship. She has been an educational instructor at Bowdoin College, Stephens College, Maine College of Art and Brooklyn College, where she received a teaching fellowship and the Charles G. Shaw Award for Excellence.

 

Roy Germon

Roy Germon

Recent work by Roy Germon will be featured in our side gallery this month. Germon attended the School of the Visual Arts in NYC where he received his BFA in 1990. During his 20-year tenure in NYC he worked as a freelance illustrator and a conservator of fine art and original prints. In 2003 he moved to Portland, Maine with his wife, son and daughter. Inspired by the Maine landscape, he took up painting, dominating his canvases with energetic brushstroke and bold line.

Gallery hours are Monday to Friday 10am – 5:30pm and Saturday 10am – 5pm. For more information please call (207) 772-2693 or visit www.greenhutgalleries.com

ART & EDUCATION IN MAINE Featuring ERNEST MCMULLEN & VICTORIA ACCARDI

Ernest McMullen:  Last Light, Somes Harbor, 24 x 36, oil on panel

Ernest McMullen: Last Light, Somes Harbor, 24 x 36, oil on panel

Art & education in Maine featuring Ernest McMullen & Victoria Accardi runs September 2 – 16, 2017. There will be a cocktail reception and open house on Saturday, September 2nd from 4:00 – 6:00 pm. The exhibit features works by renowned landscape painter and former educator at College of the Atlantic, Ernest McMullen and realist painter and former student, Victoria Accardi.

Ernest McMullen is a gifted teacher who introduced multiple students to the fine arts during his 43-year tenure on the faculty of College of The Atlantic (COA). McMullen’s luminous work is highly sought after by collectors who are drawn to his iconic imagery – the quiet ambiance of evening closing in on the cool, blue-tinged waters of Somes Harbor or the steely tranquility of the moon over NE Harbor – as well as the sense of mystery and silence that pervades his landscapes.

Victoria Accardi:  Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi: Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi is tremendously grateful for her four years of study with McMullen; “he’s the reason I stayed at COA,” she says simply. Accardi says that this ability to see beauty in the commonplace mirrors that of her teacher, Ernest McMullen. The streets of New York offer endless fodder for Accardi’s imagination. A realist painter with a fascination for portraiture and the human form, Accardi celebrates the fleeting moments of life that unfold in the city around her.

Please visit www.galleryatsomessound.com/events for more information.

“Touch of Gold” at CRAFT Gallery

Thread drawing by Daphne Taylor

Thread drawing by Daphne Taylor

CRAFT Gallery opens “Touch of Gold” on Friday, September 1st through October 5th, presenting new work by gallery artists. Four featured artists use gold as a common element in their work: potter Paul Heroux, calligrapher Jan Owen, quilter Daphne Taylor and sculptor Jacques Vesery. Quilt maker Daphne Taylor’s powerful design sense and minimalist aesthetic are expressed in her ”drawings” with thread. Her use of gold and silk recall the Middle Ages and Renaissance art, sumptuous with gold and precious materials to add value.She uses wool and silk as a surface to create her work with thread. Potter Paul Heroux treats the ceramic vessel as a painting surface and 3 – dimensional canvass, combining colors, patterns, angles and metallic lusters to his abstract and architectural approach to pottery. Calligrapher Jan Owen’s hand lettered piece, “Benediction” features a poem by Wesley McNair from his newest book “The Unfastening” McNair was poet laureate of Maine from 2011 to 2016. This is the ninth collection of his published work.

Bronze glazed vase by Paul Heroux

Bronze glazed vase by Paul Heroux

CRAFT Gallery is also privileged to present the newest clay sculptures by Lynn Duryea, co-founder of Watershed Center for Ceramic Arts. Duryea began her career as a functional potter and progressed to making minimalist abstract forms. Her geometric and architectural clay sculptures combine angles, colors and textures that she has observed in smokestacks, dock pilings and worn building facades. She was included in the Center for Maine Contemporary Art’s 2016 Biennial and has taught and lectured widely in the U.S. Many of the artists will be present during the September 1st First Friday Art Walk and books pertaining to their work will be available for purchase and signing including the new “Handcrafted Maine” featuring weaver Sara Hotchkiss.

Clay sculpture by Lynn Duryea

Clay sculpture by Lynn Duryea

CRAFT Gallery is located at 12 Elm Street in Rockland and will have live music by “Good Vibrations” in the gallery courtyard during the evening Art Walk. For more information call (207) 594-0167 and visit www.craftonelm.com

“WHAT’S UP THERE” at Philippe Guillerm Gallery

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

“WHAT’S UP THERE Attic Window Series”, a exhibition of works by Waldoboro artist Jean Kigel, opens with an artist’s reception Saturday, September 9th, from 4 to 7pm.

Jean Kigel presents a unique series of oils and watercolors of attic windows from Mid-coast Maine. “There is something romantic about an attic”.In Kigel’s paintings the viewer is invited to take a virtual look from the street into attic windows to imagine the story within.
Nigel travels Mid-coast Maine towns, seeking unusually shipped attic windows, in the form of crescent moons, polygons, or ornately arranged and decorated multi-panes.

Philippe Guillerm Gallery proudly presents Jean Kigel and Philippe Guillerm’s new collection of sculptures and joins with Tidemark Gallery, Heywood Gallery and a local Collective Art Group for Waldoboro’s “Second Saturday ArtWalks.” For more information call 207-701-9085 or visit www.guillermsculptures.com

September 3rd Opening Reception at The Turtle Gallery

Alix Bacon, The Climate Change Apocolypse, 24 x 72

Alix Bacon, The Climate Change Apocolypse, 24 x 72

This new exhibition features 3 series of paintings by Alix Bacon, mixed media drawings by Mary Barnes, abstract paintings by Anderson Giles and hand-printed paper collages by Alice Spencer.

Alix Bacon returns to the Turtle Gallery with three new series of work: The Scottish Paintings, Windows on Maine and the Climate Change Apocalypse. Bacon’s landscapes depict tranquil terrains, opening vistas onto the natural world in all its richness. Though the paintings contain no figures, we are reminded that we are present in them; we bear a responsibility to the landscapes in which we always, indelibly, appear. Bacon translates her vision by painting the environment, not just the landscape, and reminds us of the raw truth of Climate Change on our world.

Mary Barnes Frigate 40 x 52 mixed media on mylar

Mary Barnes Frigate 40 x 52 mixed media on mylar

Moved by the wonder and mystery of our avian counterparts, Mary Barnes captures their presence in a series of both vibrant and evocative mixed media drawings. Inspired by both the birds of her home in the north and a journey to the Galapagos, Barnes translates the vitality of aviary flight, habitat, sounds and habits of birds in this new collection of drawings.

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles joins the Turtle Gallery for his first showing since retiring from 35 years of teaching art and photography at The University of Maine at Presque Isle. The show will include several older works as well as paintings recently completed during his final summer in northern Maine. Giles engages his powerful use of color and light to capture representational imagery, abstract visions and the many lines and points between where the spiritual and the physical blur.

Alice Spencer, Quilt Improv 2, 16x16

Alice Spencer, Quilt Improv 2, 16×16

Portland based artist Alice Spencer will be showing new collages of hand-printed paper. A lifelong artist of various mediums, Spencer has long been influenced by textiles from her travels and their integration into culture and everyday life.

Chris Joyce  Studio Shot

Chris Joyce Studio Shot

A new collection of woodwork from local favorite Chris Joyce will also be on display, as well as copies of his new catalog.

In addition, a vast collection of jewelry and contemporary craft, print collections and sculpture garden will be on display. Light refreshments will be served. For more information call (207) 348-9977 or visit theturtlegallery.com

Erik Lundin Retrospective at The Kelpie Gallery

Lundin

A first ever showing of the works of the late artist Erik Lundin of Rockland/Thomaston and Madrid, Spain at The Kelpie Gallery of South Thomaston, Maine. Erik Lundin Retrospective – The Art of a Quiet Soul opening reception Saturday, September 9, 2017 5:00 – 7:00 p.m.

Erik Lundin, a lifetime and reclusive artist, died at the age of 86 having never shown his paintings. Susan Lewis Baines of The Kelpie Gallery has been gifted almost 300 pieces of artwork and as many studies of the artist’s life’s works by Lundin’s sister in the hopes of creating and building the legacy of her late brother.

Baines was approached by a healthcare worker of Lundin’s asking Baines to view his body of work. Baines agreed and was impressed with the artist’s geodynamic landscapes of Maine, Spain, and Central America. Baines met with the artist before his passing. His wish was to have confirmation by the populace of his talent. Unfortunately, Erik Lundin passed away before he could realize his wish. Susan agreed to accepting the work with one caveat; that 50% of the sales of Erik Lundin’s work by donated to the Sussman House, a hospice facility located in Rockport, Maine.

The Kelpie Gallery, in conjunction with the Pen Bay Waldo Healthcare Foundation, presents: Erik Lundin Retrospective – The Art of a Quiet Soul. For more information call (207) 691-0392 or visit www.thekelpiegallery.com

John Bowdren Fall Exhibit Opens at Yarmouth Frame and Gallery

"Lobster Rafts at Dusk" 36x48 acrylic on canvas

“Lobster Rafts at Dusk” 36×48 acrylic on canvas

Yarmouth Frame and Gallery’s Fall exhibit Presence of Place, is a group show with their 22 year around gallery artists with a focus on John Bowdren. John’s works have a quietness about them, a peacefulness that is soothing and meditative. The show is a reflection of that sensibility and having a presence of place. There is an Artist Reception on September 9th 4 to 7 and runs through November 22nd.

In John’s own words about his process, he shares,”Mornings start with a cup of tea, a quick look at the weather and the tide charts, then grab the Maine Gazetteer, sketchbooks and camera and off along the Mid-Coast, following the little boat symbols in the Gazetteer for public boat ramps and put in’s, where I hope to find my painting subjects and an A-Ha moment to share.”

"White Boat at Dock" 12x12 acrylic on canvas

“White Boat at Dock” 12×12 acrylic on canvas

John’s work relies on the warm or cool temperature of light and how it effect the emotional presence of a place. “Reflecting light is important to my work.” John tells us. “I work the color values back and forth in the water of my seascapes so that it appears to be there, but not there and serves as a supporting role for the placement of boats or wharf subjects.” The overall effect gives my audience a feeling of calm in the unbalanced balance of a finished piece.”

"Hanging Out at the Wreck" 24x24 acrylic on canvas

“Hanging Out at the Wreck” 24×24 acrylic on canvas

Yarmouth Frame and Gallery is located at 720 Rt. 1 in Yarmouth. Hours: Monday – Friday 10:00am – 6:00pm. For more information about all 22 of our year around gallery artists or to make an appointment for a private viewing call 207-846-7777 or email from our website. www.YarmouthFrameAndGallery.com

Impressionist Artist Specialized in Coastal New England Paintings & Drawings

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Summerings with Mary Bradish Titcomb, 1892-1902: Drawings of Coastal New England and the White Mountains will be on view at James L. Kochan Fine Art & Antiques, 75 Main St., Wiscasset, from August 31st to September 27th. Although listed as a portrait painter, Titcomb is best known for her impressionistic paintings of rural and coastal New England and is considered the most important woman artist of the Boston Impressionists.

The Kochan Fine Arts exhibition, with an opening reception during the Wiscasset Art Walk on Thursday, August 31, 5-8pm, features finished and preliminary drawings in graphite, watercolor and/or ink on paper from the first decade of Titcomb’s professional career. The drawings on view were all executed while on summer holidays in New England, principally coastal Maine (including Ogunquit, Sebago Lake, Cape Elizabeth, Portland, and Monhegan), the White Mountains, the North Shore, and Plymouth, Massachusetts. Principally landscape and coastal views, the exhibition also includes some portraits and still lifes.

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Born in Windham, New Hampshire, Mary Bradish Titcomb (1858-1927) began her artistic career teaching drawing in the Brockton, MA public schools. In 1888, she relocated to Boston to commence studies at the Boston Museum School under Boston Impressionists Edmund C. Tarbell and Frank W. Benson and later Philip Hale. During her early professional career, summers were spent drawing and painting in coastal Maine or the White Mountains near her birthplace. In 1895, Titcomb traveled to Europe for the first time, studying with Jules Lefebvre in Paris, but returned to Boston, where she exhibited regularly with the Copley Society and in numerous national exhibitions. Titcomb continued to summer along the New England coast, from the North Shore to Cape Cod, although she is known to have gone on a sketching trip to Arizona and Mexico in 1901. As she became more successful, she left her Fenway studio and purchased a home in Marblehead, Massachusetts, where she died in 1927.

For more information about Mary Bradish Titcomb and the Summerings exhibition, please contact James L. Kochan Fine Art & Antiques, 304-279-7714 or jameskochan@comcast.net

Landing Gallery presents “MAINE PLEIN AIR PAINTERS”

"McCloons" by Monique Lazard, 16" x 20" Oil/Canvas

“McCloons” by Monique Lazard, 16″ x 20″ Oil/Canvas

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “MAINE PLEIN AIR PAINTERS”, an exhibition of new paintings by Monique Lazard, Tom Curry and Björn Runquist opening on Friday, September 1 through October 15. The Artists’ Opening Reception will be held on Friday, September 1 from 5-8 PM.

Monique’s landscape paintings have sense of movement and are filled with a gestural energy. She is a life long artist and has been painting since she was 10. “I always have a sketch book with me to record my observations. During my teens I began taking back packing trips to the Sierras, which helped foster my love of nature. Wherever I am, I find the local landscape to be an inspiring and fascinating subject for my painting.” Monique’s studies began as an undergraduate at the Academy of Art in San Francisco, she received her BA from the California College of Art and pursued graduate studies at the Art Center College of Design in Pasadena. She also studied with artists Nelson Shanks at Studio Incamminati, Stuart Shills and Alex Kanevsky at the Pennsylvania Academy of the Fine Arts in Philadelphia.

"Weir Cove" by Tom Curry, 12" x 12" Oil/Panel

“Weir Cove” by Tom Curry, 12″ x 12″ Oil/Panel

For the past 18 years, Tom has painted the landscape around his home in Maine. “As a plein air painter, I immerse myself in landscape to explore the relationships between stillness and flux. What we call a “place” is a paradox – it is not fixed but always changing: the light shifts from moment to moment, water is never still, clouds come and go. I paint the interplay of light, island, sky and water as a metaphor and meditation on place and time, the dance between what we perceive as eternal and ephemeral.” Tom Curry has a MS from the University of Massachusetts at Amherst, BFA from the Rhode Island School of Design and attended the Graduate Program at Yale University. His work is in the collection of the Farnsworth Art Museum, Delaware Art Museum and the Wheaton College Museum.

Pier: Wheeler Bay" by Björn Runquist, 16" x 20" Oil/Linen

Pier: Wheeler Bay” by Björn Runquist, 16″ x 20″ Oil/Linen

Björn Runquist has been painting in the mid coast area from Port Clyde to the Camden area, for thirty years. Björn is one of Maine’s most accomplished and collected Plein Air Painters, his paintings are in many major, private and public, collections including the Farnsworth Art Museum. “My subjects vary: the Working Waterfront and in particular this year, Piers, have become my subject of choice.” The Pier’s structural complexity allows for an interplay of color and light that creates a visual energy. It’s a visually interesting combination of solid and transparent areas that are very challenging and gratifying to paint. “There are things that I return to and there are things I paint only once. But, at the core is the ever-present force of light as the source of all that we see, indeed, at the source of life itself – the source of each day’s new beginning.”

Please join us Friday, September 1 from 5 – 8 pm for an artist’s reception with Monique Lazard, Tom Curry and Björn Runquist. Hours: Tue – Sat 11– 5, Sun 12 – 5 & closed on Mon. For more information please call 207 239-1223 or visit www.LandingArt.com

New Era Gallery Opens “Home”

Evening Reflection, oil on canvas, by Susan Day Philbrook

Evening Reflection, oil on canvas, by Susan Day Philbrook

New Era Gallery in Vinalhaven will open the last show of the summer season on Saturday September 2, with a reception from 5:00-7:00pm.  The show is open to all gallery artists, with a theme based on the concept of “home”.  Works will include paintings by Susan Day Philbrook and Elaine Austin Crossman, hand-hooked rugs by Kathleen Bird, and sculpture and prints by Kitty Wales.    

Labor Day weekend hours are Saturday 10:00am to 7:00pm, Sunday 11:00am to 2:00pm, and Monday 10:00am to 12:00pm.  Late summer hours following the weekend are Tuesday-Saturday 10:00am to 4:00pm.  For more information call 207-863-9351 or visit neweragallery.com.

Art Space Gallery September 1st Opening

Roger Barry, Face, Wood

Roger Barry, Face, Wood

Art Space Gallery invites you to the September “Arts in Rockland” first Friday art walk on September 1st.  Our front room features the work of Roger Barry, Janalee Welch, Joan Wright, and Melissa Post van der Burg. Additionally, there are many new works by our 15 other gallery artists. Please stop by and join us for wine, refreshments, and meet our artists on Friday, September 1st, from 5 to 8 pm.

Roger Barry of Edgecomb is a sculptor artisan who makes reliquaries from native hardwoods, many with secret locks. Heavily carved and beautifully finished, each is designed to hold precious personal items or enhance decor. Roger also creates sculptures and dreamlike tree houses that light up and draw starry nights on ceilings.“Most of my wood stock is milled from downed trees. Each one has its unique character and the sculpture that unfolds must reflect and honor it. Whether formal or whimsical, functional or decorative, all my pieces invite a personal encounter with the wood.”

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch of Farmington uses paper, both bits of the old and those she has decorated, painted, printed, or rusted together with bits and pieces of found objects to express her ongoing interest in how these materials work together in collage. Her work is inspired by her love of the natural world that was her playground as a child and her subject as a classroom teacher. “I love the rocks of the Maine coast, and I am inspired by their shapes, colors, conglomerate components, their history and their formation.” Janalee’s collages employ reminiscences of nature using simplicity and order; and pattern and symmetry as design elements, creating the sense of serenity and stability that she takes from nature.

Joan Wright, Up, Photography

Joan Wright, Up, Photography

Joan Wright of Rockland continues her exploration of the abstraction of reflections in water as well as capturing the many moods of her favorite island in the fog and out. Her exhibition will include both abstract and land/water scapes around Vinalhaven. Joan, who has been coming to Vinalhaven for over 35 years, reveals the spirit of the coast in her photography. “Water fascinates me. Its beauty and destructive power. It’s ability to reflect, distort, to change itself into what we perceive as another medium.”  

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg of Augusta will be featuring a new set of watercolor paintings. She works with the medium as if it were oil, creating rich, colorful and soulful paintings.  Her work, featuring images of Maine, has won awards across the country and is capturing the attention of many collectors. “Most of my work is figurative, with a narrative quality. I often use friends and family members as models–this is a venerable tradition dating back to the great renaissance painters. When I have a figure in front of me that I know very well, it leaves me free to focus on the story–what the painting is about.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  September hours are Monday through Saturday 10 am to 6 pm and Sundays 1 pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

New Shows by Anthony and Curry at Gleason Fine Art

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

Gleason Fine Art in Boothbay Harbor opens two new shows on August 31: JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK. The opening reception for both shows is First Friday, September 1, from 5 to 7 pm. Everyone is invited to join Janice and Tom in a glass of Monhegan Brewing beer or fine wine. The two shows run through October 3.

JANICE ANTHONY     Jackson resident Janice Anthony is on the short list of Maine’s most respected and collected contemporary realist painters. A long-time member Tom Crotty’s Frost-Gully Gallery in Freeport, Anthony joined the Gleason roster of artists upon Crotty’s death two year’s ago. The gallery welcomed Anthony’s fresh and direct approach to painting the landscape.

     Anthony’s beautifully rendered landscapes of Maine invite viewers to see the natural world as she does. In her own words: “The content of my paintings lies beyond the visible features of woods, rocks, and water. My intention is to convey the sense of place: the moving air, the solidity of rock, the transience of water, and the strength of the ground beneath. The act of painting unites me with a wilderness that I recognize within myself. Putting paint on the canvas is where I find my bearings, at the intersection of the image and the brush” (O’Hern, “Am. Art Collector,” 6/2012).

       Janice Anthony lives in rural Jackson, Maine, where she and her husband raise cattle. Anthony’s resume is long and includes numerous solo and group shows at prestigious galleries. Her paintings hang in many public collections, including Unum, in Portland, Maine, and the McGraw-Hill Companies in New York City. Her paintings appear in many books and magazines, including the Little/Skolnick series, Paintings of Maine, Paintings of Maine in Winter, and Paintings of Maine Islands.

        For her solo show JANICE ANTHONY: AT ONE WITH NATURE, Anthony has given the gallery a dozen new paintings, including the ethereal “Threshold” (acrylic, 24 by 24 inches), which depicts a place and a moment in time so evocative that one is tempted to use the word “dreamlike.” 

TOM CURRY     Artist Tom Curry could live anywhere, but he and his wife, the writer Kim Ridley, chose the Down East village of Brooklin, Maine. Here Curry’s singular passion focuses on the tiny, uninhabited island of Chatto, which sits in Blue Hill Bay in sight of Curry’s studio.  Curry paints Chatto at all times of day and in all types of weather. 

      The show’s centerpiece, a 48 by 57 inch oil titled “Venus,” is breath-taking. With “Venus,” Curry conjures a spectacular summer day in Maine. Immense, puffy, white clouds float in the sky above Chatto and are reflected in the sea below, enveloping the lush, green island. The open sky is an unforgettable clear blue. The sun, threatening to break through the clouds, yellows their edges. 

       “Venus” is classic Tom Curry: take a simple thing, like a little, green pincushion of an island, and make it the center of the universe, a universe the viewer wants very much to be a part of.

        When Curry can take his eyes off Chatto, Brooklin’s serrated coastline and dozens of islands offer the artist an unlimited number of possibilities to paint. In “The Meadow,” a delicately striped sky fills the top half of the painting. The lower half takes the viewer from the mainland to a wooded island, and then to the distant hills beyond. The striped sky plays against supercharged spring greens and the reds and oranges of newly leafed blueberry shrubs. The result is a stunning painting that lets the viewer know just how precious this bit of coastline is.  

        Both shows, JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK, may be viewed on the gallery’s website: gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849, or send an email to info@gleasonfineart.com. Gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm.

Events at the ANNEX in Castine

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Upcoming Events for the ANNEX –
Co-Presented by the Castine Arts Association

• Artists-in-Residence have arrived!

• August 6-25 Kelly Carmody (Boston) and Viktor Butko (Russia) – They will be painting around town for the first week and a half and then moving into the studio space at the ANNEX. Keep an eye out for them. Both Kelly and Viktor will do a painting demonstration.

• Thursday, August 17, 5-7, Showing for Artists-in-Residence, Ben Skinner and Genevieve Dionne at the ANNEX – come see the ephemoral Castine-inspired installation they’ve been making while in residence.

• Saturday, August 19, 9-12PM, Kelly Carmody Painting Demonstration. Kelly will work through painting a still-life while answering questions from the audience, from 9:00 – 12:00. The public is free to stay the whole time or come and go as necessary. Offered as part of the Artist-in-Residence Program at the ANNEX happening at 8 Water Street, Castine, Maine in the studio.  Free and open to the public. Please come and enjoy the insights of a truly gifted and thoughtful artist.

• Tuesday, August 22, 5-7PM Kelly Carmody and Viktor Butko Residency Exhibition Reception. Show will be up until Friday August 25.

• Thursday, August 31, 5-7: Opening Reception for Charleen Wiseman, Quilts! @ the ANNEX

For more information call or email theannexcenter@gmail.com • 213-839-0851, or drop into Gallery B, 5 Main Street, Castine

The ANNEX is located at 8 Water Street, Castine, ME 04421
www.annexarts.org

Deer Isle Artists Association presents “Fresh Ink,”

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Evocation, by Marianne Alweiss

 

From August 18 through the 31, the Deer Isle Artists Association will present “Fresh Ink,” featuring the art of Marianne Alweis, Don Bardole, Cynthia Bourque Simonds, Betsy Braunhut, Emily Brett Lukens, Janet Cook, Mary Eaton, Judith Felch, Jill Finsen, Jeri Gillin, Kaitlyn Metcalf, Carolyn Raedle, Hub White, and Alice Wilkinson. Appearing in the Art Rack will be work by Leslie Anderson, Avery Falkner, Judith Felch, Judith Felch, Jerry Levitt, and Cynthia Stroud-Watson.

The title “Fresh Ink” refers not necessarily to the materials utilized by each artist; rather it serves as a metaphor for how each interprets the theme and applies it to his or her own work. Included in the show will be a wide range of mediums, including drawing, printmaking, painting, photography, basketry, fiber arts, etc.

A reception with the artists will take place on Sunday, August 20, from 4:00 – 6:00. The DIAA Gallery is located at 15 Main Street in Deer Isle Village, and is open daily from 10:00 – 6:00. www.deerisleartists.com   (207) 348-2330.

Cynthia Winings Gallery presents “Viewfinders”

17-MASTERS-Rain-Room-9'-16'x-14'-mixed-media-on-paper-2017

Buzz Masters, “Rain Room”

The Cynthia Winings Gallery in Blue Hill presents a new group exhibition, Viewfinders, featuring the work of Jenny Brillhart, Brita Holmquist, and Buzz Masters, with new work from Ingrid Ellison, with an Opening Reception, Sunday, August 20, 4 – 7PM

A Summer of exciting shows continues with the the fourth group exhibition of the season!

VIEWFINDERS features the artwork of Jenny Brillhart, Brita Holmquist, Buzz Masters, with new work from Ingrid Ellison. I am fortunate to include artwork from Louise Bourne, Avy Claire, Tom Curry, Diane Green, M P Landis, Bill Mayher, Libby Mitchell, Jerry Rose, John Wilkinson, Goody-B. Wiseman and Diane Bowie Zaitlin.

Everyone is warmly invited to the Opening Reception, Sunday, August 20, 4 – 7 PM. On view through September 18. Contact: Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

Night Stories After Party at CMCA

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Dance the night away at the Night Stories After Party following the Center for Maine Contemporary Art’s Summer Gala on Friday, August 18th, from 9-11pm. CMCA’s courtyard at 21 Winter Street, Rockland, will come alive with dance music by DJ Owen Cartwright, cash bar by Trillium Caterers, ice cream truck by Stone Fox Farm Creamery, a fire pit to gather around, sparklers, and more! Tickets are $10 for CMCA Members, $12 for Non-members, and are available online at http://cmcanow.org/event/afterparty-night-stories/, or the evening of the event.

The CMCA Summer Gala is the art center’s most important fundraising event, offering an exceptional evening of food, drinks, fun, and art. All proceeds provide essential support for CMCA’s exhibitions and programs, including ArtLab, CMCA’s signature hands-on education program for all ages. This year’s Summer Gala honors the opening of Linden Fredrick | Night Stories, a collaboration between the artist and 15 award-winning authors, including Anthony Doerr, Andre Dubus III, Louise Erdrich, Joshua Ferris, Tess Gerritsen, Lawrence Kasdan, Lily King, Louis Lowry, Ann Patchett, Luanne Rice, Richard Russo, Elizabeth Strout, Ted Tally, and Daniel Woodrell. Festivities include a moveable feast and cocktails by Trillium Caterers, oyster bar by Otter Cove Farm, silent auction, live music and entertainment. Event tickets are $225 for CMCA members and $250 for non-members, and include entry to the After Party. Major media sponsor is Maine Home + Design magazine.

In addition, to benefit CMCA, artist Linden Frederick and Forum Gallery have donated his painting, Midnight, 2009 (oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches), valued at $5,500, to be raffled at the Gala. Raffle tickets are $100 each and only 100 will be sold. Tickets are available for purchase online at cmcanow.org or by calling 207-701-5005. Raffle ticket holders do not need to attend the event or be present to win

CMCA to Hold Public Reception for Linden Frederick: Night Stories Exhibition

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

The Center for Maine Contemporary Art (CMCA) will hold a public reception for the exhibition Linden Frederick: Night Stories on Friday, August 25, from 5 to 8pm. The exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers. The exhibition will be on view at CMCA through November 5, 2017.

The collaborating writers include: Pulitzer Prize-winner Anthony Doerr (All the Light We Cannot See); National Book Award-finalist Andre Dubus III (House of Sand and Fog); National Book Award-winner Louise Erdrich (The Round House); National Book Award-finalist Joshua Ferris (Then We Came to the End); Internationally bestselling author Tess Gerritsen (Rizzoli & Isles series); Academy Award-nominee Lawrence Kasdan (Raiders of the Lost Ark); Kirkus Prize-winner Lily King (Euphoria); Edgar Award-winner Dennis Lehane (Mystic River); Newberry Medal-winner Lois Lowry (The Giver); PEN/Faulkner Award-winner Ann Patchett (Bel Canto); New York Times bestselling author Luanne Rice (Crazy in Love); Pulitzer Prize-winner Richard Russo (Empire Falls); Pulitzer Prize-winner Elizabeth Strout (Olive Kitteridge); Academy Award-winner Ted Tally (The Silence of the Lambs); PEN USA Award-winner Daniel Woodrell (Winter’s Bone).

In conjunction with the exhibition, Frederick will present a gallery talk on the inception and creation of the Night Stories series on Tuesday, August 29, at 5:30pm. Space is limited to 40; reservations are required. The event is free to CMCA members; others with admission. To reserve: call 207-701-5005 or email info@cmcanow.org.

Additional upcoming Night Stories programs include a conversation in the gallery with Linden Frederick and author Tess Gerritsen on Sunday, September 17, at 3:00pm; and a conversation between the artist and author Richard Russo on Sunday, October 22, 3:00pm.

A resident of Belfast, Maine, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. He is represented by Forum Gallery, New York and Los Angeles.

CMCA is located at 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org.

Four Solo Shows Opening at Caldbeck Gallery

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

From August 16 to September 16, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit the work of 4 artists: Lois Dodd of Cushing ME and New York NY, Bayard Hollins of Islesboro ME and Ojai CA, Janice Kasper of Swanville ME, and Lise Becu of Tenants Harbor ME.  An opening reception for the artists will take place on Wednesday, August 16, from 6-8 pm.

In “Summer Paintings”, Dodd’s oil on masonite and oil on aluminum paintings sing with the light and air of summer in Cushing, Maine.  Mostly painted within the past 3 years, the paintings range in size from 5 x 7 inches to 18 x 20 inches.   In “Open Barn Door with Wheelbarrow” a very red wheelbarrow casts its shadow on the barn’s cedar shakes.  The shadow is that cool color that only the heated light of summer can create.  In one of the smaller paintings, “Frog Road Kill”, a frog’s little body is painted with a care that is both scientific and tender.  Dodd’s work has been shown widely in NYC, where she shows with Alexander Gallery, and throughout the U.S. for more than 60 years; her first exhibit with the Caldbeck was in 1985; this is her 11th solo show at the gallery.

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

Hollins’s show, “A Special Place”, features paintings in oil on canvas, as well as in acrylic on paper, measuring in the range of 18 x 20 inches to 72 x 60 inches.  About his work, the artist explains, “many influences go in my work, though the dominant theme tends to be the interaction between classical realism and abstract expressionism.  I work very fast, with large brush strokes, in order to convey the rawness of nature.  I like to leave a painting in a sort of incomplete state.  I believe that an unrefined painting is truer to nature and to my own emotions.  Space is created so that the painting can move, breath, and grow in the viewer’s imagination.  He used to love to go out in his power boat in stormy weather, but gave that up, and now relives those experiences in some of his paintings.   This is the artist’s third solo show with the Caldbeck.

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

Kasper’s 5 canvases in her show “New Work” are about nature (and human nature).  Measuring in the range of 21 x 31 inches to 24 x 80 inches, each painting tells a story woven together by the artist’s sense of humor and compassion for the animal world.   “My work is concerned with how we view and interact with our fellow creatures. They make our lives richer and we have the power to enrich their lives by protecting their habitats and by seeing the beauty in all living things”, Kasper says. Kasper was the curator of historic sites for the Farnsworth Art Museum for many years.  Her work there included caring for the Lucy Farnsworth Homestead, as well as the Olson House in Cushing.  Her passion and compassion for wildlife plays out in all of her artwork. She has shown widely in Maine and Connecticut, and has been with the Caldbeck since 1985.

FERTILITY  2017  granite  48 x 13 x 9 inches  Lise Becu

FERTILITY 2017 granite 48 x 13 x 9 inches Lise Becu

“Works in Stone” includes a number of new sculptures by Lise Becu, as well as a number of earlier pieces.  Becu works predominantly in different kinds of granite and Rockland limestone, but also works in alabaster, travertine, and calcite.  Of particular interest to her are found stones – on the beach, or in a wall, or from a slag pile.  “I like to use the natural shape of the stone”, explains the artist.  “I also try to leave some of the stone’s texture that is created by the many years of erosion out in nature.  When I finish a piece, I blend those areas of roughness into the final polished surface.  My imagery usually evolves as I carve, like having a conversation with the stone.  It’s as though the stories appear all by themselves.  I like to describe my work as ‘stylized figurative depictions of everyday life, dreams, and legends’.” Becu has been represented by the Caldbeck since the gallery’s first exhibit in June of 1982.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4.  For more information, please call the gallery at 594 5935, or email at caldbeck@midcoast.com.

Late Summer Exhibitions at Barn Gallery

Evelyne Harper Neill will celebrate over 50 years as a member of the Ogunquit Art Association with a solo exhibition of her paintings in the North Gallery. She will give a Gallery Talk on Thursday, August 17 at 6 PM, a talk that is free and open to the public. There will be an opening reception on Saturday August 19, 5 – 7:30 PM.

Late Summer Exhibitions begin on August 9 and run through September 9. OAA members, old and new, will show paintings, graphics photographs and sculpture in “OAA Expressions” and in a special theme show, “From Above.” Invited New England Sculptors continue to display three-dimensional work in the outdoor Sculpture Court. An ever-changing array of small works of art is always available in the Collectors Gallery.

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Barn Gallery’s expanded schedule of figure drawing sessions, artist demonstrations and workshops in a variety of media as well as artist gallery talks continues through August.

Barn Gallery, Shore Road & Bourne Lane, Ogunquit, Maine
Hours: 11 AM – 5 PM daily, 1 – 5 PM Sunday
For More Information : 207-646-8400, oacbarngallery@gmail.com, or www.barngallery.org

The Sohns Gallery Presents Collage Works By Artist Abbie Read

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The Sohns Gallery, located in The Rock & Art Shop presents collage works by artist Abbie Read. The show runs from August 1st through September 17th. August 25th at 6:30 will be a reception and an artist talk at 7:00.
Abbie Read’s large impressive assemblage installation “Library” was on display in the Sohns Gallery in 2015. She is back in the gallery showing her new Paper Collage works. Abbie Read is drawn to the stained and abused surfaces of old books and discarded objects, the stuff of previous lives and times and the rustier, the more ancient looking the better. She uses her collected objects to create her abstract collage works. One body of work on display showcases exquisite range of reds inspired by the colors of the blueberry barrens on Appleton Ridge in the fall. This captivating gallery show has a range of sizes and prices.

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Jean Kigel’s 19th Annual Eastern Views: Geometric Realism+Attic Windows

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Jean Kigel, Attic Window Series Friendship From Wallaces to the Wharfs oil 18×22

New paintings by Jean Kigel are featured at a museum-quality retro 1950’s setting, the Brick House Gallery, 176 Winslow Mills Road, Waldoboro from August 11th to 13th.  The reception  is on Friday August 11th from 5-7pm.
Celebrating its 19th season, Kigel’s Annual Eastern Views is a synthesis of motifs from Maine and Asia. Continuing her new geometric-realism series, she manipulates visual perceptions, creating a dichotomy of the real and the unreal.  Her seascapes capture jagged patterns of the luminous, shifting light and reflective waters of Maine.  Several muses – including Clary Hill and sea creatures – appear again and again, testament to their emotional power for the artist.  Featured this year is “Muscongus”, depicting the Atlantic in vibrant tones of blues, which she observed while kayaking near her studio.
In addition, Kigel will exhibit her growing attic windows series. These whimsical paintings depict colorful clusters of roof tops of an by-gone, architectural style in Mid-coast towns.   “When I paint this series, I always delight and surprise myself, reshaping forms, reinterpreting colors, and even inserting magical elements like fish into the skies.”
As usual, Kigel’s show is punctuated with paintings of garden perennials; her Asian brush techniques lending a sense of “exotica” to the familiar.
An award-winning member of the Sumi-e Society of America and the Union of Maine Visual Artists, Kigel’s work is exhibited in galleries in Maine, Massachusetts, NY City, and Vermont.    For more information, preview this exhibit at www.jeankigel.com or call 975-3262.

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost”

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Bo Bartlett, Christmas, Oil on linen, 82″ x 100″

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost,”
with an Opening Reception: Friday, August 4 from 5-8pm.
“Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism as defined by artists such as Thomas Eakins and Andrew Wyeth. Like these artists, Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.”

Shaw Jewelry Opening Reception

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Shaw Jewelry in Northeast Harbor hosts an OPENING RECEPTION
Thursday, August 3, 5–7pm, with a show that runs August 3–16

Hughes-Bosca: Bountiful Rarity
Largest collection will be August 3–5
Good things need to be replayed, this is our 8th show. They fabricate 18 kt. jewelry using gemstones, colored diamonds, and artifacts from distant corners. It has weight, glowing surface, quiet confidence, and un-restrained boldness. The soulful power of wearing this work will enhance your mood and presence. Come meet our dearest collaborators, Caro-Gray Bosca and Mary Hughes, Thursday through Saturday.

Jaber Lutfi: Exquisite Bizarre Brought to Canvas
If there is common ground between Van Eyck, Picasso and Hieronymus Bosch, Jaber is it. These figurative acrylics tell an indeterminate story of costumed characters with curiousness turned up to 11. Superbly crafted, allegorical, fantasy realism and flirting with ominous events delivered from the mind of this Montreal based artist.

McTeigue Estate Jewelry
AUGUST 3–5 ONLY
Our second presentation of this venerable New York based estate jewelry firm established in 1895 will be presenting fabulous jewels for three days only. Kate Fisher, born in Australia, and an expert for decades, will be exhibiting magnificent pieces that were in high fashion from before you were born.

Gustav Klimt and Egon Schiele
You read it right, two historic art revolutionaries right here in NEH. Curated by Jerry Suqi of Gallery Feldermaus in Chicago, he will be bringing collotypes from folios made prior to 1930. You will find evocative line drawings of Schiele’s astonishing draftsmanship, and Klimt’s golden and dense surfaces.

Littlefield Gallery presents “Daniel Anselmi: Paper, Scissors, Paint”

Littlefield

 

Daniel Anselmi: Paper, Scissors, Paint
Littlefield Gallery, Winter Harbor
August 14 – September 10
Artist’s Reception Saturday, August 19, 4-6 pm

Daniel’s works on paper and canvas explore the use of paper as an ongoing dialogue between painting and collage. He uses artist-painted paper as one would handle a brush to elicit brushstrokes on canvas. Never using the new, he enjoys the felt quality of the discarded: blueprints, old ledgers, chart papers, and used canvas dropcloths are materials that offer an aesthetic conversation with his work. The paint he applies to these various materials, whether in large cut pieces or intimate fragments, and affix to already created surfaces, offers countless opportunities to express color, line, and form. Though sourced materials are not intended to be recognizable in these abstractions, sometimes surface traces remain that become a moment of discovery for the discriminating viewer.

Closing Reception for “Home is Where the Heart is”

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“I hope you can join us for the closing reception for my show at the Midcoast Conservancy during Wiscasset Art Walk this coming Thursday, August 31st from 5-8 PM.”

This is the second to the last show in the beautiful Hagget Building and Midcoast Conservancy will receive 20% of all sales

Carolyn Gabbe “Home is Where the Heart is” is a solo show at the Historic Hagget Building in Wiscasset, Aug 9 through Aug 31, with an Opening Reception Thurs Aug. 10 from 5 to 8 pm.

 

 

 

 

Philippe Guillerm Gallery opens “From Our Sea”

Philippe-Guillerm

 

Philippe Guillerm Gallery in Waldoboro will have this month’s vernissage on August 12th from 4-7 pm with the unveiling of Philippe Guillerm collection of inks on paper “From Our Sea”

“From Our Sea” is a powerful vision on the wonderful world of traveling and discovering the marvelous ocean. Philippe has sailed the oceans since he was 20 and since then, the oceans have captivated him to a quest of preservation.

Philippe Guillerm is known for his violins and cellos carved from found driftwood and mixed with real music instruments, which convey not only physical strength and beauty but also individuality, intelligence, and grace. Lesser known are his paintings and drawings that further express his artistic involvement with the sea world. This exhibition brings together a series of ink drawings and driftwood sculptures  that will captivate your imagination and define the concept of preserving our waters.

Greenhut Galleries presents New Work by Colin Page

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Colin Page, Hanging Buoys, oil on canvas, 36×48 inches

 

Greenhut Galleries presents New Work by Colin Page, his 4th solo exhibition at the gallery. The opening reception is Thursday August 3rd from 5-7pm.

Colin says this about his work, “These paintings are about where land and water meet. Some of the landscapes are about the colors along the coastline, and others are about how our waterfront engages land and sea. Whatever the subject, color and light are my main attraction to a scene as I start painting. This show is about visual decadence. Whether I’m painting pattern and light, or the chaos of a working harbor, I experience the world through color, shape and line.”

In addition to making art, Colin Page teaches a number of painting workshops across the state.  Colin attended the Rhode Island School of Design and holds a BFA from Cooper Union in New York City.

Linden Frederick: Night Stories Exhibit and Summer Gala at CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

The Center for Maine Contemporary Art (CMCA) is celebrating its first anniversary in its Toshiko Mori Architect building with its Summer Gala on Friday, August 18, 2017. The evening also celebrates the preview opening of the much-anticipated exhibition Linden Frederick: Night Stories, a collaboration between the artist and 15 award-winning authors, including Anthony Doerr, Andre Dubus III, Louise Erdrich, Joshua Ferris, Tess Gerritsen, Lawrence Kasdan, Lily King, Louis Lowry, Ann Patchett, Luanne Rice, Richard Russo, Elizabeth Strout, Ted Tally, and Daniel Woodrell.

The CMCA Summer Gala is the art center’s most important fundraising event, offering an exceptional evening of food, drinks, fun, and art. All proceeds provide essential support for CMCA’s exhibitions and programs, including ArtLab, CMCA’s signature hands-on education program for all ages. This year’s Summer Gala includes a moveable feast and cocktails by Trillium Caterers, oyster bar by Otter Cove Farm, silent auction, live music and entertainment. Festivities will end with Stone Fox Farm Creamery ice cream truck and dancing with music by DJ Owen Cartwright. Event tickets are $225 for CMCA members and $250 for non-members. Major media sponsor is Maine Home + Design magazine.

Gala attendees are also able to reserve an advance copy of the hardcover book, Night Stories: Fifteen Paintings and the Stories they Inspired ($45 + tax), signed by artist, with the purchase of Gala tickets. A number of the featured authors will be in attendance at the event to sign books throughout the evening.

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

In addition, to benefit CMCA, artist Linden Frederick and Forum Gallery have donated his painting, Midnight, 2009 (oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches), valued at $5,500, to be raffled at the Gala. Raffle tickets are $100 each and only 100 will be sold. Tickets are available for purchase online at cmcanow.org or by calling 207-701-5005. Raffle ticket holders do not need to attend the event or be present to win.

Event Tickets are available online at cmcanow.org/summer-gala or by calling 207-701-5005. For sponsorship opportunities, please contact Jean Thompson at jthompson@cmcanow.org

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

The groundbreaking exhibition, Linden Frederick: Night Stories, from August 19 through November 5, 2017 with an Artist Talk August 29, at 5:30pm. The much-anticipated exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers.

The exhibition, and the accompanying book, Night Stories: Fifteen Paintings and the Stories They Inspired, have been eight years in the making. When artist Linden Frederick (b. 1953) realized a growing number of his collectors were novelists and screenwriters, he wondered what would happen if the writer-illustrator relationship were reversed: the painting first, then the writing. The result is Night Stories. Fifteen celebrated American fiction writers each agreed to select one painting especially created by Frederick as inspiration and then, over the following months, write a unique story inspired by it.

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

A native of Amsterdam, New York, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. Frederick has lived and worked in Belfast, Maine since 1989. He has had more than twenty solo exhibitions of his work throughout the United States, including the exhibition You Are Here, held at CMCA in Rockport, in 2010.

CMCA, founded in 1952, is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207-701-5005 or visit cmcanow.org.

Henry Isaacs: Working Color II at Gleason Fine Art

Burnt Coat Harbor, Swans Island #5 oil on canvas 20x40"

Burnt Coat Harbor, Swans Island #5
oil on canvas 20×40″

Cranberry Island artist Henry Isaacs paints with energy, passion, and self-assurance. His style—broken brushwork and a palette of delicate blues, greens, pinks, and yellows—marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet. He is both worldly and down to earth, both witty and self-effacing, generous with his time, and passionate about the dangers of the art world’s becoming overly commercialized.

The show runs  from July 29 – August 29, 2017 with an Artist’s Reception: Friday, August 4th, 5-7pm.

For more information contact Gleason Fine Art:
www.gleasonfineart.com
31 Townsend Avenue / Boothbay Harbor / Maine 04538
207-633-6849

 

August Events at the ANNEX and Gallery B

Lyn Mayewski – An Exhibition of New Felted Animal Sculptures – a Fundraiser to Benefit Endangered Species

The felted sculptures are primarily of endangered and threatened animals throughout Maine and the world.  Half of the proceeds from sales will go to the World Wildlife Fund and the Climate Change Institute.
@Gallery B, 5 Main Street, Castine

Exhibition runs: July 28 – August 3, 2017
GALLERY B.
Free and open to everyone

 

Annex Feature Exhibition:  The work of Thomas Barrett and Leni Mancuso, and their son, Kedron Barrett

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•Opening reception: Tuesday, August 1, 5-7
•Artist Talk: August 5, 7PM
•August 1 – 7

These longtime Castine residents were astonishingly gifted, avant-garde, and prolific. It is our honor to show their work at Gallery B and the ANNEX. Tom and Leni met in New York in the 1940s while studying art at the Brooklyn Museum School. They came up in the art world in New York City when it was the nexus of art innovation and they worked side-by-side with many of the well-known artists of the Abstract Expressionism movement. Both of their bodies of work reveal a deep thoughtfulness, a response to the different eras they lived in, and explorations of shifting styles and movements. They started summering in Maine in the 1960s, and much like Marsden Hartley and Fairfield Porter before them, they brought worldly expressive and stylistic innovations to bear on representing the Maine landscape and culture that became its own style. Kedron Barret, their son, was raised immersed in art and became a fabulous painter and print-maker himself. He lives in Berlin, Germany and visits Castine 3 or 4 times a year. Please join us to hear him talk about the lives and work of his parents, Leni and Tom and his own work.

For more information visit: www.gallerybgallery.com

Betts Gallery Opens Comfort Zone

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Please join Betts Gallery at an opening reception on Friday August 4th, 5:30-8pm, for their late summer show entitled ‘Comfort Zone’. The show features paintings by two expressive midcoast artists, Kathleen Mack and Carol Sloane. Mack divides her time between Round Pond, Maine and Italy, and Sloane between Washington, Maine and Nova Scotia. In Mack’s oil and wax paintings, she explores the idea of wanderers, ‘living on the edge’ in search of a comfortable place, while Sloane’s oil paintings explore the mutual affection and devotional relationship between people and their pets.

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

The show runs from August 4th through September 2nd. The Belfast Framer and Betts Gallery are located at 96 Main St, and also may be entered on Beaver St. For more information please call (207) 338-6465 or visit our website www.thebelfastframer.com

WET PAINT AUCTION COMING TO WALDOBORO AUGUST 5th

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Paint the Town, Waldoboro’s annual plein air event and art auction, is returning on August 5th. Many well-known artists will rendezvous in one of the Mid-Coast’s hidden gems, and spend the day painting select views of the historic village and surrounding countryside.  The fresh art will be auctioned off at day’s end, following an artists’ reception featuring fresh lobster hors d’euerves and local wines from Cellardoor Vineyard. Wet Paint preview starts at 4:30 pm, with the auction beginning at 6:00 pm. $15 suggested donation at the door. The event takes place at 995 Main Street, in Waldoboro. All proceeds are shared by The Lions Club, The Waldoboro Public Library, and the Waldoboro Volunteer Fireman’s Association. For more information, visit https://www.facebook.com/paintthetownwaldoboro or email nkmasse@yahoo.com

Two New Shows in August from Gleason Fine Art

Henry Isaacs, Near Damariscotta, oil, 30x40”

Henry Isaacs, Near Damariscotta, oil, 30x40”

Gleason Fine Art opens two new shows on July 27: Henry Isaacs: New Work and Peter Sculthorpe: An Eye for Monhegan. The opening reception for the artists is First Friday, August 4, from 5 to 7 pm. Everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine. The two shows run through August 29.

HENRY ISAACS: NEW WORK    Artist Henry Isaacs paints with energy, passion, and self-assurance. His style–broken brushwork, a liberal use of paint, and a sunny palette of blues, greens, pinks, and yellows–marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet.
Henry Isaacs and his wife Donna divide their time between Portland, Maine, Vermont, and the tiny village of Islesford on Little Cranberry Island, located just next door to the much larger island of Mount Desert. Little Cranberry has seen dozens of artists over the years, including most recently Isaacs and his close friend, renowned children’s book author Ashley Bryan. Earlier artists included Dorothy Eisner (whose estate is handled by Gleason Fine Art), William Kienbusch, and John Heliker.
Freelance writer, and Portland Newspapers arts reviewer, Dan Kany uses high praise to describe Isaacs’ technique: “Isaacs’ approach to color is based on balancing warm and cool tones. He does this brilliantly. His handling of paint owes an unapologetic debt to the chunky boldness of the early 20th century Modernists and Fauves such as Matisse. The brushwork is strong, dedicated to the job of pushing paint around the canvas–an activity Isaacs clearly enjoys.”

Peter Sculthorpe, Storm at Sunrise, oil, 30x30”

Peter Sculthorpe, Storm at Sunrise, oil, 30x30”

PETER SCULTHORPE: AN EYE FOR MONHEGAN      Classically trained at the prestigious Pennsylvania Academy of Fine Art, Peter Sculthorpe’s painting style is meticulous and hard-edged. Through his masterful use of light and unsurpassed observational skills, Sculthorpe creates the feeling in the viewer of being on the cusp of a significant event, either one that has occurred or is about to occur. He captures the tension and beauty as the sun sets, the moon rises, or the wind blows, suspending the viewer in the moment to ponder the infinite.
Sculthorpe has traveled extensively in the northeast and the maritime provinces to gather inspiration and subject matter for his paintings. However, it has been Monhegan Island that has really brought his imagination to the fore. Look at Sculthorpe’s magnificent “Morning Fog (Monhegan)”. This little white cape house on Swim Beach has been in dozens, if not hundreds, of paintings, but you’ve never seen it like this before. As is his genius, Peter Sculthorpe sees something different and then paints it as he sees it. It’s skill, but it’s also a little bit of magic.
Sculthorpe creates works of great beauty, finding the transcendent in what to the casual observer may at first seem commonplace. The Brandywine Museum, the Berman Museum, the Butler Institute, and the Delaware Art Museum all have sssSculthorpe paintings in their collections. Corporate collectors include Bank of America, Forbes, DuPont, and Nabisco. Peter Sculthorpe’s collectors are international. Locally, one of Peter Sculthorpe’s masterworks may be seen in Paul’s Restaurant at the Boothbay Harbor Country Club.
Gleason Fine Art has represented Sculthorpe for over a decade. We are his only gallery in Maine. Gallery Director Dennis Gleason wrote the foreword for the artist’s new book: The Art of Peter Sculthorpe (Schiffer).

Both “Henry Isaacs: New Work” and “Peter Sculthorpe: An Eye for Monhegan” are open now and run through August 29, with a reception for the artists on First Friday, August 1, from 5 to 7 pm. Friends, collectors, and fellow artists are all invited to attend the reception. Summer gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm. For further information, call Gleason Fine Art at 207-633-6849, or email the gallery at info@gleasonfineart.com. View both shows, and the gallery’s entire inventory of contemporary and estate art, at www.gleasonfineart.com

“Nature As Color” at Landing Gallery

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

Landing Gallery, 409 Main St. in Rockland opens “Nature As Color”, a solo exhibition of 55 new paintings by Irma Cerese, Aug 4 – Sept 10. The Opening Reception will be held on Friday, August 4th, from 5-8 PM during Arts In Rockland’s first Friday art walk in August.

Irma has always been fascinated with color and her primary interest in painting is focused on color relationships. Her current paintings use the intrinsic beauty and evocative qualities of color to speak to our emotions. Her landscape compositions become an entry point into her paintings rather than depict a specific location or illustrate an idea.

“I use landscape both as a point of connection and departure but I don’t wish to tell a story, or accurately describe the observed world, so I don’t “return to a place in the studio”. Instead, I convert the primary elements of what inspired me in the first place – trees, sky, ground, water, weather, the occasional building, – into an underlying loosely geometric structure. The resulting images often border on the abstract, although I often seek to evoke the general atmosphere of the subject. So I don’t seek to inspire people viewing my work with this or that place; I aim to produce evocative work that is compelling in its own right as a celebration of visual experience.”

 “Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

“Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

Irma Cerese received her formal training at the Academy of Art and the School of the Art Institute, both in Chicago, IL. Irma maintained a studio in New York City until 1985 and her paintings are in numerous private, corporate and institutional collections in the United States and Europe. Landing Gallery in Rockland, Maine, is Irma Cerese’s principal gallery affiliation and the gallery has held 11 consecutive, annual, solo exhibitions for her paintings since 2007.

Please join us in the gallery. Hours: Tues – Sat 11-5, Sun 12-5, Closed Mon, FMI 207 239-1223 or www.LandingArt.com

August Opening at New Era Gallery

“Isabel at Guisando” by William Lasansky, Vinalhaven Black Granite and pigments, 27”x17”x6”

“Isabel at Guisando” by William Lasansky, Vinalhaven Black Granite and pigments, 27”x17”x6”

New Era Gallery’s late summer show is entitled “Land and Legend” and will feature the work of sculptor William Lasansky and photographers Andrew Crane and Ron Rosenstock.
William Lasansky was born in Argentina, but has been a part of the Vinalhaven community for seventy years. His intense observations of the natural world led to a love of Vinalhaven stone, particularly the gabbro that is known locally as black granite. His sculpture references his broad exposure to many world cultures.

Ron Rosenstock leads photographic workshops in many parts of the world, including Vinalhaven. He has worked and taught here for many years, developing an extraordinary body of images of iconic island landscapes. Andrew Crane is making his first appearance at New Era Gallery, with a group of tintype photos of the island. Crane has traveled extensively, creating small, powerful images that are at once contemporary and yet lost in time.

The show opens on August 5 with an artist’s talk at 4:30pm followed by a reception from 5:00–7:00pm, and runs through August 30. Summer gallery hours are Monday through Saturday 10:00am – 5:00pm and Sunday 11:00am – 2:00pm. Please visit neweragallery.com for a complete schedule of shows and events.

August 6th Opening Reception at Turtle Gallery

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5" x 8" x 6" © Lynn Duryea

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5″ x 8″ x 6″ © Lynn Duryea

This new exhibition features new work from fiber artist Sondra Bogdonoff, the ceramics of Lynn Duryea and Paul Heroux, new abstract paintings by Jaap Eduard Helder and mixed media constructions by Jamie Johnston.

Fiber artist Sondra Bogdonoff will be exhibiting at the Turtle Gallery for the first time. Portland based, Bogdonoff has returned to the studio after a 20 year hiatus from full-time weaving. She describes the new work as a beginning and each weaving as it’s own short story. In addition to the weavings, Bogdonoff explores working on paper in a series titled “Stilled Life” which explores the grid structures and linear sensibilities of weaving in wax pastels.

Gallery artist Lynn Duryea will be exhibiting a new body of work she has completed since retiring from her tenure of teaching ceramics at Appalachian State and returning to Maine full-time. Through elemental shape and form, Duryea’s reference is to architectural, structural and mechanical elements.

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24" x 24", 2017 © Jaap Helder

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24″ x 24″, 2017 © Jaap Helder

Abstract painter Jaap Eduard Helder returns to the Gallery with a vibrant new series of paintings. Created over the winter and spring, he refers to the work as a re-emergence and re-commitment to his art. Helder creates in layers, working to create balance with new materials, on a new scale and with with new mark making methods. Largely working in square formats on wood panels, Helder creates vivid landscapes of abstractions.

Ceramic artist Paul Heroux returns with a new series of his distinctive forms and abstract compositions. Having worked with ceramic vessels as a painting surface for over twenty years, Heroux continues to reinvent the work using photo transfers, underglaze decals and metallic lusters. His folded vessels not only speak to his abilities as a painter but to his sculptural awareness – the folds of each vessel taking new lines and each foot finding a different path to the surface it rests on.

Paul Heroux, Folded double vase, soda-fired stoneware, 8" x 15" x 6", 2016 © Paul Heroux

Paul Heroux, Folded double vase, soda-fired stoneware, 8″ x 15″ x 6″, 2016 © Paul Heroux

Woodworker Jamie Johnston joins the Turtle Gallery with his show Constructions. His minimalist approach to design allows the woods inherent beauty to speak all while controlled by a masterful understanding of design.

In addition, Jewelers Glenda Arentzen and Heather Guidero will have full collections on display.

Opening Reception Sunday, August 6 from 2 to 6 PM – A vast collection of jewelry and contemporary craft, print collections and Sculpture Garden will also be on display. Light refreshments will be served.

Show runs through Saturday, September 2nd. For more information visit www.theturtlegallery.com

Art Space Gallery First Friday Art Walk

Art Space Gallery invites you to the August Arts in Rockland First Friday Art Walk.  We will be hanging a new show in our front room featuring works by John Wood, Penny Markley, Lara Marx, and Obrianna Cornelius. You’ll also find many new works displayed throughout the gallery. Please stop by and join us for wine, refreshments and meet our artists Friday, August 4th, 5 to 8pm.

John-Wood_At-Lobster-Cove_watercolor-copy

John Wood, Lobster Cove

John Wood is a painter who lives in Rockland, Maine. He studied oil painting under the tutelage of Michael Aviano at the National Academy in NYC. In 1996, Wood switched his style to watercolors, and location to Philadelphia where he studied with James McFarlane and Frank Webb. He joined the Watercolor Society of both Pennsylvania and Baltimore and exhibited at the Berman Art Museum and Woodmere in Pennsylvania. Moving to Maine in 2008, Wood resumed the oil painting and studied locally with Ron Frontin.

 

Penny-Markley_Willows-in-Spring_acrylic

Penny Markley, Willows in Spring

Penny Markley, a painter from central Maine, is fascinated by Maine’s varied landscapes, both inland and coastal. Recently she has focused on the various cloud patterns and light brought by changing weather. The paintings she displays in August’s show emphasize the sky and its effects on the land below. Her work has been accepted into numerous juried shows in Maine and out of state. Her work has hung in the Office of the President of the Maine State Senate, at the State House in Augusta, and is in private collections in the United States and England.

 

Lara-Max,-swimming-bass,-steel

Lara Max, Swiming Bass

Lara Max is an artisan blacksmith living in Orono. She works in steel, copper, and slate creating forms with texture and color out of basic metal shapes. Her interest in the reflective property of metal has inspired her to experiment. “I am intrigued by how hammered metal reflects light, adding details and character to a form with each hammer’s mark.” Her work is highly unique and captures fleeting moments such as bass swimming among the reeds of Maine’s freshwater ponds.

 

Obrianna-Cornelius--Lighthouse-Reflected--Watercolor

Obrianna Cornelius, Lighthouse Reflected

Obrianna Cornelius is a painter living in Hampden who received training in fine art at Pensacola Christian College. She specializes in watercolor landscapes. Her highly detailed paintings are filled with natural color and scenic lighting effects, using Maine’s beautiful landscapes and unique culture as inspiration. “From the glory of a sunset over the ocean, to the historic architecture, to the details of an ice covered berry or a brilliantly colored fall leaf, Maine never stops amazing me. I look forward to every day spent painting Maine.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  August hours are Monday through Saturday 10am to 6pm and Sundays 1pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Star Gallery Opening Reception

Star

Please join Star Gallery for an exhibit featuring:

Jess Hurley Scott
Margery Torrey
Melina White

Thursday July 20,
5 – 7 pm

Star Gallery
6 Neighborhood Rd
P O Box 55
Northeast Harbor, ME 04662

Shaw Jewelry Opening Reception

shaw

 

Shaw Jewelry Opening Reception
Thursday, July 20, 5–7pm

July 20–August 2
Petra Class: The Aesthetics of Materials
This will be the first visit from Petra whose work we have presented for decades. She has a playful color palate, using gems connected like constellations in 18 kt and 22 kt gold. They are elegantly simple but dense with beauty. She will be in the gallery Thursday and bringing brand new work.

Julie Freund: Maine Landscapes Redefined
Landscape paintings of Maine composed of bold strokes. Julie abstracts our beloved trees, rocks and atmospheres in colorful montages of texture and color. She is not afraid to go in and rework her canvases to imbue them with life and spontaneity.

Sam Shaw: Figure Landscape Mashup
Sam’s second presentation of fantasy figurative landscapes. The paintings are male and female nudes, often dancing and cavorting in an imaginary setting. At times, the figures and the landscapes merge, tugging the brain between what the mind sees and what the eyes see.

Ben Lincoln: Atmospheric Realism
Ben’s oils straddle the real and the imaginary. Boats, planes, and objects are rendered with invisible forces at play made visible. Such include wind, vortexes, and currents that are given energy, space and presence. Ben was raised and lives today on MDI.

James Groleau: Tide at Littlefield Gallery

"Hidden Falls, Bass Cove" collage on canvas 30 x 24

“Hidden Falls, Bass Cove” collage on canvas 30 x 24

James Groleau: Tide
July 17-August 14
Artist’s Reception July 22, 4-6 pm

Tide is a series of imagery exploring life at the margins of the sea. James Groleau was born in Lewiston, Maine, in 1960. He is the recipient of numerous awards, grants, and fellowhips, including a MacDowell Colony fellowhip in 2001. His work is included in the collections of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Portland Museum of Art, Portland, ME; Cleveland Museum of Art, Cleveland, OH; Oakland Museum of California; National Museum of Fine Art, Antwerp, Belgium; and the Janet Turner Print Museum, Chico, CA. He divides his time between San Francisco and coastal Maine.

"Schoodic Surge" collage on canvas 30 x 24

“Schoodic Surge” collage on canvas 30 x 24

The process for the collage works:

There are several steps I take in the process of making a collage; preparing the paper is a key element. I first paint color inks on crumpled paper, the hills and valleys of which concentrate the ink in certain areas creating an irregular pattern. I allow the painted paper to dry then crumple it again and paint the back side often with its complimentary color. While the paper is still wet I stack one sheet over another and allow that to dry before separating them. I sometimes add acrylic medium to encourage the paper to tear in separation. The image is then created by gluing torn pieces onto stretched canvas. In general the darker colors are laid down first, while the highlights are the final touches. I then sand the collage to an even finish before applying multiple layers of varnish.

For more information visit littlefieldgallery.com

The Cynthia Winings Gallery presents the new group exhibition Visual Impressions

Anna Hepler , March 5, collage on gessoed board

Anna Hepler , March 5, collage on gessoed board

VISUAL IMPRESSIONS: A Group Exhibition is the third show of Season V at the Cynthia Winings Gallery!  Everyone is warmly invited to the Opening Reception for the new group show, SUNDAY, July 23, 4 – 7 PM.

The gallery is pleased to present the artwork of Josephine Burr,Elizabeth Gourlay, Anna Helper, and David Hornung, with new work from Christine Lafuente and Jerry Rose. The exhibit also includes new work from Diane Green, Christine Lafuente, Jerry Rose and Suzanne Siegel. The gallery will also include work from Louise Bourne, Tom Curry, M P Landis, Buzz Masters, Bill Mayher, Libby Mitchell, Carol Pelletier, and John Wilkinson.

For more information contact:  Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

DIAA’s Announces Annual All Member 12×12 Exhibition

2015 All Member 12 X 12 Show

2015 All Member 12 X 12 Show

The eagerly anticipated, annual event at the Deer Isle Artists Association, the “All Member 12 x 12 Show” opens July 21 and runs through August 3. The gallery will contain a seemingly boundless collection of small artworks by almost 70 DIAA members. This show is the opportunity for the public to own pieces of original art by their favorite (or yet to be discovered!) accomplished local artists at an irresistible price of $144. Painters and photographers were challenged to create work measuring 12 by 12 inches. Sculptors, ceramists, jewelers and fiber artists have made works measuring a maximum of 12 inches in any direction. In the ART RACK will be work by Betsy Braunhut, Jacqueline Davidson, Ron Deprez, Glenn Felch, Judith Felch, and Leslie Miller Landrigan.

2016 All Member 12 X 12 Show

2016 All Member 12 X 12 Show

DIAA’s doors open Friday, July 21 at 10 AM and we will remain open until 7 PM to participate in “Third Thursday in Deer Isle.” Please join us for a reception with the artists on Sunday, July 23, from 4–6 PM. The DIAA Gallery is open daily 10 AM–6 PM and is located at 15 Main Street, Deer Isle Village, ME. www.deerisleartists.com (207) 348-2330.

Summer Opening At Gallery at Widgeon Cove

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Announcing showing of “Monhegan Days”, bas-relief paintings of handmade paper by Georgeann Kuhl. Gallery showing includes sculpture, jewelry, handmade books, gifts. Opening reception on Sunday, July 30, from 1 to 5 p.m. Public is invited, and refreshments will be served.
Route 123, Harpswell. Regular hours, Thursday through Saturday, 11 to 5
For more information call 833-6081 or visit widgeoncove.com

Katherine Mead-von Huene featured at Centre St Arts Gallery

Transfiguration, oil on canvas

Transfiguration, oil on canvas

Arrowsic artist Katherine Mead-von Huene is the featured guest artist at Centre St Arts Gallery, LLC, at 11 Centre Street in Bath, from July 17 through September 8, 2017. An opening reception will be Friday, July 21, from 5 to 7 pm at the Gallery.

Mead-von Huene writes: “As a child, drawing gave me an alternate world, to which I could escape and saturate in the things I loved. My artistic mother encouraged me, providing lessons and materials. I attended art schools as finances permitted, but am mostly self-taught, working primarily in watercolor, oils and graphite.

Ready for the Launch, oil on canvas

Ready for the Launch, oil on canvas

“While living in Pennsylvania with several artist-friends, I painted that which surrounded us: flowers in the vast gardens, landscapes, and insects. Maine has been home for the past 26 years. Although raising my son took the place of art creation for many years, I am now getting back to my studio.”

Twenty member-artists of the Centre St Arts Gallery, LLC have new works in the latest show at the gallery which will run until September 8, 2017.

For more information call 207-442-0300, go to the website: centrestartsgalleryllc.com, or visit the gallery Monday through Saturday, 10:30 am to 5:00 pm, Sunday 12 noon to 4 pm (closed Tuesdays in September).

Portland Museum of Art Announces Grand Opening of the David E. Shaw and Family Sculpture Park

Sculpture Park Opening

On July 7, the Portland Museum of Art will open the David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden with a community celebration. Taking place on First Friday and featuring food trucks, live music, raffles, art-based activities, and much more, the grand opening of the David E. Shaw and Family Sculpture Park will be the arts and cultural event of the season.

In addition to the grand opening, the entire museum will be free and visitors will be encouraged to take their PMA Summer of Sculpture experience from the Park to the major exhibition inside, A New American Sculpture, 1914-1945: Lachaise, Laurent, Nadelman, and Zorach.
The David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden not only makes outdoor art, a crucial and unique part of the PMA collection, more available to everyone, but it also improves quality of life in Portland, creating a green space where anyone can have quiet moments with world-class works of art at any time during museum hours. The grand opening event also serves as the unveiling of the latest addition to Portland’s outdoor arts landscape and a new major work in the PMA collection: Jonathan Borofsky’s Human Structures (24 Figures Connected).

The Joan B. Burns Garden has incorporated sculpture since Celeste Roberge’s Rising Cairn was installed there in 2000. Since then, the PMA acquired Anthony Caro’s Moment in 2012 and John Bisbee’s Hearsay in 2016. Aside from specific events, however, the public has never been allowed access to the Garden; visitors to the PMA could only admire the works from viewing points throughout the inside of the museum or the sidewalk on High Street. Thanks to Shaw’s gift, the Garden will be open to anyone during PMA hours May through December; whether they are visitors to the museum or simply out for a stroll in Portland.

For more information visit www.portlandmuseum.org

July 9th Opening Reception at The Turtle Gallery

Jeff Loxterkamp, View from Greenhead Lane

Jeff Loxterkamp, View from Greenhead Lane

Join The Turtle Gallery for an opening reception Sunday, July 9 from 2-6 pm

Featuring
Siri BECKMAN – Selected Works
Peter KEMBLE – New Work
Jeff LOXTERKAMP – Paintings
Barbara SULLIVAN – Maine Women Artist Portraits
* * *
with House Gallery
Black & White Show
featuring Vaino KOLA
Gene SHAW & Many More

Siri Beckman, Pileated Woodpeckers

Siri Beckman, Pileated Woodpeckers

Longtime Turtle Gallery artist and Deer Isle printmaking favorite Siri Beckman will be showing Selected Works including new woodcuts, her iconic wood engravings and handmade lampshades. The prints emanate an intimacy with island life and a deep appreciation of the character of our DownEast fishing communities; as well as the wildlife that is a part of daily life on the Maine Coast. Both Beckman’s rootedness in work and place are intangibly linked in this show, giving the viewer a look back with a simultaneous look forward in an artist’s journey.

Peter Kemble, Linescape

Peter Kemble, Linescape

Graphic artist Peter Kemble shows New Work. A longtime summer resident of Deer Isle, Kemble has been working to bring life and intrigue to an empty palette with technology as his tool. He defines his understanding of art as a form of experimental revelry – using form, line and color as methods to produce a playful interpretation of light and space.

Jeff Loxterkamp, NAPA Auto Parts

Jeff Loxterkamp, NAPA Auto Parts

Bangor-based painter Jeff Loxterkamp graces the Gallery Barn with a large collection of new Oil Paintings. With an enviable eye for finding beauty in and adding abstractions to everyday life, Loxterkamp paints views other eyes may miss. Infused with a vivid sense of reality, this collection of highly texturized and richly toned oils offers a striking visual interpretation of Maine.

Barbara Sullivan, Portraits

Barbara Sullivan, Portraits

Fresco artist Barbara Sullivan returns to the Turtle Gallery with a powerful series of Maine Women Artist Portraits. While painting is not a new endeavor for Sullivan, this series embarks on a larger mission of recognition, appreciation and a timely focus on how women are a driving force in Maine arts and beyond.

Vaino Kola, Norton Woods I

Vaino Kola, Norton Woods I

A Black & White Show fills the House Gallery and immerses the viewer in a monochromatic understanding of nature and space. Featuring the masterful etchings of Vaino Kola, woodcuts from Gene Shaw and prints and drawings from a host of Gallery artists.

A vast collection of jewelry and contemporary craft, print collections and sculpture garden will also be on display. Light refreshments will be served. For more information call 207-348-9977 or visit
TheTurtleGallery.com

Henry Isaacs – Finding Values at Greenhut Galleries

 

Somes Sound from Sargent Drive, 36x24, oil on canvas

Somes Sound from Sargent Drive, 36×24, oil on canvas

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush. He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

The exhibition runs July 6 – 29, 2017 with an opening reception on Thursday July 6th, 5-7pm.

Minter

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail. His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours: Mon to Fri 10am – 5:30pm and Saturday 10am – 5pm. For more information call
207.772.2693 or visit www.greenhutgalleries.com

“POINTS NORTH” Now Showing at Landing Gallery

“Standing Tall”  by Jill Valliere, Oil/Copper Leaf

“Standing Tall” by Jill Valliere, Oil/Copper Leaf

Landing Gallery at 409 Main St. in Rockland proudly announces the opening of “POINTS NORTH” from June 30 – July 30”. The new three-person exhibition focusing on current paintings and photographs by Roberta Baumann, Bruce Busko and Jill Valliere. The Artists’ Opening Reception will be held on Friday, July 7th, from 5-8 PM during Arts In Rockland’s first Friday art walk. All three artists are Rockland Residents and have widely exhibited their work throughout Maine.

Jill Valliere is a 1997 graduate of the Rhode Island School of Design. “I have always been drawn to the vibrancy and texture of art, this translates to my own process of layering, adding and subtracting elements in my works. This additive and subtractive process creates a textural surface and tension which ultimately brings forth the nuances of color, depth and shadow. My use of metal leaf as a medium in my paintings creates an effulgent, transitional passage, which serves as the basis for the conceptual origin of my work.”

“Quiet Cove, Low Tide”  by Roberta Baumann, Alternative Process Photograph on Copper

“Quiet Cove, Low Tide” by Roberta Baumann, Alternative Process Photograph on Copper

Roberta Baumann is an award winning fine art photographer with over 60 shows and exhibits. Roberta has been taking photographs all of her life and has kept up with new processes, techniques & equipment. “Physically exploring space and light while out in nature becomes the beginning of an image. Back in the studio the fun really begins. Additional processing using various applications and materials are combined for the final work. Alternative processing adds a richer and more complex final photograph.”

Bruce Busko is an exhibiting artist and Owner/ Director of Landing Gallery. His work has been exhibited in his galleries, in NY and ME, since 1980 with a long list of additional Juried Shows, Invitational Exhibits and Awards. He received his MFA from Pratt Institute and BFA from the Pennsylvania State University. “During my frequent hikes, throughout Maine, I like to gather inspiration and visual information for my paintings. Nature walks and my outdoor experience become the first step for creating art in my studio. Sketches, photos, memories and on site materials become the initial components of my painting process. Each element lends its “specific flavor” to enrich my feeling for nature.”

For more information please call 207 239-1223 or visit www.LandingArt.com

Mid-Season Exhibitions opening at Barn Gallery

2017_Briggs_Parisian_Beggar1

‘Regional Artists: An Open, Juried Show’ is one of four new Mid-Season Exhibitions opening at Barn Gallery on June 28. Andres Verzosa, former Interim Executive Director and Curator at the Ogunquit Museum of American Art (OMAA) and former owner of Aucocisco Galleries in Portland, Maine will select work for this show from entries by local artists and members of the Ogunquit Art Association. ‘OAA Expressions’ features a wide variety of art by OAA artist members. Sculptor Jeffrey Briggs and painter Theresann D’Angelo have Showcase exhibitions in the North Gallery.

There will be an opening reception on Saturday July 8 – 7:30 PM. You can also join them for a free Gallery Talk on Thursday, July 13 at 6:00 PM. Invited New England Sculptors continue to display three-dimensional work in the outdoor Sculpture Court. An ever-changing array of small works of art is available in the Collectors Gallery.

2017_TD'Angelo-HotCloudsOverBay

Barn Gallery’s expanded schedule of figure drawing sessions, artist demonstrations and workshops in a variety of media as well as artist gallery talks continues through July and August

For More Information: 207-646-8400 or oacbarngallery@gmail.com. www.barngallery.org

The Caldbeck Gallery Welcomes the Work of David Dewey

Pemaquid Light: Winter Moon, 2016  watercolor on paper  11 x 38 1/2 inches  David Dewey

Pemaquid Light: Winter Moon, 2016 watercolor on paper 11 x 38 1/2 inches David Dewey

From July 12 through August 12, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit new work in watercolor by David Dewey of Owls Head and Blairstown NJ. In the upstairs galleries, there will be an exhibit of selected paintings, photographs, and sculpture by gallery artists, including Katherine Bradford of Brunswick and NYC, Alan Bray of Sangerville, Sam Cady of Friendship, Jeff Epstein of Cushing and Brooklyn NY, Melanie Essex of Cushing, Nancy Glassman of Searsmont, John Goodman of Friendship and Wellesley MA, Frederic Kellogg of Thomaston and Washington D.C., Kristin Malin of Georgetown, K.Min of Friendship, Kayla Mohammadi of South Bristol and Brookline, MA, Dennis Pinette of Belfast, Barbara Sullivan of Solon, Todd Watts of Blanchard, Dan West of Friendship, Susan Williams of Camden, and Nancy Wissemann-Widrig of Cushing and Southold NY. A reception for the artists will take place on Wednesday, July 12, from 6-8 pm.

Pemaquid Point: On the Fourth, 2016 watercolor on paper  25 x 38 5/8 inches  David Dewey

Pemaquid Point: On the Fourth, 2016 watercolor on paper 25 x 38 5/8 inches David Dewey

The Pemaquid Light Paintings: Watercolors of an Iconic Maine Landmark 2014 – 2017 is David Dewey’s most recent body of work, painted over the time period of 2014 – 2017. The artist explains, “since first settling into Maine many, many years ago, I’ve visited both Pemaquid, the Light and the place, more times than I can count. It’s been a kind of Mecca and retreat for me, where I loved to paint small watercolors with my field kit. But as my dear friend, Joe Fiore, once told me, “sometimes you just need to take a walk and not paint, so you don’t miss the things of beauty in nature that are important”. I took this lesson to heart: some of my best experiences at Pemaquid were when I just walked around, or sat on those grand rocks and simply watched the light change. Those years of returning again and again to Pemaquid Light to visit and to paint have led to many significant large-scale watercolors.  The watercolors in this exhibit range in size from 8 x 36 inches to 27 x 39 inches. This is his 6th solo show with the Caldbeck Gallery, where he has been represented since 2004.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4. For more information, please call the gallery at 594-5935, or email at caldbeck@midcoast.com

Conversations: Studio and Table at Fiore Art Center

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

The Joseph A. Fiore Art Center will host its first ever gallery exhibit, opening on July 8th, with a public reception from 4-6pm. Conversations: Studio and Table is curated by David Dewey, co-director of the Fiore Art Center, curator of the estate of Joseph A. Fiore with the Falcon Foundation, and an esteemed watercolorist represented in Maine and New York. The exhibit features the work of sixteen prominent artists, most of whom live or spend summers in Maine: Richard Abbott, Sam Cady, Kimberly Callas, Lois Dodd, Nancy Glassman, Cynthia Hyde, Frances Hynes, Jim Kinnealey, Dennis Pinette, Carol Rowan, Susan Stephenson, Susan Van Campen, Tim Van Campen, Mary Jean Viano Crowe and Patricia Wheeler. All of these artists were invited to be a guest at the Fiore Art Center’s 2016 residency farm-to-table dinners and studio visits.

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

“2016 was a very exciting first step for our artist residency program at Rolling Ares Farm,” says Dewey. “Having distinguished artists join us for weekly studio visits and delightful farm-to-table dinners was a valuable experience for our artists-in-residence, as well as an important contribution to the Fiore Art Center’s residency program,” he explains. The exhibit, Conversations: Studio and Table was a natural outcome, as conversations begun in the studios turned into lively discussions around the table, touching on art, agriculture, the relationship between humans and environment, observation, intention, how art can be a voice for awareness, and so on.

As a program of Maine Farmland Trust, the Fiore Art Center aims to attract artists for whom the relationship between human and environment is an important element in their work. Naturally, many of the artists invited to the table resonate with that theme, and often, this resonance is apparent in the art they create. Take Kimberly Callas’ sculpture Honey-eyed, for instance: a digitally constructed, 3D-printed mask made from PLA filament (a corn-based plastic), coated with yellow and black iron oxide pigments in a solution of acrylic and beeswax

Kimberly Callas: Honey-eyed, 3D printed mask - PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Kimberly Callas: Honey-eyed, 3D printed mask – PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Callas, who teaches sculpture at Monmouth University in New Jersey, explained that she wanted to explore working with 3D printing and train herself in that medium, as it is gaining ground in the arts, sciences and construction. “Creating masks gives me a way to integrate patterns of nature with the human form,” says Callas. “I ask myself: ‘Where is our ecological self, and how can we express that part of ourselves more?’ Sometimes when you speak from behind a mask, you can speak more truthfully and open up that ecological voice.

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16” 

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16”

Lois Dodd’s work, in contrast, is a small landscape titled Will’s Cabin. “It’s a modest piece,” observes Dewey. “It shows the little white building artist Will Barnet would stay in when he would come up to be with his daughter, Ona Barnet, at the Rock Gardens Inn near Bath – a place of great natural beauty.” Barnet spent his summers “on retreat” there, while Dodd would be teaching painting workshops. Dewey chose this particular piece “because it marks the long relationship between Lois and Will: they became good friends, ever since she was a student of his at Cooper Union (NYC).”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

The work by the sixteen veteran artists in Conversations: Studio and Table represents a high water mark of the mission of the Joseph A. Fiore Art Center at Rolling Acres Farm: excellence in ideas, creative vision and environmental awareness. Conversations: Studio and Table will be on exhibit from July 8 through September 4, 2017. The Gallery at Rolling Acres is located at 152 Punk Point Road in Jefferson and is open on Saturdays throughout the summer, from 12-4, or by appointment. In addition to the exhibit, there will be Open Studio Days at the Center on the last Saturday of each month, showcasing the work of each month’s artists-in-residence. July’s Open Studio Day will take place on the 29th, from 11-3. For more information please visit https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/.

“By Land and by Sea” on display at Joy To The Wind Gallery

Under A Summer Sky”   18 x 24 oil on linen  Lynne Seitzer

Under A Summer Sky”
18 x 24 oil on linen
Lynne Seitzer

Joy To the Wind Gallery will present a compelling new exhibit featuring landscapes and seascapes by artists Lynne Seitzer and John M T Seitzer during the month of July. The artist reception for “By Land and By Sea” will be held at Joy to The Wind Gallery on Friday, July 7th from 7-9pm. All are welcome to join them in the celebration at 34 Atlantic Avenue, Boothbay Harbor, Maine.
The exhibit highlights the local color and natural beauty of the region.

The two artists continue to stretch themselves creatively. Both have spent their lives, to date, in the pursuit of art, creative exploration and knowledge. John M T Seitzer holds a BFA degree in painting and ceramics and a Bachelor of Science degree in Art Education from the University of Minnesota, Mankato. He also is an expert custom picture framer (45 years) which is reflected in the beautiful frames found on his and Lynne’s art. Lynne Seitzer earned a Liberal Arts degree from the University of Minnesota, Mankato and a Commercial Art degree from South Central College. Along with painting she has been an educator, art director , fashion illustrator and a greeting card designer.

First Light  30 x 40 oil on linen  John MT Seitzer

First Light
30 x 40 oil on linen
John MT Seitzer

For the last 18 years John and Lynne have owned and operated Joy To The Wind Gallery, Studio and Custom Picture Framing Service- a bright art filled gallery at 34 Atlantic Avenue, Boothbay Harbor, ME. Together they have dedicated their lives to the joys of living a life woven deeply in the visual arts. Don’t miss this journey “By Land and By Sea” reception Friday evening, July 7th from 7-9 pm at Joy To The Wind Gallery. For more information call 207-633-7025 or visit joytothewind.com

See The Forest and The Trees at the Eastport Art Center

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The Forest and The Trees is a 20 year retrospective of paintings and weavings with natural fibers by by artist Leatrice Linden. The show opens at the Eastport Art Center, 36 Washington Street, Eastport, Maine on  July 8, 2017, with an opening reception July 9. The Forest and the Trees runs through August 2, 2017.

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Linden, a New York artist who moved to Maine in the early 70’s, co-curator and exhibited in The 70’s Show: Art and Place at The Tides Institute in Eastport, Maine. Her work has been exhibited through out the United States and is in collections here and in Europe.

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For more information pleas contact Leatrice Linden at llstudios938@gmail.com

Gleason Fine Art opens two new shows

Andrea Peters, Lupine Land, oil on paper, 12x22”

Andrea Peters, Lupine Land, oil on paper, 12x22”

Gleason Fine Art opens two new shows: ANDREA PETERS: IN LIVING COLOR and KEVIN BEERS: FROM MANANA TO HAVANA, beginning Thursday, June 29th, and running through Tuesday, July 25th,. The opening reception for Beers and Peters is 1st Friday, July 7th, from 5 to 7 pm. Everyone is invited to join Andrea and Kevin and enjoy a glass of Monhegan Brewing Beer or fine wine.

ANDREA PETERS: IN LIVING COLOR
East Boothbay artist Andrea Peters’ world is outside her windows – salty inlets, mossy ledges, towering spruces, and abundant flower and vegetable gardens. It is a quintessentially Maine landscape, where the keen-eyed Peters sees more in a glance than many of us would see in a lifetime. Andrea loves color. She dazzles us with her passion for paint. Her yellows sizzle, her reds pop, and her blues make us swoon.

 Kevin Beers, Manana Sunset, oil on canvas, 18x22”

Kevin Beers, Manana Sunset, oil on canvas, 18x22”

KEVIN BEERS: FROM MANANA TO HAVANA
When Kevin Beers first walked into Gleason Fine Art nearly 20 years ago, he had just given up his Manhattan position as an art director in order to follow his passion, becoming a full-time artist. He had just begun to paint landscapes, but, “motorhead” that he is, he focused primarily on old cars and trucks that had caught his eye. Beers studied each vehicle to discover its story, so each painting became a kind of portrait. A pea-green truck with lots of missing paint became “Rusty,” and a car with a particularly ferocious looking grille became “Vampire.” The cars and trucks took a backseat. However, one place, a country where old cars have been repaired and reused for over half a century, lived on in Beers’ mind; that place was Cuba.

Both “Andrea Peters: In Living Color” and “Kevin Beers: From Manana to Havana” run through July 25. The reception for Andrea and Kevin, to which everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine, is First Friday, July 7, from 5 to 7 pm. Both shows, plus the gallery’s entire inventory of contemporary and estate art, may be viewed on the gallery’s website gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849 and ask for Dennis, Marty, or Andrew Gleason, or Diana Kerr. Or email the gallery at info@gleasonfineart.com. Summer hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4

Haynes Galleries’ Celebrates the Summer Season With Majestic Views of the Water

Joseph McGurl Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises Oil on Panel 14 x 8.5 inches

Joseph McGurl
Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises
Oil on Panel
14 x 8.5 inches

For its 2017 season, Haynes Galleries in Thomaston will present “Homage to the Art of the Sea.” This exhibition of seascapes will showcase the magic of marine vistas, including views of Maine, by four of the country’s finest marine artists. Through a modern lens, Joseph McGurl, William R. Davis, Donald Demers and Marc Dalessio capture in paint the appeal of the water, sky, and light along the coast, an appeal that often cannot be expressed in words. “Homage to the Art of the Sea” opens July 6 in Thomaston and continues through the summer until September 9 and will showcase four of the country’s finest marine artists but each has its own aesthetic and vision.

Joseph McGurl calls himself a contemporary luminist. For him that means his paintings explore the same ideas as the Luminists of the 19th century, like a poetic & philosophical contemplation on nature, but his paintings look a bit different. McGurl’s images of the sea can vary in brushstroke and texture, in aerial perspective, and in tone. Even individual pieces feature this variation, like “He Came Dancing Across the Water…Cortez Cortez” where a single ship in the middle ground illuminated by the sun and guided by clear skies contrasts with ominous dark clouds casting shadows on the rest of the fleet on the horizon.
William R. Davis Barkentine at Dusk Oil on Panel 6 x 12 inches

William R. Davis
Barkentine at Dusk
Oil on Panel
6 x 12 inches

A native of Cape Cod, William R. Davis has been surrounded by water and sailing his whole life. He’s acutely aware of the realities of being near the sea. Primarily self-taught, Davis opts for a more serene take on marine views. There is a stillness & dreaminess to his seascapes where water gently ripples off the bows of sailing ships and the sun, low on the horizon, glows like a comforting warm orb. To create the soothing effect Davis paints with thin semi-translucent paint. He carefully builds up layers, replicating the transparency of water and the way light bounces off the surface. He can even do it with moonlight like in the nocturnal scene “Moonrise.”

Donald Demers Bass Rocks Oil on Linen 16 x 24 inches

Donald Demers
Bass Rocks
Oil on Linen
16 x 24 inches

Donald Demers love of maritime subjects began during the summers of his youth spent in and around Boothbay Harbor. The sea has stayed with him all these years. His artistic career began as an illustrator but soon expanded to traditional fine art. His background as an award-winning illustrator is clear in his seascapes— an attention to detail pervades his scenes— but they also exhibit visual poetry as if they are the carefully remembered memories from a trip to the coast long ago.

Marc Dalessio The Grand Canal Oil on Linen 8 x 12 inches

Marc Dalessio
The Grand Canal
Oil on Linen
8 x 12 inches

Marc Dalessio has painted the seven seas, the waters of the Venice canals, and the tropical beaches of the South Pacific. This master of plein air painting has also turned his eye towards Maine. In his trademark quick and expressive style Dalessio works up a scene to capture its very essence, often from interesting and unexpected points of view.

An opening reception to celebrate the exhibition will take place the evening of July 6 from 5-7:30pm. Joseph McGurl, William R. Davis, and Donald Demers are expected to attend the opening to share their stories. Haynes Galleries is located at 91 Main Street in Thomaston, Maine. Gallery hours are Tuesday through Saturday, 10am to 4pm. For more information, visit haynesgalleries.com or call (615) 430-8147.

“Island Boats Homes and Harbors” at New Era Gallery

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

The mid-summer show at New Era Gallery is entitled “Island Boats Homes and Harbors” and will feature the work of painter Esther Garcia Eder and ceramic sculptor David Riley Peterson. Eder’s colorful and joyous oils and watercolors of familiar island locales, often seen from atop the hill where she maintains her studio, speak of her love and deep appreciation for the island.  Peterson, who has spent summers on the island since childhood, shows his lifelong love of boats and the water in his ceramic sculpture, a range including representational dories, shipwrecks, and fantastical mythological vessels.

The show will open on July 15, and run through August 2.  The gallery will host an artists’ talk and reception on July 15 beginning at 4:30. Summer gallery hours are Monday through Saturday 10:00 – 5:00, and Sunday 11:00 – 2:00. Please visit our website for a complete schedule of shows and events.

Greenhut Galleries presents “Henry Isaacs: Finding Values”

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Henry Isaacs “Somes Sound from Sargent Drive,” 36×24, oil on canvas

 

Greenhut Galleries presents “Henry Isaacs: Finding Values” July 6 – 29, with an Opening reception Thursday July 6th,  5-7pm

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush.  He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail.  His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours:  Mon to Fri 10am – 5:30pm
Saturday 10am – 5pm
207.772.2693

Art Space Gallery July 7th opening

Jean Byrd, Isand Anchorage, oil

Jean Byrd, Isand Anchorage, oil

Art Space Gallery invites you to the July Arts in Rockland First Friday art walk. We will be hanging a new show in our front room. Please stop by on Friday, July 7 from 5 to 8pm and join us for wine and refreshments and meet our artists. This reception will feature the work of Jean Byrd, Nancy Davies Tang, Sandra Leinonen Dunn, and Sylvia Isabelle Murdock.

Jean Byrd will be featuring her painting “Island Anchorage”. It is of “Devil’s Island”, an island in Merchant’s Row off the coast of Stonington, ME.  Devil’s Island, like many Maine islands, is a small island with water worn rocks on its shore and a forested interior.  This painting takes you down a shadowy path onto the rocky shore and the idyllic island anchorage beyond, a spot that is truly a place sailors dream of all winter.  Jean’s painting style is tradition realism. Her subject is the New England coast with all its fishing villages, islands, harbors, and seaports.  Her love of the sea is evident in her work.

Nancy Davies Tang, lobstah, fused glass

Nancy Davies Tang, lobstah, fused glass

Mother Nature offers boundless inspiration in form and color. She stills the mind and soothes the soul and, if you are lucky, will whisper in your ear and play the muse. Nancy Davies Tang looks to her garden, fields, and forests for inspiration to create works of art in kiln fired glass and dichroic glass jewelry. Largely self-taught, Nancy has been working with warm glass for over 20 years. She has a background in painting and sculpting and strives to bring all her experience to her work in glass. Currently she is working on pieces inspired by the ocean.

Sandra Leinonen Dunn, 12x12 inch, oil

Sandra Leinonen Dunn, 12×12 inch, oil

Sandra Leinonen Dunn is a Maine artist. Ms. Dunn is represented at many galleries throughout Maine as well as by the Cortile Gallery in Provincetown, Ma. Ms. Dunn’s intuitive use of color and free brushwork give her paintings a uniquely fresh feel. Her work is in collections throughout the U.S. as well as abroad.  Ms. Dunn is also a teacher and a published children’s book illustrator.  She has a studio at her home in Chelsea, Maine.

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock is a self-taught artist, Sylvia has painted seriously since she was 12 years old. She finds the simplicity and clarity of coastal living has left a lasting impression on her artist journey. Sylvia paints primarily with watercolors, but also occasionally works in egg tempera and oils.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. July hours are Monday through Saturday 10am to 6pm and Sundays 1am to 4pm. For more information visit our website at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Shaw Jewelry Announces Opening of July Gallery Shows

shaw jewelryOpening Reception Thursday, July 6, 5-7pm

July 6-19
George Daniell: Modernist Hero Returns

George (1911-2002) was a much-loved painter with local roots whose career started in the WPA era. He was a fixture at the Wingspread Gallery in NEH and a character with a life long dedication to the visual image. He won the prestigious Jenny Sesnan Gold medal from the Pennsylvania Academy of Art. We are presenting a selection of oils and watercolors spanning 60 years.

Barbara Heinrich:
Contemporary Classic Jewelry 
Largest grouping from Thursday-Saturday, July 6-8

Barbara’s recognizable style consists of distinctive visual vocabulary defined by matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening through Saturday.

Duncan Martin: Maine Landscape Abstracted

Duncan’s work features gestural strokes of color, form and texture. This is his second show with us, a follow up on last season’s success. He is a life long painter who lives in Colorado and has deep ties to Maine.

VISIT SHAWJEWELRY.COM FOR FULL EXHIBITION DETAILS

Mars Hall Gallery features Manuel Retrospective

DelmarjTrena Vl (1998)

DelmarjTrena Vl (1998)

If you drive to the end of Rt. 131 South you’ll end up on the Monhegan Island Ferry dock. Look to the right across the channel and you’ll see beautiful Hupper Island. In 1975 Dr. Arthur (Bert) Wills bought a small cape on the NW corner of this 500 acre island. It began his passionate love affair with Hupper. Since then Bert has shared his island home with friends many artists. “I have always wanted young people to help sustain my passion for the island, not just for art but for anything they wanted to pursue”.

In 1978 Dr. Wills acquired an island farm which he called “Bert’s Boathouse University”. Luke Randall from Rhode Island came to paint on Hupper’s in 1992, soon to be joined by his friend and fellow painter R. Michael Carr, also from Rhode Island. They were followed by three more artists in 1996 for the islands best attended “art colonization” ever. Sue McNally and Theodore Tihansky both Newport, RI based oil painters and Manuel Rincon from Margarita Island, Venezuela. They became the “Hupper’s 5ive” and painted on the island in October or several years. Dr. Wills exhibited the resulting paintings in an annual group show at his Downtown Medical Associates office in Boston. All five have become accomplished artists.

The Hupper’s 5ive celebrate the late Manuel Rincon in “Manuel Rincon Retrospective” which previewed June 16th and runs through August 6th. Rincon, a once successful business man, gave up the corporate dream to pursue his dream of being an artist. Bold shapes and vivid color are used to portray the playful images in Manuel’s paintings. His work has been shown in Maine, Boston, Rhode Island, and New Jersey as well Venezuela. A reception for the show will be held Saturday, July 8th from 6-8 p.m. For more information call 207-372-9996 or visit www.marshallgallery.net

Courthouse Gallery presents Philip Barter: Maine Oasis and Judith Leighton Retrospective in July

 

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Courthouse Gallery Fine Art is pleased to present two solo exhibitions—Philip Barter: Maine Oasis and Judith Leighton Restrospective—from June 21 through July 20. Also showing are Susan Amons, Judy Belasco, Philip Koch, Mark Kidschi, and Stephen Porter. The exhibitions are free and open to the public.

 

Philip Barter: Maine Oasis

Philip Barter (b.1939) is a self-taught artist from Boothbay, Maine, who was living in California during the 1960s when he met Alfonso Sosa, an abstract expressionist painter. Sosa took Barter under his wing and added a “charge of light and color” to Barter’s aesthetic vision that influenced his work for the next fifty years. Barter has spent a half-century painting narratives based on the Maine’s fiercely independent people and the landscape of his home state, becoming the “painter laureate” of the region. Barter was the subject of a feature profile in Down East magazine and went national when, in January 1995, Tim Sample highlighted his life in art in one of his “Postcards from Maine” segments on the CBS Sunday Morning program hosted by Charles Kuralt.

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip Barter, Bottom: Book Jacket

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip

 

In conjunction with the show Philip Barter: Maine Oasis, Courthouse Gallery will host a Book Launch and Signing on July 12 from 4–7pm for Philip Barter: Forever Maine, a new book by Carl Little (Marshall Wilkes). At 5:30pm Little will introduce Philip Barter, who will talk about his narrative paintings, process, and career. The author will be available for book signing. Books can be reserved by calling (207) 667-6611. The event is free and open to the public.

 

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton Retrospective

Judith Leighton (1929–2011) was the former owner of the Leighton Gallery in Blue Hill and an artist in her own right.  She began painting with watercolors in the 1950s, gaining notice for her work by the 1960s. After moving to Maine in 1970, Leighton worked almost exclusively with dry pastels.Her modernist inspired motifs included flowers, landscapes, tables and chairs, and women, often seated as if engaged in an pleasant conversation, or standing, or holding a dog, cat or bird. Leighton was passionate about art that “celebrated life” whether it was the art she showed at her gallery, or the art she made.

 

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Monday–Saturday 10am– 5:30pm; Sunday 12–4pm. For more information on upcoming shows call 207-667-6611, or visit www.courthousegallery.com

Dowling Walsh Gallery to Feature Three Artists in July

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.
Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

“Rebel Angels” — Birds at Tidemark Gallery

Pastel by Chris Augusta

Pastel by Chris Augusta

“Rebel Angels” — Birds at Tidemark Gallery ArtWalk Waldoboro July 8

Chris Augusta sees them as “Rebel Angels.” Pam Cabañas shows what it probably feels like to be a sea bird soaring over the ocean. These two artists bring a powerful and transforming vision of birds to Tidemark from July 5 through August 5. Artists reception Saturday, July 8, 4 to 7 pm.

For a preview of the show, please visit tidemarkgallery.com To see examples of these artists’ other work, please visit them at pamcabanas.com and chrisaugusta.com

Outtakes From a Memoir – Celebrating Deborah Joy Corey’s newly released book, Settling Twice

Woman with Blue Irises by William Irvine

Woman with Blue Irises by William Irvine

Please Join Us to Celebrate – Outtakes From a Memoir – a Group Exhibition of Artworks Inspired by (or relating to) Deborah Joy Corey’s newly Released Memoir, Settling Twice.

Friday, June 16, 5-7PM
Exhibition Runs June 17 – 29, Wed. – Sun., 11:00-5:00
At the ANNEX, 8 Water Street, Castine, Maine

Mother Nature by Mattina Blue. Watercolor, 27x33", 2017

Mother Nature by Mattina Blue. Watercolor, 27×33″, 2017

The Author and many of the artists will be present. Refreshments and books will be available. The artists in this exhibit are all connected with Deborah Joy Corey. When asked if they would read excerpts of her upcoming memoir, Settling Twice, and respond to it visually in their own medium – these artists enthusiastically answered the call. The result is a joyful and cacophonous visual representation in different mediums and styles to moments, themes, or sections of the book. Each artist experienced the writing in a different way and we are excited to see the work all together, a frolicking visual representation of a single text which resonated for everyone who read it.

Eatons Boatyard by Greg Dunham, Watercolor, 2016

Eatons Boatyard by Greg Dunham, Watercolor, 2016

This cross-disciplinary dialogue between art and literature by local artists and writers feels like an accurate reflection of a community that is filled to the brim with gifted cultural producers, most of whom show an active enthusiasm and curiosity for the world around them and the work of their peers. Outtakes from a Memoir aims to highlight the significant relationship between the arts and highlight the great talents of our very own creators.

For more information visit www.annexarts.org and www.gallerybgallery.com or call 213-839-0851

July exhibits at The Gallery at Somes Sound

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40" x 40", oil on linen

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40″ x 40″, oil on linen

Exhibits run July 1 – July 31
Open House and Reception Saturday, July 1st
4:00 – 6:00 pm

A TRIBUTE TO JOELLYN DUESBERRY:
Reflections of MaineArtist Joellyn Duesberry’s (1944-2016) paintings on display for the month of July, celebrating her summers in Maine. Joellyn Duesberry (called Joly by friends and family) enjoyed a long and illustrious career as a landscape painter. Rich in coloration, Duesberry’s abstract images reveal a strong interest in geometry and an awareness of such modernist masters as John Marin and Milton Avery. . . .
Richard Oedel, Macassar end tables

Richard Oedel, Macassar end tables

STUDIO FURNITURE EXHIBIT
(to coincide with the Joellyn Duesberry Exhibit)
Featured Masters of NHFMA
The New Hampshire Furniture Masters Association
enjoys a membership of nearly two dozen makers from New Hampshire, Maine, Massachusetts and Vermont. These gifted artisans create studio furniture that is exceptionally beautiful and wonderfully diverse, and spans an array of styles including Period, Early American, Shaker,
Neo Classical, Traditional, Contemporary and Art Furniture.Participating Masters include . . .
Ted Blachly, Jon Brooks, Greg Brown, John Cameron, Timothy Coleman, Jeffrey Cooper, Garrett Hack, David Lamb, Terry Moore, Richard Oedel,
Brian Reid, Jeffrey Roberts, and visiting artist, Roger Myers

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40" x 60", oil on linen

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40″ x 60″, oil on linen

THE LIFE OF JOELLYN DUESBERRY
Saturday, July 8
7:00 – 9:00 pm
Reservations are required
To make your reservation please call 207 610-4622

On Saturday, July 8th from 7 pm – 9 pm, the Gallery will host a celebration of Duesberry’s life. The evening will include a screening of Peter Logue’s new documentary “Joellyn” and a performance by musicians Brittany Parker and Katherine Perkins of Barn Arts Collective.

Please visit www.galleryatsomessound.com/events for more information

July shows at Dowling Walsh Gallery

dowlingwalshlogo

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.  Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.
James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

 

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

New Era Gallery presents “In the Garden”

“Crab Apple”, Watercolor on Vellum, Curly Lieber

“Crab Apple”, Watercolor on Vellum, Curly Lieber

New Era Gallery in Vinalhaven presents “In the Garden” beginning Saturday, June 24.  The show features Gobelin-style tapestries by Don Burns, botanical drawings and watercolors by Curly Lieber and stoneware sculpture by Gail Savitz.  There will be an artists talk in the Windy Way Barn at 4:30 pm followed by an opening reception in the main gallery from 5:00–7:00pm.

The exhibition will run through July 12.  Summer gallery hours, beginning June 25, are Monday through Saturday 10:00am – 5:00pm, Sunday 11:00am-2:00pm.  For more information call 863-9351 or visit neweragallery.com

14 Miles to the Horizon at Mars Hall Gallery

Mimo Gordon Riley's "Overlooking Our Lives"

Mimo Gordon Riley’s “Overlooking Our Lives”

Mars Hall Gallery opens its 2017 Summer Season with a show titled “14 Miles to the Horizon”. This ever changing Exhibit will showcase Maine ART along with an expanded selection of fine antiques and collectibles. On display are paintings by Nancy Baker, Leo Brooks, Jeanette Steele Esposito, Linda Funk, Kris Johnson, Roger Kirby, Brian Kliewer, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, David Paffhausen, Elaine Reed, Jimmy Reed, Mimo Gordon Riley, Holly Smith, Carl Sublett, William Thon, Ron Weaver and Eleanor Zuccola. Also on exhibit is black & white pinhole photography by Antonia Small, mixed media assemblage by Bill Cook, whimsical driftwood fish by Claire Perry and a variety of quality crafts including decoupage by Davene Fahy, hand carved decoys by Stephan Hill and mixed media stained glass, mosaics and pottery by Dona Bergen. Metal sculptors Jay Hoagland and Brian Read will have works on display through out the gallery as well as outside in the Sculpture Gardens. Phase One of the show runs through Sunday, August 6th.

The gallery wants to congratulate Antonia Small and Gary Libby for winning the John N. Cole Maine Literary Award for Maine Themed Nonfiction for their book “Caught”. Autographed copies are available at the gallery as well as Antonia’s photography. Also congratulations to Linda Funk for being featured in the current Victoria Magazine. A botanical painting of hers was selected for use in advertizing of the 2017 Boston Flower Show.

The new wing will preview a retrospective show opening in July for the late Venezuelan artist Manuel Rincon. A reception will be held on Friday, June 16th, from 5-8 p.m.. The gallery is open 10-5, Wed. thru Sun. or by appointment and is located 12.7 miles down the beautiful St. George peninsula in Martinsville. For more information call 207-372-9996 or visit us on the web at www.marshallgallery.net

William Wegman | Reel to Real Opens June 10 at CMCA

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

The Center for Maine Contemporary Art (CMCA) announces the opening of the exhibition William Wegman: Reel to Real on Saturday, June 10. The exhibition features selections from the artist’s early videos and drawings and is on view through October 22, 2017.

An important pioneer in video art, William Wegman created a series of short videos between 1970 and 1978, which are now considered classics in the field. He began experimenting with the new medium in earnest in 1970, while living in Southern California, where he taught for a year at California State College, Long Beach. Working concurrently with other early West Coast video artists as Bruce Nauman and John Baldessari, Wegman perfected a deadpan humor and absurdist logic in his videos that came to define much of the West Coast conceptual art of this period.

It was in Long Beach that Wegman acquired his first Weimaraner, Man Ray, who became an active participant in the early videos and an iconic presence in the artist’s career. “My background is in painting,” says Wegman, “but in school in the sixties, like many artists of that time, I believed that painting was dead. I began to work in collaboration with other artists in the creation of performance and installation works. Soon after, I started making video and photographic works and in the process became fascinated with the media itself. Before long I was setting things up just for the camera. In 1970, I got a dog and he turned out to be very interested in video and photography as well.”

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

Born in 1943, in Holyoke, Massachusetts, William Wegman is one of the best-known and most highly regarded artists of his generation. He received a BA from the Massachusetts College of Art and an MFA from the University of Illinois, Urbana. With homes and studios in both New York and Rangeley, Maine, he continues to make videos, to take photographs and to make paintings and drawings.

A public reception celebrating CMCA’s summer exhibitions will be held on Saturday, June 24, from 5 to 8pm. William Wegman, accompanied by his Weimaraners, will discuss his work as part of CMCA’s Tuesday Talk series on July 25 at 5:30pm at The Strand Theatre, Main Street, Rockland, with a reception following at CMCA. Tickets for the talk will be available online starting July 1 at www.rocklandstrand.com.

CMCA is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org

Smart Studio Celebrates 50 Years

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Business was different 50 years ago when Smart Studio opened in Northeast Harbor. “We opened from nine am to noon during the week, as there were very few tourists back then” according to founder Wini Smart. Business was brisk for the artist as the summer folk shopped in town to collect their newspaper and groceries. Afternoons were devoted to painting on location to replenish the gallery, five children in tow. “Mom would take us to her favorite painting spots around MDI, she would paint and we would picnic, explore, fish, and play” daughter Gail Cleveland remembers.

Fast forward 50 years to today and one would see some changes at the gallery. Back in 1967 watercolors were hung on fish net and sold for a few dollars. Today the gallery offers much larger works, in oil and watercolor, limited edition prints and cards, gifts, antiques and custom framing. Still offered are the small intimate watercolors painted on location by Wini and Gail.

To celebrate the milestone the gallery is hosting a retrospective show at the Northeast Harbor Library for the month of July. Works on display will include loaned paintings from collectors. There will be a reception for the public on July 20th from 5-7 in the Melon room at the library. The show will be available to view from July 1-30th. Please call the gallery at 276-5152 for more information.

Littlefield Gallery opens “Best in Show: Animal-Inspired Art.”

Don Best, "Jungle Dream", relief sculpture 38 x 50 x 6

Don Best, “Jungle Dream”, relief sculpture 38 x 50 x 6

Littlefield Gallery opens its ninth season on May 26 with “Best in Show: Animal-Inspired Art.” This group show features some of Maine’s best artists including Robert Pollien, Don Best, Ben Lincoln, Diana Arcadipone and Matt Welch. The show will run through June 18.

An artists’ reception will be held June 10 from 4-6 p.m. The gallery is open daily from 11 a.m. to 5:30 p.m.

For more information contact 207.963.6005 or 207.838.4174
info@littlefieldgallery.com

Gallery B. 9th Season Opening and Launch of The Annex

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Please Join us on Friday, May 26th, 5-7 PM (or anytime this summer) to Celebrate
Gallery B. 9th Season Opening and Launch of Our new Endeavor: The Annex, an Arts Center and Residency Program
At GALLERY B. the season-starter group show is opening on Friday, May 26, 5-7 PM. The ANNEX will be open for sneak peaks of the space and the work of Shelley Mansel

• Onward! at Gallery B. is a group show featuring  new work by both a fresh crop of artists and gallery perennials: Tom Barrett, Amy Bernhardt, Jenny Brillhart, Hannah Bureau, Louise Bourne, Temple Blackwood, Kelly Carmody, Heidi Daub, Clark Fitz-Gerald, Melissa Kuntz, Leni Mancuso, Shelley Mansel, Lyn Mayewski, Bill Mayher, Basha Olsen, Julia Parish, Marcia Stremlau, Kreg McCune, Kara Taylor, Emily Schaeffer, Nisa Smiley, Goody-B. Wiseman, Anna Woolf & Neale Lasalle, and a few more.
A View of the ANNEX at 8 Water Street last year when we hung it with Shelley Mansel’s Paintings.
And… at The ANNEX at 8 Water Street: Gallery B. is inaugurating a second space, The Annex, and an artist-in-residence program.  The Annex will be a center for a broad range of events and activities—exhibitions, workshops, panel discussions, screenings, and community events—related to the work of the resident artists as well as local artists.

The first event at The Annex will be an open studio featuring artist-in-residence Shelley Mansel of Halifax, Nova Scotia, on Saturday and Sunday, May 27 and 28, 12-4 pm – drop in and say hi!
“The aims of The Annex are twofold,” said Goody-B. Wiseman, director of The Annex and owner of Gallery B. “We want to bring excellent art, diverse voices, innovative practices, and cultural richness to our region and to support the production of new work by artists while they are in interdisciplinary dialog with the wealth of historical, cultural, and natural assets of our area.”

SAVE THE DATE!
Next up at the ANNEX is
Settling Twice: an Exhibition of Art inspired by the new book of essays by Deborah Joy Corey
Opening Reception June 16th, 5-8PM
Settling Twice, June 16 – June 29, a group show inspired by Deborah Joy Corey’s new book of essays and featuring work by Josh and Susan Adam, Berke Billings, Hannah Bureau, Bill Irvine, Gail Page, Rob Shetterly, Sherry Streeter, Phoebe and Georgia Zildjian, Mattina Blue, Patricia Maclain, Diane Lindscot, John and Julie Gardner, Goody-B. Wiseman, and Charleen Wiseman.

Betts Gallery opens with GO HIGH

On-High-JulieCyr

“On High” Oil on Panel by Julie Cyr
Betts Gallery GO HIGH  May 26-June 24, 2017

Opening Reception Friday May 26, 5:30-8
Please join us for an opening reception on May 26th, 5:30-8pm, as we welcome spring and the start of the Fourth Friday Art Walks in Belfast. Betts Gallery is thinking positive and looking up with the first show of the season, entitled “Go High”, which features work by artists: Kenny Cole, Mj Viano Crowe, Julie Cyr, Susan Guthrie, Sheep Jones, Willy Reddick and Buzz Stultz. The Gallery is located at 96 Main Street in Belfast, and also may be entered on Beaver Street. For more information please call (207) 338-6465or visit our website www.thebelfastframer.com.

Art Space Gallery opens new show for Rockland First Friday Art Walk

 

JK Herman, Three Pears, watercolor

JK Herman, Three Pears, watercolor

Art Space Gallery invites you to the June Arts in Rockland first Friday art walk. We will be hanging a new show in our front room. Please stop by and join us for wine, refreshments and meet our artists Friday, June 2rd, 5 to 8pm. This reception will feature the work of Lori Davis, Teddi-Jann Covell, Keith Plummer, and Judith Herman.

Judith Herman has been working in watercolor for over 30 years. The exciting properties of the watercolor medium gives her flexibility in creating depth and luminosity in her art. Currently she is capturing the light, color, and movement in her still life paintings.

 

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell is a Fine Art oil painter who lives and works in Orono, Maine. Teddi-Jann primarily creates, “Plein-aire” style all year, all around the state. She is represented in Fine Art Galleries such as North Light Gallery in Millinocket, River Arts Gallery in Damariscotta and Harlow Gallery in Hallowell. Teddi-Jann is also a member of several artists Co-Ops including Saltwater Gallery in Pemaquid and Southwest Harbor Artisans. “My art is a reflection of my love and passion for Maine, for Baxter State Park and for the rugged coast of Maine and all her secret spots in between!

Keith Plummer, Ghost Dancers, mix media

Keith Plummer, Ghost Dancers, mix media

As a self taught metal smith and sculptor, Keith’s experimental evolution has lead him to create a body of work that incorporates the precision of metallurgy with an inventive transformation of bone into anthropomorphic form. He is inspired to use ancient processes that result in textures, colors, and a spirit not found in modern, manufactured jewelry. While working under magnification, Mr. Plummer adds minute details to create an overall effect of an artifact from a lost civilization. Keith hopes his jewelry pieces become memorable conversation pieces and spark discussions about this ancient craft.

 

Lori Davis, Red Fox, photograph

Lori Davis, Red Fox, photograph

Lori Davis is a professional photographer specializing in nature, wildlife and landscape images. With a background in wildlife rehabilitation, she was inspired at an early age to pick up a camera and start capturing unique moments with the intent to share with others. She’s traveled cross county and to Alaska on multiple occasions, capturing dramatic landscapes and wildlife encounters, before finally settling in Maine. Working out of her home studio, Lori prints her own work. With multiple fine art Giclée printers, Lori can recreate her images in a variety of sizes and prices, both on canvas and as matted and framed photographs.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. June hours are 11am to 6 pm Monday through Saturday and 1pm to 4pm on Sundays. Visit our website for more information at www.artspacemaine.com

Sarah Faragher to exhibit at Landing Gallery

 

"8 A.M. SCHOODIC POINT, MAINE", Oil/Linen 18" x 24" by Sarah Faragher

“8 A.M. SCHOODIC POINT, MAINE”, Oil/Linen 18″ x 24″ by Sarah Faragher

 

Landing Gallery, 409 Main St in Rockland is pleased to announce the opening of “WATER & STONE: SCHOODIC & MOUNT DESERT ISLAND”, a solo exhibit of new paintings by Sarah Faragher from May 26 – June 25. Sarah will be present at the Artist’s Opening Reception if you would like to meet and talk with her. The Reception will be held on Friday, June 2nd, from 5-8 PM during Arts In Rockland’s first Friday art walk.

Sarah Faragher is a 1990 graduate of Colby College, Magna cum laude and Phi Beta Kappa. Her work was included in ART OF ACADIA by David Little and Carl Little, published in 2016 by Down East Books. Sarah was a 2015 Artist-in-residence at Acadia National Park, a 2008 Artist-in-residence at the Weir Farm National Historic Site in Wilton, Connecticut and has been invited to participate, numerous times, in Art Week on Great Spruce Head Island.

"RADIANCE, RISING TIDE, SCHOODIC, MAINE", Oil/Linen 10" x 10" by Sarah Faragher

“RADIANCE, RISING TIDE, SCHOODIC, MAINE”, Oil/Linen 10″ x 10″ by Sarah Faragher

“I moved away from Mount Desert Island when I was still a child, and ever since then it has felt like a lost Eden. But in recent years, returning to paint the landscape set some stopped part of me back into motion. And this could turn out to be a lifelong subject, since the more deeply I look, the better it gets. Especially at Schoodic, where the elemental is particularly insistent. I love to be there, out on what feels like the edge of everything, participating in nature. Paradise lost is sweeter regained.”

“My paintings are memoirs of my experiences with nature. Through painting I participate in the landscape, recognize transcendent moments in nature, honor the integrity of natural forms, and describe where my heart lives. I often feel as if the places I paint have commissioned me to tell their autobiographies, at the same time that I tell my own.”

"OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE", (Detail) Oil/Canvas 20" x 16" by Sarah Faragher

“OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE”, (Detail) Oil/Canvas 20″ x 16″ by Sarah Faragher

Please join us in the gallery. Hours: Wed – Sat 11-5 & Sun 12-5, Closed Mon & Tue. FMI 207 239-1223, LandingArt.com.

Dan Graziano exhibit opens at Roux and Cyr International Fine Art Gallery

"are you ready to order?" , Dan Graziano, 12" x 16", oil on panel

“are you ready to order?” Dan Graziano, 12″ x 16″, oil on panel

Dan Graziano is happy to announce his upcoming solo show at Roux & Cyr International Fine Art Gallery which opens on June 2nd in Portland, Maine. Over twenty paintings will be featured sharing the themes of restaurants, cafes and street life. Sun dappled figures of waiters, sidewalk cafes and glistening wine glasses are depicted with bold, “juicy” brush strokes in an impressionistic manner creating an unfinished narrative for the viewer to define with their own story. With strong contrasts of light, shadow and color, these paintings were made to invite you into the world of food, wine and the lively characters who inhabit “café society.”

The gallery exhibition opens with a wine reception on June 2nd from 5:00 to 8:00pm.

The exhibition runs from June 2nd to July 6th. Roux & Cyr International Fine Art Gallery is located at 48 Free Street in Portland, Maine. For more information visit www.dangrazianofineart.com or www.rouxandcyrgallery.com

Philippe Guillerm Gallery presents “PARTS AND COLORS” – An Architectural Artist Work

 

Pistachio, Oil on Canvas by Jim Root

Pistachio, Oil on Canvas by Jim Root

Philippe Guillerm Gallery will ones again re-open its doors on June 10th, 2017 with an exciting new exhibit from Jim Root and Philippe Guillerm. Jim Root is known for his dramatic views of our surrounded local islands and water views and Philippe Guillerm for his remarkable and intriguing work of drift wood and music instruments.

 

The exhibition will include as yet unseen paintings from Jim Root and sculptures from Philippe Guillerm from the 2017 collection as part of the ArtWalk Waldoboro.

The exhibition will run from June 10 – July 7, 2017 with a reception on Saturday, June 10, 2017 from 4pm to 7pm.

Philippe Guillerm Gallery
882 Main Street – Waldoboro ME 04572 – 207-701-9085
Gallery Hours:
Tuesday – Friday: 10am – 4pm
Saturday – Sunday: By Appointment Only

For More Information Contact:
207-701-9085
philippeguillermgallery@gmail.com

Mary Bourke’s “Small Things” at Greenhut Galleries

"Brothers" acrylic on panel 18 x 18 inches

“Brothers”
acrylic on panel
18 x 18 inches

Greenhut Galleries presents “Small Things”, a solo exhibition, June 1 – July 1, 2017  with an opening reception on Thursday, June 1st from 5 – 7pm.

Mary Bourke’s paintings, which focus on her childhood memories, are truly a delight to behold. In a recent article, when asked about the current subjects of her paintings Mary said the following: I ran across some old photographs that showed my parents, grandparents and all of us, there are nine siblings. I combined images, photographs and memories; I also developed a new style and technique, learning about layering colors and glazes. The paintings themselves have more depth although my bright colors haven’t changed.”

While it’s apparent that Ms. Bourke feels comfortable with experimentation and feels less restricted with her current work, she still treasures one thing that will never change: her affinity for nostalgia. We can see that when she talks about her pieces inspired by childhood memories, especially concerning her growing up on Long Island.

For more information call 207-772-2693 or email info@greenhutgalleries.com

Randy Eckard to exhibit at Richard Boyd Gallery

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Richard Boyd Art Gallery opens a solo exhibition of paintings by noted watercolorist Randy Eckard on June 1 at 10 a.m. A trained commercial and fine artist living in Blue Hill, ME Randy’s career as a fine artist working exclusively with watercolors spans more than three decades. Eckard is known for his use of light and shadow, with the subject of most of his paintings being light and how it defines and shapes the scene before him. His iconic architectural landscapes are expertly detailed and capture the essence of New England. Randy’s paintings have won over 190 awards in watercolor throughout New England and the Southeast. His paintings are widely collected and included in numerous private and corporate collections.

The public is invited to meet Randy at a reception at Richard Boyd Art Gallery on Saturday, June 3 between the hours of 12:00 noon and 3 p.m. where he will be available to discuss his current series of paintings. The exhibit is open free of charge between 10 a.m. and 5 p.m. daily through June 29, 2017. Additional days and times can be scheduled by appointment. For more information about the exhibit or reception please contact the gallery by phone at 207-712-1097, email info@richardboydartgallery.com or visit www.richardboydartgallery.com

Pemaquid Group of Artists opens 89th Season

Gallery Sign

The Pemaquid Group of Artists opens its 89th season on Sunday June 4, with a gala public reception from 5 until 6:30 p.m. in the Pemaquid Art Gallery located at Lighthouse Park.  The park is renowned for its panoramic views of sea, shore, and sky and the historic Pemaquid Lighthouse, which graces the Maine quarter. Refreshments, conversation with the artists and exciting new works of art will be featured.

The Pemaquid Group of Artists has invited Midge Coleman of Newcastle, Bill Hallett of  Nobleboro, Cindy Spencer of Wiscasset and Steve Viega of Walpole to permanent membership.   Sarah Fisher and Kathleen Horst both of Damariscotta and Mary Mabry  of Waldoboro  will be guest artists for the current exhibition season. They will show their work, together with that of 26 other juried members of the group, at Pemaquid Art Gallery at Lighthouse Park beginning Monday, June 5.  Thirty-three panels/exhibition spaces will be filled with original artworks in oil, pastel, watercolor, gouache, and acrylic as well as marquetry, pottery and turned wooden bowls.

New 2017 Artists at PAG

The Pemaquid Group of Artists invites you to visit the gallery often.  Ongoing sales permit the gallery to display new works continually.  The gallery is open daily from 10 a.m. to 5 p.m. through Columbus Day.  For more information, please call the gallery at 677-2752 or vist www.pemaquidartgallery.com.

Special Preview at Tidemark Gallery

Hoagy, digital conflation on canvas by Petrea Noyes

Hoagy, digital conflation on canvas by Petrea Noyes

Fine art photography and mosaics by teaching artists Lindsay Pinchbeck and Argy Nestor, are on display in Tidemark’s first show of the season along with the innovative canvasses of Lincolnville artist, Petrea Noyes.

In a special preview for the show on Saturday June 3rd, Nestor and Pinchbeck will give their Pecha Kucha presentation of their experience last summer in Africa with Go!Malawi! a Hebron, Maine-based arts education exchange program. MVHS teacher, Jacob Newcomb will do the introductions.

The gallery will be open at 6pm and refreshments will be served following the 7pm presentation.

Tidemark will also host a reception for the artists from 4 to 7 on the following Saturday, June 10, as part of ArtWalk Waldoboro

“Dorothy Eisner (1906-1984): The Cranberry Island Years.” at Gleason Fine Art

Dorothy Eisner, Boat Trip II

Dorothy Eisner, Boat Trip II

Beginning Thursday, May 25, 2017, Gleason Fine Art at 31 Townsend Avenue in Boothbay Harbor opens its first show of the season: “Dorothy Eisner (1906-1984): The Cranberry Island Years.” The show runs through Tuesday, June 27, with a reception First Friday, June 2, from 3 to 5 pm.

Dorothy Eisner’s artistic career spanned seven decades. From her Greenwich Village studio, she traveled widely, including to the American West, Mexico, and Europe. However, it was her discovery in 1960 of Cranberry Island, an enchanting small island off Mount Desert, and its vibrant community of artists that was the beginning of Eisner’s passion for Maine, a passion that lasted for 24 summers, until the very end of her life. We hope you enjoy these sumptuous paintings as much as we have. Eisner’s mastery of color will brighten your day—and perhaps your life.

“Dorothy Eisner: The Cranberry Island Years” opens May 25 and runs through June 27, with a First Friday reception on June 2, from 3 to 5 pm. Spring/Early summer hours are Monday through Saturday, 10 am to 5 pm. For further information, call Gleason Fine Art at 207-633-6849, email the gallery at info@gleasonfineart.com, or view the show, and our entire inventory of contemporary and estate art at gleasonfineart.com

​Best In Show: Animal-Inspired Art at Littlefield Gallery

Don Best, "Jungle Dream", relief sculpture 38 x 50 x 6

Don Best, “Jungle Dream”, relief sculpture 38 x 50 x 6

Littlefield Gallery opens its ninth season on May 26 with “Best in Show: Animal-Inspired Art.” This group show features some of Maine’s best artists including Robert Pollien, Don Best, Ben Lincoln, Diana Arcadipone and Matt Welch. The show will run through June 8.

An artists’ reception will be held June 10 from 4-6 p.m. The gallery is open daily from 11 a.m. to 5:30 p.m.

For more information contact 207.963.6005 or 207.838.4174
info@littlefieldgallery.com

Koichiro Kurita featured at Caldbeck Gallery

"Concord River" Concord MA  1991  platinum palladium print on Japanese gampi paper  30 x 24 inches Koichiro Kurita

“Concord River” Concord MA 1991 platinum palladium print on Japanese gampi paper 30 x 24 inches Koichiro Kurita

From June 2 through July 8, the Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit the platinum palladium prints of Koichiro Kurita of Lowell MA, the fine art digital prints of Jeanne Goodman of Wellesley MA and Friendship ME, as well as 5 artists in a group show: Kathleen Florance of South Thomaston, Stew Henderson of Northport, Jenifer Mumford of Tenants Harbor, John Silverio of Lincolnville, and Graham Wood of Cape Elizabeth. A reception for the artists will take place on First Friday, June 2, from 5-8 pm.

In “Watersheds”, Koichiro Kurita will show a selection of platinum palladium prints, ranging in size from 8×10 inches to 23 x 34 inches. Retracing Thoreau’s footsteps throughout New England, Kurita translates Thoreau’s philosophy into a visual dialogue. The artist writes, “When I was a commercial photographer, I had a fateful encounter with…Thoreau’s WALDEN. It was reminiscent of Chuang-Tzu’s philosophy and very close to the Oriental way of understanding nature. My work is the expression of these mysterious junctures in nature, including the connections between myself and nature. The artist’s works have been exhibited internationally and collected by numerous museums, including the Museum of Fine Arts in Boston, The Museum of Fine Arts in Houston, the Los Angeles County Museum of Art, the Tokyo Fuji Art Museum, and recently, the Farnsworth Art Museum. This is his first exhibition at the Caldbeck.

MORNING GLORY 2017 archival digital print 12 x 12 inches Jeanne Goodman

MORNING GLORY 2017 archival digital print 12 x 12 inches Jeanne Goodman

Jeanne Goodman explains her new work: “In my recent project; Sea Glass, rather than succumb to the beauty of the spectacle for its own sake, I have experimented with layering physicality into the photographs by using glass objects, salvaged from flotsam and jetsam along the shore, to filter and disrupt my images. The imperfections imbedded in the found glass objects illuminate the visible and the invisible in unpredictable ways, creating the lush textures and disorienting illusions that help to evoke rich and emotional memories.” Measuring 7 ½ x 7 ½ inches and 12 x 12 inches, the 18 fine art digital prints are printed in archival inks on archival museum etching paper. Now Goodman leads exhibition tours at the Institute of Contemporary Art in Boston, training with working artists from around the world, artists whose art is as challenging and provocative as it is inspirational.

In the group show, Kathleen Florance will exhibit 5 new works from her “Tango” series. Stew Henderson’s painted wood wall pieces, called “Family”, refer to the research he is doing on his family’s genealogy; Jenifer Mumford will show 2 drawings in charcoal on paper, one measuring 47 x 34 inches, and 24 x 24 inches; John Silverio will show a number of his fibonaccci based drawings in watercolor on paper, as well as one in wood; and Graham Wood, who is the director of the Ocean House Gallery in Cape Elizabeth, will show small constructed panels in painted wood.

Early summer gallery hours are Wednesday – Saturday 12-4, and Sunday 1-4. For more information, please call the gallery 207-594-5935 or email caldbeck@midcoast.com

The Wright Gallery celebrates 33rd year

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The Wright Gallery is celebrating the start 33rd year in business!

Season’s Opening Gallery Reception June 17th, 5-7 PM
Cheese, Crackers, Wine & Juice Served

Receptions held the 3rd Saturday of the Month 5-7 PM:
Cheese, Crackers, Wine & Juice Served
July 15th, August 19th, September 16th, October 21st, November 18th, December 16th

2nd Friday of Each Month (June-December) Art Trail, 5-7 PM:
Part of the Chamber of Commerce Events, refreshments Served, Raffle Prize
June 9th, July 14th, August 11th, September 8th, October 13th, November 10th, December 8th

For more information call (207)967-5053 or email: bree@thewrightgallery.com

Turtle Gallery Opens for 35th Season

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L to R: Arthur Hardigg, Galen Davis, Rebecca Goodale

 

Turtle Gallery is Opened its 35th season on Saturday, May 27th with new work from all gallery artists.

2017 Schedule
Open Memorial Day Weekend Thru Columbus Day
Tuesday-Saturday 10-5:30 and Sunday 2-6
Opening receptions 2-6 pm

Sunday June 11

Zuzonna HUOT – New Work
Susan MANGAM – Paintings from Four Islands
Treacy ZIEGLER – Bronzes
Karl SCHRAG – Small Gouaches in House Gallery
Focus on Glass with Gabriel Greenlaw,
David Jacobson and more

Sunday July 9

Siri BECKMAN – Selected Works
Jeff LOXTERKAMP – Paintings
Barbara SULLIVAN – Portraits of Women
Peter KEMBLE – New work
Black & White Print Show in House Gallery
featuring Vaino Kola, Gene Shaw,
Brian Keegstra and more

Karl Schrag Gouache

Karl Schrag Gouache

Sunday August 6

Lynn DURYEA – Structures
Paul HEROUX – New Works
Jaap Eduard HELDER – Paintings
Jamie JOHNSTON – Constructions
Sondra BOGDONOFF – New Work
Sunday September 3

Alix BACON – Paintings
Mary BARNES – Mixed Media
Anderson GILES – Paintings
Alice SPENCER – New Work

We look forward to celebrating 35 years of art and creativity with you in Deer Isle this summer! For more information call 207.348.9977 or visit TheTurtleGallery.com

CMCA Announces Summer 2017 Exhibitions and Events

Sara Stites + Jenny Brillhart, studio view

Sara Stites + Jenny Brillhart, studio view

The Center for Maine Contemporary Art (CMCA) in Rockland is celebrating its one-year anniversary in its stunning new building, designed by internationally acclaimed architect Toshiko Mori, with an exciting and diverse lineup of exhibitions and events.

Early Summer Exhibitions & Events

  • Sara Stites + Jenny Brillhart: Temporality, May 20 – August 13, 2017 
  • William Wegman: Reel to Real, June 10 – October 22, 2017
  • John Walker: From Seal Point, June 24 – October 29, 2017
  • Opening Reception, Saturday, June 24, 5-8pm
  • William Wegman, public presentation, Tuesday, July 25, 5:30pm
William Wegman, Joke Paper, 1972-1973, video, 0:54

William Wegman, Joke Paper, 1972-1973, video, 0:54

Late Summer Exhibition & Events

  • Linden Frederick: Night Stories, August 19 – November 5, 2017
  • CMCA Summer Gala, Friday, August 18, 6:30-9pm
  • Artist’s reception, Friday, August 25, 5-8pm
John Walker, 2017, studio view

John Walker, 2017, studio view

Exhibitions opening in early summer 2017 will showcase the work of artists William Wegman, John Walker, Jenny Brillhart and Sara Stites. A public reception celebrating the early summer exhibitions and artists will be held on Saturday, June 24, from 5 to 8pm.

On Friday evening, August 18, the CMCA Summer Gala will coincide with the opening of the exhibition, Linden Frederick: Night Stories, a collaboration between the artist and fifteen of America’s most acclaimed fiction writers. An artist’s reception, open to the public, will follow on Friday, August 25, from 5 to 8pm.
Linden Frederick, Liquor, 2016, oil on linen, 36 x 36 inches

Linden Frederick, Liquor, 2016, oil on linen, 36 x 36 inches

CMCA hours for Summer 2017 are: Monday – Saturday, 10am-5pm; and Sunday, 12noon – 5pm. Closed Federal Holidays. Admission is $8; free for those under 18; $6 for seniors and students with ID. For more information, please visit cmcanow.org.

BOB THOMAS’ ABSTRACT PAINTINGS AT SOUTHPORT LIBRARY

bob Thomas painting
The Southport Memorial Library is pleased to announce a wine and cheese reception to open an exhibit of Edgecomb artist Bob Thomas’ work on Thursday evening, May 4th from 7 until 9 o’clock.
Thomas, whose work is vibrant, deeply textured modernist paintings, was born in the United States, but spent most of his first 18 years in Beirut, Lebanon, where his father worked. His current work, landscape-inspired abstracts, was influenced by the textures and layers of the ancient walls and buildings he knew during those years, combined with the blues, greens, and oranges of Maine’s coast, forests, and sunsets.
Bob THomas painting 2
Thomas’ paintings will be on display at the Southport Memorial Library, 1032 Hendricks Hill Road in Southport from May 4th until July 30th. One-third of the price of any painting sold during this exhibition will be donated to the library. The Southport Memorial Library is open Tuesdays, Thursdays and Saturdays from 9am to 4pm, with additional evening hours of 7pm to 9pm on Tuesdays and Thursdays.
For further information, contact the Southport Memorial Library (207-633-2741) or Bob Thomas (207-882-5569).

Marilyn Turtz exhibition at Dowling Walsh Gallery

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“Ms. Turtz has perfected the art of distilling a scene’s essence without getting bogged down in fussy detail. She has an especially sensitive way with atmosphere, catching with equal skill mist over morning fields, afternoon’s golden glow, and the lengthening shadows of evening.” – Helen A. Harrison, The New York Times

Marilyn Turtz’s paintings capture the quiet serenity in a moment of pause. Her works depict time passing through a shifting landscapes. Light and shadows reveal a scene or object’s perceptual qualities, heightening the everyday to the sublime.

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Marilyn Turtz received her MFA from Brooklyn College in 1985, where she studied with such notable artists as Lois Dodd, Phillip Pearlstein and Lennart Anderson. Her BFA, from Pratt Institute was awarded in 1978. Her paintings have been shown in New York City, Long Island, Maine and California. Her work is in the permanent collection of the Heckscher Museum in Huntington and the Long Island Museum in Stony Brook. Turtz has been an Artist in Residence at The Heliker-LaHotan Foundation on Great Cranberry Island, Maine, Weir Farm Trust in Wilton, Ct. and Cummington Community for the Arts in Cummington, Ma. She has received public and corporate commissions from such organizations as Cold Spring Harbor Laboratory, the City of Glen Cove and the New York City Arts for Transit, Metropolitan Transit Authority.

OPENING RECEPTION: FRIDAY, MAY 5, 5-8PM

For more information:
Dowling Walsh Gallery
365 Main Street, Rockland, Maine 04841
207-596-0084 | info@dowlingwalsh.com

Landing Gallery in Rockland opens the Season

“Morning View to North Haven from Pendleton Point, Islesboro, Maine” oil/linen, 16” x 14”  by Sarah Faragher

“Morning View to North Haven from Pendleton Point, Islesboro, Maine” oil/linen, 16” x 14” by Sarah Faragher

Landing Gallery, 409 Main St in Rockland opens this Season with the “2017 SEASON INVITATIONAL”, May 5 – May 21. Specializing in work celebrating the “Environment and Nature in Maine”. New works by Scott Baltz, Andrew Anderson-Bell, Roberta Baumann, Bruce Busko, Tom Curry, Sarah Faragher, Brian Krebs, Monique Lazard, Marlene Loznicka, Björn Runquist, Robert Stebleton, Liliana Thelander, Jill Valliere & J.M. Wilde are included in the exhibition. The Artists’ Opening Reception will be held on Friday, May 5th from 5-8 PM during Arts In Rockland’s first Friday art walk for 2017.
Please join us in the gallery. Hours: Wed – Sat 11-5, Sun 12-5, Closed, Mon & Tue. FMI 207 239-1223 or LandingArt.com

Art Space Gallery Opening May 5th

Teddi-Jann Covell, San Beach New Year's Day, oil

Teddi-Jann Covell, San Beach New Year’s Day, oil

Art Space Gallery invites you to the first opening reception of this season on Friday May 5th from 5 to 8pm. This reception will introduce the three new Maine artists in our front room, Teddi-Jann Covell, Keith Plummer, and John Wood.

Teddi-Jann Covell is a Fine Art oil painter who lives and works in Orono, Maine. Teddi-Jann primarily creates, “Plein-aire” style all year, all around the state. She is represented in Fine Art Galleries such as North Light Gallery in Millinocket, River Arts Gallery in Damariscotta and Harlow Gallery in Hallowell. Teddi-Jann is also a member of several artists Co-Ops including Saltwater Gallery in Pemaquid and Southwest Harbor Artisans. “My art is a reflection of my love and passion for Maine, for Baxter State Park and for the rugged coast of Maine and all her secret spots in between!

Keith Plummer, Narwhale, mix media

Keith Plummer, Narwhale, mix media

As a self taught metal smith and sculptor, Keith’s experimental evolution has lead him to create a body of work that incorporates the precision of metallurgy with an inventive transformation of bone into anthropomorphic form. He is inspired to use ancient processes that result in textures, colors, and a spirit not found in modern, manufactured jewelry. While working under magnification, Mr. Plummer adds minute details to create an overall effect of an artifact from a lost civilization. Keith hopes his jewelry pieces become memorable conversation pieces and spark discussions about this ancient craft.

John Wood, At Lobster Cove, watercolor

John Wood, At Lobster Cove, watercolor

Moving to New York in the 70s, Wood studied oil painting under the tutelage of Michael Aviano at the National Academy in NYC. In 1996, Wood switched his style to watercolors, and location to Philadelphia where he studied with James McFarlane and Frank Webb. He joined the Watercolor Society of both Pennsylvania and Baltimore and exhibited at the Berman Art Museum and Woodmere in Pennsylvania. Moving to Maine in 2008, Wood resumed the oil painting and studied locally with Ron Frontin. “I find that my portraits and landscapes in oil and watercolor compliment each other,” he said. As proof of his words, Wood was accepted in both mediums into the prestigious juried Tri-County Biennial in Florida where he now winters.
Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. May hours are 11am to 4 pm on Wednesday through Saturdays. Visit our website for more information at www.artspacemaine.com.

New Exhibitions Open at Caldbeck, Friday May 5

BREATHING LIGHT, 2017 oil on wood panel 24 x 12 inches

BREATHING LIGHT, 2017 oil on wood panel 24 x 12 inches

From May 1 through May 27, the Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit new work by Krisanne Baker of Waldoboro, in an exhibit titled  “Breathing Light: explorations below the ocean’s surface of what makes life above possible”.  Also hanging, “A Flower Show”, an exhibit of work by 10 artists.  Two of those artists are showing at the Caldbeck for the first time: Annie Bailey of Tenants Harbor, and Bayard Chanler of Rockport. The other 8 artists are Cicely Aikman, late of Friendship, Elizabeth Awalt of Swans Island, Lois Dodd of Cushing, Jeff Epstein of Cushing, Maggie Foskett, late of Camden, Nancy Glassman of Searsmont, Paul Plante, late of Oquossoc, Barbara Sullivan of Solon, and Nancy Wissemann-Widrig of Cushing.  A reception will take place on First Friday, May 5, from 5-8 pm.

In Baker’s exhibit, the 18 paintings in oil on wood panel measure 8 x 8 inches, 12 x 12 inches, and 24 x 12 inches.   Focusing on the underwater scenes that she witnessed last summer during her Monhegan Artists Residency, the artist brings to light what we normally don’t see.  “There’s a whole world down there that we know less about than we do the moon”, says Baker.  “I feel it’s vital for people to learn that the oceans, and all the waters from upstream that lead to the oceans, are the lungs and arteries of this planet.  The waters keep flowing and pumping; we need to respect the oceans for their life giving function – not just for the fish, whales, and phytoplankton that live in them, but for all of us.  Those life giving components of the ocean web create the material that all living things depend on”.   This summer, Baker will take part in a 2 week artist residency at the Shoals Marine Laboratory on Appledore Island in Maine.  There, she will do her own research and exploration of phyto and zooplankton, and will also share her artistic vision with the lab’s students of marine field science.  Together, artist and students will creatively connect the disciplines of art and science.   In addition to the paintings in her Caldbeck show, Baker will install in a front window, “Phytoplankton: Living, Breathing”, her sculpture made from recycled glass.

 

BEYOND COSMOS 1999 2/3 Cliché Verre 20 x 16 inches Maggie Foskett

BEYOND COSMOS 1999 2/3 Cliché Verre 20 x 16 inches Maggie Foskett

A FLOWER SHOW

In “A Flower Show”, 10 different artists give 10 different interpretations and visions of nature.  Annie Bailey’s loose interpretations are like short poses in figure painting – no time to describe in detail, just give the flow of color and shape.  Bayard Chanler’s oil paintings carry the charm and warmth of the tradition of flower still life painting. Maggie Foskett’s cliché verre photographic print of a mirror imaged iris, portrays the voluptuousness of mother nature.  Cicely Aikman’s primal Florida palm flowers do the same.  Elizabeth Awalt steeps us in Maine’s springtime.  Each of the 10 artists shows us that flowers in art will never grow old or out of date.

Exhibitions run May 1 – May 27, 2017
Reception: First Friday, May 5, 5 – 8 pm

Spring Hours: Wednesday – Saturday, 12-4

FMI: caldbeck@midcoast.com   www.caldbeck.com   207 594 5935

39th Annual Student Art Show at Barn Gallery

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Reception: Friday, May 12 from 4 to 6 PM.
Exhibition: Saturday and Sunday May 13 and 14—1 to 4 PM

Imagination and energy will fill Barn Gallery to overflowing as students from area elementary, middle and high schools exhibit their latest works of art. The artistic skill and enthusiasm of the young artists shine forth in a variety of media and subjects. They are delighted, as were many of their parents and grandparents before them, to have their artwork in a ‘real’ gallery. Thanks go to Gary W. Tirrell for sponsoring this event in memory of Norman West.

FMI: 207-646-8400 or oacbarngallery@gmail. com

The Sohns Gallery presents Relief Works by Artist John LeBlanc

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Located in The Rock & Art Shop, the show runs from April 4th to June 4th. A reception and artist talk will be held on May 12th from 5 to 7pm.
John LeBlanc’s relief works are created with thick impasto acrylic paint and many layers of cardboard adhered together.  John likens his artwork approach to that of a jazz musician. Each mark becomes a note which helps to determine the following mark. Within the loose framework of his subject matter, John elaborates his marks into endless variations of pattern and color. The depth that LeBlanc is able to achieve with his relief works is truly worth seeing in person.
A reception and artist talk will be held on May 12th from 5 to 7pm. The reception will be combined with the Bangor Symphony Orchestra’s Sweets, Shopping, and Bubble fundraising event at The Rock & Art Shop. Three members of the Orchestra will be on hand to play live music in the gallery. Sweets from Specialty Sweets and champagne will be provided. A portion of all sales made from this event will be donated back to the Bangor Symphony Orchestra.
For more information please contact the Sohns Gallery:
(207) 947-2205 or  therockandartshop@gmail.com

New Art Show at the Wine Cellar Art Gallery downstairs at John Edwards Market

Credits - Provincetown Tanager, By Brian Emerson; Downeast Icons, by Matthew Barter; Squirrel by Brent Ander

Credits – Provincetown Tanager, By Brian Emerson; Downeast Icons, by Matthew Barter; Squirrel by Brent Ander

 

For the months of April & May, we are very happy to host the works of Matthew Barter, Brian Emerson, & Brent Anders.

We welcome Matt Barter, currently of Richmond, Maine. Matt is showing paintings on board and canvas. These pieces focus on iconic Downeast images and the stories of the people who live here told in bold, bright colors and a homegrown primitive style. We are so glad to hang his work.

We are very happily showing new works by Brian Emerson of Portland. Brian’s paintings on board and canvas pop with an exuberant abstract style that sings the joy of the moment. Reflective garden discoveries and seaside musings are portrayed with seemingly carefree strokes and saturated colors. We love supporting Brian’s work.

Brent Anders is an artist new to the Wine Cellar Gallery, and we are excited to host his work. Brent resides in our own fair Ellsworth. His pieces are exacted with such realism, one is impelled to step closer for a better look. Maine wildlife and classically illustrated lighthouses are rendered with colored pencil, pastels, & watercolors. We are delighted to welcome Brent to our gallery.

An opening of this show is planned in conjunction with a wine tasting for Friday, May 5th, from 5:00 – 7:00 pm. Please join us.

Please visit the Wine Cellar Art Gallery. We are open daily. Contact 207-667-9377 or johnedwardsmarket.com

On May 5th The Bookey Readings Features Anna Wrobel and Marita O’Neill

All are invited to the Bookey Readings at the Harlow on Friday, May 5 at 7pm, featuring Anna Wrobel (left) and Marita O’Neill (right.) Courtesy Photos.

All are invited to the Bookey Readings at the Harlow on Friday, May 5 at 7pm, featuring Anna Wrobel (left) and Marita O’Neill (right.) Courtesy Photos.

The Bookey Readings at the Harlow continues their 2017 poetry series on Friday, May 5 beginning at 7pm. The event, held at 160 Water Street in Hallowell, features two women well known to Maine poetry: Anna Wrobel and Marita O’Neill. Refreshments are served, and a $3 donation is appreciated at the door to support operating costs at the Gallery.

Both life-long, dedicated teachers, Wrobel and O’Neill present their passion for and knowledge of life, love, and human struggle through spoken word. Their poetry shares experiences that have shaped them into strong, loving, and impacting women who value activism through peace.

Anna Wrobel is an American historian, teacher, and poet. Marengo Street was published by Moon Pie Press in 2012; a second collection is slated for 2018. Educator, scholar of Holocaust Studies, Anna extracts global history and personal narratives into poetic forms in manuscript, Sparrow Feathers, from which her presentation, “Second Generation/First Person,” is derived. Poems are used by history and literature teachers in several states, also in Poland, Germany, Israel and Palestine. Poems, historical essays and critical reviews appear in venues including Cafe Review, Lilith, Off the Coast, Holocaust Human Rights Center of U-Maine, and Jewish Currents (contributing writer). Anna curates Lowry’s Lodge, Maine’s second longest running feature poetry series (after Harlow).

Marita O’Neill is a poet, teacher, and bird admirer. She has lived in Maine for over 20 years and originally hails from the not-so-mean streets of Philadelphia. She earned her MFA in poetry from Vermont College. She is currently teaching high school English to seniors and sophomores at Yarmouth High School. She has published two chapbooks: Love Dogs by Strikestudio Press and Evidence of Light by Moon Pie Press. Her poem “Crow Calling” was recently published in the Deep Water series through the Maine Sunday Telegram and her poem “Dragon” in the Maine Arts Magazine. Lately, she’s exploring what it means, in Pema Chodrin’s words, “to refrain”: “the practice of not immediately filling up space just because there’s a gap.

The Harlow Gallery located in downtown historic Hallowell is home to the Kennebec Valley Art Association, a membership based 501(c)3 nonprofit dedicated to connecting and celebrating art, artists and community in central Maine since 1963.

For more information about the Harlow Gallery or this event visit www.harlowgallery.org or call 207-622-3813.

Pathways by Jeff Woodbury on display at Vestibule 594

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Pathways by Jeff Woodbury will be on display from May 1st to May 30th with an opening reception on First Friday, May 5th from 5-8pm. Don’t miss it! This will be the final opening reception at Vestibule 594. Located at 594 Congress Street, this street-level gallery is a viewing glass for passersby and art enthusiasts alike.

“I work concurrently on a range of ideas in a variety of media. I grew up in a military family, as part of an invisible rootless tribe. The way I work reflects my nature and my nurture. My work and my life are paths crossing others, connecting and diverging, fashioning patterns of people and choices and ideas and feelings. It’s all in the mix.

It’s difficult to categorize my work as a whole. I usually work through ideas in series of related pieces, yet some stand alone. Sometimes ideas are set aside, only to be picked up years later.

I choose materials to express my thoughts, and the materials in turn suggest more ideas. My art lives not just in the final product, but in its making, and in its relation to other work.

I enjoy the freedom to explore where my ideas lead. I want to share the wonder I find. It’s not my intention to lead you to specific interpretations or conclusions. Words stand in the way of the direct experience of visual art. You’re part of the process now. Relax and enjoy.” -Jeff Woodbury

William Irvine & Nancy Morgan Barnes at Greenhut Galleries

William Irvine, Resting Fisherman, oil on canvas

William Irvine, Resting Fisherman, oil on canvas

 

Nancy Morgan Barnes and William Irvine are storytellers.
Irvine paints his stories in the place between the abstract and the real. Morgan Barnes leads us through narratives that are not what they initially seem. Born in South Bend, Indiana, Morgan Barnes received her undergraduate degree from St. Mary’s College in South Bend, Indiana, and her graduate degree from Indiana University.
Irvine grew up in Troon, Scotland and is a graduate of the Glasgow School of Art in drawing and painting. He moved to Maine in the 1960’s.

Nancy Morgan Barnes, Bear and Hare, oil on board

Nancy Morgan Barnes, Bear and Hare, oil on board

For more information contact Greenhut Galleries :
146 Middle St
Portland, Maine 04101
207-772-2693
www.greenhutgalleries.com

Artists reception Thursday, May 11 from 5-7pm
Exhibition on display May 4 – 27
Gallery Hours: Mon -Fri 10-5:30pm, Sat 10-5pm

Maine Farmland Trust Gallery shows “Inside View”

 

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Margaret-LaFarge,-1800-farm-house,-14-18×1014

 

Maine Farmland Trust Gallery shows “Inside View” of Barns and Farm Houses

 

Belfast. Machias watercolorist Margaret LaFarge has lived in Maine since 1980. Her intimate paintings transport us across time and space, into the rooms of farmhouses with which LaFarge has a special connection. “These are primarily homes I have lived in,” she points out. “And so my paintings revolve around family, memories and history.”

The farmhouse interiors depicted in paintings such as “Horse Hair Chair” and “1800 Farm House” hail from New England villages that once had a vibrant farming community. “But a lot of farming has disappeared here,” said LaFarge. “It’s so sad to see old farmhouses fall apart. I am fortunate that my family has always maintained them.”

 

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 Tessa O’Brien, Headlights, acrylic, enamel, dye on panel, 48 x 48”,

An old box of photos took painter Tessa O’Brien on a trip down memory lane, to a time in her childhood when her parents and their friends built a timber frame together. “Everyone stayed and camped out with their babies and dogs. I just love those images, and the memories they conjure up,” said O’Brien.

In her bold, colorful paintings, the timber frame itself became a symbol for community, sustainability and craftsmanship. “I was pursuing my MFA at the time,” O’Brien explained. “And visually, I loved the structure of the timber frame as an image in its own right. I’m primarily interested in paint – the possibilities of it, the textural quality – but I need an organizing principle to direct my work.”

 

Leslie-Harris-600-00-Hayloft-20x16-oil-on-linenboard

Leslie Harris, Hayloft, oil on linen board, 20x16”,

 

What followed was much like a community engagement project. “I started hunting down timber frames in Maine, and ended up meeting the people building them, and hearing their stories,” O’Brien shared. “I love the stories that go along with the buildings, and the way these structures interact with the land.”

The Portland painter recognized that the subject matter of farm houses runs the risk of being nostalgic. “While I started from a place of nostalgia that is not what I want to communicate. I want to show the present-day possibilities, which are very alive in Maine, and ask what these traditions can bring us now.”

With The Inside View, Maine Farmland Trust Gallery is aiming to show a variety of interior views of farms: old and new; still used for farming or transformed into an artist’s space; the family’s kitchen table versus the cow’s barn. The group show includes oil paintings, acrylics, mixed media, drawings and photography by artists Julie Cyr, Kerstin Engman, Leslie Harris, DiTa Ondek, Susan Smith, Sarah Szwajkos, and afore-mentioned Margaret LaFarge and Tessa O’Brien.

The Inside View will be on exhibit from April 3rd through June 23rd. There will be artist talks at 5:00pm on Friday May 26, followed by a reception as part of the Belfast Art Walk from 5:30-8:00pm.

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. On Fourth Friday Art Walks, the gallery is open until 8pm. More information can be found at www.mainefarmlandtrust.org/public-outreach-new/gallery/ .

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

 

Maine: The Way Life Is at Greenhut Galleries

Colin Page Waterfront Oil on canvas 24 x 36 inches

Colin Page
Waterfront
Oil on canvas
24 x 36 inches

Greenhut Galleries is celebrating its 40th year anniversary ALL YEAR, and what better way than to throw a full gallery invitational exhibit honoring the state of Maine. We are pleased to announce our upcoming exhibit of paintings by 50 local artists in our new biennial fondly titled: Maine: The Way Life Is.

It’s easy to see why artists have been coming to Maine for over 100 years. So many are drawn to the rugged coastline, the islands, the wild beauty and isolation of this majestic state. The landscape is an obvious inspiration and has been captured time and time again in classic works by some of the most skilled artists, from Winslow Homer to Andrew Wyeth, from Thomas Cole to Frederick Church.

rita Holmquist Last Light Oil on linen 24 x 36 inches

Brita Holmquist
Last Light
Oil on linen
24 x 36 inches

What interests us about many of these iconic scenes is how they translate to our contemporary culture. We have curated this invitational with artists who each have a unique vision of what “Maine” means to them. The result makes for an exciting, thought-provoking, dynamic and diverse exhibition!

Dedicated to showing the finest art made by Maine’s best artists, Greenhut Galleries is pleased to have you join us in celebrating our wonderful state of Maine. Discover something new, stay curious, LOVE ART.

The exhibit runs April 6-29 with an Artists reception, Saturday April 8, 1 – 3 pm. Gallery hours are Mon – Fri 10am – 5:30pm and Sat. 10am – 5:00pm. For more information please contact info@greenhutgalleries.com

MFT Gallery presents “In Dialogue with Nature”

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Robert Pollien (courtesy of Dowling-Walsh Gallery)

 

In Dialogue with Nature is currently on display until March 24th, with artist talks and a closing reception on Friday March 17 at 5pm. New work by MFT Gallery artists Julie Cyr, Dahlov Ipcar, Sheep Jones, Christopher O’Connor and Lou Schellenberg on the second floor.

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J. Thomas R. Higgins (courtesy of Greenhut Gallery)

 

Belfast. In the summer of 2016, four artists spent a month living and creating at Rolling Acres Farm in Jefferson. More precisely: a month of observing and noting, walking and musing, painting and drawing, collecting and interacting with the soil, the water, the weeds, woods and sky.

These four artists, all from Maine, were the very first artists-in-residence at Maine Farmland Trust’s Joseph A. Fiore Art Center, an initiative started last year in collaboration with the Falcon Foundation in Damariscotta, which holds the works of late artist and environmentalist Joseph A. Fiore (1925-2008).

The Joseph A. Fiore Art Center at Rolling Acres Farm aims to actively connect the creative worlds of farming and art making by way of exhibitions and public educational events, through research and development of new farming practices and by hosting residencies for artists on a working farm.

David Dewey, trustee and curator of the Falcon Foundation and co-director of the Fiore Art Center believes that an artist residency is an important creative interlude from the demands of life, which allows artists time to refresh their creative batteries and develop their art work with a clear mind. “We all need a break at times; the residency program can be a valuable period of critical artistic growth that both the artist and the public can benefit from.”

The four 2016 artists-in-residence Thomas R. Higgins*, Robert Pollien*, Thérèse Provenzano and Susan Smith are now exhibiting the work created during their month at Rolling Acres Farm at the Maine Farmland Trust Gallery in Belfast. The exhibition, titled In Dialogue with Nature, is on display until March 24th, with artist talks and a closing reception on Friday March 17, at 5pm. (*Higgins appears courtesy of Greenhut Gallery, Pollien appears courtesy of Dowling-Walsh Gallery.)

The artists each had their own unique approach and experience. Higgins, a landscape painter who worked mostly in oils, followed by some drawing, shared: “Having the unobstructed freedom to come and go as I please has resulted in the opportunity to focus on subject matter not explored in recent years, and the chance to get to know a few locations intimately.” Pollien, also a landscape painter, said: “The month was very productive and I find that the intensity of the residency has carried over nicely. The time spent working and thinking deeply about painting continues to be of lasting value.”

 

Provenzano_Rolling_Acres_Farm_No-_3_After_the_Rain_Violet_Haze_-(2)

Thérèse Provenzano

 

Provenzano, pastel painter, spent many a day right outside the glass doors of her barn studio. “My residency at Rolling Acres Farm provided a new lay of land to digest, en plein air.  The sky read imposing, vast or aloof. Rain and clouds made their presence known. Reaching and digesting the land, alone and unencumbered […], took precedence.”

The vibrant greens and lively brush strokes of Higgins’ paintings; the reverent stillness which Pollien is able to evoke with his coastal views and clouds; Provenzano’s meditation on the S-curved farm road meandering down to Damariscotta Lake – each speak to a different aspect and experience of the fields, water and sky at Rolling Acres Farm.

 

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Susan Smith

Smith took a different approach entirely. Her site-specific art practice lies somewhere between the archeological, ideological, experimental and ephemeral. She collected rusty old bits of farm equipment, branches, soil and plant materials, and created intricate eco-prints by tightly wrapping these different ingredients into cloth “bundles,” then steaming them. Her work wants to be touched, and speaks straight to the soul of buried history, sleeping memory, and connection to land that longs to be known.

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In Dialogue with Nature is currently on display until March 24th, with artist talks and a closing reception on Friday March 17 at 5pm. New work by MFT Gallery artists Julie Cyr, Dahlov Ipcar, Sheep Jones, Christopher O’Connor and Lou Schellenberg on the second floor.

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

The Joseph A. Fiore Art Center at Rolling Acres Farm, located at 152 Punk Point Rd, Jefferson, is accepting applications for 2017 residencies until March 1st. More information can be found at https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

 

 

 

Assemblage Works by Joe Kennedy & Wally Warren at The Sohns Gallery

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The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents Assemblage Works by Joe Kennedy & Wally Warren.
The collective works of artists Wally Warren and Joe Kennedy are thought provoking, unique and inspiring. Working with found and recycled objects; both sculptors create works from items most of us may dispose of too easily, without even thinking twice. Both artists seem to enjoy seeing relics of a useful past whose time has ended, being reborn again to serve us in a different yet fulfilling way. Delighted to emerge themselves in whimsical and fantasy worlds, each creates their own style that may transcend you to another place and time. Kennedy and Warren have been neighbors on Stream Road in Ripley for decades and Warren, a lifelong artist, has served as friend and mentor to Kennedy-a plumber turned found-object artist.

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The show runs from Feb 13th – April 2, 2017 and can be viewed any day between 10am and 6pm in The Rock & Art Shop. Please, join us for a Reception and Artist Talks will be held on March 3rd, at 6:30. For more information contact therockandartshop@gmail.com

Young Artists Takeover the Galleries at Waterfall Arts

Young Artists Take Over Gallery

To celebrate Arts Advocacy Month this March, Waterfall Arts presents the second annual Young Artists Gallery Takeover exhibit which opens with a reception on Friday, March 3 from 5 to 8 pm. The reception is free, everyone is welcome to attend, meet the artists and enjoy the show.

Young people from Waldo County schools and youth groups created the artwork filling the galleries. The purpose of the exhibit is to recognize these young people as our next generation of creative artists. Arts Advocacy Month emphasizes the value of art education for all children and encourages support for quality school art programs. It also provides a forum for recognizing skills developed through visual arts experiences that are not possible in other curriculum subjects.

Young Artsit Jazmine Garnier and Youth and Family Outreach Coordinator Bridget Matros

In addition, the show will highlight what’s going on with the arts in the schools and recognize art educators and teachers. The Young Artists Takeover exhibit will be up through March 30th; gallery hours are 10 to 5 Tuesday through Friday and by appointment.

Since 2000, Waterfall Arts has served as the midcoast area’s non-profit community art center, offering innovative classes, open print, clay and photography studios, exhibitions, studio rentals, and cultural events. Youth and family programs are supported by the Green Store, the Kendel Kennedy Fund, the NLT Foundation and the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. Waterfall Arts is located at 256 High Street in Belfast. For more information, visit waterfallarts.org or call 207-338-2222.

PMA reopens with “Lights Across Congress”

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The countdown to the unveiling of the new PMA begins at 6 p.m. on February 3 with Lights Across Congress, a special event that will bring together more than 20 community organizations, businesses, and supporters to present a massive 130-foot-wide cinematic projection on the museum’s façade, promising to be the Maine arts event of the year.

Lights Across Congress will serve as a public countdown to the reopening of the PMA, and at the end of the projection the museum will open its doors and welcome visitors to the entirely new and reimagined PMA, for free.

Lights Across Congress will include one of the largest multidimensional projections in Portland’s history, made possible through generous support from Unum as well as through partnerships with Headlight AV, p3, and the City of Portland. To celebrate the reopening of the museum, the projection will light up the façade of the PMA with an exciting and colorful animated sequence that people will remember for years to come. With support from the city of Portland and to provide as many viewing angles as possible, Free Street at Congress Street will be closed to traffic on the evening of February 3.

Many more community partners will be involved—including ice sculptors, food trucks, and the Friends of Congress Square Park—to make Lights Across Congress a festive winter carnival environment and a true party to mark the reopening of the PMA.

Lights Across Congress is a moment of celebration for the Portland Museum of Art, as well as an opportunity to showcase the economic and social power of Maine’s arts and culture for a wide array of organizations, community partners, and businesses. From leading corporations such as UNUM to creative agencies such as p3 and The VIA Agency, and from community organizations such as Creative Portland to state agencies such as the Maine Office of Tourism, Lights Across Congress and the reopening of the PMA provides a moment for the city of Portland and the state of Maine to rally around the arts.

Greenhut Galleries’ “Abstraction”

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Kayla Mohammadi

 

Abstraction
abˈstrakSH(ə)n
1. freedom from representational qualities in art
2. an invitational group show of 25 Maine artists at Greenhut Galleries in Portland
February 2 – 25, 2017

Please join us!
Artists reception, Saturday, February 4, 1 – 3pm

Daniel Anselmi, Chris Beneman, Grace DeGennaro, Ingrid Ellison,
Tom Flanagan, Alison Goodwin, Ken Greenleaf,
Jaap Eduard Helder, Elizabeth Hoy, Jon Imber, Penelope Jones, David Kelly, Richard Brown Lethem, George Lloyd, Frederick Lynch, Kayla Mohammadi, Lisa Noonis, Tom Paiement, Sandra Quinn, Noriko Sakanishi, Jenny Scheu, Claire Seidl, Lori Tremblay,  Dietlind Vander Schaaf, Willa Vennema

Greenhut

FMI,  www.greenhutgalleries.com
Greenhut Galleries
146 Middle Street
Portland, ME  04101
207-772-2693

info@greenhutgalleries.com
Gallery hours: Mon-Fri 10-5:30, Saturdays 10-5

Harlow Gallery presents The Venn Project

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On View: February 3 – March 11, 2017 | Opening Reception: Friday, February 3, 5-7pm

The Harlow Gallery presents The Venn Project, featuring the work of Pamela Hetherly, Anita Morrissey, and Nancy Keenan Barron. The Venn Project is on view February 3 – March 11, 2017 with an opening reception on Friday, February 3, from 5-7pm. Both the exhibition and the opening reception are free and open to the public.

The three artists came together in the spirit of the Venn diagram: what they share, what they don’t.  Each artist claims one circle as her own and shares a piece of that circle with the other two. (A Venn diagram is a concept developed by John Venn in 1880.   He used overlapping or non-overlapping circles to show relationships.  Where the circles overlap, something is shared or in common.  Where the circles do not overlap, items are different.)

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Eighteen months ago artists Anita Morrissey, Pamela Hetherly and Nancy Keenan Barron began meeting regularly to paint together from life.  They explain their process as follows:

We took notes of our similarities and differences.  As the months passed we observed the others’ ways of working, challenged each other, and broadened our thought processes.  We observed how our individual practices changed and evolved from the influence of the others.  The goal of the project was to notice what worked, to try new things, and to support each other in this process.

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Early on in the project, it became clear that one large shared, overlapping piece in the Venn diagram for all three artists was the Harlow Gallery. We first met each other at the Harlow, we are all longtime members and have all benefited greatly from the Harlow community.

The artists invite the viewer to take note of the similarities, the differences and the changes that took place in their work during their 18-month-long project.

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For more information visit: http://harlowgallery.org/the-venn-project/

The Cynthia Winings Gallery presents The Mid-Winter (Valentine’s Day) Show

Jerry Rose, Ledges, Oil on panel

Jerry Rose, Ledges, Oil on panel

A group exhibition featuring the artwork of Jenny Brillhart, Tim Christensen, Avy Claire, Devta Doolan, Sarah Doremus, Buzz Masters, Carol Pelletier, Jerry Rose, Nisa Smiley

Evening Reception: Friday, February 10th, 5:00 – 8PM.

Devta Doolan, Pave Spinel and Gold Earrings

Devta Doolan, Pave Spinel and Gold Earrings

Cynthia Winings, Woman In Coat, Oil on panel

Cynthia Winings, Woman In Coat, Oil on panel

This is a one day event where the gallery is shining with creative expression – Come for the art, stay for the buttered rum. Please dress warmly. Everyone is Welcome!
Please contact Cynthia Winings for more information at info@cynthiawiningsgallery.com or 917.204.4001

Beerits, Wilson, Walker at DIAA’s 3rd ART matters

(Deer Isle, Maine) – The Deer Isle Artists Association presents local metal artists Peter Beerits, Doug Wilson and Ian Walker for its third ART matters 2 session at 1:30 p.m. on Sunday, Jan. 8, at the Deer Isle gallery.

The artists will bring examples of their work to discuss with each other and the audience during the session, titled METALS plus. DIAA Board Member Hub White will serve as moderator.

The popular ART matters 2 discussions have been attracting standing-room only audiences.

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Peter Beerits “Bear-face”

Beerits, an artist who primarily fabricates in wood, said he has always relied on metal for fine details such as eyes, lips and fingers. “Because my work depends on the drawn line to express images, I am attracted to metal because I can cut a more defined line in it,” he said. “I also use low-technology metal casting to work around limitations in forming wood and fastening metal objects to it.”

 

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Ian Walker, “Minora”

Walker, a retired geologist, has worked in wood since the 7th grade. “In the mid-1970s a blacksmith writing in Fine Woodworking magazine claimed I could make a better wood chisel than I could buy,” he said. “My woodworking largely gave way to blacksmithing, and I remain an amateur blacksmith. Much of my work is inspired by collaborations with other craftsmen and includes door and window hardware, chest hinges and locks, woodworking tools and the occasional whimsical item donated to a non-profit group auction.”

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Doug Wilson, “Door Handle, Hostel”

Doug Wilson has taught nationally and has worked as a blacksmith on Deer Isle since 1981. He produces functional work such as candlesticks, fire tool sets and fire screens, as well as architectural work, including gates, railings and sculpture. The work is produced using traditional hot forging techniques used by blacksmiths to produce fine work for centuries. “There is fire, glowing iron and the ring of the hammer in every piece of work,” he said.

Eric Ziner has had to cancel participation from the METALS plus session of ART matters 2 due to unexpected obligations that arose.

The program begins at 1:30 pm, and each artist has a short time to speak. When all are done, the artists will talk with each other for a period of time followed by an open discussion with the audience. A reception follows with 44 North Coffee, tea and cake.

ART matters is in its second year as a winter discussion series among artists and residents of Deer Isle. The DIAA intends ART matters 2 as a way to enable artists to talk with each other, to keep the gallery alive in winter and to have people learn about what, why and how artists create. Nineteen artists are participating in the six sessions of ART matters 2 this year.

Founded in 1972, the Deer Isle Artists Association is a member-run nonprofit organization committed to creating and exhibiting art. Our more than 100 members include painters, sculptors, printmakers, jewelers, fiber artists, photographers, ceramicists and other artists.

Wine Cellar Art Gallery opening Dec. 2

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The paintings on the card are: Maine Sparkle by Paul Breeden Mother Loon & Chicks by Ann Breeden Birch Harbor Huckleberry Patch by Jeff DiBella

 

The Wine Cellar Art Gallery downstairs at John Edwards Market is delighted to host the work of three local artists – painters/illustrators Paul & Ann Breeden & photographer Jeff DiBella

Paul Breeden has been a professional artist for over 50 years working as an illustrator, botanical artist, painter & calligrapher with works featured in National Geographic, Audubon, Sierra, World, & Smithsonian among other numerous magazines. He illustrated Peter Jenkins’ book, A Walk Across America and all 24 volumes of Time-Life Books’, Lost Civilizations. Now Paul devotes his energy, expertise, & imagination to the fine arts including colorful works in acrylics, water media, wood sculpture, & photography. “I really love painting the rugged beauty of coastal Maine – the power of the sea, the textures of the rocky shore, lighthouses, old farms, and tall spruces against the luminous sky. Nothing makes me happier than a person connecting with and falling in love with one of my works.”

Ann Breeden spent five years studying art under the tutelage of Helen Murthy at the Berkshire Art Museum and with Jean Lewis in Zuni, New Mexico, again studying art as well as Native American Culture. Her paintings have been shown in numerous galleries, universities, colleges, & festivals in various states across the country. “As an artist, I’ve always strived to capture the light and line of my natural surroundings, trying to bring the passion and love that I feel for that fleeting moment when Mother Nature and my imagination meet in harmony.”

Jeff DiBella’s photography focuses on landscapes and birds. Inspired in his teens by the great Ansel Adams and Eliot Porter of Maine, Jeff recently moved to Maine after living in Connecticut most of his life. Relocating to Maine allows him to enjoy his love of the natural world, especially birds in flight, and provides him enough subject matter for a lifetime. He tries to present his viewers with images of nature they might not otherwise get the chance to see.  Jeff’s black-and-white work on Snowy Owls of Acadia was featured all summer at MDI Biolabs’ “Art meets Science” exhibit for the celebrated 100th birthday of Acadia National Park. When not in the field, Jeff teaches basic photography at Sullivan Adult Education. “I’m lucky to be surrounded by great photographers and naturalists in this area who have been generous with their knowledge and expertise. They are my new inspiration!”

This show will be available through the month of January. An opening of this show at the gallery is planned for December 2nd.  Please visit the Wine Cellar Art Gallery. We are open daily. Contact us at 207-667-9377 or johnedwardsmarket.com

Mars Hall celebrates “Yuletide in St. George”

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“Transit of Venus” by Antonia Small

Mars Hall will celebrate the holiday season as part of the “Yuletide in St. George” annual festival. Join us for hot cider and cookies on Friday, Nov. 25th & Saturday, Nov. 26th from 10 – 4 or by appointment.

The gallery offers a large variety of gift items including handmade Santa’s and homemade dog biscuts by Karen Zola, handmade soaps by Stone House Road Apiary, driftwood fish by Claire Perry, decoupage boxes by Davene Fahy, carved decoys by Stephan Hill and mixed media sculpture by Bill Cook, Jay Hoagland, Constance Kiermaier and Elaine Niemi. The “Recycled Zoo” by Brian Read and “Heavy Metal Mobiles” by Jay Hoagland will be on display inside as well as outside in the gardens. Also available are handmade Christmas ornaments, mosaic lamps, antique negative mirrors, stained glass, pottery and a wonderful selection of vintage jewelry, antiques and collectibles.

An eclectic mix of ART is available by artists Leo Brooks, Kris Johnson, Roger Kirby, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, C.W. Oakes, Elaine Reed, Jimmy Reed, Manual Rincon, Holly Smith, Carl Sublett, William Thon and Ron Weaver. Also on exhibit are Antonia Small’s black & white pinhole photographs. Also available are affordable works by guest artists.

The gallery is located 12.7 miles down the beautiful peninsula at 621 Port Clyde Rd. in Martinsville. For more info call 207-372-9996 or 207-372-8194 or visit www.marshallgallery.net.

For all of you from “Away”, ( as they say in Maine), have a Happy, Healthy and Safe Holiday Season and Wintah! Thank You for supporting the ARTS and we look forward to your return in 2017.

Art Space Gallery Invites the community for the Holidays

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Art Space Gallery invites you to the December “Arts in Rockland” first Friday art walk.  We will be hanging a new show in our front room.  Please stop by and join us for wine, refreshments and meet our artists on Friday, November 25th, from 5 to 8 pm.  Unlike our usual first Friday events, this month we will be featuring all of our gallery artisans in the front room with a focus on winter. Come kick off the holiday season with a fun evening in Rockland while enjoying the arts.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  December hours are Wednesday through Saturday 11 am to 4 pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Holiday Show at Greenhut Galleries

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Join Us For The Holiday Show…
December 1- 31, 2016

We’re Having a Party!
Reception Saturday, December 3rd 1-3pm

Join us in celebrating the season and our Greenhut artists.
Welcome the new owners Kelley Lehr and John Danos.
Toast Peggy Golden with a champagne sendoff in appreciation of her vision, her tireless work on behalf of Maine artists, and her enormous contribution to the Portland art community as she embarks on her retirement.

Gallery Hours: Mon – Fri 10am – 5:30pm
Sat. 10am – 5:00pm
info@greenhutgalleries.com
www.greenhutgalleries.com

The Forth Annual All Small Art Show Reception to be held Dec. 2nd

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The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents The Forth Annual All Small art show. The show is the largest yet with 56 local Maine artist. Each artist was given three small (6”x 6”) birch wood panels and asked to create. The result is one of the our most diverse gallery shows. Artist’s works include a wide variety of mediums from wax encaustics, cardboard relief, screen prints, carved wood, to, collage, assemblage, oil and fused glass works. The 168 All Small works hung together on the gallery wall provide a great viewing experience and the size of the works helps keep the prices accessible.
Curator Annette Dodd says “this show is a great way to encourage gifts of art, with the show ending on Dec. 24th just in time for Christmas. It is traditionally one of our best received shows.”
The show runs from Nov 2nd – Dec. 24th and can be viewed any day between 10am and 6pm in The Rock & Art Shop. An artist’s reception will be held on Dec. 2th at 6:30 with refreshments and a live band (Tough End String Band).
For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

AIA Maine Design Awards Exhibition Comes to Waterfall Arts

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The Maine branch of the American Institute of Architects will showcase project submissions for the 2016 AIA Maine Design Awards program at Waterfall Arts from December 2nd to 23rd. The Corridor Gallery exhibit opens with a festive reception shared with Waterfall’s Handmade show on Friday, December 2 from 5 to 8 pm. All are welcome to attend.

Featuring over sixty projects from Maine’s local architectural community, the exhibit celebrates the best of Maine’s architecture and showcases the various ways in which architects design buildings that respond to Maine’s natural and built landscape.

The compilation of projects is a result of AIA Maine’s 35-year old Design Awards program. The program solicits projects from member architects for a juried review by a group of nationally prominent peers from outside of the state of Maine. This year’s New Haven-based jury was selected for their individual accomplishments and collective understanding of Maine’s climate and geography. The jury awarded eleven total projects and was impressed with the overall work presented.
Waterfall Arts is located at 256 High Street in Belfast and is supported by yearlong sponsors Revision Energy, All Creatures Acupuncture and Cold Mountain Builders and by the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
Gallery hours through December 23rd are Tuesday through Friday from 10 to 5 and Saturday and Sundays from 10 to 2 or by appointment.

For more information on the AIA exhibit, classes, studio rentals and events, visit waterfallarts.org, stop by or call 338-2222.

Sandra Leinonen Dunn opening at Roux & Cyr

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Roux & Cyr International Fine Art Gallery invites you to a solo exhibit featuring Sandra Leinonen Dunn. Please join us for wine and Cheese on First Friday December 2 from 5:00 – 8:00. This exhibit runs through December 30.

Sandra Leinonen Dunn Is a prolific Maine painter who is well known throughout the State. Her skills are admired for her beautiful colors, her soft delicate touch as well as her pronounced brushstrokes. She captures atmospheric conditions in nautical scenes and chiaroscuro (coming out from shadow into the light) in her still life paintings. She impresses with her depictions of porcelain and copper for her realistic yet emotional interpretations.

Leinonen Dunn brings us a varied collection of recent works. She will be present at the opening. Come meet the artist and enjoy her beautiful paintings.

Roux & Cyr International Fine Art Gallery is truly Uniting the World Through Art.

Our Studio Exhibit, also opening on December 2, will be showcasing the works of Portland’s Katharina Gifford. She focuses mainly on figurative works, portraits and still life. Trained classically at the Florence Academy of Art, her oil paintings reflect rich color and a deep understand of light.

Please join us for these two wonderful exhibits along with works of 25 artists from 10 different countries. Both artists will be present for the opening. We look forward to seeing you soon!

For more information contact: Susan Roux • 207-576-7787 • rouxandcyrgallery@gmail.com

Closing Reception for LINEATION by Chris Beneman at Vestibule 594

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Join us for the closing reception of Chris Beneman’s solo show “Lineation” at Vestibule 594 during the First Friday Art Walk from 5-8pm. This is your last chance to see the show on display for the public, so don’t miss it!

Vestibule 594 is a small showcase gallery that displays local artists’ work in bimonthly new shows. Open on First Fridays or by appointment only. Located on the ground floor next to Starbucks and across from Flea For All on Congress Street in Portland.

Lineation noun lin·e·a·tion ˌli-nē-ˈā-shən

the action of marking with lines
an arrangement of lines
In my printmaking work I create pieces based on architectural forms. These deconstructed urban landscapes teeter between order and disorder. In my paintings I combine and rearrange elements of the working waterfront, creating a kind of crazy quilt from the fishing shacks, pilings, buoys, rigging and boats.

Chris Beneman is a graduate of Bates College and has attended classes at Maine College of Art and Haystack Mountain School in Maine, The Art New England Workshops in Vermont and Ballinglen Arts Foundation in Ireland. Her work has been widely exhibited, most recently in the 25th anniversary exhibition of the Peregrine Press at the Lewis Gallery in Portland. Other recent exhibitions have been at the George Marshall Store in York and Greenhut Galleries and the Maine Jewish Museum in Portland. She has also been included in exhibitions at the Attleboro Arts Museum and South Shore Art Center in Massachusetts, The Center for Contemporary Printmaking, Norwalk, CT; The New Hampshire Institute of Art, Manchester, NH, Washington Printmakers, Washington, DC and the Center for Book Arts in NYC.

Ms. Beneman’s work is in many public and private collections including the Portland Museum of Art, The New York Public Library, the Colby College Museum of Art, The Farnsworth Museum, Bowdoin College Museum of Art, University of New England and the New Britain (CT) Museum of Art. She is a member of the Peregrine Press and the Boston Printmakers.

For more information: info@vestibule594.com

 

“ESTATE SALE” opens at Landing Gallery

“TURQUOISE WAVE” BY JANET LEDOUX  OIL/PANEL 6” X 12”

“TURQUOISE WAVE” BY JANET LEDOUX OIL/PANEL 6” X 12”

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “ESTATE SALE” with collections from three Mid Coast Estates, opening on Friday, November 4 through December 18.  Art, antiques and vintage collectibles are offered at extremely affordable prices, just in time for Holiday gift giving.  Bids are welcome and all reasonable offers will be considered. 

The “ESTATE SALE” includes paintings by Siri Beckman, Bruce Busko, Janet Ledoux, Colin Page, Andrea Peters, Maude Olsen, Eugene Quinn, Bjorn Runquist and Jane Ryan.  There is a large collection of new (some signed) and antique Art Books.  Victorian oak furniture including a high chair, two child’s chairs, a cradle and a 54” round dining table with two extensions.  There are many new and antique signed etchings, photographs and posters, cameras, silver and diamond jewelry, kerosene lamps and a large assortment of vintage and antique home accessory items.

A wine & cheese opening reception will be held on Friday, November 4th from 5 – 8 pm, during Arts in Rockland’s November art walk.

Hours: Weds – Sat 11– 5, closed on Sun, Mon & Tues. For more information please call 207 239-1223 or visit www.LandingArt.com.

Greenhut Galleries Features New Work By Margaret Lawrence

Across the Water, oil on panel, 18 x 18 inches

Across the Water, oil on panel, 18 x 18 inches

Margaret Lawrence finds inspiration in images gathered from a variety of sources. Nature, personal experience, and a reflective, internalized response to her physical environment inform her tranquil and textured dreamscapes, which seem to exist at the horizon between the personal and the universal.

In Lawrence’s own words,”My paintings are developed by removing paint as much as by applying it. Through this layering, the give and take of paint, an image that was inspired by a specific place transforms into a sense of place.” This approach yields a rich image using layered surfaces with deceptively complex color and texture. Both the effect achieved and Lawrence’s process itself are evocative of dream formation, wherein specific personal memories undergo a similar cycle of abrasion and accretion before they wash up in our dreams. Stripped of literal meaning but enriched with latent content, they exist in the symbolic realm, just beyond the grasp of language, where boundaries soften and binaries dissolve….

About the new work:

These recent paintings are a further exploration of the interplay between water, land and sky. Grounded in the constancy of the daily cycles of the sun and tide, I am drawn to colors and textures at various times of day or year that tap a sense of wonder.

After working as a registered nurse until her children were school aged, Margaret decided to pursue a long-harbored interest in art, eventually earning a BFA at  Maine College of Art. In 2015, she was commissioned to create four large paintings for the Augusta Judicial Center’s permanent collection. In recent years she has participated in an artist residency at the International School of Painting and Drawing and Sculpture in Umbria, Italy. Her work is in many private and corporate collections in Canada, Great Britain, and throughout the U.S. Margaret has been represented by Greenhut since 1997.

New Work runs from November 3 – 26, 2016

Opening reception Thursday November 3rd 5-7pm

Gallery Hours:  Mon to Fri 10am – 5:30pm and Saturday 10am – 5pm 

For More Information call 207.772.2693 

New Exhibitions Open at Caldbeck, Friday November 4

CHRIS OSGOOD,  SAMBA,  2016 watercolor and Japanese ink on paper 14 x 17 inches

CHRIS OSGOOD, SAMBA, 2016 watercolor and Japanese ink on paper 14 x 17 inches

FALL HARVEST – GROUP SHOW FEATURING:

ANNE ALEXANDER, LISE BECU, KATHERINE BRADFORD
ALAN BRAY, EMILY BROWN, LOIS DODD
MORRIS DAVID DORENFELD, JEFF EPSTEIN
MELANIE ESSEX, NANCY GLASSMAN, JOHN GOODMAN
KAYLA MOHAMMADI, JENIFER MUMFORD
ELIZABETH O’REILLY, DENNIS PINETTE, PAUL PLANTE
BARBARA SULLIVAN, TODD WATTS, DAN WEST
SUSAN WILLIAMS

TOM OSGOOD, FLIP,  2015 painted fabricated steel 19 1/2 x 32 x 16 inches

TOM OSGOOD, FLIP, 2015 painted fabricated steel 19 1/2 x 32 x 16 inches

November 4 – December 31, 2016

Reception: First Friday, November 4, 4:30 – 6:30 pm
Gallery Hours: Thursday, Friday, Saturday, 12-4

caldbeck@midcoast.com www.caldbeck.com 207 594 5935

CMCA 2016 Biennial Exhibition

Sarah Bouchard, Potent, 2015, site-specific installation of 50 handmade paper orbs, dimensions variable

Sarah Bouchard, Potent, 2015, site-specific installation of 50 handmade paper orbs, dimensions variable

The Center for Maine Contemporary Art (CMCA) in Rockland will open its 2016 Biennial Exhibition showcasing the work of twenty-five artists from across Maine, with a public opening reception on Friday, November 4, from 5 to 8pm.  The exhibition will remain on view through February 5, 2017. As the first Biennial in its new home, CMCA will be dedicating all 5,500 square feet of display space in the three galleries to the exhibition.

The twenty-five artists whose work will be included in the CMCA 2016 Biennial are: Phoebe Adams (Phippsburg), Sachiko Akiyama (Skowhegan), Marcia Annenberg (Boothbay Harbor), Steven Baines (Portland), MJ Blanchette (Kittery Point), Sarah Bouchard (Arundel), Philip Brou (South Portland), Emily Brown (Montville), Cole Caswell (Peaks Island), Scott Davis (Rockland), Morris David Dorenfeld (Spruce Head), Lynn Duryea (Deer Isle and South Portland), Carly Glovinski (Berwick), Tonee Harbert (Portland), Richard Iammarino (Rockland), Kayla Mohammadi (Walpole), Ann H. Mohnkern (Yarmouth and Phippsburg), Paul Oberst (Freedom), Kate Russo (Portland), Claire Seidl (Rangeley), Gail Skudera (Lewiston), Richard Van Buren (Eastport), George Wardlaw (Portland), Kathy Weinberg (Morrill), Andrew White (Union).

Philip Brou, Cold Was the Ground, 1, 2015, oil on panel, 36 x 48”

Philip Brou, Cold Was the Ground, 1, 2015, oil on panel, 36 x 48”

“We are excited to be working with this remarkable group of artists,” says Associate Curator Bethany Engstrom. “The new galleries open up possibilities for exhibiting a wide diversity of work in terms of scale and medium, providing an engaging reflection of what is happening in contemporary art in Maine now.”

Cole Caswell, Source Plate #4, Peaks Island, ME, 2016, tintype, 8 x 10”

Cole Caswell, Source Plate #4, Peaks Island, ME, 2016, tintype, 8 x 10”

The CMCA Biennial Exhibition typically takes place in the fall of even numbered years. The concept of an open juried competition at CMCA dates back to 1978, when then director Ben Goldsmith presented the first Annual Juried Exhibition. It was the only continuing statewide juried exhibition until the Portland Museum of Art introduced its first Biennial in 1998. Since then, CMCA and the PMA have presented Biennials in alternating years. 

The jurors for the 2016 Biennial were Christine Berry, director of Berry Campbell Gallery, New York City, and John Yau, noted writer, poet, and art critic for Hyperallergic. Seven hundred and eighty artists submitted work for this year’s CMCA Biennial. 

Lynn Duryea, Insert #2, 2014, slab-constructed terracotta and staples, 5 ½ x 13 x 6”

Lynn Duryea, Insert #2, 2014, slab-constructed terracotta and staples, 5 ½ x 13 x 6”

Berry says, “The artistic community in Maine has a long-standing tradition of excellence and the Center for Maine Contemporary Art will continue to tell this important story with the 2016 Biennial. John Yau and I had the difficult task of narrowing down a large stellar group of artists to a finely curated few. The review process took much longer than I anticipated because of the quality level of the applicants. It has been a wonderful experience for all involved and I look forward to seeing our selections in CMCA’s new building this fall.”

In describing the review process for this year’s Biennial, Yau states, “I thought about the many different artists who have lived in Maine while I was looking at this year’s submissions. The many marvelous portfolios that I saw made it extremely difficult to winnow down the selection. … I think the Center for Maine Contemporary Art will do much to change the culture of the state, and the Biennial is one of the ways it will do this, as it brings together as well as celebrates members of the Maine arts community.”

Paul Oberst, Banded Measure, 2015, video, 5:13 min.

Paul Oberst, Banded Measure, 2015, video, 5:13 min.

In conjunction with the exhibition, CMCA will host a series of talks entitled, “Who Do You Love,” in which Biennial artists will speak about the work of other artists who inspire them. The talks will be held at 3pm on Sundays, November 20, and January 8 and 22. The talks are free with admission.

Support for the CMCA 2016 Biennial is provided by sponsors Allen Insurance and Financial and CHUBB. Their generous gift made it possible to waive entry fees for the 780 artists who submitted work for this year’s CMCA Biennial. CMCA is located at 21 Winter Street, Rockland, Maine.

Kate Russo, Paintings by Men, 2015, oil on panel, 50 x 31 ½”

Kate Russo, Paintings by Men, 2015, oil on panel, 50 x 31 ½”

CMCA is a contemporary arts institution presenting year-round exhibitions as well as dynamic educational programs and special events for all ages. Hours: June through October: Tuesday through Saturday 10 am to 6 pm, Sunday 1 pm to 6 pm, and First Fridays 10 am until 8 pm. November through May: Closed on Monday and Tuesday. Closed Federal Holidays. Admission $6; Children under 12 free; Members free. For more information, call 207.701.5005 or visit cmcanow.org.

Two by Two: Two Couples, Four Photographers at MFT Gallery

Kathryn Oliver

Kathryn Oliver

When it comes to photography, couples Ralph and Kathryn, and Margaret and Drew, are two peas in a (tri-)pod. For both pairs, being photographers together is a core part of their relationship – not unlike farming is to many farming couples. This November and December at Maine Farmland Trust  Gallery, each of these four photographers is showing a selection of their work.

Kathryn has been an artist her whole adult life. She met Ralph when he contacted her to collaborate on a photo series in May 2013. It was a dance series and she participated as the subject. Shortly thereafter they became good friends and eventually fell in love. “Ralph inspired me to step behind the lens myself,” says Kathryn. “So we continue to bounce ideas off each other, share critiques but we pursue our own projects independently.

Ralph was born in West Germany and studied European literature in Germany and France. He immigrated to the United States in 2002. He is a self-taught photographer who regularly presents his work in national and international shows.

Ralph Hassenpflug

Ralph Hassenpflug

“Kathryn and Ralph both often work in black and whites, and their images are rather dream-like,” says Anna Witholt Abaldo, curator of MFT Gallery. “But that is where the resemblance stops. There is a definite difference in feel, which completely echoes their individual spirit. Kathryn’s works – especially her encaustics – have an ephemeral, wispy, whimsical quality that pulls us into imaginary worlds filled with voices of flowers and wind-swept grass. Ralph’s work can be both beautiful and haunting at the same time. It strikes me as truly European: born from a philosopher’s soul, he mixes equal parts of the same dark and dripping angst found in Rilke’s poems with raw and unexpected beauty. The resulting images quiver with melancholy longing.”

Margaret Lindsey Sanborn

Margaret Lindsey Sanborn

Margaret and Drew typically photograph and exhibit together. “We often spend several hours working at the same location—it could be an old farm, an abandoned mill site, or perhaps an historical building,” Margaret says.

Margaret was not a photographer when they met, but Drew was. “I would come along when he was taking pictures,” says Margaret. Drew proceeded to give Margaret a camera. “I had liked photography in my childhood – but I was always interested in abstract stuff, and was told I was taking the wrong kind of pictures!”

A common thread in their work is their interest in the still-visible remainders of Maine’s 19th and early 20th century history. Abandoned machinery from farms and factories, evolving rural landscapes, and even libraries of vintage books are all viewed with a contemporary sensibility.

Drew Sanborn

Drew Sanborn

“Margaret and Drew know how to do justice to the beauty and personality of all things old,” says Anna Witholt Abaldo. “Looking at their work I sense a stillness and emptiness, like time has momentarily stopped.”

Two by Two: two couples, four photographers will be on display from November 7, 2016 through January 6, 2016. There will be an artist talk with all four photographers on Friday November 18, from 4:30-5:30pm, followed by a reception from 5:30-8pm.

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrust.org/public-outreach-new/gallery/ .

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

Chris Beneman’s “Lineation” at Vestibule 594

The Iron Works

The opening reception for Chris Beneman’s solo show “Lineation” will be held at Vestibule 594 from 5-8pm during the First Friday Art Walk on November 4th. The show will be up from November 4 – December 31 with a closing reception on Friday, December 2nd. Vestibule 594 is located at 594 Congress Street and is open on First Fridays and by appointment only.

Lineation noun lin·e·a·tion ˌli-nē-ˈā-shən
1. the action of marking with lines
2. an arrangement of lines

According to Beneman, “In my printmaking work I create pieces based on architectural forms. These deconstructed urban landscapes teeter between order and disorder. In my paintings I combine and rearrange elements of the working waterfront, creating a kind of crazy quilt from the fishing shacks, pilings, buoys, rigging and boats.”

Chris Beneman is a graduate of Bates College and has attended classes at Maine College of Art and Haystack Mountain School in Maine, The Art New England Workshops in Vermont and Ballinglen Arts Foundation in Ireland. Her work has been widely exhibited, most recently in the 25th anniversary exhibition of the Peregrine Press at the Lewis Gallery in Portland. He has had other recent exhibitions throughout the Northeast.

Ms. Beneman’s work is in many public and private collections including the Portland Museum of Art, The New York Public Library, the Colby College Museum of Art, The Farnsworth Museum, Bowdoin College Museum of Art, University of New England and the New Britain (CT) Museum of Art. She is a member of the Peregrine Press and the Boston Printmakers.

For more information call (508)259-4632 or email info@vestibule594.com

DIAA Presents Drawings by Illustrator and Furniture Designer Bruce Bulger

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Deer Isle illustrator and furniture designer Bruce Bulger will exhibit his drawings in large format at the DeerIsle Artists Association gallery from Oct. 22-30, 2016. In addition, Bulger will discuss his work at a public reception held at the DIAA gallery on Sunday, Oct. 23 from 4 p.m. to 6 p.m. He will be in the gallery creating his work from Noon to 5 p.m. at the gallery on 15 Main St., Deer Isle.

The exhibit, called Projection, will feature Bulger projecting his sketchbook drawings onto large canvases on the DIAA walls. He will then paint and draw onto the canvas.

Bulger described the process he’ll use as follows: “When in the landscape or many other drawing situations (after you have chosen the motif), you have to make some choices: what medium to be used and surface to draw on. Watercolor paper, which may be purchased in journal form, is my preferred choice. So now get to work. Timing is critical. Every mark counts, so focus on the rectangle in your control. You are composing what’s on your mind and fingertips — distance, nearness, solidity, light, dark, etc. Say you have worked hard for an hour and your time is up. Take a deep breath, look deep and return to the piece at your next chance. Open your book and continue to make decisions on what makes it art.  I propose to project the small drawing large. Many important decisions have already been made. This is where your marks will feel freer. Your new larger marks will be stronger energetic, loose and important.”

Bulger graduated from the Philadelphia College of Art as an illustrator. He has been an illustrator and furniture designer for 40 years. His studios and gallery are on Deer Isle at the old Deer Isle High School Seamark Building. Bulger’s work may also be viewed at www.brucewbulger.com.

Founded in 1972, the Deer Isle Artists Association is a member-run nonprofit organization committed to creating and exhibiting art. Our more than 100 members include painters, sculptors, printmakers, jewelers, photographers, ceramicists and fiber artists.

Carver Hill opens “Ted’s Oils”

ted-keller-32-x-37-lattice-sky-oil-on-canvas-paper
On First Friday, October 7, 2016, Carver Hill Gallery, 338 Main Street in Rockland, Maine, will open TED’S OILS: TED KELLER LIKE YOU’VE NEVER SEEN HIM. Ted will be in the gallery from 5 – 8 PM to answer questions and meet people.

Ted Keller is a well-known career artist in Midcoast Maine. For the first 30+ years of his professional life, Ted made and sold ceramic pottery and sculpture while teaching college level art classes at Oregon State University, the University of Maine, and the Rockport Photographic Workshops (now Maine Media). At age 53 he gave up ceramics and started to work as a painter.

“When I started painting about 16 years ago, I worked in oil for a couple of years. I made about 100 paintings, and then put them away. The never before seen paintings from that time recently resurfaced, and I rather liked many of them. These 20 or so works at Carver Hill Gallery are from the end of that period, when I felt that my voice had made its presence in the paintings. The brush strokes are confident and the paintings have life. They are mostly plein aire works of the Midcoast Maine landscape.”

After complete immersion in the exploration of oil, Ted switched to watercolor and stuck with it for 14 years. His subject matter ranged from city-scapes, to portraits of dead artists and proportionally playful interiors with people. Ted is enviably competent in all of the subject matter, and the style is cohesive and easy to recognize. The images are loose, directly painted, colorful, full of life and sometimes a little quirky.
After this long hiatus from oils and the subsequent shift to watercolor, during the summer of 2016 when Ted rediscovered the oil paintings he had left in Maine, he fell back in love with oil painting. He returned to New Mexico, and the still life flower paintings emerged.

“As you look at my painting here are a few thoughts that might help. I work quickly. I trust my hands more than my mind. I don’t care what I paint as much as how I paint. This allows me freedom to paint whatever interests me at the time. The paintings proceed without much revision. I have mostly worked in watercolor which does not often reward reworking. My paintings do not get better with more time, refinements, and worry. I make paintings spontaneously for better or worse and get on to the next one. I approach the oil paintings in the same way as the watercolors. I am more interested in the process of art than the product, and for that reason I believe I can make a good painting when that freedom brings everything together just right.” Ted’s artist mantra is “I hope the Love shows”. This is important because for him – Art is about Love.

The gallery will be showing 14 framed, never before seen landscapes from 16 years ago, and 8 brand new floral still life paintings in this exhibition. Unframed work is also available.

* After 35 years in Midcoast Maine, Ted now spends most of the year in Taos New Mexico; however, he maintains a house in Union, Maine, and he frequently visits to keep the connection. Ted has a BFA in ceramics and painting from Syracuse University, and an MFA in ceramics from the University of Montana. He has created more than1500 watercolors and 150 oils. His work can be found on the walls of interesting people worldwide.

Show runs through November 2. FMI, http://www.carverhillgallery.com

Dowling Walsh opening “GRETA VAN CAMPEN: A Year on Barters Point Road 2016”

dowling-walsh

 

Dowling Walsh is opening “GRETA VAN CAMPEN: A Year on Barters Point Road 2016” with an opening reception Friday Oct. 7 from 5 to 8 pm, during the Rockland First Friday Artwalk. Greta Van Campen’s show is a study of the dynamic passage of time from her studio on Barters Point Road in Tenants Harbor. Her view looks onto Long Cove and Two Bush Channel towards Matinicus; the islands High, Northern and Southern in her immediate sights. She is inspired by the constant changes on the ocean front, from winter to summer and morning to night. This series includes a painting from each month of the year, as well as a set of small paintings capturing each hour within a 24 hour day.

Gallery Talk With Artists Don Voisine and Mark Wethli Sunday, October 9, 4pm

Don Voisine, Double Elvis, 2013, oil on wood panel, diptych, 46 x 88" overall, courtesy of the artist and McKenzie Fine Art, New York

Don Voisine, Double Elvis, 2013, oil on wood panel, diptych, 46 x 88″ overall, courtesy of the artist and McKenzie Fine Art, New York

The Center for Maine Contemporary Art (CMCA) presents a gallery talk with exhibiting artist Don Voisine in conversation with artist and educator Mark Wethli on Sunday, October 9, at 4pm. The talk is free with museum admission and is presented in conjunction with the current show of Voisine’s work, Don Voisine: X/V, on view through October 28. 

Voisine and Wethli are longtime friends with a shared aesthetic approach and appreciation. They will discuss the fifteen-year survey of Voisine’s work currently on view in CMCA’s Main Gallery. Rooted in the language of architecture, Voisine’s paintings, prints and drawings convey a sense of shifting spatial interactions through the use of symmetry, color, and precise, hard-edged forms. Roberta Smith, senior art critic for The New York Times, writes, “Within their proscenium-like borders, Mr. Voisine’s dark geometries enact telling dramas of texture, shape, symmetry, color, edge and light—in effect, all of painting’s grand illusions—especially when given your undivided attention.” 

Don Voisine was born in 1952 in Fort Kent, Maine, and studied at the Portland School of Art (now the Maine College of Art). He currently lives and works in Brooklyn, New York. Mark Wethli is a painter and public artist who lives and works in Brunswick, Maine, where he is also the A. LeRoy Greason Professor of Art at Bowdoin College. 

For more information on Don Voisine, visit http://donvoisine.com.

For more information on Mark Wethli, visit http://markwethli.com.

For more information on all of CMCA’s programs and events, visit www.cmcanow.org.

Cynthia Winings Gallery Toasts To A Great Season

mage Credit: Ben Potter, Foam, Oil on canvas, installation photo

mage Credit: Ben Potter, Foam, Oil on canvas, installation photo

Closing Reception for Season IV at the Cynthia Winings Gallery: Lets Toast To A Great Season

Everyone is warmly invited to the Closing Reception, Sunday, October 9, 5 – 7 PM.

Currently on view at the gallery is the Acadia Centennial Exhibition: The View From Here.

The View From Here is a landscaped-themed show, and coincides with the world-welcoming celebration for Acadia National Park’s Centennial, (1916 – 2016). I welcome everyone to join us as we celebrate the beauty of the Maine Landscape and the artists in the exhibition. The Acadia Centennial website states, “Encompassing 45,000 acres on two islands and a mainland peninsula on the rugged coast of Maine, Acadia National Park is a jewel of granite mountains, filigreed coastlines, forested valleys, meadows and marshes, unique cultural resources, dazzling night skies, and precious communities of plant and animal life.” The exhibition features the artwork of Chris Baker, Louise Bourne, Tom Curry, Alison Dibble, Richard Keen, Christine Lafuente, Ben Potter, Shannon Rankin, and Jerry Rose.

The Cynthia Winings Gallery is an artist-owned gallery located at 24 Parker Point Road in Blue Hill, and was formerly known as the Leighton Gallery. For more information call 917.204.4001 or visit www.cynthiawiningsgallery.com

Tidemark Gallery Commemorates Hieronymus Bosch

Detail from The Garden of Earthly Delights, a triptych, 1495-1505, attributed to Heironymus Bosch

Detail from The Garden of Earthly Delights, a triptych, 1495-1505, attributed to Heironymus Bosch

“The Garden of Earthly Delights” is a special group show curated by Chris Augusta and Dick Koubek to mark the 500th anniversary of the death of Heironymus Bosch. While this painter was one of the most influential artists of his time and place; sixteenth century Netherlands, this show does not intend to imitate, but to acknowledge the complexities of life in very different ways.

his Old House Plant, linocut by Holly Berry

his Old House Plant, linocut by Holly Berry

Selected works by fourteen artists will be on view from October 5 through November 5. The artist’s reception will be Saturday, October 8, from 4 to 7pm, in participation with ArtWalk Waldoboro. For more information contact 207-832-5109

“Autumn Arrivals”opens at Wiscasset Bay Gallery

eichenberg-fritz-the-steps

Fritz Eichenberg, “The Steps, 1934,” wood engraving, 6 1/8” x 4 5/8”

“Autumn Arrivals” will open on Saturday, October 15, at the Wiscasset Bay Gallery. The exhibition highlights recent acquisitions of paintings and prints by important American and European artists.

René Magritte’s “Un Seduisant Naive D’eau Mer,” a colorful lithograph from 1962 by the Belgian Surrealist, shows a half-woman, half-fish creature seated on a rock with a schooner in the distance. Fritz Eichenberg (American, 1901-1990) captures street life in New York City during the Great Depression with “The Steps, 1934.” In this wood engraving, a cat searches a garbage can, two boys wrestle in the street, and a well-dressed dandy looks in his pocket mirror, while his lady of the night looks on admiringly. Freight-laden tugboats steam past the Manhattan skyline in Earl Horter’s (American, 1881-1940) depiction of the New York waterfront during the 1930s. Other prominent twentieth century artists featured in the exhibition include Adolph Gottlieb (American, 1903-1974), Jules Pascin (French/American, 1885-1930), John Folinsbee (American, 1892-1972), Don Stone (American, 1929-2015), and Jay Hall Connaway (American, 1893-1970).

magritte-rene-fish-woman

René Magritte, “Un Seduisant Naive D’eau Mer,” color lithograph, 12 1/2” x 17 3/4”

In the contemporary galleries, recent work by Maine artists include Judith Magyar’s dynamically designed composition of a boathouse interior, which plays with light and spatial relations. David Kasman’s “Red Truck, Black Duck” is a thickly painted oil of village life on Monhegan Island. Other New England artists exhibiting include Roberta Goschke, Michael Graves, Keith Oehmig, Tom Curry, Carlton Plummer and Guy Corriero.

“Autumn Arrivals” will be on display at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through November 30th. For further information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:00 am until 5:30 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

The Rock & Art Shop Presents Paintings by Jennifer Anderson

Painting by Jennifer Anderson

Painting by Jennifer Anderson

The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents works by Jennifer Anderson. Anderson grew up on the Maine coast painting what she loves. Her earlier works were watercolor studies of sea creatures. Anderson currently lives and paints in Brewer Maine. Her current oil paintings of the ocean are captivating. Anderson’s use of texture and light help to make the viewer feel as if they are on the high seas.

The show runs from September 9th to October 29th , 2016 and can be viewed any day between 10am and 6pm in The Rock & Art Shop. An artist’s reception will be held on October 7th, at 6:30 with the artist talk at 7:00.

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Equal Protection of the Laws: America’s Fourteenth Amendment

“Involuntary Incubator” by Rebecca Spilecki (left), “The Usual Suspects” by Barbra Whitten (right).

“Involuntary Incubator” by Rebecca Spilecki (left), “The Usual Suspects” by Barbra Whitten (right).

The Kennebec Valley Art Association (KVAA) in partnership with The Holocaust and Human Rights Center of Maine (HHRC) present “Equal Protection of the Laws: America’s Fourteenth Amendment”, an art exhibition which contemplates the importance of the 14th Amendment.

Themes depicted relate to many areas of American society covered by the amendment: including due process, liberty, gender and sexuality, race, legal protections, equality in the workplace, housing, education, law enforcement, rights of the incarcerated, tolerance, and local, state, and federal representation.
Both the exhibition and the opening reception are free and open to the public.

On view: Sept.22 – Dec.16, 2016
(at Michael Klahr Center on campus at the University of Maine at Augusta.)
Opening: Thursday, Sept. 22 4-7pm, with a brief program beginning at 5:30pm
Gallery hours: Monday-Friday, 9-4

Announcing Maine Craft Weekend October 1st and 2nd

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Maine Craft Weekend (MCW), a statewide tour of Maine craft studios, breweries, businesses and events, is an opportunity for the public to explore the life and work of craft artists and craft brewers in Maine. MCW is a public, educational, community oriented, family friendly weekend October 1 + 2, 2016. MCW is scheduled in conjunction with American Craft Week, a nationwide event promoting craft events each October. Modeled after Maine Maple Sunday and Buy Local Saturday, this self-guided tour features participants all over the state who are not regularly open to the public or who have planned special MCW events and demonstrations at their locations. Plan a route to include a pottery wheel lesson and a glass blowing demonstration in the morning, swing by a brew pub for lunch, wrap up the day perusing a craft show and start all over again on Sunday! For more information visit www.MaineCraftWeekend.org

Masters + Apprentices on view at LA Arts

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Masters + Apprentices: Work from Maine’s Craft Apprentice Program, will be on view at LA Arts, 221 Lisbon St. in Lewiston, ME from October 6 through November 7, 2016. The opening reception Thursday October 6, 4-7pm is free and open to the public. The exhibition highlights work from the Craft Apprentice Program (CAP), a seven-month statewide mentoring program founded in 2016 for contemporary craft practitioners.

Exhibiting Artists
Anne Emlein (master) + Rose Allard
Doug Wilson (master) + James Crawford
Linda Perrin (master) + Jacquelyn Jensen

Maine’s Craft Apprentice Program is a joint project of the Maine Craft Association and the Maine Arts Commission; Maine magazine is the exclusive 2016 magazine sponsor of CAP and the exhibition; CAP partnered with LA Arts to host the exhibition in their newly renovated space.

On view is new work created during the apprenticeship period, March-September 2016, by the 2016 CAP participants: master blacksmith Doug Wilson of Little Deer Isle, ME and apprentice James Crawford of Waldo, ME, master fiber artist Anne Emlein of Portland, ME and apprentice Rose Allard of Portland, ME, and master glass artist Linda Perrin of Ellsworth, ME and apprentice Jacquelyn Jenson of Bar Harbor, ME.

The public is invited to meet 2016 CAP artists at an opening reception for the exhibition from 4-7pm on October 6 at LA Arts in Lewiston, Maine.

CAP provides Maine craft artists with a relevant and alternative educational experience, and promotes craft as a viable career path. Master/apprentice pairs are selected for CAP through a competitive application process for which apprentices must demonstrate foundational skills in the medium they wish to pursue. Participants must be Maine residents, and establish clear goals for the apprenticeship period. Both master and apprentices receive honorariums and complete at least 100 apprenticeship hours. Program information, participant profiles, FAQs and application are available at www.MaineCAP.org. The 2017 CAP application deadline is December 9, 2016

CAP 2017 Q&A Workshop: To learn more about applying to CAP Maine craft artists are invited to attend a CAP 2017 Question and Answer session with MCA director, Sadie Bliss at LA Arts November 2, 7-8pm. Please rsvp to:sbliss@mainecrafts.org

PLEIN AIR PAIRING at Landing Gallery

"Warren Island Moorings" by Monique Lazard, Oil on Canvas 16" x 20"

“Warren Island Moorings” by Monique Lazard, Oil on Canvas 16″ x 20″

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “PLEIN AIR PAIRING”, an exhibition of new paintings by Monique Lazard and Tom Curry, opening on Friday, September 16 through October 29. The Artists’ Opening Reception will be held on Friday, September 16th from 5-8 PM.

"Acadia Breakers" by Monique Lazard, Oil on Canvas 16" x 20"

“Acadia Breakers” by Monique Lazard, Oil on Canvas 16″ x 20″

Monique’s landscape paintings have sense of movement and are filled with a gestural energy. She is a life long artist and has been painting since she was 10. “I always have a sketch book with me to record my observations. During my teens I began taking back packing trips to the Sierras, which helped foster my love of nature. Wherever I am, I find the local landscape to be an inspiring and fascinating subject for my painting.”

"Calm Waters Dawn" by Tom Curry, Oil on Panel 36" x 42"

“Calm Waters Dawn” by Tom Curry, Oil on Panel 36″ x 42″

For the past 18 years, Tom Curry has painted the landscape around his home in Maine. “As a plein air painter, I immerse myself in landscape to explore the relationships between stillness and flux. What we call a “place” is a paradox-it is not fixed but always changing: the light shifts from moment to moment, water is never still, clouds come and go. I paint the interplay of light, island, sky and water as a metaphor and meditation on place and time, the dance between what we perceive as eternal and ephemeral.”

"Acadia Morning Mist" by Tom Curry, Oil on Panel 16" x 20"

“Acadia Morning Mist” by Tom Curry, Oil on Panel 16″ x 20″

Please join us Friday, September 16 from 5 – 8 pm for an artist’s reception with Monique Lazard and Tom Curry. Gallery Hours: Tue – Sat 11– 5, closed on Sun & Mon. For more information please call 207 239-1223 or visit www.LandingArt.com

Aarhus Gallery Artist Reunion at Betts Gallery

 

Altered Book Cover, 2016 (11” x 8.5”) by Abbie Read

Altered Book Cover, 2016 (11” x 8.5”) by Abbie Read

Betts Gallery announces a reunion show of the original artists from the former Aarhus Gallery- but with an interesting twist; each Aarhusian has invited an artist friend to include one piece to hang alongside their work in the exhibition. Some pairings are collaborative while others feature works that are distinctly different.

The artists include seven charter members of Aarhus and their friends: Annadeene Fowler/Susan Brady, Kevin Johnson/Ben Potter, Mark Kelly/Vincent Abaldo, Richard Mann/Linden Frederick, Abbie Read/Karen MacDonald, Wesley Reddick/Doug Bell and Willy Reddick/Julie H Rose.

The show runs from September 23rd – October 29th, with an opening reception on Friday, September 23rd from 5:30 -8:00 pm. Betts Gallery is located at The Belfast Framer, 96 Main Street. There is also an entrance on Beaver Street across from the public parking lot. For More information contact Anne Warren by phone: 207-338-6465 or email: thebelfastframer@gmail.com

Gallery at Somes Sound opens ART & EDUCATION IN MAINE

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Brendan Yi-Fu Tay, Student at the Center for Furniture Craftsmanship, Rockport , “Baba Yaga”, cherry/curly maple

The Gallery at Somes Sound invites the public to an evening reception, Saturday, September 3rd, from 6:00 – 8:00 pm, for ART & EDUCATION IN MAINE, September 1 – October 31. In numerous locales across the United States, art and education go hand-in-hand. This trend is intensified on the coast of Maine, where a short summer season forces many artists to supplement their income through teaching or self-employment. Artists in this region are further motivated to teach because they love to share their passion for the arts and contribute to the larger community. The Gallery at Somes Sound represents many of these ‘artist-educators’ who share their gifts by creating as well as by teaching others. “Art and Education in Maine” celebrates a select group of these gifted individuals by highlighting their stories and work alongside the creations of those they instruct.

F E AT U R I N G

Furniture Maker Aled Lewis
Students  Heide Martin, Andrew Messa and Brendan Yi-Fu Tay
Center for Furniture Craftsmanship

Furniture Maker Brian Reid
Maine Prison Outreach Program
A division of the American Furniture Masters Insitute

Artist Judy Taylor
Fellow Artists Beth Pfeiffer Margaret Moore, Mary Davidson,
Barb Springer, Kim Tomlinson, Helene Tuchman
Model in the Landscape of Pyrenees, France

RECEPTION FOR SARAH GREENIER AT CENTRE ST ARTS GALLERY SEPTEMBER 9, 2016

Sarah Greenier -  Three Ladies of Orr's Island

Sarah Greenier – Three Ladies of Orr’s Island

Centre St Arts Gallery, LLC, invites the public to a reception celebrating a new exhibition with guest artist Sarah Greenier, of Bath, on Friday, Sept. 9, 2016 at 11 Centre Street, Bath from 5:00 to 7:00 pm.  Admission is free and light refreshments will be served.

Twenty Maine artist members work in a wide variety of styles and media, producing new work for every show.  All work is original, with framed and matted pieces available, and sculpture in stone, clay and bronze. 

Sarah Greenier grew up on Orr’s Island, graduated from Oak Grove School in Vassalboro, and went on to study graphic design at Pratt Institute in New York.  After college, she returned to Maine and worked in commercial art for ten years.  In 1996 she began exhibiting and selling her paintings at art shows throughout New England, winning numerous awards.  In 2006, with husband Tom Greenier, she opened the Greenier Studio/Gallery next to their home at 428 Middle Street in Bath, where she paints, exhibits her work and teaches. Painting closer to home is also more personal, and our best work seems to be of those places that are most meaningful to us. 

Sarah Greenier -  Doubling Point Light

Sarah Greenier – Doubling Point Light

I most enjoy painting quintessential Maine scenes.  My oil paintings are designed to depict island and coastal living at its best, and convey a sense of place. Outdoor painting has helped me to see and feel my subject in a way that I can transmit that excitement into my work.  My goal as an artist is to express a feeling, a moment in time – and to evoke that in the viewer as well.”

Sarah and artists of the Centre St Gallery will be in attendance at the Opening Reception on Friday, Sept. 9, from 5 to 7 pm at 11 Centre Street in Bath.  For more information, please call the Centre St Arts Gallery at 207-442-0300.  The gallery is open 7 days a week during July and August, and September.

44 Maine Artists Featured in Harlow Gallery’s “Fine Print” Text-Inspired Exhibit

“6s“ by Robin McCarthy of Cape Elizabeth

“6s“ by Robin McCarthy of Cape Elizabeth

In Fine Print, Maine artists responded to a call for art showing how their work is inspired by or integrates typography, script or text. 61 works by 44 artists were selected out of a total of 131 works submitted by 50 artists. Fine Print celebrates the range of ways in which artists are incorporating text into their art; from abstract methods to more traditional techniques. The public is invited to attend the opening reception and meet the artists on Friday, September 9 from 5-8pm. The exhibition is on view September 9 – October 22, 2016. Both the exhibit and the reception are free and open to the public.

“The Devil’s Doings” by Abbie Read of Appleton

“The Devil’s Doings” by Abbie Read of Appleton

Fine Print has been made possible by our sponsors: Minuteman Signs, Levey, Wagley & Putman, PA, Mike Seitzinger & Maria Cusick and Duncklee & Nott

The 2016 exhibition season at the Harlow Gallery has been made possible by our season sponsors: Capitol Dental Care, Camden National Bank, the City of Hallowell, the Jennings Family, Kennebec Savings Bank, Rosemary Presnar, Scrummy Afters Candy Shoppe, and by grant funding from Quimby Family Foundation.

“TANK” by Jeff Woodbury of South Portland

“TANK” by Jeff Woodbury of South Portland

Participating Artists listed alphabetically by town as follows:

Appleton: Abbie Read, Biddeford: H. Prestage, Bridgton: Kimberly Crichton, Brunswick: Burke Long, Judith Long, Cape Elizabeth: Robin McCarthy, Cumberland: C. E. Morse, Damariscotta: Debra L. Arter, Farmingdale: Tim Finefrock, Barbara Loken, Johanna Moore, Gardiner: Justin Boisvert, Matt Demers, Nizzy Hype, Allison McKeen, Cleopatra Poland, Hallowell: Karen Jordan Allen, Nancy Bixler, Nancy McGinnis, Sally Wagley, Lincolnville: Petrea Noyes, Manchester: Bruce Armstrong, Orono: Teddi-Jann Covell, Portland: Judith Allen, Mark Barnette, Crystal Cawley, M. P. Landis, Jess Lauren, Karen Merritt, Ann Tracy, Richmond: Ruthanne Harrison, South China: Cash For Your Warhol, South Gardiner: Nancy Keenan Barron, South Portland: Trenton Johnson, Jeff Woodbury, Stockton Springs: Karen MacDonald, Thomaston: Cynthia Motian McGuirl, Topsham: Tom Gilbert, Vassalboro: Brooke Vertin, Waterville: Lisa F. Wheeler, West Rockport: Barbra Whitten, Wilton: Rebecca Spilecki, Winthrop: Don Kerr, York: Nancy R. Davison

“You Know us” by Cash For Your Warhol of South China

“You Know us” by Cash For Your Warhol of South China

For More Information: 207-622-2813, kvaa@harlowgallery.org

OMAA / STAR ISLAND talk with artist Don Gorvett

Phantom Ships, The Oceanic, Star Island, Reduction woodcut by Don Gorvett, 2016.

Phantom Ships, The Oceanic, Star Island, Reduction woodcut by Don Gorvett, 2016.

Join Don Gorvett to discusses his recently created woodblock print of the historic Oceanic Hotel to commemorate Star Island’s Centennial year. This event is free and open to the public.

August 30, 2016
5:00pm refreshments
6:00pm talk

For more information contact the Ogunquit Museum of American Art at 207-646-4909

“We’re so pleased to have Don speak at OMAA and to help Star Island celebrate 100 years,” said Andres Verzosa, Interim Executive Director and Curator, Ogunquit Museum of American Art. “A respected figure in the Ogunquit arts scene, Don’s woodcut print work is included in OMAA’s permanent collection as well as those of the Addison Gallery of American Art, Phillips Academy, Andover, MA., Museum of Fine Arts, Boston, MA., Boston Athenaeum, Currier Museum of Art, Manchester, NH., Farnsworth Museum of Art, Rockland, ME., Portland Museum of Art, Portland, ME., Worcester Museum of Art, Worcester, MA., and most recently the Fitzwilliam Museum, Cambridge University, Cambridge, UK. We’re happy to have this opportunity to hear about his process and about his special commemorative work for a beloved Isles of Shoals landmark.”

All Totally Tuesday Talks begin at 6:00 p.m., with light refreshments served at 5 p.m., courtesy of Totally Tuesday sponsors Maine Beer Company and That Place in Ogunquit.

More information about Totally Tuesday Talks can be found on the OMAA website at http://ogunquitmuseum.org/totally-tuesday/.

MITCH BILLIS: Postcads from Home and MICHAEL VERMETTE: Working Harbors at Gleason Fine Art

Mitch Billis, Ocean Point, oil, 10x8”

Mitch Billis, Ocean Point, oil, 10x8”

On Friday, September 2, Gleason Fine Art celebrates the opening of two new shows with First Friday receptions from 5 to 7 pm for both artists: “MITCH BILLIS: POSTCARDS FROM HOME” and “MICHAEL VERMETTE: WORKING HARBORS.” Both shows run through October 11. 

MITCH BILLIS: POSTCARDS FROM HOME  As one of the most renowned artists to ever have made Boothbay Harbor his home, Mitch Billis needs no introduction for most people. But “Postcards from Home” is unique and special in more than one way: for starters, it’s Mitch’s first solo show in some time; second, the “Postcards” referred to in the show’s title are small paintings lovingly painted en plein air of intimate scenes from around the Boothbay peninsula.

The Mitch Billis story could be a Hollywood movie, but it isn’t; it’s real life: a young Montana math professor gives up his tenured position, packs up his four kids, and heads east to pursue his life’s passion–making art. Mitch and the kids stop in Boothbay Harbor and love it so much they decide to stay. The going is rough at first, but a little bit of magic happens when a chance stop at a B&B for a cup of coffee brings Mitch and the woman of his dreams, Kathleen, together. Finding his life partner kindles another kind of magic–the kind that lights the fire that transforms a mere painter into an artist. The woman became Mitch’s wife, and together, Mitch and Kathleen Billis have turned their special kind of magic into paintings of the community they’ve come to love so much.

    

Michael Vermette, End of the Season--Stacking Traps, watercolor, 36x26”

Michael Vermette, End of the Season–Stacking Traps, watercolor, 36x26”

MICHAEL VERMETTE: Working Harbors    As an artist and educator Michael Vermette wins praise from all quarters for being the first art teacher at the Indian Island School on the Penobscot Reservation in Old Town. With a BFA in painting from the Maine College of Art, a certificate in art education from the University of Maine, and as an avid painter in his spare time, Michael came to the job well trained.

Michael’s close association with the Penobscots–he not only lives on the reservation but also is married to a Penobscot–brought him an early awareness of Mount Katahdin as a place of tremendous spiritual significance to Maine’s many native Americans. He has made dozens of paintings of Katahdin and the surrounding area.

But it was another artist–James Fitzgerald (1894 to 1971)–who introduced Michael to his other great love–Monhegan Island. Vermette’s 1999 residency on Monhegan was transforming: “The residency was a life-changing appointment. I came to Monhegan Island as an artist-teacher but left a painter and that will stay with me all of my life.” Michael’s paintings of fishermen at work on Monhegan–loading lobster traps, mending nets–are masterpieces for showing the dignity of ordinary people going about their daily work.

Both “Mitch Billis: Postcards from Home” and “Michael Vermette: Working Harbors” open with a reception for the artists on Friday, September 2, from 5 to 7 pm. Friends, collectors, fellow artists, and the general public are all invited to attend the reception. The shows run through October 11. Gallery hours are Monday through Friday, 10 to 5, and Sunday, noon to 4. For further information, call Gleason Fine Art at 207-633-6849, email: info@gleasonfineart,com, or view both shows and our entire inventory of contemporary and estate paintings at gleasonfineart.com. 

Art Space Gallery to host reception during Rockland’s First Friday Art Walk

Laurie Bellmore, pointed Flower w/ Leaf, jewelry

Laurie Bellmore, pointed Flower w/ Leaf, jewelry

Art Space Gallery invites you to the September “Arts in Rockland” first Friday art walk.  We will be hanging a new show in our front room.  Please stop by and join us for wine, refreshments and meet our artists on Friday, September 2nd, from 5 to 8 pm.  This reception will feature the work of Nancy Davies Tang, Laurie Bellmore, Jean Byrd and Barbara Dulac.

Nancy Davis Tang, Wave 1st, glass

Nancy Davis Tang, Wave 1st, glass

Nature offers boundless inspiration in form and color.  She stills the mind and soothes the soul, and if you are lucky will whisper in your ear and play the muse.  Nancy Davies Tang looks to her garden, fields, forests and the sea for inspiration to create works of art in kiln fired glass and dichroic glass jewelry.  Largely self-taught, Nancy has been working with warm glass for over 20 years.  She has a background in painting and sculpture and strives to bring all her experience to her work in warm glass.

Glass is an ancient, magical material with endless possibilities.  Dichroic glass is a material that would be impossible without modern technology.  The combination of ancient techniques, modern technology and the artistry of nature is where Nancy’s passion blooms.  Water is vital to our existence and the inspiration for the work in this month’s opening focuses on this vital element.

Laurie Lofman Bellmore is a native of mid-coast Maine, living in the area all of her life.  Her art includes painting, photography and hand crafted kiln fired jewelry.  Currently she is working on fine silver art jewelry pieces adorned with colorful enamels and glass, which will be on display at Art Space Gallery for this show.  Her topics include colorful flowers, fish and abstract designs.

Jean Byrd, Devil's Island, oil

Jean Byrd, Devil’s Island, oil

Jean Byrd is an oil painter whose style is best described as realistic, with an impressionist influence.  Her subject matter is coastal New England and her latest paintings are of the Penobscot Bay Area.  As one of the featured artists at Art Space Gallery this month, she will show her painting of “Devil’s Island”, which is a favorite spot of hers.  It is located off Stonington in “Merchant’s Row”.  Other paintings included in the exhibit are “Vinalhaven Passage”, “Steps to the Sea” and “Marshall Point Light”.

Barbara Dulac, The Keag Store, oil

Barbara Dulac, The Keag Store, oil

Barbara Dulac became an artist, first as a child, then a wife, a mother and grandmother.  Her graduate, post-graduate education and a corporate professional career were woven through out many, many years.  Her life and soul learned and developed creative interests, through dreams, spirituality and family.  Color everywhere, mystical music, dreams and intuition always prompt her consciousness to create and fully express her perspective.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  September hours are Monday through Saturday 11 am to 6 pm and Sundays 1 am to 6 pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Consonant Compositions OPENING FIRST FRIDAY, 9/2 5-8 pm at Carver Hill Gallery

Suzanne Siegel Working Harbor XXV 12x12 oil mixed media  on arches oil paper 19 in framed

Suzanne Siegel Working Harbor XXV 12×12 oil mixed media on arches oil paper 19 in framed

Carver Hill Gallery, 338 Main Street in Rockland, Maine, will open their September show, Consonant Compositions, on First Friday, September 2, 2016. There will be a reception with the artists from 5 – 8 pm.

This show illustrates how the artists use color, contrast, relationship, and arrangement to create successful compositions in five completely different styles.The artists in the show include Jill Caldwell, David Estey, Jeff Macdonald, Ron Rovner, and Suzanne Siegel.

Suzanne Siegel’s visual interest in rugged working harbors, post-industrial New England, and ever changing tidal environments roots her work in the sea. Suzanne works in mixed media painting and watercolor and mixed media collages. In her Guilford, CT studio, she searches inventively with line, shape, color, texture, and value as she suggests the spirit of her beloved locations. “I spend a long time looking.  I closely observe relationships of shapes, values, and colors along with the beauty of light, and how it influences and constantly changes everything. I begin by drawing random lines and shapes, and quickly erase or thinly veil most of my first marks, in order to keep myself and the work in flux as I build a history of layers. I aim to transport myself and the viewer into a moment of surprising and unknown beauty, as I work toward a strong, yet open arrangement of visual elements.”

David Estey Cleopatras Yacht 2013 18 x 24 acrylic and  graphite on yupo

David Estey Cleopatras Yacht 2013 18 x 24 acrylic and graphite on yupo

David Estey’s work has evolved from realistic landscapes and portraits to abstract expressionism and now total improvisation. He is a skilled draftsman and painter, and has also been known to incorporate collage in his work, sometimes creating an obvious narrative of social or political subject matter. He starts his most recent work of the last three of four years without any preconceived notion or expected result and tries to create extraordinary, compelling new imagery, intrinsically based on the elements and principles of good design. Narrative references often emerge and remain, but they are subordinate to the aesthetic whole. David’s work has been in numerous gallery and museum shows, and has been exhibited at Carver Hill for 10 years.

Jeff Macdonald Collage 2

Jeff Macdonald Collage 2

Jeff Macdonald, who spent most of his years in the music business, has been an art appreciator and supporter for years. He has studied and experimented with painting and collage for some time, using interesting combinations of paint and collected textural material. Most recently, Jeff has exhibited his work near his local town of Brownville, Maine. His focus since retirement has been his art, and years of study and refining his craft has brought his work to a new level. His compositions range from minimalist to complex, while leaving the source of his inspiration ambiguous.

Ron Rovner NachtMusik op. 12.10. acrylic ink pastel and  copper leaf on panel 12 x12

Ron Rovner NachtMusik op. 12.10. acrylic ink pastel and copper leaf on panel 12 x12

Ron Rovner’s work is meticulous, precise and intentional. He calls their creation “his meditation.” The “NachtMusik” series is inspired by the music of the early twentieth century serialist composers, particularly Arnold Schoenberg. The various elements represent one of the twelve notes of the musical scale. Each is given equal weight, and there are no repetitions in any of the rows or columns in which they appear. These constitute the “melody” or tone row providing a foundation upon which the rest of the composition is based. Counter themes comprised of squares of different colors are also present, representing the three variations possible in the context of Schoenberg’s principles: inversion (upside down), retrograde (backward), or retrograde inversion (upside down and backward). Other symbols provide harmonic structure, dynamic gradations ( crescendo/decrescendo). Many of these elements unmistakably evoke the Southwest (where Rovner spends time) in terms of palette and symbolism, thereby reconciling ancient and contemporary aesthetics.

Jill Caldwell Key West Acrylic on panel

Jill Caldwell Key West Acrylic on panel

Jill Caldwell shares her time between Rockland, Maine, and Key West, Florida. Her palette and typically soft compositions unmistakably reflect her muse – the Atlantic – and portray the change in the mood and color of the water from the North Atlantic in Maine to where the Gulf of Mexico meets the South Atlantic. Her use of line and shocks of bright color over the blue hues allude to sun, flora, and manmade structures on land and in the water. Her blurred lines successfully connect the radical changes in palette, making it easy on the viewers eyes; however, judicious details, frequently in the foreground, suggest rocks, fish and other natural elements that keep the viewers attention and curiosity to stay with the work.

Consonant Compositions is on view through Monday, October 3, 2016. For more information call (207)594-7745 or visit www.carverhillgallery.com

Turtle Gallery features Michael Weymouth and Edward Porter

Michael Weymouth, Sedgwick Barrens, Oil on panel, 48" x 19"

Michael Weymouth, Sedgwick Barrens, Oil on panel, 48″ x 19″

The final show of the 2016 and 34th season at the Turtle Gallery features, Michael Weymouth  – Oil paintings and watercolors, Edward Porter – Prints from “Marking These Times” Series, and all Gallery Artists including new work from Jeff Loxterkamp, Anderson Giles, Marguerite Ogden and many more. Other Gallery artists, a vast collection of Jewelry and Contemporary Craft, the Annual Print Show and Sculpture Garden will also be on display.

The show begins with an Opening Reception Sunday, August 28th from 2 to 6 PM and runs through the end of our season on October 9th. Light refreshments will be served.

Michael Weymouth returns to The Turtle Gallery with a new body of work created throughout the summer on Great Spruce Head Island.  Inspired by time spent out of Stonington on a rolling lobster boat in high seas, the artist worked to capture both the movement of the fisherman and his vessel in several large-scale oils.  Other images deliver the viewer to moments in the Penobscot Bay; the islands, beaches, trees and people that create and define our coastline.  In addition to his oil paintings, Weymouth will be showing watercolors in handmade inlaid frames.

Edward Porter, A Potpourri of Events, Intaglio print, 10 x 12"

Edward Porter, A Potpourri of Events, Intaglio print, 10 x 12″

Ed Porter’s Marking These Times is a series of intaglio prints incorporating many printmaking techniques, each piece creating an entrancing juxtaposition of forceful dynamic forms and sensitive use of color. As described by the artist: “The images constitute a reflective view of our times transformed into gestural shapes and strokes that serve as my personal response to the issues which are a major player in our encompassing social world and the environment in which we live.”   

Jeff Loxterkamp, Hills of Stonington, Oil on Canvas, 24 x 36"

Jeff Loxterkamp, Hills of Stonington, Oil on Canvas, 24 x 36″

Open since 1982, The Turtle Gallery encompasses an 1876 two-story barn, the adjacent Centennial House Gallery and outdoor Sculpture Gardens.  Gallery hours are Tuesday through Saturday 10 – 5:30 and Sunday 2 to 6. The facility is located at 61 N. Deer Isle Road on Route 15, just north of the Deer Isle village center. For more information, please call 348-9977, or visit TheTurtleGallery.com.  We are on Facebook and Instagram under TheTurtleGallery.

New Era Gallery opens last show of the summer season

 

"And Then the Moon", watercolor on paper by Patricia Kennan

“And Then the Moon”, watercolor on paper by Patricia Kennan

New Era Gallery in Vinalhaven will open the last show of the summer season on Saturday September 3, with an opening reception from 5:00-7:00pm.  The show is open to all gallery artists, with a theme based on the concept of “home”.  Works will include sculpture by Sharon Townshend, paintings by Patricia Kennan, Esther Garcia Eder and Joan Freiman, fiber works by Kathleen Bird, Alison Angel and Angie Olson and pottery by Sylvia Lacey. 

Labor Day weekend hours are Saturday 10:00am to 7:00pm, Sunday 11:00am to 2:00pm and Monday 10:00am to 12:00pm.  Late summer hours following the weekend are Tuesday-Saturday 10:00am to 4:00pm.  For more information call 207-863-9351 or visit neweragallery.com.

Archipelago features artists in celebration of Fall

Betty Heselton, Ebb Tide (left). Kathleen Perelka, Hope Blueberry Field (right).

Betty Heselton, Ebb Tide (left). Kathleen Perelka, Hope Blueberry Field (right).

Betty Heselton and Kathleen Perelka, among others, are on display through November 13th

Artists’ Reception: Friday, September 2 – 5:00pm to 8:00pm

Location: Archipelago Fine Arts Gallery, 386 Main St, Rockland

Contact: Lisa Mossel Vietze, Archipelago Director: (207) 596-0701, lvietze@islandinstitute.org

Fall brings color and beautiful light, subjects Kathleen Perelka and Betty Heselton explore in their artwork. New paintings are currently on display in the Archipelago Fine Arts Gallery, the Island Institute’s gallery featuring the work of Maine artists. Perelka and Heselton will be featured along with new work by Herb Parsons, Kendra Denny, Catherine Worthington, Ben Coombs, Wayne Hall, Jennifer Field, Joe McBrine, Jody Meredith and Janice Jones.

Kathleen Perelka says of her pastel pieces: “Pastel has a sparkle that no other medium can compare to; each little particle reflects both color and light giving the painting a life force of its own…I am most alive outdoors and work almost entirely with landscape; wild places like marshes and blueberry barrens with no homes insight.”

Betty Heselton explores the subtle nature and drama of light as it changes through the seasons. Surrounded by a creative family, Heselton was exposed to drawing, carving, painting and photography throughout her childhood on a small working farm in rural Maine. She developed a keen interest in seeing and documenting the beauty around her, and her oils and acrylics subtly capture her passion for the special places she explores by land and sea.

Parsons’ paintings draws on a strong sense of place – the island of North Haven, as do Denny’s new encaustic works which features places she explores in Penobscot Bay.  Worthington works with fabric creating complex landscapes of Maine’s coastal environment. Coombs displays his supreme talent with glass as he crafts iconic Maine subjects with elegance and simplicity.

You’re invited to visit with many of the artists at the opening reception on Friday September 2nd from 5:00 to 8:00 p.m. The gallery and store are located at 386 Main Street in Rockland and are open seven days a week through December.

Acadia Cadence opening at Yarmouth Frame & Gallery

"Sargent Mountain" 24x24 acrylic on canvas, Catherine Breer. Please call gallery for price.

“Sargent Mountain” 24×24 acrylic on canvas, Catherine Breer. Please call gallery for price.

There will be an opening reception for “Acadia Cadence” on September 10, 2016 from 3:30 – 7:00 PM at Yarmouth Frame & Gallery. Catherine Breer will start things off with an artist talk about what her year has been like as the artist who’s works are representing the Acadia National Parks 100th Anniversary. David Little and Carl Little will also be here to talk about there latest art book titled Art of Acadia. Signed copies will be available for purchase. This exhibit also includes the gallery’s 25 year around artists and their works depicting the majestic heart and soul of our Maine. The exhibit runs through November 20th.

artofacadia_fc

Gallery located at 720 Route 1, Yarmouth, Maine, 04096.  Hours: M-F 10 to 6 Sat. 10 to 4 For More Information call 207-846-7777 or visit facebook.com/YFandG & Twitter.com/YFandG 

CMCA’s Late Summer Exhibitions: Lauren Henkin and Don Voisine

The new CMCA with Jonathan Borofsky, Digital Man, 2016, steel sculpture, 24' high

The new CMCA with Jonathan Borofsky, Digital Man, 2016, steel sculpture, 24′ high

The Center for Maine Contemporary Art (CMCA) is excited to announce its 2016 late summer exhibition schedule at the art center’s new campus at 21 Winter Street, Rockland, Maine. CMCA’s striking new building, designed by internationally acclaimed architect Toshiko Mori, opened on June 26, 2016.

The new facility, located in the heart of downtown Rockland’s burgeoning arts district, provides more than 5,500 square feet of exceptional exhibition space for the presentation of work by contemporary artists. The complex also includes a gift shop featuring the work of Maine artisans and designers, an ArtLab classroom, and a 2,200-square-foot public courtyard displaying a monumentally scaled sculpture, Digital Man, by Ogunquit-based artist Jonathan Borofsky.

Late summer exhibitions at CMCA will showcase the work of artists Lauren Henkin and Don Voisine. A reception celebrating the exhibitions will be held on Friday, September 2 from 5 to 8pm; both artists will be present for the event.

 

Lauren Henkin, Poppies, 2014, pigment on rag, 32 x 40"

Lauren Henkin, Poppies, 2014, pigment on rag, 32 x 40″

Opening on August 28 and on view through October 23, 2016, the exhibition Lauren Henkin: Second Nature incorporates photography, video and installation to question our perceptions of nature in an age of increasingly digitized and virtual reality. Through her work, artist Lauren Henkin (b. 1974), a recent full-time resident of Maine, encourages the viewer to think about how the vast amount of imagery we see every day affects our engagement with the natural world at a time of great environmental uncertainty. Using a variety of photographic means, she raises questions about what is real in an increasingly filtered and re-presented age.

Now residing in Rockland after living in New York City, Henkin grew up in Maryland and attended Washington University in St. Louis, graduating with a degree in architecture. She has exhibited her work both nationally and internationally, including New York, Washington, D.C., Portland, Oregon, and Paris, France. Henkin states, “I’m thrilled to introduce my most ambitious body of work to date, Second Nature. Made over three years entirely in Maine, these still and moving images address our changing relationship with Nature, from engagement to simulation.” The exhibition is sponsored by Cold Mountain Builders.

Don Voisine, Reset, 2015, oil on wood panel, 40 x 60"

Don Voisine, Reset, 2015, oil on wood panel, 40 x 60″

On view from September 2 through October 23, 2016, is the exhibition, Don Voisine: X/V. The exhibition features work created in the past fifteen years by painter Don Voisine (b.1952), a native of Fort Kent, Maine, and now based in Brooklyn, New York. Rooted in the language of architecture, Voisine’s paintings, prints, and drawings convey a sense of shifting spatial interactions through the use of symmetry, color, surface, and precise, hard-edged forms. The exhibition Don Voisine: X/V is the first in-depth look at the artist’s work in his home state. A fully illustrated catalog with an insightful essay on Voisine’s work by fellow artist Ken Greenleaf, accompanies the show.

Voisine attended the Portland School of Art (now Maine College of Art) from 1970-1973, and in 1974, studied with William Manning at the alternative Concept Center for Visual Studies, a short-lived but important institution in the state’s art scene in the early 1970s. A central figure in abstract art in New York, Voisine has exhibited there since the early 1980s, along with exhibitions in San Francisco, Chicago, Paris, and Berlin. As Greenleaf writes in his essay, “To see a large group of Don Voisine’s paintings is to experience not only the basic important tenets of abstract art, but also to learn how the experience gets to the heart of why the best abstract art speaks directly to human perception.” Don Voisine: X/V is sponsored by the Hurley and Weindling Family Charitable Fund. 

In conjunction with the exhibition, Don Voisine has made available exclusive to CMCA, a limited edition print, Red, hot and cool. The edition consists of 30 numbered copies and ten artist’s proofs. Each print has been individually signed and numbered by the artist. All prints are dated 2016. Prints are available for purchase at the CMCA shop for $225 or online at cmcanow.org for $225 plus $25 shipping and handling. All proceeds from the sale of the prints directly benefit CMCA. 

CMCA is open Tuesday – Saturday, 10am-6pm and Sunday 1 – 6pm. Admission is $6. For more information please visit cmcanow.org. NOTE: CMCA galleries will be partially closed for installation between August 15 and September 1.

Shaw Jewelry announces upcoming exhibits

Screen Shot 2016-08-16 at 8.57.04 PM copy

August 18 – September 15

Barbara Heinrich:
Contemporary Classic Jewelry

Largest grouping from Thursday – Saturday, August 18 – 20

Barbara’s recognizable style consists of distinctive visual vocabulary defined by the juxtaposition of matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening – Saturday.

Jill Hoy: Figures and Fantasy

We know Jill’s fabulous colorful Maine landscapes. But did you know about her magical and fanciful figurative environments? Stylized beauties engaged in trippy naratives . The characters are sensuous and full of personalities. They tell us an extraordinary story; and we are invited to join the fun.

Duncan Martin: Park Centennial Paintings

Duncan has painted 59 National Parks in 59 months. This show will highlight Acadia and the surrounding area. He lives in Colorado but has decades long roots on Deer Isle. His paintings are majestic and made on site in the wilderness.

For More Information:

207 276 5000 • info@shawjewelry.com • shawjewelry.com

“Acadia Cadence” at Yarmouth Frame & Gallery

SargentMountain

painting image info : “Sargent Mountain” 24×24 acrylic on canvas, Catherine Breer

Yarmouth Frame & Gallery is having and opening reception for “Acadia Cadence” on Sept. 10, from  3:30 – 7:00 pm. Catherine Breer will start things off with an artist talk about what her year has been like as the artist who’s works are representing the Acadia National Parks 100th Anniversary.

 

art-of-acadia-cover-A

David Little and Carl Little will also be here to talk about there latest art book titled Art of Acadia. Signed copies will be available for purchase. This exhibit also includes the gallery’s 25 year around artists and their works depicting the majestic heart and soul of our Maine. End date: Nov. 20th.
Gallery located at 720 Route 1, Yarmouth, Maine, 04096.  Hours: M-F 10 to 6 Sat. 10 to 4 FMI call:  207-846-7777 facebook.com/YFandG  Twillter.com/YFandG

FMI, contact Elizabeth Newman, Yarmouth Frame and Gallery llc, 720 Route 1, Yarmouth, ME. 04096
207-846-7777 www.YarmouthFrameAndGallery.com www.facebook.com/YFandG
www.twitter.com/YFandG

Camden Falls Gallery presents Coastal Color

"Sky & Roses" by Janis Sanders

“Sky & Roses” by Janis Sanders

Exhibition Dates: August 20 – September 9, 2016

Artists’ Reception: August 20, 2016, 4-6pm

Camden Falls Gallery is pleased to present Coastal Color, which features an exciting collection of works by contemporary landscape painters Janis Sanders and Jennifer Van Cor, along with other gallery artists. With unique painting styles and personal visions, these artists present iconic Maine images in rich, bold hues that bring a fresh sense of energy and vibrancy to the gallery. Coastal Color will run from August 20-September 9, with an Opening Reception on Saturday, August 20 from 4-6pm.

"New Direction" by Ann Trainor Domingue

“New Direction” by Ann Trainor Domingue

Once a landscape architect, Massachusetts artist Janis Sanders is known for his simple compositions and distinctive palette that captures the brilliance of Maine’s coastal light. Like many landscape painters, Sanders enjoys painting out-of-doors and often renders his work en plein air.  He begins each painting by blocking in the sky, noting that the “sky is the key to determining the entire atmosphere of the painting, and visually and practically provides the backdrop for the other objects in view. Some days slightly purple, sometimes hazy cream, clear aqua, rosy peach, celadon…. we are immersed in it.”

Using his sensory impressions as a creative vantage point, Sanders offers viewers a distinctive look at some of Maine’s quaint architectural delights. With an expressive, modernistic style, he incorporates large abstract elements such as sky and water that show off the physicality of steep gabled rooflines, sunstruck walls, illuminated windows, and shady porches. From charming old barns to cozy cottages and rugged lighthouses, Sanders provides a fresh way of seeing the character of each structure within its specific place and time.

"Island Inlet" by Jennifer Van Cor

“Island Inlet” by Jennifer Van Cor

 

Much like Sanders, New Hampshire artist Jennifer Van Cor is constantly captivated by the unique beauty and colors of the coastal Maine landscape. With a distinctive palette and painting technique, she creates active, vibrant compositions in which she strives to “express the energy and spirit of a place.” When painting, she says, “each stroke and dip of the brush pushes my senses onto the surface… and if I am listening closely and truly, the life of a landscape fills the painting. As my landscapes progress, they become more about the flow of energy, the experience of a lifetime of color, shape and feeling.”

 

"Lily Pads" by Aline Ordman

“Lily Pads” by Aline Ordman

Applying layer upon layer of color in small, bold swatches, Van Cor creates mosaic-like works composed of angular, almost geometric brushstrokes that capture the bright island light and distinctive landforms of coastal Maine. According to Van Cor, “small pieces of color unite to create not only a space or shape, but a feeling. Showing the brushstrokes keeps the viewer’s eye on the surface of the painting, while depicting a recognizable image.” With a unique technique and style of her own, she renders land, sea, and sky in multi-faceted bursts of color that seem to dance across her canvases. 

"Hollyhocks and Sunflowers" by Hannah Ineson

“Hollyhocks and Sunflowers” by Hannah Ineson

In addition to Sanders and Van Cor, Coastal Color will include the works of gallery artists Hannah Ineson, Aline Ordman, Judith Schuppien, and Ann Trainor Domingue. Please visit Camden Falls Gallery to see how these talented artists use color in bold and captivating ways to express their unique visions of life along the coast of Maine. Located at 5 Public Landing in downtown Camden, the gallery is open daily from 10am-8pm. For more information, please visit www.camdenfallsgallery.com or call the gallery at 207-470-7027.

Greenhut Galleries presents Urban Exploration

Phun Factory, 22 x 28 inches, oil on linen

Phun Factory, 22 x 28 inches, oil on linen

JEFF BYE
Urban Exploration

September 1- October 1, 2016
Opening Reception  Thursday, September 1st.,  5 – 7pm
Gallery Hours: Mon- Fri 10-5:30, Sat. 10-5

About his work Bye writes, ” I have always been drawn to textured surfaces and the patinas that evolve over time on the exteriors and interiors of abandoned buildings to historic structures that are being renovated, to the Mom & Pop stores that have not changed since they opened decades before.  I’ve been determined to capture those moments in time before urban developers erase and take over their DNA forever.  Time is of the essence and time is a huge factor in trying to document these structures and neighborhoods that had a certain and unique character that was separate from other areas of their city.”Urban Exploration is Jeff Bye’s fourth solo exhibition at Greenhut Galleries and continues his ongoing exploration of unknown or ignored buildings before they disappear forever.  The focus of the exhibition concentrates on locations throughout the east coast (NYC, Philadephia, Portland, ME), as well as areas he has traveled to in Europe.

Jeff Bye holds a BFA from Rhode Island School of Design (RISD).  Through RISD’s European Honors program, he spent a year in Rome, Italy studying classical art and architecture.  He received his MFA at the New York Academy of Figurative Art. His formal education exposed him further to the work of artists like Henri Matisse, Pierre Bonnard and Lucian Freud, whose styles influence his work to this day. Bye has been awarded the distinction of Master Painter from The Copley Society of Art, Boston, MA, a professional credential organization.  At the time, he was the youngest master painter in the history of the organization.

For More Information:

GREENHUT GALLERIES
146 MIDDLE STREET
PORTLAND, ME  04101

207.772.2693 or 888.772.2693

info@greenhutgalleries.com
www.greenhutgalleries.com

Caldbeck Gallery features work by Frederic Kellogg and Barbara Sullivan

KITCHEN TABLE    oil on canvas   36 x 30 inches   Frederic Kellogg

KITCHEN TABLE oil on canvas 36 x 30 inches Frederic Kellogg

From August 17 through September 17, the Caldbeck Gallery, 12 Elm Street in Rockland, will show new paintings in oil on canvas and in watercolor on paper by Frederic Kellogg of Thomaston, and Washington D.C., and new work in shaped fresco by Barbara Sullivan of Solon.  In addition to the 2 solo shows, a group show will feature new work by Anne Alexander of Windham, Elizabeth Awalt of Swans Island, Katherine Bradford of Brunswick and Brooklyn NY, Melanie Essex of Cushing, John Goodman of Friendship and Boston, and Kristin Malin of Georgetown.   A reception to meet the artists will take place on Wednesday, August 17, from 6-8 pm.

     In his exhibit, “Painting in Maine”, Kellogg includes his on location paintings,  mostly painted at Great Spruce Head Island, in Thomaston (his studio is there), and at numerous sites in and around Mid Coast Maine.  The artist says of his studio work,  that each larger painting began with a quick drawing in his sketch book, or a small, completed painting done on location, many beginning as watercolors in that sketch book, which he carries with him at all times.  Engaged in the search for what can be called a contemporary realism, Kellogg is deeply influenced by the work of American realists Edward Hopper and Fairfield Porter.  Even with the additional influences that photography and Abstract Expressionism have had on this contemporary realism, Kellogg feels that the art of painting still plays an essential role in helping people see the world around them.  His work is in the permanent collections of the Farnsworth Art Museum, the Portland Museum of Art, and numerous corporate and private collections in Maine, Boston, and Washington, D.C.  This is Kellogg’s 3rd solo show with the Caldbeck.

BONAPARTE'S GULL  2016  shaped fresco  17 x 14 x 2 inches   Barbara Sullivan

BONAPARTE’S GULL 2016 shaped fresco 17 x 14 x 2 inches Barbara Sullivan

     Sullivan recently returned from a five week residency on Monhegan Island, where, for more than a century, the fantastic light from all directions, has excited artists and all others who go there.  In her studio 12 miles off shore, Sullivan had time to absorb the history of the island and let it influence her work: the shaped fresco bas reliefs that she has been making and showing at the Caldbeck for over 20 years.  With a love for the objects of the every day, she turned to making shapes about the every day on Monhegan, from perhaps a century ago, such as the kerosene lamp in her room, the candelabras hanging in the chapel, or a well sat in chair that could tell some stories, if only it could talk.  Sullivan is also a watcher of birds; their endless shapes and colors have become innumerable and charming shaped fresco birds for years.  During her stay on Monhegan, she worked with the imagery of the ever present gulls.  One piece in her Caldbeck exhibit contains dozens of fresco gulls flying up into the sky.  As she began to take in the light on the island, her take on it also became quite literal, as the island has only had electrical power for about 25 years.   So she made objects about the different kinds of light: metaphorical light, refracted light, and illuminated (flame or electric) light.  “Light, Flight, and Things” is an exhibit about all of that.  With her MFA from Vermont College, Sullivan has won a Venice Printmaking Residency in Italy, the Robert M. MacNamarra Foundation Fellowship in Maine, a Good Idea Grant from the Maine Arts Commission, the Adolph and Esther Gottlieb Foundation Grant, and a Pollack/Krasner Foundation Grant.  This is her 10th solo exhibit with the gallery.

     Gallery hours are Tuesday – Saturday 11-4, and Sunday 1-4.  For information please call the gallery at 207 594 5935 or email caldbeck@midcoast.com.b

Mars Hall Gallery Presents “Afternoon with Elaine Reed”

Elaine Reed - "Rainy Night Rhythms"

Elaine Reed – “Rainy Night Rhythms”

Mars Hall Gallery is proud to host an “Afternoon with Elaine Reed” as part of the current exhibition “LEO & Company”. The exhibit features works by the late Leo Brooks, who spent his summers painting on Monhegan Island till his death in 1993. Brooks was a close friend and mentor to Elaine Reed for over twelve years. The exhibit includes her paintings and many letters she received from Brooks sharing his thoughts on ART and LIFE.

Elaine Reed is a signature member of the Vermont Watercolor Society; a member of the Arts Students League in N.Y.; an associate member of the American Watercolor Society; a member of W.A.M.I., Woman Artists of Monhegan Island, and one of the featured artists in the 2013 documentary film, “The Woman Artists of Monhegan Island”, produced by Mike Boucher of Sonic Pictures in Portland. She is a retired ART teacher and is currently living in Wiscasset and painting at her studio in Bath.

On Sundays August 14th and August 21st from 2-4 p.m. Reed will be demonstrating her approach and techniques of watercolor painting. She will also be talking and answering questions about Leo Brooks, the man and his art, their relationship as artists and friends both on and off Monhegan Island and how he’s influenced her. The demos are free and open to the public. The gallery is located 12.7 miles down the beautiful St. George penninsula at 621 Port Clyde Road in Martinsville. For more info call 207-372-9996 or visit marshallgallery.net.

ROGER DALE BROWN SHOWCASES HIS PASSION FOR PAINTING AT HAYNES GALLERIES

Basking In Oil on Canvas 20 x 40 inches

Basking In
Oil on Canvas
20 x 40 inches

Roger Dale Brown returns to Maine with his breathtaking landscape views later this summer in “Roger Dale Brown: A Passion for Painting” at Haynes Galleries. The plein air master will showcase new work, both large and small, painted during recent expeditions and travels. The exhibition will begin August 19 and continue through September 24 and coincide with Haynes Galleries other new show “Zoey Frank: Connections & Changes.” A reception to celebrate the exhibitions will take place from  to 7:30 pm on August 19. Brown and Frank will be in attendance to speak with guests about their work. Both exhibitions and the reception are free and open to the public.

Regatta Oil on Canvas 30 x 40 inches

Regatta
Oil on Canvas
30 x 40 inches

Brown will also lead a live painting demonstration the day of the opening, August 19, from 3 to 5pm in Haynes Galleries manicured grounds, weather permitting. Brown will narrate as he works so guests will experience his passion for painting first hand. He will discuss his travels and painting trips as well as how he picks his scenes, what makes for an interesting and engaging composition, and his painting process.

The exhibition is inspired by Brown’s new book A Passion for Painting written in collaboration with Larry R. Richardson. Brown will sign copies of the book at a special signing on Saturday, August 20 from 10am to Noon. The book aptly describes the man and his life-long fervor for artistic excellence. With over 200 illustrations, the book is the perfect companion for the exhibition and for landscape art lovers. With his thoughtful approach that mixes controlled, precise brushstrokes with energetic, expressive ones, Brown creates paintings that encapsulate the essence of his vistas.

Downward View Oil on Canvas 36 x 60 inches

Downward View
Oil on Canvas
36 x 60 inches

His vistas alternate between grand views like rocky coasts in the glorious setting sun and more modest views like a rickety old bridge spanning a cove. Brown also is not afraid to play with unexpected perspectives. In Downward View he forces us to confront what is surely a fear for many— a fear of heights— when he paints the view looking down from a seaside cliff. The jagged rocks loom below. White foam gathers from the active waves. It is an enticing view, one that combines natural beauty with the rush of standing so close to the edge. 

But no matter the grandeur of the view, Brown must feel a connection with the place he paints. The views needs to speak to him or elicit some emotion because Brown knows if he does not feel something special, the viewer will not either. 

Ocean Gulls Oil on Canvas 20 x 24 inches

Ocean Gulls
Oil on Canvas
20 x 24 inches

To paint what he feels Brown immerses himself in his landscape. He completes as much of the work as possible on site. But when Brown cannot complete a painting on site, he makes notes in the form of drawings, photographs, and videos. They help Brown re-immerse himself in the moment when he’s back in the studio. It is an approach Brown has adopted in recent years as he continues to push himself as an artist. He is always looking to grow as an artist.

For viewers, the result is paintings that feel welcoming, inviting them into the moment. They can feel the warmth of the sun, hear the lapping of the waves, and smell the pine in the air. 

Day of Rest Oil on Canvas 18 x 30 inches

Day of Rest
Oil on Canvas
18 x 30 inches

The paintings have earned Brown accolades and awards from prestigious competitions. He is also a sought after instructor, teaching workshops and giving demonstrations all over the country. 

“Roger Dale Brown: A Passion for Painting” is a chance to see iconic vistas and unfamiliar scenery captured on canvas delicately and with care. But it is also a chance to experience the beauty of the landscape as Brown sees it, through the eyes of one of the premier plein air artists working today. 

Haynes Galleries is located at 91 Main Street, in Thomaston. For more information, email garyhaynes@haynesgalleries.com, call (615) 430-8147 or (207) 354-0605, or visit www.haynesgalleries.com.

Joy To The Wind: An Ocean Point Of View

JOY

Off Season Surf, 36 x 36 oil on linen by John M. T. Seitzer

Lynne and John at Joy To The Wind in Boothbay Harbor are hosting an open house from 7-9 pm on Friday, August 5th during the First Friday Art Tour. “Storm surge, wind tossed ocean waves, immobile ledge worn by constant contact. Motion along the uneven shore-conflicted waves, a jumble of rocks caressed. Periwinkles slowly slide, suctioned to their host, seaweed clinging. A pensive traverse along the rocky shore, a picnic shared on a sundrenched ledge, sea mist cooled by gentle breeze.” John M. T. Seitzer What do you experience when you go there? What memories do you bring home? Come see the variety of views  John has depictedof his visits to Ocean Point.
Joy To The Wind, 34 Atlantic Avenue, (on the East side of the Historic Footbridge-across from the Rocktide Inn,) Boothbay Harbor, Maine, 04538. joytothewind.com  207-633-7025

TJ CUNNINGHAM TO GIVE PAINTING DEMONSTRATION AT HAYNES GALLERIES IN THOMASTON

Artist TJ Cunningham

Artist TJ Cunningham

Fans of well-crafted paintings are in for a special morning at Haynes Galleries. Portrait and landscape artist TJ Cunningham will lead a live painting demonstration on Saturday, August 6, from 10am to Noon under the apple tree at the gallery. He will discuss his process as he works so guests will understand how Cunningham creates his impressions of his subject. The demo is free and open to the public. Light refreshments will be served.

Morning Catch

Morning Catch

As he paints, Cunningham will discuss what first drove him to be an artist and his training based on the works of the masters of the 19th and 20th centuries. He will also talk about his painting process including working outdoors in the environment and how he translates what he sees on location to larger canvases in his studio.

Compliments

Compliments

In his short career, Cunningham has displayed a talent for and a devotion to Realist painting well beyond other artists his age. It’s remarkable considering he did not take up painting in oil until college even though he displayed artistic interests as a child. Cunningham’s love of landscape painting began during his childhood in Vermont but his passion for landscapes is only surpassed by his love of the portraiture, a genre he has studied carefully during his young career. Cunningham has a gift for combining the two into cohesive compositions. For his work, he has received several prestigious honors, including an Exceptional Merit Award from the Portrait Society of America, and been shown in galleries and museums through the U.S.

Many Long Years Ago

Many Long Years Ago

Haynes Galleries is located at 91 Main Street, in Thomaston. Gallery hours are 9 to 5, Monday through Saturday. For more information, email garyhaynes@haynesgalleries.com, call (615) 430-8147 or (207) 354-0605, or visit www.haynesgalleries.com.

“LAND, SEA & AIR” at Landing Gallery

"Pitcher Pond" by Irma Cerese, Acrylic 12" x 12"

“Pitcher Pond” by Irma Cerese, Acrylic 12″ x 12″

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “LAND, SEA & AIR”, a solo exhibition of 65 new paintings by Irma Cerese, opening on Friday, August 5 through September 11.  The Artist’s Opening Reception will be held on Friday, Aug 5th from 5-8 PM during Arts In Rockland’s first Friday art walk.

Irma has always been fascinated with color and her primary interest in painting is focused on color relationships.  Her landscape paintings border on the abstract and are seen simultaneously as both landscape and abstract.

"Schoodic Point" by Irma Cerese, Acrylic 30" x 30"

“Schoodic Point” by Irma Cerese, Acrylic 30″ x 30″

Irma Cerese received her formal training at the Academy of Art and the School of the Art Institute, both in Chicago, IL.  Irma maintained a studio in New York City until 1985 and her paintings are in numerous private, corporate and institutional collections in the United States and Europe.  This exhibit celebrates Irma’s 10th anniversary with Landing Gallery, where she has an annual solo exhibit of her new paintings.

Please join us Friday, August 5th from 5 – 8 pm for an artist’s reception with Irma Cerese. 

Summer hours: Mon – Sat 11– 5, Sun. 12 – 5. For more information please call 207 239-1223 or visit www.LandingArt.com

Elizabeth Moss Galleries announces concurrent exhibitions

Ronald Rovner, “Nachtmusik”

Ronald Rovner, “Nachtmusik”

Elizabeth Moss Galleries is proud to announce the following concurrent exhibitions: Ronald Rovner’s solo exhibition “Nachtmusik” and the group exhibition “Monhegan, on the Rock” which will be featuring artists Don Stone, Alison Hill, Carol Raybin, Marilyn Swift and Krisanne Baker. The events run from Thursday, August 4th to Saturday, October 1st, with the opening receptions at 5:00 PM on August 4th.

Ronald Rovner has created in his new body of work entitled “Nachtmusik,” a symbolic visual language that appears as a symphony of shapes and color which move to and from the page, blending color to form. Though alien to all but Rovner, the shapes and color of his pieces carry with it the familiarity of rhythm and sound of a song that we just can’t quite place.

“Monhegan, on the Rock” is a continued exploration into one of Maine’s coastal gems. From the shores of Manana to Gull Rock and into Monhegan’s village, the collection of works by artists Don Stone, Alison Hill, Carol Raybin, Marilyn Swift and Krisanne Baker takes the viewer around one of New England’s most iconic islands.

For more information:
Elizabeth Moss Galleries
(207) 781-2620
emossgalleries@gmail.com

Slide Show Talk and Book Signing with Carl Little at Courthouse Gallery

artofacadia_fcEllsworth Author Carl Little will present a slide show at Courthouse Gallery on Wednesday, August 10 at 6pm, on Art of Acadia, a newly released book by Carl Little and David Little, published by Down East Books. This beautiful book of American art history honors the region in celebration of Acadia. The event is being held in conjunction with 10/100 Painting Acadia, a group exhibition celebrating the Gallery’s tenth anniversary and the Acadia National Park centennial. The book will be available for purchase at the talk. The event is free and open to the public.

This beautiful book spans the seventeenth century through the twentyfirst, and includes a variety of work, from fine art to art that appeared in guidebooks, travelogues, and posters to its current Artist-in-Residence program. It is a view of the region that grants a new perspective to our collective appreciation of this unique convergence of land and sea.

About the authors: David Little, a resident of Portland, Maine, has been painting the Maine landscape since 1983. His work has been included in exhibitions at the Blaine House, Bates College Museum of Art, and the Farnsworth Museum, and he spent ten years working at the Bayview Gallery in Portland, and he gives critiques, juries art shows, and curates.

Carl Little is the author of more than a dozen art books, including The Watercolors of John Singer Sargent, Edward Hopper’s New England, and The Art of Dahlov Ipcar. He has also published articles and reviews of art in such magazines as Art in America, Art New England and Down East. He serves as the director of marketing and communication at the Maine Community Foundation and he lives on Mount Desert Island, Maine.

For more information contact:
Courthouse Gallery Fine Art
6 Court Street
Ellsworth, Maine 04605

207 667 6611
www.courthousegallery.com

Third Opening of 2016 Season at Turtle Gallery

Adele Ursone, Gathering Storm I, 2016

Adele Ursone, Gathering Storm I, 2016

Please join us for our August 7th Opening!

The third show of the 2016 and 34th season at the Turtle Gallery will feature: Janis Goodman (Oil Paintings)
Vaino Kola (Oil Paintings & Etchings)
Adele Ursone (Oil Paintings & Watercolor Studies)  

The show begins with an Opening Reception Sunday, August 7 from 2 to 6 PM and runs through Saturday, August 27th. Other Gallery artists, a vast collection of Jewelry and Contemporary Craft, the Annual Print Show and Sculpture Garden will also be on display.  Light refreshments will be served.

Janis Goodman, Cold Front, 2015

Janis Goodman, Cold Front, 2015

Full of skillful exuberance, Janis Goodman’s collection of oil paintings take the viewer into a space of motion and shifting lines.  Goodman’s work gestures toward her study of the eastern landscapes while traveling in Asia, which “nurtured the calligraphic line and movement” of her work.  In each piece the viewer can experience commotion coupled with stability, all thoughtfully anchored in a whimsical composition.

Vaino Kola, Mill Pond, November, 2016

Vaino Kola, Mill Pond, November, 2016

 Finland Native and Deer Isle resident Vaino Kola will have etchings and new works in Oil on display. Kola moved to Maine to paint full-time after teaching art at Wheaton College in Massachusetts for 26 years.  Kola’s paintings, often monumental in scale, appear almost photo-realistic from a distance, but closer inspection reveals deeply textured, almost pointillist brushwork.  He has mastered the art of creating a moment; the stillness after a heavy snowfall, the ripple of an incoming tide or the fluttering of leaves.

Adele Ursone, Coastal Morning, 2016

Adele Ursone, Coastal Morning, 2016

Often subtle and serene, Adele Ursone’s landscape paintings are equally engaging as they are transformative.  Working from observations in the detail of her environment she creates spaces where “edges become so blurred, reality dissolves into abstraction.”  While a New York City resident part of the year, Ursone’s visual narratives speak strongly of her annual time spent on the water and the Maine Coast.

Vaino Kola, Norton Woods I

Vaino Kola, Norton Woods I

Open since 1982, The Turtle Gallery encompasses an 1876 two-story barn, the adjacent Centennial House Gallery and outdoor Sculpture Gardens. Gallery hours are Tuesday through Saturday 10 – 5:30 and Sunday 2 to 6.

The facility is located at 61 N. Deer Isle Road on Route 15, just north of the Deer Isle village center. For more information, please call 348-9977, or visit TheTurtleGallery.com.  We are on Facebook and Instagram under @TheTurtleGallery. 

Archipelago “Summer” show features artists from Waldoboro and Chebeague Island

Left: Jean Kigel, “Dock Patterns”  Right: Caroline Loder, “Red Buoy #12”

Left: Jean Kigel, “Dock Patterns” Right: Caroline Loder, “Red Buoy #12”

Event Date:
Fri, 08/05/2016 – 5:00pm to 8:00pm

Event Location:
Archipelago Fine Arts Gallery, 386 Main St Rockland

Contact Name:
Lisa Mossel Vietze, Archipelago Director: (207) 596-0701, lvietze@islandinstitute.org

 Archipelago Fine Arts is celebrating summer with a new exhibition including Jean Kigel, Caroline Loder, Dylan Metrano, Lacey Goodrich, Wayne Hall, Michele O’Keefe, Stephanie Crossman, Jeff Barrett, Carolyn Kemp, and Lin Lisberger. The public is invited to a reception at the First Friday Artwalk on August 5th from 5:00 to 8:00 p.m. The show will be up until August 28th.

 Highlighted artists include Jean Kigel of Waldoboro and Caroline Loder of Chebeague Island.  Philip Isaacson, former art reviewer of the Portland Sunday Telegram, wrote that “Kigel is a master of the oriental brush. Her work with ink or ink with color strikes the viewer as spontaneous, loose, bold, the product of a difficult skill, an attitude acquired through commitment and study.” Archipelago will be showing her watercolors.

 Caroline Loder uses a simple palette of colors aiming to achieve the sense of calm and serenity she feels on Chebeague Island. Archipelago will be showing some of her larger oils.

 The gallery and store are located at 386 Main Street in Rockland and are open seven days a week.

 

Mark Herrington & Barbara J. Zucker at Littlefields

Frenchman's Bay Evening II Dark Island 30 x 30

Frenchman’s Bay Evening II Dark Island 30 x 30

Littlefield Gallery in inter harbor Artists’ Reception: August 6, 4-6 pm

From June 25-August 20th, Barbara J. Zucker and Mark Herrington celebrate the Acadia Centennial through Barbara’s brilliant seascapes and Mark’s stylized, abstract stone sculpture,. Barbara received her B.A. from Ursinus College in 1966, studied Fine Art at Beaver College (now Arcadia University) and at L’Accademia di Belle Arti in Florence, Italy. She apprenticed with painter Richard Callner in his studio for three years after graduating from Tyler School of Art with a M.Ed. in 1971.

Frenchman Bay Evening I Purple and Orange 24x24

Frenchman Bay Evening I Purple and Orange 24×24

Barbara’s award winning paintings have been exhibited in hundreds of solo, curated and juried exhibits over her long career. “All true art comes from a place deep within the artist. Art is not simply a mastery of materials and techniques, but an expression of the artist’s emotional and intellectual reactions to stimuli in the inner or outer world. Some of my early paintings were formed within the subconscious in the way that dreams are made. Most of my paintings are more consciously formed but still derive from a deep visceral and emotional reaction to an idea or place. For me, painting is like keeping a journal, making visual the feelings and experiences that have occurred over a lifetime of work. It is an act of discovery of myself and the outer world.”-BJZ

littlefield

Jerusalem Limestone on a wood base

“As a granite sculptor, everything I work with is a gift of geological time.” Mark is lifelong student of the creative process, and loves introducing new artists to granite sculpting as much as he loves practicing his own work. He is a self-taught stone artist: He has been a guest lecture at the University of Orono, being the first artist-in-residence in the Littlefield Gallery Artist-in-Residence program. The sculpture he created, “Tec.ton.ic,” is installed on the UMaine campus. A second sculpture, “Inanna,” is installed at the Buchanan Alumni House.

Sea & Stone of Schoodic

Sea & Stone of Schoodic

Mark has had many group and solo shows, and his public sculptures are installed permanently in diverse locations, including the International Sculpture Trail that links Schoodic’s symposium with Saint John, N.B.’s. “It might surprise people to know that I began my artistic life making guitars,” says Mark. As a granite sculptor, everything I work with is a gift of geological time.”

Mark and Barbara are represented by Littlefield Gallery

For More Information:

www.littlefieldgallery.com
145 Main Street
Winter Harbor, ME 04693
207.963.6005  or  207.838.4174
info@littlefieldgallery.com

BARBARA ERNST PREY: In Search of America

Island Finds

Island Finds

Barbara Prey Projects is proud to announce In Search of America, the most recent works of internationally celebrated artist Barbara Ernst Prey, July 18-September 5. This monumental and timely exhibit explores memory, art history, and the influences of Color Field painters on the large-scale watercolors of Barbara Ernst Prey. 

In Search of America considers Prey’s distinct perspective as a 21st century female artist, which is both essential to, and occasionally at odds with, her subjects as she explores the depth of the American landscape and American identity. Her work is part of a trajectory of American Art but built on abstract painting as well, with a conceptual underpinning of the composition and points of empathy around color, composition and subject.

Vanishing Point

Vanishing Point

Her belief that color is the most powerful way to communicate drove Prey to develop groundbreaking, intricate layering techniques.  Beginning with marks on paper, and then built up through her evocative use of color and dozens of thin washes, often incorporating parts of her surrounds  –  water, soil, crushed shells  – Prey’s pieces defiantly search for America; asking questions of who am I and where are we going. While the work is predominantly American based in subject matter, the aura Prey produces throughout her work can be appreciated on a global scale. The exhibit confirms Prey’s place as one of the most significant American artists, furthering the genre of American driven landscapes.

Opening Reception: Monday, August 1 from 6 – 8 PM
Gallery Hours: 10am – 5pm, and by appointment
855 Main Street, Port Clyde, ME 04855
(207) 372-8087
www.barbaraprey.com

Follow on Facebook  Twitter  Instagram @barbaraprey.com  

Philippe Guillerm Gallery Shines a Spotlight on the “Views from Over and Under”

20160715_092055

Philippe Guillerm and Samuel Morgan will show their latest collection of breathtaking Views from Over and Under. An amazing collection of under water, sky and creatures of the blue world.

Philippe Guillerm a native of Paris, France is a well acclaim international artist who has a very kind view of his moments under water. Been an avid diver during his winter sailings, Philippe express on his paintings the notion of peace and silence that we all dream of and take you to an unbelievable calm word. 

Samuel Morgan who won’t be nailed down to a place of birth and lives in Maine for now will mesmerize you with his own view of the creatures from Over and Under. Samuel Morgan comes to painting later in life, as a retiree. Although painting could seem a huge departure from his prior career as landscaping, Samuel feels the common thread is his love of colors! “Choosing colors for the image on a canvas is not so different from creating a visually pleasing garden” he says.

Philippe Guillerm Gallery proudly presents Samuel Morgan and Philippe Guillerm and joins with Tidemark Gallery and Heywood Gallery for Waldoboro’s “Second Saturday ArtWalks.”Please join us at the Opening Night on Saturday, August 13, from 4pm to 7pm.

Philippe Guillerm Gallery is a contemporary art gallery providing opportunities for involvement, exposure and action in our community and culture through art. The gallery is open Tuesday through Friday, from 10am to 4pm, and is located at 882 Main Street in Waldoboro. For more details, visit www.guillermsculptures.com.

Late Summer 2016 New Era Gallery opens August 6

Two Birds and Snake, monoprint by Rich Entel

Two Birds and Snake, monoprint by Rich Entel

New Era Gallery’s late summer show will open on Saturday, August 6, with an artist’s talk at 4:30pm and reception from 5:00pm – 7:00pm.  The gallery on Main Street in Vinalhaven will feature the work of photographer Joel Greenberg, painters Charles Miller and Herb Parsons, and sculptor and printmaker Kitty Wales.  Rich Entel’s  “Cardboard Menagerie” will be featured in the Windy Way Barn.

Greenberg’s color and black & white photos take inspiration from distant views across water and from microcosmic textures in the natural world. Charles Miller and Herb Parsons both work in oils; Miller’s richly textured abstracts and Parson’s finely tuned representational landscapes respond in different ways to the qualities of weather and light in the islands. Kitty Wales recent work in clay, prints, and drawings focuses on camels and their fabled role in her ongoing work about migration.

The Windy Way Barn will be filled with the cubist inspired animals of Rich Entel’s “Cardboard Menagerie.” The exhibit was first seen in Portland at the Jewish Cultural Center, and has since travelled to museums in Florida and New Hampshire. This installation will be the first to include Entel’s prints as well as the sculpture. As a part of the exhibition, cellist Eugene Friesen will perform original music inspired by the animals on August 11. Please contact the gallery for details regarding the performance.

Late Summer 2016 will run through August 31.  Gallery hours are Monday through Saturday 10:00am – 5:00pm and Sunday 11:00am – 2:00pm. For further information call 207-863-9351, or visit neweragallery.com.

“Summer Stable Show” at Maine Farmland Trust Gallery

Screen Shot 2016-08-01 at 8.00.13 PM

“Lyrical” is a word that comes to mind when visiting the Maine Farmland Trust Gallery’s Summer Stable Show. A favorite with returning art-lovers and summer visitors alike, this is the gallery’s annual large group show, showcasing seventeen Maine artists this year, including Dahlov Ipcar.

“What I love about this show is that it is often very painterly and eclectic,” says gallery curator Anna Witholt Abaldo. “It has a bright and colorful tone, with some surprising fresh additions this year.”

The first floor features dynamic abstracts from a series on rhythms in nature by Belfast’s Kathryn Shagas, a larger-than-life Julie Crane woodcut print of a horse jumping over a city (with a wink to Chagall), and a beautiful collection of small coastal paintings by Portland’s Christopher O’Connor. Contemplative figurative work by sculptor Elizabeth Ostrander dialogues with the evocative paintings of Sheep Jones, another Belfast artist. Lou Schellenberg impresses with strong, imposing landscapes with vigorous compositions. New works by Julie Cyr, Petrea Noyes, Sarah Wilde and Leslie Anderson round out this collection.

The second floor displays delicate watercolors by Margaret LaFarge: dirt roads curving through a landscape, evoking a real sense of stillness found in nature.  Jude Valentine’s new pastels-over-monoprint, done after visits to the old orchard at Buckle Farm (Unity), speak with directness and energy – courageous use of color and line. MJ Viano Crowe, showing at MFT Gallery for the first time, brings her garden goddesses, made from intricate paper cuts. Sharon Yates, Robin Rier, Kathleen Perelka and prints by afore-mentioned Dahlov Ipcar make up the rest of the show.

The Summer Stable Show 2016 runs from August 1st through September 16, with artist talks Friday August 26 from 4:30-5:30, followed by a reception and the town-wide Belfast Art Walk from 5:30-8pm. 

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. On Fourth Friday Art Walks, the gallery is open until 8pm. More information can be found at www.mainefarmlandtrust.org/public-outreach-new/gallery/

John Winship Catch at Carver Hill Gallery

John Winship, Catch, 30x22 triptych, Acrylic on canvas

John Winship, Catch, 30×22 triptych, Acrylic on canvas

Carver Hill Gallery, 338 Main Street, Rockland, Maine, will open a solo show of paintings by John Winship on First Friday, August 5, 2016 from 5 – 8 pm.

“John Winship is a painter of dark and evocative scenes; dreamlike, mysterious pictures of people who seem to be from another time.”—Linda Wertheimer, NPR, “All Things Considered”

The atmosphere in the work tends to be heavy, with dark tones and faces either looking away or partially obscured. Winship says that this breaks down the specificity of the photograph’s subject matter and allows the viewer to project more freely into the painting.

John Winship Two Men and a Fish

John Winship Two Men and a Fish

John Winship received his BA in Fine Art from Middlebury College and has had over thirty solo shows in New York, Washington D.C., Philadelphia, and other galleries and museums throughout the northeast.  His paintings have been featured and reviewed in such national publications as “Art in America”, “Artnews”, “The Artist’s Magazine”, “Harper’s”, and National Public Radio’s “All Things Considered”, as well as on numerous book covers. He has been represented by Carver Hill Gallery in Rockland, Maine for two years.

Show runs through Monday, August 29, 2016

For more information:
http://www.carverhillgallery.com
338 Main Street
Rockland, Maine 04841
(207)594-7745

JEAN KIGEL: 18TH ANNUAL EASTERN VIEWS: Watercolors, Oils, Asian brush Paintings

Thoroughfare, oil on panel, Jean Kigel, 12x16

Thoroughfare, oil on panel, Jean Kigel, 12×16

View Jean Kigel’s new paintings at the mid-century modern Brick House Gallery, 176 Winslow Mills Road, Waldoboro from August 12th to 14th.  Reception Friday August 12th from 5-7.

 Now in its 18th season, Jean Kigel’s Annual Eastern Views combines motifs from Asian and Maine.  This year she presents an unexpectedly broader vision, depicted in a style she calls geometric-realism.  These paintings include slices of the sea  and land.  Featured this year isThoroughfare in which light, in the sky and on the water, forms polyhedric shapes, providing a sailboat passage offshore.

 Currently Kigel’s studio practice revolves around a whimsical series of attic windows from Rockland, Warren, and Waldoboro.  In these, roof peaks dance in colorful shapes against the sky. I look for interesting shapes to give feeling to the painting.  Then I work with the color to create harmony and mood.”

 As usual, this  show also presents a blend of more realistic paintings using  watercolor and Asian brush techniques.  “Flowers are favorites.  And almost any subject, from kitchen artifacts to insects,  captures my attention. Applying Asian brush, Kigel brings a sense of “exotica” to the familiar. 

Preview at www.jeankigel.com   FMI 975-3262.

ZOEY FRANK’S COMPELLING NEW WORK SHOWCASED AT HAYNES GALLERIES

House Party Oil on Linen 68 x 76 inches

House Party
Oil on Linen
68 x 76 inches

One of the brightest young artists in Contemporary Realism is returning to Haynes Galleries to showcase her newest works. Zoey Frank’s compelling new paintings will be on view from August 19 to September 24 in Thomaston, Maine in “Zoey Frank: Connections & Changes.” An opening reception with food and drink to celebrate Frank’s new show will take place on the evening of August 19 from 5 to 7:30 pm. Frank will attend the opening and will speak with guests about her work. The reception and show are free and open to the public.

In the past couple years Zoey Frank has explored human interaction and elements of change in her paintings. These explorations were only just beginning in 2014 when Frank had her first solo show at Haynes Galleries. But she has pushed the ideas further recently and incorporated new elements, resulting in images that compel viewers to look longer. 

Laura Oil on Panel 36 x 36 inches

Laura
Oil on Panel
36 x 36 inches

“I’ve represented Zoey for almost as long as I have had the gallery,” says Gary R. Haynes, founder of Haynes Galleries. “In the years since I met her she has grown by leaps and bounds. She is driven to explore new ways to express her classic training with paint in fresh and exciting approaches. Zoey lets the ideas evolve and the narratives are almost in realtime so they move and change. She strives to make art that connects and she is making lots of connections.”

Another prominent theme in Frank’s new work is change, specifically how paintings change over the period time she works on them. In her figurative work, it can be how a model’s pose is adjusted over the course of several sittings. In a cityscape, it is how the skyline evolves depending on the day’s light. Frank does not completely paint over the previous design. Layers of paint from earlier in the process show through. Edges are left soft. It helps make the work more inclusive but also acts as a record of Frank’s process and every decision that led to the final result. It’s a glimpse into the mind of the artist.  

Scarf 2 Oil on Panel 8 x 12 inches

Scarf 2
Oil on Panel
8 x 12 inches

Patterning appears in her figure paintings as well as her still lifes. Frank enjoys using it because “it confuses the picture plane. It can make a space read as flat but also 3 dimensional depending on how you use it.” The patterning comes in many forms in the new paintings— ornate tiles, woven scarves, floral wallpaper— and each time it adds another layer of visual interest. 

Frank’s new paintings are a clear indication of her technical gifts and bright future as she explores new ideologies. “Zoey Frank: Connections & Changes” will be the perfect mid-summer platform for guests to soak it all in and experience the byproduct of Frank’s skill. 

Brunch Oil on Linen 52 x 70 inches

Brunch
Oil on Linen
52 x 70 inches

Haynes Galleries is located at 91 Main Street, in Thomaston. For more information, email garyhaynes@haynesgalleries.com, call (615) 430-8147 or (207) 354-0605, or visit www.haynesgalleries.com.

Three Points of View for Summer Exhibitions at George Marshall Store Gallery

Nina Jerome, “Hackensack Intersection”, Oil on linen, 30” x 30”

Nina Jerome, “Hackensack Intersection”, Oil on linen, 30” x 30”

Three artists present their perspective on three very distinctive locals in the mid-summer exhibitions now on view at Old York’s George Marshall Store Gallery.

Nina Jerome, from Bangor Maine, is well known for her views of the Maine coast and lakes. In this showing , however, called “Land Marks – On the Move,” she is intrigued by more urban landscapes including aerial views of Boston and New York. Jerome teaches at the University of Maine in Orono and understands the importance of drawing as a practice.  Besides finished paintings, her exhibit includes a number of large charcoal drawings.

Lincoln Perry, “Diana’s Options”, Oil pastel, 20” x  26”

Lincoln Perry, “Diana’s Options”, Oil pastel, 20” x 26”

“Diana’s Baths” is the focus of Lincoln Perry’s exhibition. The artist is intrigued by the beautiful cascading waterfalls in Bartlett, New Hampshire and by the myths that surround the Goddess Diana’s for which the area is named. Perry ‘s show consists of four very large canvases surrounded by dozens of small oil pastel and gouache studies.

Alexandra de Steiguer, “Dusk and Distance”, Gelatin silver print, 7.5” x 7.5

Alexandra de Steiguer, “Dusk and Distance”, Gelatin silver print, 7.5” x 7.5

Photographer Alexandra de Steiguer exhibits twelve images in “Starkness and Light: The Isles of Shoals in Winter” representing the isolated islands where she has been the winter caretaker for nearly two decades. Her process is one of delayed exposure, to use a photographic term. While on the Island she shoots with film and doesn’t know what she has captured until she returns to the mainland in the Spring and prints them using traditional techniques.

Lincoln Perry will give a gallery talk on Sunday, August 7 at 3 p.m. The exhibitions continue through August 21. Gallery hours are 10-5 Tuesday through Saturday and 1-5 on Sunday. 140 Lindsay Road, York, Maine. www.georgemarshallstoregallery.com