Archive for Artists Reception

Maine Farmland Trust Gallery opens HOMELAND

 

Colette Shumate Smith: “#American Gothic”, mixed media on wood panel, 35 x 35 in. 

HOMELAND: A multimedia exhibit exploring
our collective and diverse relationship to home/land

 

Maine Farmland Trust Gallery’s new exhibit HOMELAND speaks to a deep relationship that comes from cultivating the land, and a longing for connection with the land. This open call exhibit was promoted and curated in collaboration with GEDAKINA, Inc., a multigenerational endeavor to strengthen and revitalize the cultural knowledge and identity of Native American youth and families from across New England, and to conserve traditional homelands and places of historical, ecological and spiritual significance.

The first floor of the gallery features sixteen artists from varied backgrounds that seek to explore their relationship to home and land in a wide variety of mediums and styles.

Arlene Claudill Hulva’s colored pencil figurative landscape integrates New England and Latin American panoramas.

 A vibrant Medicine Wheel painting by Mihku Paul-Anderson incorporates elements from the Waponaki culture and symbols from the natural world, while Maureen Block uses a 20th century ironing board as her painting surface for her work “Uprooted, Unrooted, Rerooted,” that depicts writhing roots in bold reds and yellows.

In two very different interpretations of Grant Woods’s iconic painting “American Gothic”, Colette Shumate Smith’s mixed media self-portrait reminds us to be vigilant of changing attitudes toward the land; and Bill Robitzek’s acrylic painting “Bowdoinham Gothic: Sarah and Laura” depicts a modern farm couple that is self-sufficient, and socially-conscious.

Liz McGhee: “Vibrations”, mixed media and gelatin print, 12 x 18 in.

Liz McGhee’s gelatin plate monotypes use a palette of blues, grays, purples, and browns with shapes and line that depict her intuitive wanderings through minimalistic landscapes.

Patricia Ranzoni, Bucksport’s 2014 Poet Laureate, contributes three lyrical, flowing poems on the greater longing for ancient home ground and the yearning of displaced peoples for their place on Earth.

Gabrielle Brown: “Storage Basket 2”, copper, graphite, canvas, 8 x 7 x 7 in.

Gabrielle Brown’s five copper, graphite and canvas woven baskets are based on Shaker designs. Elizabeth Hunter has created a grouping of rya pillows, an ancient Nordic woven pile technique, which speak to human’s connection with the seasons.

 

Kathy Pollard: “Corn Mother”, glass beads, corn husks, moose antler

Kathy Pollard will be displaying a large piece of birch bark with inscribed and painted Maine Indian petroglyph reproductions, and a beautiful sculpture “Corn Mother,” made with glass beads and moose antler.

Constant Albertson: “Désolé”, ceramics, 16 x 9 in.

A mixed media installation by Thér̀ese Provenzano incorporates objects to invoke memories of childhood and change, while Constant Albertson will have two ceramic sculpture pieces on display with themes of water awareness.

Color photographs by Christina Gessler, Emily Davis, and Karyn Marden depict varied subjects, such as quintessential views of life on a farm, organically found picture rocks, and images of the Casco Bay area.

 

Karen Merritt: “Perfect Offering”, gelatin silver print, 9 x 9 in.

Karen Merritt’s gelatin silver prints portray the beauty in urban gardens of Portland in black and white.

Maine Farmland Trust will host the exhibit at its Gallery in Belfast from November 12, 2018 through March 1, 2019. Artist talks will be held on Friday, November 16th at 5pm, with a reception following from 5:30-8pm. Also, the Belfast Holiday Art Walk will occur Friday, December 7th, 5:30-8pm.

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found atwww.mainefarmlandtrust.org/public-outreach-new/gallery/ .

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

 

CMCA 2018 Biennial Exhibition Opens November 3

Julie K. Gray, “Waiting Room,” mixed media installation

The Center for Maine Contemporary Art in Rockland will open the 20th edition of its statewide CMCA Biennial Exhibition on November 3, 2018, with an opening reception from 5 to 7pm. The Biennial will remain on view through March 3, 2019. This year’s Biennial is sponsored by The First National Bank and features the work of 43 artists from 33 Maine communities. The exhibiting artists were selected from a pool of 659 individual submissions by jurors Kate Green, Guest Director of Marfa Contemporary, Marfa, Texas, and Robin K. Williams, Ford Curatorial Fellow at the Museum of Contemporary Art Detroit, Detroit, Michigan.

CMCA Director Suzette McAvoy states, “This year’s Biennial is a really lively snapshot of art making in Maine today, showcasing a wide variety of work in all mediums including strong examples of painting, sculpture, photography, textiles, installations, and video work. There is truly something for everyone in the show and I think visitors will be impressed by the quality and diversity of the work.”

Eleanor Kipping, “Strange Fruit,” installation and performance

In the jurors’ statement, Kate Green writes, “The over 600 submissions to the CMCA Biennial evidenced the breadth of contemporary practices flourishing across the state, while also reflecting elements that make Maine unique: the sea, the wilderness, craft. Having spent part of every summer of my life in Maine, I feel privileged to have gotten to know the strength of its artists through this jurying process.”

The CMCA Biennial Exhibition typically takes place in the fall of even numbered years. The concept of an open juried competition at CMCA dates back to 1978, when then director Ben Goldsmith presented the first Juried Exhibition. It was the only continuing statewide juried exhibition until the Portland Museum of Art introduced its first Biennial in 1998.

Adam Ekberg, “Lawn Chair Catapult,” archival pigment print

Artists included in the 2018 CMCA Biennial Exhibition are: Freedom Baird, Tenants Harbor and Cambridge, MA; Tad Beck, Vinalhaven; Mattina Blue, Belfast; Amy Stacey Curtis, Lyman; Alicia Eggert, Portland and Denton, TX; Adam Ekberg, Rome and Flemington, NJ; Donna Festa, Bangor; Alan Fishman, Belfast; Thomas Flanagan, Yarmouth; Carolina González Valencia​, Lewiston; Julie K. Gray, Saco; Sarah Haskell, York; Willoughby Lucas Hastings, Cranberry Isles and Brighton, MA; Dylan Hausthor, Peaks Island; Ethan Hayes-Chute, Freeport and Berlin, Germany; Anna Hepler, Eastport and Greenfield, MA; Hilary Irons, Portland; Samantha Jones, Blue Hill; Eleanor Kipping, Orono; Seth Koen, South Bristol and Easthampton, MA; Baxter Koziol, Portland; Siglinde Langholz, Orono and Puebla, Mexico; Alex Lukas, West Bath and Pittsburgh, PA; LumenARRT!, Durham; Shanna Merola, Bangor and Hamtramck, MI;  K. Min, Friendship; Elaine K. Ng, Rockland; Ashley Normal, York; Isabelle O’Donnell, Portland; Julie Poitras Santos, Portland; Jesse Potts , Farmington; Probably Joel, Portland and Hong Kong, China; Alison Rector, Monroe and South Portland; Becky Jane Rosen, Brunswick and New York, NY; Rachel Sieben, South Portland; Gina Siepel, Portland and Greenfield, MA; Anneli Skaar and Sal Taylor Kydd, Camden and Rockport; Suzy Spence, Brooklin and Brooklyn, NY; Tectonic Industries, Portland; TUG Collective, New Sharon; Kathy Weinberg, Morrill; Michael Winkler, Bridgton and Millerton, NY; Erin Woodbrey, Sebago Lake and Orleans, MA.

For additional information about the CMCA 2018 Biennial Exhibition and related programs, visit cmcanow.org.

Artist Reception: Featured Artists From Northern Journeys Magazine and Artist Talk

 

Steve Burns

Markings Gallery is hosting an artist reception on November 18 from 4-6:00 for past and present, featured artists of Northern Journeys Magazine. Northern Journeys is a magazine of the Arts, Humanities and Sciences distributed in Midcoast Maine. Come and meet some of the exceptional artists you have been
reading about. The evening will be capped off with a talk by Sculptor and jeweler Steve Burns.
We will have a preview of Steve’s new jewelry line. Steve will talk about how he “faked it”in the big city of New York reinventing himself as a high level restorer of major sculpture and finer art objects for NY galleries. He will tell us how he fought his way into the film union so he could barter his welding and model making skills into being able to work on union sf crews for feature films and commercials that you probably have seen.

Refreshments are generously donated by Byrnes Irish Pub, 38 Centre St, Bath, ME 04530

Art Space Gallery Showcases Autumn Themed Works

Painting by Jean Byrd

Art Space Gallery welcomes the public to our November Opening showcasing artworks with an Autumn theme November 2nd, from 5pm to 8pm. Many of our artists will be on hand to discuss their work. In addition, we’ll have the customary refreshments.

Come see what we’ve created to celebrate the changing seasons.

Art Space Gallery is located at 405 Main Street in Rockland. The gallery features seventeen artists who work in various media and genres. November gallery hours are Friday and Saturdays from 11AM to 4 PM. We are also open by appointment. Visit our website for more information at www.artspacemaine.com.

Greenhut Galleries to Showcase Alison Goodwin

Long-time Greenhut artist Alison Goodwin, best known for her whimsical, vividly imaginative paintings, opens her 10th Greenhut solo show, Ragged Bounty, with a reception from 5-7:00 pm on November 1, 2018. The show continues until December 1.
Goodwin’s iridescent, bold, and vibrant paintings are marked by their playful exuberance as well as a deep and abiding reverence for the state of Maine and its inhabitants. Having grown up on the southern Maine coast and now living in Portland and Rockland, the artist’s love and affinity for the region lies both on her sleeve and at the cellular level.
Included in this exhibition (along with landscapes and other subjects) are the latest of several iterations of Goodwin’s fishermen saints.  Living among fishermen most of her life, she has cultivated a fascination for watching them work — often from her front porch or kayak. Goodwin paints portraits of these fishermen, encircling their heads in golden halos, canonizing them as icons of Maine’s ragged bounty. These works reveal Goodwin’s respect and gratitude for the harvesters of the sea and for their role in developing our close relationship with the natural world.  This work conveys what the artist describes as a certain “reverence for the way they make a living, battling nature day after day.” She feels that these fisherman “not only keep Maine honest but give it a holiness.”
Influenced by Hundertwasser, Klimt, Matisse and Calder, Goodwin’s work throughout her career is characterized both by her use of turbulent, saturated color and by the delightfully skewed perspectives of her compositions, typically depicting unruly landscapes, expressive interiors, and kinetic villages. Goodwin’s voice is energetic and funky, hip-yet-sincere.  Though her work boldly references many masters, her style is unique, and distinctively her own. As art historian Shannon Egan put it: “By taking Gauguin’s halo, van Gogh’s colors, Matisse’s patterns, and Picasso’s ambiguities of subject and space, Goodwin presents a complicated marriage of particular art-historical references. She avoids pastiche and instead finds originality in a careful use of a visual and historical language. Goodwin translates the pictorial concerns of nineteenth- and early twentieth-century artists into a new vision for contemporary painting.”
Each of her paintings is built on layers of patterns and geometric designs which combine to create larger constructive elements. Goodwin often explores these elements in graphic charcoal drawings and abstract paintings that amplify these characteristics. Her abstract work thus builds new forms which transfer to successive cycles of paintings.
Alison Goodwin graduated from the University of Southern Maine (1981) and Portland School of Art (now Maine College of Art)(1984). Her work is included in private and corporate collections regionally and throughout the world, including those of Grown Brothers Harriman & Company, Wellesley College, Pierce Atwood, Nelson Kinder & Mosseau, Fletcher Allen Health Care, and National Semiconductor.

SugarWood Gallery showing photography of Ramona du Houx.

 

Starting on November 8th the SugarWood Gallery, of Farmington, will feature new fine art photography of Ramona du Houx. The open house will be held on Nov 16th at 4-7 pm.

Ramona du Houx creates fine art photography that looks like watercolor paintings evoking a sense of wonder. Many have found they relieve stress, as they are relaxing, thought proving and mystical. Her new work will include images of landscapes of Maine’s Western Mountains, fields and flowers created with her technique she first discovered in 1979.

“I’m excited and honored to be showing my work at SugarWood. Many of the new pieces depict the magnificent lands surrounding Farmington,” said Ramona, of Solon. “I try to bring the beauty, magic and mystery of nature to viewers by amplifying nature’s essence. I translate what I feel when I’m outside, merged within nature’s embrace, through my art work, thereby bringing the energy and peace of the natural world into the lives of folks who view my images.”

Ramona du Houx is currently represented by Fukurou Gallery, 20 Main Street, Rockland Maine, owned by the Solon Center for Research and Publishing and Gallery Storks of Tokyo, Japan.

She uses the camera with a painter’s eye. Her technique uses movement to create a sense of wonder through colors, textures, memories, energy and the seasons. Everything within the viewfinder becomes visibly interconnected when objects merge with the motion of the camera as the image, the “lightgraph,” is taken.

“Many Native American’s believed that everything is interconnected. I try and depict the energy and emotion that makes those connections tangible. But the technique can be challenging, as I never know exactly what the results will be,” said Ramona.

“Scientists, innovators, and inventors throughout history took the time to observe the connective rhythms in nature. Ben Franklin’s electrical experiment depended upon his observation of those connections. Aerodynamic technologies that make cars, planes and athletes faster have relied upon recording those rhymes. But the innovators of tomorrow may be in jeopardy for now society plugs us into the Internet, and while that can open doors, sometimes too much of being Internet-connected disconnects us from the mysteries of the natural world — that can be transformational.”

By the time Ramona was 12 she couldn’t be seen without a camera. By 18 she was teaching photography and industrial design at Collegio San Antonio Abad in Puerto Rico.

During college she worked with three New York City photographers. In 1979 she landed jobs to take political photographs of Sen. Ted Kennedy, and President Jimmy Carter. The same year she discovered her “lightgraph” technique and held her first exhibit in Huntington, Long Island. Excited by the new way of expressing herself she took her “lightgraph” images to the Museum of Modern Art, where they were put on file.

The Zen nature of her work became obvious to Ramona so she continued her studies in art, and philosophy in Kyoto, Japan while teaching. Her travels in the East led to numerous exhibits in Japan and lifelong connections.

In England and Ireland, she explored the mythology of the region, while raising three children, ghost writing a novel, and forever taking photographs. After returning stateside to Maine, she started a publishing company, Polar Bear & Company, with her husband and was hired as a consultant by a local artist. During this time she also explored more about the mysteries of motion in her lightgraph technique, worked for newspapers and wrote a children’s novel. By 1998 she was given access to a color darkroom at the Lewiston Creative Photographic Art Center to print a backlog of work in exchange for advising the Center’s photography students.

In 2005 Ramona started a newsmagazine, Maine Insights, which continues to this day. She worked as a photographer for the 2008 DNC convention in Denver, Colorado, and photographed President Barack Obama’s second Inauguration in 2012.

For the past three years she’s been consulting, writing, exhibiting, organizing and always taking photographs. Recently she organized the Elected Officials to Protect America’s Lands, a group comprised of veterans who are also lawmakers, to send a letter to Sec. Zinke requesting he support the Land and Water Conservation Fund. The LWCF supports millions of dollars of projects, in every county in Maine and in every state, for the upkeep of our parks. As the organizer/photographer she traveled with the EOPA delegation to Washington, D.C. where they made their case to seven US Senators.

“The Senators and their staff were incredibly supportive of our mission, wanting to protect our public lands,” said Ramona. “I see my political work as an extension of my art work. I’m passionate about protecting our public lands, without them we loose sight of who we are as a people.”

SugarWood Gallery is located at 248 Broadway in Farmington and is open Monday thru Friday 10 a.m. to 5:30 p.m., and Saturday and Sunday from 10 a.m. to 4 p.m.

Greenhut’s October show is “Sandra Quinn: Inside Out”

Sandra Quinn, Safe Passage, encaustic and mixed media, 16 x 18 inches

“What is art in the final analysis?
Art is the shining forth of one’s interiority.”
~ Mu Xin
“I found I could say things with color and
shapes that I couldn’t say any other way
things I had no words for.”
~Georgia O’Keeffe
Greenhut’s October show will be an exhibition of Sandra Quinn’s contemplative, graceful, and quietly evocative encaustic paintings, aptly entitled Inside Out, with an Opening reception Thursday, October 4 from 5-7 pm. Sandra is a gifted abstract painter who has, in Portland Press Herald art critic, Dan Kany’s words, “really mastered encaustic as a medium to the point where she can think fluently in the medium instead of being limited by it.” This fluency is apparent in the finished work, and crucial to the success of the artist’s introspective, deeply meditative process, through which she channels richly personal interior spaces to the outside world using her own unique, energetic, and continually evolving nonverbal language – a language coursing with immediacy and a certain joy in its own being. The work is atmospheric, lyrical, and exudes the quiet confidence of an artist in full control of/complicity with her medium. This complicity not only opens the door to spontaneity, it invites it in. The show runs through October 27.
Like music, Quinn’s art is abstract in the purest sense. It adheres to no object, and refers to no subject. Quinn succeeds in expressing her sui generis emotional being and specific sites of recalled sensation and memory through color, texture, gesture, and symbol (musical notations and glyph-like calligraphy applied to the encaustic surface with graphite or paint sticks).
Central to her style is a fascination for, and an ability to visually depict, space itself, which is often represented in large, irregular, neutral-colored formations at the center of her canvas. She manipulates these spaces in a variety of ways; they might evoke a sweet summer breeze in one painting, and in the next, an invisible force field, driving the colors and other marks to the edge of the canvas. In a sense, the true subject of all of Quinn’s paintings is a transcendent locus of experience and emotion that lies beyond language and falls between the cracks of literal meaning.
Quinn exercises a type of mindfulness, creating a space to convene with her Self – a quiet space for authentic being and emotion to emerge: “My goal is to make work that expresses the feeling of being fully present and focused. I want to explore and experiment, responding to each mark or brushstroke that I put down. There needs to be clarity and balance, bathed in the subtle nuances of space and means to quietly look inside – to see what memories or experiences might bubble to the surface, to be alert and listen. This journey grounds me in the present and guides me to the future.”
There is an intrepid and non-self-critical openness to Quinn’s approach – a non-teleological joy in the process for the process, and a willingness to engage with whatever truths might emerge from the realm of the unconscious. This mind space is accessible only to those who have truly mastered their medium, who trust in their gift, and who have the courage to follow wherever the dialogue between artist and his of her emerging object may lead. Painter’s block is never an issue: “When looking at the blank white surface, I see an invitation, a reminder that anything is possible.”
Sandra Quinn earned a BFA in Painting (with Honors) from Portland School of Art (presently Maine College of Art), and a BA in Painting from San Diego State University. She is a member of the Peregrine Press, and her work has been included in a number of juried exhibitions, including five showings at the Center for Maine Contemporary Art. Her work is included in the permanent collections of the University of New England as well as in numerous corporate and private collections.

Glenn Renell, “Valley Grass”

In the side gallery this month we have new oil paintings by another long-time Greenhut artist, Glenn Renell. An accomplished landscape painter, Glenn has cultivated a profound understanding of the relationship between a painter, a place, and a viewer. His perceptive observation of the subtleties of light and the relationships of sky, land, and horizon are beautifully rendered in his paintings.
“There is a place in landscape painting where the spirit of place meets the soul of the painter, and when the viewer sees and shares that place in a painting, that’s where art begins.”
Born in Portland, Maine [1947] and raised in New York, Glenn attended Rhode Island School of Design, spent four years in the Navy, and graduated from Fort Wright College with a BFA in painting in 1975. He went on to receive an MFA in painting from the University of Massachusetts in 1978 and taught design, drawing and painting at Maine College of Art from 1980 through 2001. Glenn left teaching to paint full-time and now resides in southeast Arizona between the Dragoon and Chiricahua mountains. Renell’s works have been included in numerous museum shows, and are included in public and private collections throughout the world.

Betts Gallery welcomes autumn with “Trees”

Helene Farrar, “Tree Love”

 

Betts Gallery welcomes autumn with a show celebrating “Trees.” Besides the beauty of trees, the majestic living beings offer us shade, they help clean the air we breathe, some provide food, and selectively harvested, they provide us with wood. This show of 2-D work includes oil and acrylic paintings, pastels and encaustic interpretations by local artists Julie Cyr, Kris Engman, Sarah Faragher, Helene Farrar, Sheep Jones, Betty Schopmeyer and Kay Sullivan. The show runs from September 28 through November 2, with an opening reception Friday September 28th, 5:30-8pm as part of the Belfast Fourth Friday Art Walk. The Belfast Framer and Betts Gallery is located at 96 Main Street in Belfast, and also may be entered from Beaver Street. For more information please call 338-6465 or visit the website, www.thebelfastframer.com.

September Open Studio Day at Fiore Art Center, Rolling Acres Farm

Clif Travers working in his studio

On Sunday, September 30th from 12-3pm, join Maine Farmland Trust (MFT) for this season’s last Open Studio Day at the Joseph A. Fiore Art Center at Rolling Acres Farm in  Jefferson. Come meet September’s artists-in-residence and view their work. There will be live music on the lawn by high school jazz-trio The Extension Chords, consisting of Myles Kelley, piano; Katherine Bowen, bass; and Owen Markowitz, drums. Free coffee, tea and local ice cream will be served. The resident gardener will offer hourly garden tours of the Center’s garden and the performing artist-in-residence will be sharing video and performance created during the residency, in response to the site.

Visual arts resident Clif Travers embraced the space offered at Rolling Acres Farm by building an 8 x 6 foot panel with reclaimed wood, which became the ground for a giant mosaic tree.

Carol Douglas, “Clary Hill”, watercolor on Yupo, 35×23”

 

Plein-air painter Carol Douglas took full advantage of the landscape at Rolling Acres Farm by alternating between painting with oil on panel one day, and watercolor on yupo (a synthetic, water-resistant paper) the next – a challenge which led to some very exciting experiments with texture and color.

Performing arts resident Heather Lyon spent much of her month in the lake at the end of the farm fields, performing and shooting video at dawn. She worked to deepen her connection to the lake, simultaneously a force and a site, capable of holding an exploration of grief and transformation.

Rachel Alexandrou, whose organic gardening experience spans a decade, is this year’s seasonal resident gardener. She lives on the grounds and grows produce for the residents, and is a talented and knowledgeable forager, as well as an artist and musician.

The Gallery at Rolling Acres will also be open and is currently showing Nature Observed: The Landscapes of Joseph Fiore, featuring oil paintings and pastel drawings of the late artist and environmentalist. The mission of the Joseph A. Fiore Art Center at Rolling Acres Farm is to actively connect the creative worlds of farming and art making. The Center’s purpose is to continue and evolve the dialogue between human and environment within the context of our current culture and time.

The Fiore Art Center is a program of Maine Farmland Trust. Located right on Damariscotta Lake at 152 Punk Point Road in Jefferson, the Fiore Art Center is a perfect place for a fun family outing – bring a picnic and enjoy the Center’s grounds for the day.

For more information please visit https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/ .

The Cynthia Winings Gallery presents SUMMERKIND

Cynthia Winings, Small waves, Gouache, collage, silver and gold latex paint, 4 x 4 inches

 

The Cynthia Winings Gallery in Blue Hill presents SUMMERKIND: A Group Exhibition, Opening Reception, Sunday, September 30, 4 – 7 PM.

Featuring the highlights of the summer season, with artwork by Louise Bourne, Tom Curry, Anna Hepler, Christine Lafuente, Buzz Masters, Bill Mayher, Libby Mitchell, Carol Pelletier, Jerry Rose, Lari Washburn, Diane Bowie Zaitlin, and Cynthia Winings.

And join me to celebrate the Opening of the New Sculpture Garden, with work by LUNAFORM, Melita Westerlund, and John Wilkinson.

The exhibition will run from September 25 through October 8.

SUMMERKIND is the final exhibition of Season VI at the Cynthia Winings Gallery. Everyone is warmly invited to the Opening Reception, SUNDAY, September 30, 4 – 7 PM.

The Cynthia Winings Gallery is an artist-owned gallery located at 24 Parker Point Road in Blue Hill, Maine. Contact: Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

 

Framemakers in Waterville opens “Painted Breeze Exhibit”

Framemakers, at 46 Maine Street, Waterville invites the public to come and meet the gallery artists October 12, 5:30 pm – 7:30 pm. There will be refreshments provided by Holy Cannoli! and live music by Loki.

Artists include: Abstract Printings by Deb Pipes; Abstract Paintings by Walter Dale; Oil Paintings by Sheila Gilbert; Oil Paintings by Chuck Ott; and Book Art, Poetry, and Prints by Bonnie Bishop. Craft items such as Flower Pins and Art Cards are available for purchase throughout the exhibit including jewerly by Greta Joseph.

Deborah Pipes

Deborah Pipes attended art classes at Fort Hays State University, Hays, Kansas. She describes her work as Expressionistic Abstraction. She paints in acrylic, draws in charcoal and black ink and produces monotypes in watercolor. At this time, she is exploring using hand-stitching and fabric in combination with ink drawings and/or acrylic paintings.
She has had solo exhibitions in Kansas & Nebraska and has exhibited in Los Angeles, Chicago, Laredo, Texas, Jackson, Wyoming, Maine and New York City, acquiring First Place Awards in International Competitions in NYC & Texas.

Her art work and photography have appeared in The George Washington (University) Review, The American Literary Review, a special issue publication by Sew Somerset Magazine, Her Mark datebook (Woman Made Gallery, Chicago) and Calyx; A Journal of Art and Literature by Women. She also was awarded third place in a poetry competition at Pen & Brush Gallery, NYC.

Born in Vermont, Deborah has resided in New England, the South and the Mid-West. Now, she lives in Skowhegan, Maine, with a studio in her home and is a current member of the Boothbay Regional Art Foundation, River Arts in Damariscotta, Waterville Area Art Society and The Harlow in Hallowell.

Walter Dale

Walter Dale is an off-the-grid artist from Waterville, using spray paint to create eclectic and etherial abstract works of art. This is Walter’s first show.

 

Sheila Gilbert

 

Sheila Gilbert is a resident of Clinton who works in oil. She enjoys painting protraits silllife, landscapes, and animals. Sheila’s use of bright and contrasting color gives off the sense of entering a fantastical imaginative world.

Chuck Ott is an enthusiastic creative soul who struggles to find time to get all that he wants to get done in the studio. He is also a college professor at a small New England Community College who loves turning his students onto the world of creativity.

 Bonnie Bishop has been working as a paper and book artist for over twenty years incorporating collage, printmaking, and her poetry into various forms. Bonnie’s inspiration comes primarily from the worlds of animals and dreams. These books have been shown nationally and in Canada and are found in several Special Collections including the Maine Women Writers Collection at the University of New England, Skidmore College, Syracuse University, Wesleyan University, Colby College, and the Bainbridge Museum of Art. Greta Joseph of Vassalboro is the creative mind behind La Sagato – a studio. A talented photographer and artist, her always-popular earrings are works of art in miniature.

FMI, call 872-8927

“Art Harvest” Show Dazzles at Stable Gallery

‘The Pipes are Calling’, by Daisy Greene

Everyone reaps the benefits of farmers’ months’ long efforts when crops are harvested in September. Forty Maine artists offer the fruits of their years’ labors at the Stable Gallery in Damariscotta this month. 

 Opening Friday, September 14, “Art Harvest” is the final art show on Stable Gallery’s 2018 season. Nine local artists are featured in the main gallery while another thirty some artists display their works in adjoining spaces.   

 The gallery will hold a public reception to meet the artists and see their work, Friday, September 14, 5-7PM.  The gallery is open daily 10-5 and for the New Castle/Damariscotta Art Walk until 7PM on Friday, September 21.

 The September show features Daisy Greene’s acrylic paintings inspired by the towns, woods, and sea of eastern Maine. Hati Modr’s oil paintings shine with the sights and shadows of Monhegan Island.

 Stephen Vowles creates wooden bowls and rolling pins that are both decorative and useful. Similarly, Janet Percival knits amazing hats and mittens that will see you through winter’s challenges by warming your body and your soul.

 Roz Welsh is displaying a wide variety of exquisite silver jewelry.  Welsh also creates three dimensional paintings that resonate with nature’s beauty.

 If ceramic bowls, butter dishes, or vases are what speak to you, Lori Watts has brought a range of colorful, playful pieces.  Nicholas Downing produces metal utensils and hooks.  

 Jennifer Litchfield is offering oil and acrylic paintings of sea and forest scenes. 

 Lastly, Bill Bellows is lauded locally for his two sided, woven wool rugs with striking geometric patterns.  This show includes several of Bill’s work; he also makes rugs on commission. 

 The “Art Harvest” show is installed at Stable Gallery thru October 19 when the gallery closes for 2018. 

 For more information about the show or the gallery, call 563-1991, or visit the Stable Gallery website at www.stablegallerymaine.com.

Kefauver Studio & Gallery Open for Twin Villages ArtWalk

“Monhegan Village”, oil on panel by Joyce Smith.

 

The Kefauver Studio & Gallery, Damariscotta, is participating in the final Twin Villages ArtWalk of the 2018 season. The ArtWalk is on Friday, September 21st, from 4:00-7:00 p.m.

Will Kefauver is currently presenting the “Monhegan Days” art exhibit, which features his latest work and the work of 24 guest artists.  The art depicts the beauty of Monhegan Island, with its iconic Maine architecture, spectacular coastline, and charming harbors.

Visitors will find an eclectic array of mediums and styles from the guest artists.  There are photographs, linocut prints, and works in oil and acrylic. Visitors will find work by many of the area’s noted artists. And visitors will find work from six artists new to the gallery with this show. They are oil painters Evelyn Dunphy, Mary Mabry, Joyce Smith, and Linda Wacholtz, and photographers Scott See and Deb Vendetti.

The Kefauver Studio & Gallery is located at 144 Bristol Road, Damariscotta, and is open from 10:00 – 6:30 daily. Will Kefauver can be reached at 207-226-0974, will@kefauverstudio.com , or www.kefauverstudio.com

Sylvan Gallery Late Summer Exhibition

Island Cottage by Neal Hughes, oil, 18” x 24”

Sylvan Gallery’s “Late Summer Exhibition” is continually evolving as new works arrive daily, painted by the Gallery’s roster of fine contemporary artists. September marks the gallery’s 18th year of representing a diverse and extremely talented group of New England artists. To celebrate, the Gallery will host a reception on Thursday, September 27, the evening of the Wiscasset Art Walk, from 5pm to 8pm. The exhibition continues through October 28th.

New arrivals include a collection of eleven paintings by New Jersey artist Neal Hughes. A recent viewer has already remarked how “ he paints all my favorite subjects.” Trains, old trucks, forest streams, and boatyards provide inspiration for Hughes who has remarkable skill at capturing a scene “en plein air.” In “Woodland Stream,” quick short strokes of paint describe the curve of the fallen tree branches over the swiftly moving water, and the foliage is painted in natural tones of green against darker woodland shadows. The painting evokes the feeling of the 19th century Barbizon school, who were the first artists to paint directly from nature, combining elements of Tonalism and Impressionism.

Hughes’s painting, “Island Cottage,” in contrast, is a light airy painting which captures the aged texture of a Monhegan cottage amidst brilliant tiger lilies and deft flecks of violet and yellow, representing the blooms of other late summer flowers. The painting is exuberant in color and brushwork. A few of his other new paintings include, “The Mary Day at Camden,” a painting of a boatyard titled, “Essex Idle,” and a collection of old cars that are being stored in a barn in “Hidden Away.”

Hughes is a former illustrator who has been painting professionally for over 30 years. His work has been accepted into national juried exhibitions, and he has won many awards including an Award of Excellence at the prestigious International Marine Art Exhibition at the Gallery at Mystic Seaport. He was the grand prize winner of the Utrecht 60th Anniversary Art Competition, winning the top prize out of more than 12,000 entries.

The Quiet Season by Susannah Haney, oil, 8” x 10”

Susannah Haney of Wiscasset, returns this summer to bring us her well-composed views of Monhegan Island cottages. “Miss Millie at School” depicts the Monhegan schoolhouse with its mascot, a golden retriever, at rest in the doorway. The flora is finely detailed and the painting is rich in warm summer light and cool shadows. Haney also treats us to two new paintings from her exploration of Stonington, Maine. Both are scenes of the same house at dusk. In “The Quiet Season,” the house is situated at the edge of the road, illuminated by a street lamp. There is a delicate transition in the merging of the light and shadows. In the second painting, “The Old Mansard,” the focus is on the side view of the building, its water reflection and surrounding granite rocks. There’s a distant glow from the setting sun, but again, the street lamps provide the source of the scene’s illumination. Haney achieves a sense of solitude and one of quiet mood in these two works.

 

New Harbor Morning by Robert Noreika, oil, 30” x 40”

 

Robert Noreika ’s newest painting, “New Harbor Morning,” measures 30 by 40 inches and is one of the largest paintings in the exhibit. Noreika captures a representation of what he sees by using a working harbor as a jumping off point to create rhythmic patterns of lines and shapes that weave in and out of the landscape. Docks become slashes of color, buildings and rooftops are broadly painted, lobster boats reflect the brilliance of morning light, and the hillside and tree beyond are a nice juxtaposition to all the activity in the harbor. The water is a beautiful mix of almost all the colors of the painting: golds, blues and violets with dashes of orange and reds accents. Noreika captures nature’s light and creates paintings that are spontaneous, fluid and bold. His other paintings in the exhibition include paintings from Bailey’s Island and Monhegan Island.

Paul Batch is the newest artist to be represented by the gallery and his evocative atmospheric landscapes are a poetic response to the fleeting and ephemeral light cast by the passing sun or rising moon. He focuses on transitions, painting various times of day, changing weather, and the rich seasons that New England offers. In “Break in the Clouds,” Batch captures the momentary effects of blue sky and sunlight striking the ocean just as dark clouds begin to part. Another work of special note in the exhibition is a 30 by 30 inch painting titled, “Fading.” Batch captures the beautiful gradations that occur in the sky as the sun is beginning to set. A grouping of pine trees is silhouetted against the vast sky, and the painting feels illuminated from within.

Batch is an award -winning member of Oil Painters of America and Portrait Society of America. His work has appeared in numerous publications including the Artist’s Magazine, International Artist and Fine Art Connoisseur.

Maine artists whose work will also be on view include Stan Moeller (York), whose newest oils include two 12 by 16 inch paintings titled “Churning” and “Twilight Surf.” They evoke the power and beauty of Monhegan’s coastal landscape. Shepherdess and photojournalist Nina Fuller (Hollis), presents a collection of photographic images of Scottish Blackface Sheep, and Ann Scanlan (Wiscasset), continues to explore the theme of animals in rural farm settings in her most recent painting of sheep in “The Cheviots of Straw’s Farm.”

Other represented artists who focus on Maine subjects include Peter Layne Arguimbau, whose painting of “Red Jacket,” a celebrated clipper, was built in Rockland, Maine, and was launched in 1853. Her first voyage set the speed record for sailing ships to cross the Atlantc by traveling from New York to Liverpool in 13 days, 1 hour, 25 minutes, dock to dock. Crista Pisano will be exhibiting small intimate paintings of Maine’s coast and is also presenting a larger atmospheric painting at 28 by 32 inches titled, “Marsh and Clouds.”

A selection of work by the gallery’s other contemporary artists will also be on display, including Joann Ballinger, Al Barker, Angelo Franco, Charles Kolnik, Heather Gibson Lusk, Polly Seip, Laura Winslow and Shirley Cean Youngs.

For more information, call 882-8290 or go to www.sylvangallery.com. The gallery is open Monday through Saturday, 10:30 a.m to 5:30 p.m., and Sunday, 11 a.m. to 5 p.m. at 49 Water St., Wiscasset, on the corner of Main Street (Route 1) and Water Street, next to Red’s Eats.

Fall Exhibitions at the Barn

Roger Goldenberg “Longstocking”

 

Opening Reception: Saturday September 15, 5 – 7:30 PM.

Fall Exhibitions include ‘OAA Expressions,’ an exhibition with a wide variety of subject and medium and “Roots” a theme show. Two small Memorial Exhibitions will commemorate the lives and work of painters George Burk and DeWitt Hardy. Invited New England Sculptors exhibit in the outdoor Sculpture Court. Painters Roger Goldenberg and Ethel Hills Showcase their work in the North Gallery.

Join Ethel Hills for a free Gallery Talk on Thursday, September 13 at 6 PM.

Andy Happel and Los Galactacos will give a concert on Saturday, September 8, 7:30 PM. There is a charge for the Concert. All other events are free.

Join us for ‘The Ogunquit Art Colony: History & Legacy of the OAA’ a discussion and celebration of the 90th Anniversary of the Ogunquit Art Association on Thursday, September 20 at 6 PM.

Barn Gallery closes for the season at 5 PM on Columbus Day, Monday, October 8, 2018

FMI: 207-646-8400 or oacbarngallery@gmail.com. www.barngallery.org

Star Gallery solo exhibit for Julia S. Powell

 

Please join Star Gallery for a solo exhibit

To Live in This World featuring:

Julia S. Powell

Opening Thursday, August 30 , 5 – 7 pm, Through Sept.

Art Space Gallery showcases new works by gallery artists

Art Space Gallery welcomes the public to their September Art Walk on Friday, September 7th, from 5pm to 8pm. Many of their artists will be on hand to discuss their work. In addition, they’ll have the customary refreshments.

Each month we feature new works by several of our artists in the front area of the gallery, with the opening of each show occurring during Art Walk. This month we’ll be showcasing the work of Penny Markley, Leecia Price, Laurie Lofman Bellmore and Sandra Leinonen Dunn.

Penny Markley – Lighthouse Hill, Monhegan

The subjects of Penny Markley’s paintings are inspired by twelve years of visiting Monhegan Island for a week each June. Creating something unique on an island so thoroughly painted by others can be a challenge, but she continues to find interesting, beautiful scenes to explore in paint.

Leecia Price – Encaustic Landscape

Leecia Price is an encaustic and oil painter as well as a beekeeper. She combines beeswax with oil paints and dry artist pigments to create her contemporary paintings. She remains fascinated by the tactile properties of the wax, enhancing its translucency and shine with the effects of scraping, layering, incising, melting, and fusing with a blowtorch.

Laurie Lofman Bellmore, is a self-taught jeweler with years of experience working with fine metals, dichroic glass, and vitreous enamels. Her exhibition includes new “Diptych Wall Pieces” and “Sea Splash Jewelry”, which reveal the spirit of our coastal surroundings.

Sandra Leinonen Dunn – Hay and Queen Anne’s Lace

Sandra Leinonen Dunn is a Maine artist. Her style is a mixture of classical old-world realism and contemporary impressionism. Sandra paints florals, still life, and landscapes, all rich in color and painterly brushstrokes.

Art Space Gallery is located at 405 Main Street in Rockland. The gallery features eighteen artists who work in various media and genres. September hours are 10 am to 5 pm, Mondays through Saturdays, 1pm – 4pm Sundays. Visit our website for more information at www.artspacemaine.com.

Wish You Were Here, New Work by Garry Mitchell at SPEEDWELL projects

Wish You Were Here, New Work by Garry Mitchell September 7th to October 13th, 2018 at Speedwell Projects in Portland,  ME

One day Colby art professor Garry Mitchell was looking for interesting spaces on campus for his students to draw from observation. He came upon a hall in the Geology Department where there were hundreds of topographical maps draped over benches. At the time, he was painting the beautifully colored process paintings loosely based on grids, intrigued with pentimenti, and with a sense of musicality derived from the play between figure and ground for which he is known. The maps, though, sent him off in a new direction.

Mitchell had been working on canvas tarps at the time—a material that comes folded just like a map—and he decided to juxtapose the topographical maps with color and then, though he had never previously used narrative in his work, he decided to incorporate text into his work. He conceived the words as a visual rather than a literal element, using quotes from a favorite book, Italo Calvin’s Invisible Cities, which intersperses descriptions of imaginary cities with imagined conversations in which Marco Polo tells Kublai Khan about his travels.

Though words and pieces of letters (the latter of which Mitchell has worked with before) were mostly important to him for their generative potential and formal aspects, he knew certain words would resonate emotionally, especially in the current political climate. A further collage aspect of the work comes from dripping paint (in colors related to the map colors) on a glass palette and then scraping the dried circles off and applying it to the canvas as a decal. The work in “Wish You Were Here” uses a happenstance find to create intricate, complex surfaces, which speak to notions about journey, discovery, travel, losing one’s way, apprehension, and foreboding. A graduate of University of Hawaii and Pratt Institute, Garry Mitchell has exhibited his work nationally and internationally. He teaches studio art at Colby College. He lives in North Yarmouth, Maine, with his wife and son.

Wish You Were Here
New Work by Garry Mitchell
September 7th, 2018 – October 13th, 2018
Opening reception: Friday, September 7th, 6-8 pm
The artist in conversation with Dan Kany: Thursday, October 20th, 6-8 pm
Closing reception: Saturday, October 13th, 6-8 pm

SPEEDWELL projects
630 Forest Avenue
Portland, Maine 04101
(207) 805-1835

Gallery open for viewing: Thursdays, Fridays, and Saturdays, 12-6pm + by appointment

Black and White Show opens at CRAFT Gallery

Drawing by Marjorie Moore from her Drought, Fire and Ash series

Drawing by Marjorie Moore from her Drought, Fire and Ash series

The Annual Black and White Show opens at CRAFT Gallery

The annual “Black and White” show at CRAFT Gallery explores limiting the artist’s palette to black and white in order to focus on form, texture, design and proportion. Portland artist Marjorie Moore, new to CRAFT, exhibits her drawings from her Drought, Fire and Ash series, vividly portraying the devastation caused by wildfires that transform the landscape into ethereal beauty devoid of color. These and handwoven tapestries and pillows, raku and porcelain pottery, hand blown glass, paintings and drawings, woodcuts, thread drawings and shibori silk scarves and shawls are all brought together in dialogue with one another at CRAFT. Artists Autumn Cipala, Morris Dorenfeld, Sara Hotchkiss, Lissa Hunter, David Jacobson, Daphne Taylor, Suzi Van Wye and Dudley Zopp are among the artists in this show who use mixed media and traditional craft materials to explore working in black and white. The show continues through September.

In a first ever project, CRAFT has partnered with Eco-Art Ventures to offer exclusive visits in October to CRAFT Gallery artists’ studios to observe them at work and to engage in conversation regarding their craft.. The full day experience will visit three different studios on each of four Tuesdays in October. The groups will be small, traveling together in a van on country roads at the height of the autumn colors. Please call Lolly Mitchell at 207 593 8688 for details and registration or stop by CRAFT Gallery for more information and a full schedule.

CRAFT will be open on the First Friday Art Walk evening on September 7th. Meaghan Clark, a young emerging musician and singer will perform country music in the courtyard at 12 Elm Street. FMI please call 207 594 0167 and visit www.craftonelm

Upcoming Gallery Show at Maine Farmland Trust, “I Went To the Animal Fair: Finding Common Ground”

Maine Farmland Trust Gallery’s new show, I Went To the Animal Fair: Finding Common Ground, features Belfast artist Kerstin Engman’s oil paintings on the first floor, with works by Andre Benoit, Frances Hynes, Leslie Moore, and Julie Cyr on the second floor.

Kerstin’s works for this show are inspired by the animals, goods, and people at the Common Ground Fair Country Fair. To create her signature style, she applies paint in layers of darks, lights, and color to add texture and depth to the pieces. For some of her pieces she uses stencils and modeling paste to create non-representational patterns that form the texture of backgrounds and individual parts of the painting. “Specific design elements and color are the foundation of my recent studies, incorporating repetition, swaths of color, grids, dots, angles, shapes, and overlaps,” Kerstin said of her work. The quintessential paintings depict handsome roosters in their grid-like wire cages and sheep and cows in darkened stalls with light streaming in through windows. Gourds and other vegetables with beautiful cast shadows, skeins of dyed yarn and bundles of lavender, and the fair-goers under tents and at the vendor stands all contribute to the light-filled atmosphere of the classic fair.

Mule Team, Andre Benoit

Mule Team, Andre Benoit

On the second floor of the gallery there are works from Andre Benoit, an abstract assemblist sculptor from Boothbay Harbor, who creates fanciful animal forms and iconic motifs with repurposed, painted and assembled wooden remnants. Frances Hynes, a New York artist with many ties to Maine, will display her lyrical watercolors, depicting simplistic farm landscapes with gamboling cows and paddling ducks. Rounding out the artists in the show, both from Belfast, are Leslie Moore, with work including a stippled pen and ink drawing of pigs playing in a puddle, and Julie Cyr, whose oil paintings of animals reflect her inspiration in the wonder of daily life and the light and shapes that arise from the simple scenes around her.

I Went To the Animal Fair: Finding Common Ground runs from September 10th- November 2nd, with artist talks Friday September 28th at 5pm, followed by a reception and the town-wide Belfast Art Walk from 5:30-8pm.

Star Gallery exhibit featuring Robert S. Neuman

Please join Star Gallery in Northeast Harbor for an exhibit featuring:
Robert S. Neuman
Philip Sultz

Thursday, August 16 
5 – 7 pm

Portland Museum of Art Opens first Major Maine Art Museum Exhibition of Work by Pioneering Maine Artist Ashley Bryan

The Portland Museum of Art (PMA) is proud to open Painter and Poet: the Art of Ashley Bryan. This is the first major art museum exhibition in Maine for the award-winning 95-year-old artist and Little Cranberry Island resident, a pioneer of African and African American representation in the children’s book medium, who has published more than 50 titles since his first collection of poems in 1967.

Painter and Poet: the Art of Ashley Bryan, which runs through November 25, 2018, highlights the breadth of his prolific and varied creative output. This exhibition features original art from 14 titles and a selection of independent work, including sketches made while serving in World War II and large puppets made from found objects washed ashore on the Maine island where he has lived for over 60 years. It is the first major art museum exhibition in Maine and provides audiences with the full scope of his career, from his earliest books of African folktales to his 2016 book Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan, which won a Newbery Honor and Coretta Scott King Honors in both Author and Illustrator categories.

Ashley Bryan (United States, born 1923), “Oh, when the children sing in peace,” 2006, from “Let it Shine: Three Favorite Spirituals,” collage of cut colored paper on paper, 12 x 20 1/2 inches. Collection of the Ashley Bryan Center.

ABOUT ASHLEY BRYAN

Born in 1923, Ashley Bryan grew up in the Bronx during the Great Depression and began making books at the age of six. He has never stopped. Trips to the public library—where he sought out folk tales, fairy tales, novels, biographies, and poetry—fueled his passion for storytelling from a young age. His parents, American immigrants from Antigua, supported and encouraged his creative endeavors; Bryan recollects an art desk they purchased for him and the rich variety of paper scraps that his father, a professional printer, brought home for him.

In 1940, Bryan was accepted into Cooper Union School of Art and Engineering, a significant accomplishment given the lack of opportunities for black students at the time. World War II put his education on hold, however, when he was drafted into a segregated unit of the U.S. Army in 1943. Assigned to the 502nd Port Battalion, Bryan took part in the Normandy invasion, landing on Omaha Beach on June 9, 1944.

After the war, Bryan completed his education at Cooper Union. He later studied philosophy at Columbia University, and went to Germany on a Fulbright scholarship. He taught art in high schools and universities, including 14 years as professor of art at Dartmouth College. In the summer of 1946, while attending Maine’s Skowhegan School of Painting & Sculpture, he visited Acadia National Park and saw the Cranberry Isles; he soon moved there and has called this island community home for the past 60 years.

Ashley Bryan (United States, born 1923), Front cover illustration for Walk Together Children (1974), Walk Together Children: Black American Spirituals Cover, page 30 [Atheneum, 1974], linoleum cut on rice paper, 7 1/4 x 8 3/4 inches. Collection of The Ashley Bryan Center

ASHLEY BRYAN AND AFRICAN TALES

Ashley Bryan is one of the earliest tellers of African tales in picture-book form in America. In the 1940s, he created a rich body of work that became the foundation for his own series of African folktales, including The Ox of the Wonderful Horns and Other African Folktales (1971) and The Adventures of Aku (1976). The original artworks for these books are precisely rendered tempera paintings in red, ochre, and black that make direct references to African sculptures, masks, and rock paintings. In these books, Bryan not only created the illustrations, but also retold the traditional stories in ways that connect to the visual style.

Extrapolating from sources ranging from South Africa to Angola, Bryan continues to introduce readers to African tales. He notes that “it means a lot to me to open up aspects of black culture to people. I hope that my work with the African tales will be . . . like a bridge reaching across distances of time and space.” In 2003, for instance, he adapted Beautiful Blackbird (on view across the gallery), a story from Zambia, which he illustrated using a collage-based process. In the book, Blackbird shares his gifts by giving each bird “a touch of black,” demonstrating the importance of inclusion, diversity, and self-worth, saying, “just remember, whatever I do, I’ll be me and you’ll be you.”

Organized by The Eric Carle Museum of Picture Book Art, Amherst, Massachusetts.
The Portland Museum of Art presentation is made possible by the Maine Humanities Council
Corporate Sponsors: Bath Savings Institution and McCandless & Coburn LLC.

Jeffery Becton: New Work; Joseph Keiffer: Places Remembered; and Linda Packard: Fruitful Wanderings at Courthouse Gallery Fine Art

Courthouse Gallery Fine Art is pleased to present three solo shows: Jeffery Becton: New Work; Joseph Keiffer: Places Remembered; and Linda Packard: Fruitful Wanderings. There will be an artist’s reception on Wednesday, August 15 from 5–7pm. The shows will run from Augsut 15 through September 15. The event is free and open to the public.

Jeffery Becton, Haunted Ground, digital montage, 28 x 78 inches

Jeffery Becton, Haunted Ground, digital montage, 28 x 78 inches

Jeffery Becton (b. 1947) creates provocative photo-based digital montages based on the tidal reaches and atmospheric weather near his Deer Isle home. A pioneer in the field of fine-art photography, Becton began experimenting with the layering of visual information in the early 1990s using the new digital tools. His surreal scenarios are evocative of that in-between milieu one inhabits when living by the sea. Bates College Museum of Art held a solo show of Becton’s large-scale monographs in 2016 that then traveled to the Daura Gallery at the University of Tennessee, the Vero Beach Museum of Art in Florida, and to Lynchburg College in Virgina. Becton’s work has been in numerous solo, group, and juried exhibitions, featured in national and international publications, and is included in many private and museum collections, including Bates College Museum of Art, Farnsworth Museum of Art, and Portland Museum of Art, among others.

Linda Packard, The Poem I Meant to Write, oil on panel, 36 x 48 inches

Linda Packard: (b.1952) is an en plein air landscape painter, who recently transitioned to a totally process driven studio practice. The new abstract paintings in her first solo show at Courthouse Gallery have brought the sensuous physicality of her visceral landscapes to a new level. After receiving her BA in Studio Art from Smith College, Packard moved to Boston where she worded as librarian and a printmaker, and studied book arts. She eventually settled in Maine and opened a graphic design firm. In 2006, Packard returned to pursuing a fine art career. A one-week summer workshop with the late Boston painter, Jon Imber, in Stonington, Maine, marked the beginning of her love affair with the expressiveness of oil paint and en plein air painting. Packard spent five years working with Imber, who she still cites as one of her greatest influences. Packard was awarded a Heliker-LaHotan Foundation residency fellowship in 2015, and participated in a month-long residency this past fall at Weir Farm in Wilton, Connecticut. Packard lives in Bangor Maine, where she maintains a year-round studio.

Joseph Keiffer, Clearing Off, oil on canvas, 54 x 36 inches

Joseph Keiffer (b. 1952) is a realist painter who credits the artists of the Hudson River School for his inspiration, yet his sensibilities are completely modern. Keiffer takes the viewer from brilliant sunlight to twilight, from panoramic vista to cozy interior, and from plastic pots brimming with splashy annuals to towering stacks of tipsy tin cups. He studied at the New York Studio School and graduated from Brandeis University with degrees in philosophy and art history. Following a year at Sotheby’s “Works of Art” course, Keiffer was employed by Sotheby’s as a cataloguer and appraiser of paintings, and after six years there, and three years at Doyle Galleries, he became a private art dealer and president of a non-profit art foundation. In his thirties, Keiffer began painting full-time. His work is in numerous national and international collections. Keiffer, who lives in New York City, finds inspiration for his painting by spending time in Downeast Maine and the Catskills, NY

Courthouse Gallery is located at 6 Court Street in Ellsworth. For hours call (207) 667-6611, or visit www.courthousegallery.com

20th Annual Eastern Views: Asian brush painting, Watercolors, and Oils at The Brick House Gallery

Van Gogh Iris, Kigel watercolor, 31×36

Jean Kigel celebrates two decades of exhibiting paintings of Maine and the Far East the second weekend in August. These annual events began in Tenants Harbor, transitioned to Damariscotta, and finally to Waldoboro. This year’s exhibit showcases her newest paintings on Friday, Saturday, and Sunday – August 10th, 11th, and 12th – – from 10:00 – 5:00 each day.   On Friday, August 10th the public is invited to a reception from 5:00 – 7:00PM. The Gallery is located at 176 Winslow Mills Road (Route 32).

Her signature images combine her twin passions for flowers and for water. Kigel painted Van Gogh Blues in subtle shades blues and purples. Illumination, a foggy scene from Back Cove, Waldoboro reveals her other passion, water. In addition, Kigel will exhibit small still-lifes of vintage objects.

For more information, preview this exhibit at www.jeankigel.com or call 975-3262.

R. Scott Baltz to host Reception for 30 Oil Paintings

R. Scott Baltz will be hosting his August Reception on Sunday August 19, 2018 from noon to 5 pm. On display will be 30 oil paintings of the local landscape. Baltz has maintained a studio in Mount Desert since 2002, though this year marks the second anniversary of his new studio space just south of Somesville at 46 Parker Farm Road, Mount Desert. His paintings of the local landscape are colorful and expressive, influenced by the American Modernists and the Group of Seven of Canada. His larger works are represented by The Gallery at Somes Sound in Somesville. For additional information, please visit the website for a preview of work or call/text Scott at 207.266.3393. www.rscottbaltz.com The studio is also open Tuesday through Saturday from 1 to 5 pm, or by appointment.

Camden Falls Gallery announces “DEWAARD AND MCPHILLIPS”

Afternoon In Camden, by Ken DeWaard (Painted for our Camden Classics Plein Air July 2018)

Camden Falls Gallery is pleased to announce our 4th show of the 2018 season, “DEWAARD AND MCPHILLIPS”, runs from Aug 13 to Aug 26, 2018.

Camden Falls Gallery is pleased to announce our 4th show of the 2018 season, Dewaard & McPhillips. Ken Dewaard and Jonathan McPhillips are equally accomplished in studio design work focusing on Coastal New England, as well as working en Plein Air. Both artists have placed and received top honors and awards in some of the nations most prestigious Plein Air competitions and shows. Their works are part of many corporate and public collections across the U.S.A., Russia, China, and shown around the world in the U.S.Dept. of State “Art in the Embassies” Program.

Within this past year Ken Dewaard has received the Charles Movalli Award at Cape Ann Plein Air, MA.; Best Hospitality Award at Easton Plein Air, MD., and this past July, he had the highest sale bid for his painting “Evening At The Farm”, at Cape Elizabeth Land Trust, ME. Having spent hours and days at the head of Camden Harbor doing color sketches, drawing, and photographing the spring outfitting of the schooners, Ken has returned to his studio to incorporate these plein air studies with studio design work, as if he were channeling or following after Edgar Alwyn Payne’s marine painting style.

Ken describes his work as follows; “My style isn’t exactly loose but more of a definitely placed stroke be it a suggested stroke, not trying to give all of the detail but enough to where the viewer can finish the story in their mind and through their experiences. The term bravura is used when something is more confidently placed. Think of it as mark making. Making a mark or a note of color and standing behind it, not a lot of fussing around with it alla Renoir but more directly placed, not happenchance. Design is incredibly important to me. To tell a story through my work and lead the viewer around the painting and then back to the focal point. Having a narrative.”

Head of the Harbor, by Jonathan McPhillips (Painted for our Camden Classics Plein Air July 2018)

Jonathan McPhillips is one of the “ New American Luminists”. He has the ability to capture the light, the air, and the distinct atmosphere in his landscape and marine paintings. Known for the impressionistic radiance in daybreak and dusk paintings, his ability to capture the shimmering glow of flickering lights in his nocturnes is most impressive. Jonathan has found his focus in a form of realism that he describes as “ Contemporary Impressionism”. “Chasing the available light and air in our surroundings is what drives me to paint. I hope to achieve atmospheric effects with an impressionistic style, tempered by a touch of realism and draftsmanship. Painting large and small, indoors and out, I find that a multifaceted approach to studying and practicing allows me to achieve a unique quality in my work”

In 2017, Johnathan’s work was exhibited in the Laguna Plein Air Painters “Best of Plein Air” Juried Exhibition, CA.; the Modern Marine Masters Exhibition in Mystic, CT., and the Maritime Gallery 38th Juried International Marine Art Exhibition also at Mystic, CT. In 2018, Jonathan won the Gene Magazine award for traditional oil at the Salmagundi Clubs 134 Annual Members Exhibition, NYC; and became a signature member of the American Impressionist Society.

Both artists, despite their difference in style, are able to create works that resonate a form of visual truth and excellence.

The “DeWaard and McPhillips” Show opens Monday, August 13th and will run to Sunday, August 26th at Camden Falls Gallery.

Camden Falls Gallery is located on the Public Landing in Camden, ME. The gallery is open daily from 10 am to 8 pm throughout the season. For more information, please contact us at 207-470-7027 or www.camdenfallsgallery.com

August Open Studio Day at Fiore Art Center

Michel Droge, Breathing Lesson

On Sunday, August 26th, join Maine Farmland Trust and their Joseph A. Fiore Art Center for an Open Studio Day at Rolling Acres Farm in Jefferson. Studios are occupied by the August artists-in-residence and will be open from 12-3pm. There will be music on the lawn, performed by Sara Trunzo, free coffee, tea and ice cream. The resident gardener will also be offering hourly garden tours.

Michel Droge is an abstract painter whose work reflects a poetic connection to the land, climate change research and the philosophy of the sublime. Drawing from the land at the Fiore Art Center and the surrounding environment, her process during the residency will involve making her own stick charts to intuitively and emotionally map the land. She will simultaneously be researching the conservation efforts, the history, and the environmental concerns of this specific place. The charts and research will then inform her paintings as she navigates this space and time and develops a deeper connection with the art center.

Estefani Mercedes is an activist artist with deep connections to Maine. She is excavating local Brooksville archives that document a family who escaped political prosecution during the Argentine Dictatorship (1976-1983).Through intervening in historical archives, installation and performance art Merceses hopes to reveal missing violent histories.

Estefani Mercedes

Heather Lyon, the performing arts resident, was born on a farm in Maine. Her art practice is site responsive and she is creating new performance work at the Fiore Art Center, by “responding to this unique place where the connections between art and farming can be explored and lived.”

Heather Lyon

Rachel Alexandrou, whose organic gardening experience spans a decade, is this year’s seasonal resident gardener. She lives on the grounds and grows produce for the residents. She is currently completing her bachelor’s degree in sustainable horticulture at UMaine, Orono, with a minor in studio art.

Rachel Alexandrou

The Gallery at Rolling Acres will also be open. It is currently showing Nature Observed: The Landscapes of Joseph Fiore, featuring oil paintings and pastel drawings of the late artist and environmentalist. The mission of the Joseph A. Fiore Art Center at Rolling Acres Farm is to actively connect the creative worlds of farming and art making. The Center’s purpose is to continue and evolve the dialogue between human and environment within the context of our current culture and time. The Fiore Art Center is a program of MFT.

After Open Studio Day, MFT will be hosting “Agrarian Acts,” a celebration of agriculture through music. This event, from 3:30-7pm, features Sibylline, Sugarbush, and Sara Trunzo, three all-female bands with deep roots in rural Maine. Tickets include farm pizza and salad and can be purchased here: https://207tix.com/events/agrarian-acts

Located right on Damariscotta Lake at 152 Punk Point Road in Jefferson, the Fiore Art Center is a perfect place for a fun family outing- bring a picnic and enjoy the Center’s grounds for the day.

The final Open Studio Day for the summer with new artists-in-residence will be September 30th.

For more information please visit https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/

DIAA Presents “Engagement of Poetry”

An exhibit of baskets, jewelry, painting, photography and pottery at DIAA.

August 14–27, 2018
HOURS: Tuesday–Sunday, 10 AM–5 PM

Reception with Artists:
Sunday, August 19, 3–5 PM

Exhibiting Artists:
Rachel Gordon Bernstein
Avery Falkner
Jill Finsen
Cathy Hart
Diane McGuire Horton
Emily Johansen
Leslie Landrigan
Jerry Levitt
Woodley Osborne
Carolyn Raedle
Cynthia Bourque Simonds
Walter Smalling

207-348-2330
Gallery: 15 Main Street
Deer Isle ME 04627

First Friday Art Walk, Rockland ME, 3 August 2018

First Friday Art Walk, Rockland ME, 5-8pm, 3 August 2018

Rockland’s 2018 First Friday Art Walk season continues on Friday, 3 August. Many of Rockland’s galleries will be open, including (but not limited to): Landing Gallery, Art Space, Yvette Torres Fine Art, The Strand Theatre, Caldbeck Gallery, Craft Gallery, The Art Loft, The Gautschi Center, Harbor Square Gallery, The Maine Coastal Islands Art Gallery, Jonathan Frost Gallery and Black Hole.

Art Space will feature new works by Janalee Welch, John Wood, Mary Beth Morrison, and Nancy Davies Tang. Mary Beth Morrison as their newest member. She is currently painting with soft pastels, loving their rich, vibrant pure color. She also loves plein air painting. Janalee Welch has worked as an artist for over 30 years creating art in a variety of media. She loves clean lines; geometric shapes; and striking color and contrast all of which she employs in her art as she takes her inspiration from nature. John Wood considers his paintings a reflection of himself. “I look at the world and paint those images that move me.“ John is mainly a landscape painter working in watercolor and oils. He also dabbles with painting animals and the human figure. Nancy Davies Tang is a self-taught glass artist who has developed an expertise in glass fusing over many years. She creates both beautiful dichroic glass jewelry pieces and dynamic glass sculptures reminiscent of the garden, fields, and ocean views around her rural Maine home.

Yvette Torres Fine Art opens “Angelo Ippolito, Color as Light”

The Strand Theatre will be showing a film as part of their MUSIC ON SCREEN series at 8pm: Paradise Is There: The New Tigerlily recordings (a memoir by singer-songwriter Natalie Merchant)

The Caldbeck will be open with exhibits: Kayla Mohammadi “New Paintings”, Barbara Sullivan “Seasonal Suite: work in fresco”, and Jill Madden “Out in the Field” small paintings in oil.

CRAFT Gallery continues with hit show“Teapots: Real and Imagined” through August.

The Gautschi Center will have new works on display by Brigitte Gautschi and offers an opportunity to meet the artist.

Harbor Square Gallery features work from their gallery roster, with new work from Joanne Willams, Avis Turner, John Bisbee and Michael Waterman.

Come vote for your favorite art item in the Fins, Feathers & Fur Juried Art Show: Maine Coastal Wildlife! You can vote for the People’s Choice Awards for adults and students on Friday, August 3 from 4-7 p.m. at the Maine Coastal Islands Art Gallery housed in the wildlife refuge Visitor Center, 9 Water Street in Rockland. Art was selected on Saturday, July 28th by juror, Thomas O’Donovan of Harbor Square Gallery. Rockport Blueprint and Huston Tuttle donated gift cards for awards, along with winners receiving the Friends of Maine Coastal Islands NWR unique T-shirt. All proceeds of sales support the work of this wildlife refuge through the Friends’ group.

The Jonathan Frost Gallery will host the opening of “Three Photographers: Richard Barnett, Andrew Crane, and Tillman Crane.”

Black Hole continues to show “Summer Salon, 2018”

Bruce Mayo Solo Show Opens at The Harlow

BRUCE MAYO | ENJOY THE HUE

ON VIEW: AUGUST 3 – SEPTEMBER 1 | OPENING: FRIDAY, AUGUST 3, 5-7PM

The Harlow presentsEnjoy The Hue”, a solo exhibition of artwork by artist Bruce Mayo of Hallowell, on view August 3 – September 1 at 100 Water Street in Hallowell. The public is invited to attend the opening reception and meet the artist on Friday, August 3, 5-7pm.

Enjoy The Hue marks Bruce Mayo’s 30 year anniversary of creating whimsical, ethereal, playful art with a twist. Acrylic, watercolor, and inks are used to create mystical images revolving around musicians, pups, portraits, fish, landscapes and more. Since his first official public art showing in 1988 at Slates Restaurant Mayo has remained very prolific. He is constantly inspired by his surroundings; including frequent trips to Rangely and especially by his home town of Hallowell. The exhibition features no shortage of color and spirit as Mayo’s vibrant artwork covers both floors of The Harlow. Mayo has dedicated the exhibition to his late Grandmother Jeanette, “whose easel in the spare bedroom always had a painting on it when I visited”,  he said.

“NUANCE OF COLOR” at Landing Gallery

 "Nantucket #4" by Irma Cerese, 18" x 18" Acrylic/Canvas

“Nantucket #4″ by Irma Cerese, 18″ x 18” Acrylic/Canvas

Landing Gallery, 409 Main St. in Rockland is pleased to announce the
opening of “NUANCE OF COLOR”, a solo exhibition of 51 new paintings by
Irma Cerese, opening on Friday, August 3 through September 15. The
Artist’s Opening Reception will be held on Friday, Aug 3, from 5-8 PM
during Arts In Rockland’s first Friday art walk.

Irma has always been fascinated with color and her primary interest in
painting is focused on color relationships. Her landscape paintings
border on the abstract and are seen simultaneously as both
representational landscape and abstraction.

“I make paintings because the act of manipulating colored paint on a
canvas is an intense, visceral process for me and I like to see what
develops as I do this. Color itself has always fascinated me, and has
formed the basis of all my work, beginning with geometric
abstractions. After awhile, it felt like something was missing in the
abstractions and I turned to landscape both as a point of connection
and departure. I don’t wish to tell a story, or accurately describe
the observed world. Instead, I convert the primary elements of that
world – trees, sky, ground, water, the occasional building, – into an
underlying geometric structure. The resulting images often border on
the abstract, only loosely connected to the subject that attracted me
in the first place, although I do seek to evoke the general atmosphere
of that subject. I aim to produce work that is compelling in its own
right and a celebration of visual experience.”

Irma Cerese received her formal training at the Academy of Art and the
School of the Art Institute, both in Chicago, IL. Irma maintained a
studio in New York City until 1985 and her paintings are in numerous
private, corporate and institutional collections in the United States
and Europe. This exhibit celebrates Irma’s 12th anniversary with
Landing Gallery, where she has an annual solo exhibit of her new
paintings.

Please join us Friday, August 3rd from 5 – 8 pm. Summer hours: Mon –
Sat 11– 5, Sun. 12 – 5. For more information please call 207 239-1223
or e-mail Landinggallery@gmail.com.

Joseph A. Fiore Art Center Open Studio Day

Hannah, Oil on Panel, 18×24

 

 

 

 

 

 

 

 

 

 

Jefferson. On Sunday, July 29th from 12-3pm, join Maine Farmland Trust (MFT) and the Joseph A. Fiore Art Center for an Open Studio Day at Rolling Acres Farm. The studios are currently occupied by this summer’s July artists-in-residence. There will be live music on the lawn by the guitarist and cellist duo, Marsh and Lane. Free coffee, tea and local ice cream will be also be served.

Thu Vu, is an international resident from Vietnam. Thu graduated from Hanoi Fine Arts College and was an exchange student at Maine College of Art in Portland. She creates light sculptures made out of paper and natural materials. Her work has been exhibited throughout Asia, Europe and the USA.

Thu Kim Vu, No.2

 

 

 

 

 

 

 

 

Maxwell Nolin, a young emerging portrait painter, most recently made a living as an organic vegetable farmer. His portraits have often featured fellow farmers; however, he writes, “I have yet to fully immerse my subjects in the natural landscape. This seems to be where my interest lies and where my work is heading.”

Jodi Paloni, the writer-in-residence, is currently working on her second book: a novel-in-stories, which takes place in the sixties and seventies on a farm similar to the Center’s Rolling Acres. The story tracks three Maine women from their girlhood to contemporary midlife.

Marsh and Lane, photo by Susan Metzger

 

 

 

 

 

 

 

 

 

 

 

Rachel Alexandrou, whose organic gardening experience spans a decade, is this year’s seasonal resident gardener. She lives on the grounds and grows produce for the residents. She is currently completing her bachelor’s degree in sustainable horticulture at UMaine, Orono, with a minor in studio art.

The Gallery at Rolling Acres will also be open and is currently showing Nature Observed: The Landscapes of Joseph Fiore, featuring oil paintings and pastel drawings of the late artist and environmentalist. The mission of the Joseph A. Fiore Art Center at Rolling Acres Farm is to actively connect the fertile worlds of farming and art creation. The Center’s purpose is to continue and evolve the dialogue between human and environment within the context of our current culture and time. The Fiore Art Center is a program of MFT.

Located right on Damariscotta Lake at 152 Punk Point Road in Jefferson, the Fiore Art Center is a perfect place for a fun family outing – bring a picnic and enjoy the Center’s grounds for the day.

Future Open Studio Days with new artists-in-residence will be August 26th and September 30th.

For more information please visit https://www.mainefarmlandtrust.org/jaf-art-center/

“Teapots: Real and Imagined” at CRAFT Gallery

Dimpled Teapot by Siem van der Ven

Dimpled Teapot by Siem van der Ven


CRAFT Gallery has invited eight artists to exhibit their interpretations of  a teapot. Almost every artist has been challenged to make or design one. “Teapots: Real and Imagined” opens July 6 and runs through August. The studio artists in this show consider the teapot as a functional and sculptural source for inspiration. Every teapot has a lid, a spout and a handle and yet they are as diverse and unique as the artists who create them. Each tells its own story.

Teapots by George Perlman

Teapots by George Perlman

Jody Johnstone and Autumn Cipala are two potters  who use different clay bodies and firing techniques to create functional teapots. Cipala is inspired by historical ceramics from many cultures. Her teapots are elegant and balanced. The proportions are studied and restrained with subtle contrasts of carved patterns on the porcelain surfaces of creamy white and pale celadon. She is known for her perfect teapot accompanied by traditional cups and saucers, cream pitchers and sugar bowls, inviting a more formal occasion of taking tea. Jody Johnstone, in contrast, uses her wood fired Anagama kiln and rough textured stoneware to create earthy pots with textures created from the heat and ash during firing. Her teapots invite casualness and comfort from the pleasures of company. Potter George Pearlman’s teapots are seen in a broader context coming from making ceramic containers that serve as a canvass  to paint colorful exuberant patterns in a theatrical way. The teapot by Siem Van der Ven, a potter known for his organic forms and patterns, reflects his response to nature. His work in this show is through the courtesy of Harbor Square Gallery.

Teapots by Lissa Hunter

Teapots by Lissa Hunter

Aromatic Tea by Meryl Ruth

Aromatic Tea by Meryl Ruth

Graphic interpretations of the culture of tea are offered by Dudley Zopp and Lissa Hunter. Zopp’s paintings of tea bowls and jars recall the Japanese  ritual of the tea ceremony. Hunter’s charcoal drawings of groups of teapots  gesture and interact with one another in a sociable way. During July and August glass artist David Jacobson will debut his new series of handblown glass vessels for use as vases, sculptural objects of serene beauty or as containers fr commemorative ashes. Jan Owen and Abbie Read will show new work as well.  Artists will be present to talk about their work during the July 6 First Friday Art Walk and live music will be played by Bill Tozier in front of CRAFT in the courtyard at 12 Elm Street. Rockland. FMI visit www.craftonelm.com or call 207 594 0167.

Shaw Contemporary Jewelry Presents 2nd Show of the Season

July 5-18

 OPENING RECEPTION
Thursday, July 5, 5-7PM

Pre Columbian Masterpieces:
Taino Artifacts with Larry Roberts

The Taino people lived in Hispaniola from roughly 1000-1500 AD. They left a brilliant record of astonishing stone artifacts relating to their cosmic beliefs and their consumption of psychoactive drugs. Mr. Roberts will bring a hundred or more of anthromorphic and zoomorphic artifacts. He is a published author. These are the real things. Astonishing! With a presentation at the Northeast Harbor Library on Friday, July 6 at 5:30PM.

 Barbara Heinrich:
Contemporary Classic Jewelry

Largest grouping from Thursday–Saturday, July 5-7

Barbara’s recognizable style consists of distinctive visual vocabulary defined by matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening through Saturday.

 Audrius Krulis:
Beauty and Refinement for the Body

A new jeweler for us, Audrius works in 18 kt. gold and gemstones with an emphasis on color and form with inspiration from the natural world. His work is refined and wearable, but with an exotic reverence for materials and a keen appreciation of how jewelry fits on the human form.

Jessica DeFrenn:
Hoary Men and Abandoned Women

Jessica grew up on Swans’s Island and went to Art School in San Fransisco. She paints the men in her past, and the women in her imagination. Magical Realism and Down East Maine provide beginning and ending points of reference for this talented young artist.

 Spotlight on Liang-Chung Yen,
Michael Banzhaf, and Dell Fox

Reception for “The Boat Show”

”The Skiffs”, linocut by Deborah Kozak.

”The Skiffs”, linocut by Deborah Kozak.

The Kefauver Studio & Gallery presents the opening reception for “The Boat Show” art show on Saturday, July 7th, from 4:30 to 6:30 p.m. Many of the guest artists will be present to meet visitors and discuss their work.

Five of the guest artists are new to the gallery with this show. They are Wolfgang Busse, acrylics, Chris Essler, oils, Carl Root, photography, and watercolorists Linda Van Tassell and Peter Wiley.  

The returning guest artists to the gallery are Deborah Kozak, linocut-artist, watercolorists Deena Ball, Jane Bowman, Lydia Kaeyer, Jan Kilburn, and Cindy Spencer, oil painters George Baker, Marcia Brandwein, Stephen Busch, Dianne Dolan, Sandra Dunn, and Hannah Ineson, photographers Steve Dunn, Michael Fillyaw, Claudia Noyes Griffiths, Jim Nyce, and Laurie Raba, acrylic painters Bill Hallett and DiTa Ondek, mixed-media artist Dale Dapkins, and ink-on-yupo artist Helen Warner.

Refreshments will be served at the reception, and there is free parking. The Kefauver Studio & Gallery is located at 144 Bristol Road, Damariscotta, and is open from 10:00 – 6:30 daily. Will Kefauver can be reached at 207-226-0974, will@kefauverstudio.com , or www.kefauverstudio.com  

“Alison Hill – Painting Monhegan”

Camden Falls Gallery brings the works of Alison Hill from Monhegan Island to the mainland for a featured show, June 29th through July 20th. Alison is one of the many artists lured to Monhegan by its timeless landscapes, rugged coastline, rustic architecture, and self-reliant Islanders.

For Nearly 200 years, Monhegan has inspired countless artists including Frederick Church, Winslow Homer, Rockwell Kent, and the Wyeths’, virtuosos of their time. These artists were drawn to and captivated by Monhegan for its remote island life and the light. Monhegan continues to challenge artists as they arrive daily seeking that special inspiration along the winding dirt roads, and amongst the weatherbeaten fish houses.

Alison, being one of the island’s forty or so year-round residents, lives, breaths, and paints Monhegan’s magic throughout its changing seasons. Formerly of Newport Rhode Island, Alison earned her Master’s degree in Art Therapy and Art Education. She devotes herself full-time to her island studio/gallery during the summer and spends winters on Monhegan painting winter landscapes, as well as, portraits and still-lifes. In 2012, PBS spotlighted her in their video special “The Women Artists of Monhegan Island.” More recently in 2016, her works could be seen featured in the movie, “The Congressman.”

Hill has captured some of the Island’s magic in her recent paintings:

With the weathered silhouette of the Island Inn and surrounding houses as the background of “Monhegan Skyline”, the scene embodies the essence of the village and its shoreline. A haphazard granite outcropping in the foreground welcomes the incoming tide. Crowning the stony slope, windblown weeds in shades of pale green and gold, radiate sunlit serenity. This sense of place is echoed by the expanse of a summer sky bisected with cirrus clouds. Fresh laundry pegged between leaning poles, although barely suggested, adds a breezy, immediate, and very human quality to the painting.

Alison’s portraits of island life expands on the human quality she aims to capture. They compose a bulk of her winter work, as seen in the two intimate portraits of Mattie Thompson and his young son. These portraits are done mostly from life, with some finishing touches from photographs in the studio. Mr. Thompson is caught up in the process of carving a decoy. While his son works on splicing a line, a useful skill, as his father is a working lobsterman. The cluttered workshop could have been seen in a fish house 100 years ago and speaks of the timeless rhythms of maritime labor.

When asked if there was a difference in approach, or method when she is painting en plein air, as opposed to winter studio work, Hill stated, “There is not the same frantic immediacy to capture the specific light and mood of a scene, before it changes.”

“Alison Hill – Painting Monhegan” will run from June 29th through July 20th, 2018 at Camden Falls Gallery. The gallery is open from 10am-6pm daily.. Camden Falls Gallery is located at 5 Public Landing in Camden, ME 04843.

“Monhegan to Paris” opens at the Wiscasset Bay Gallery

Fernand Herbo (French, 1905-1995), “Place Blanche, Paris" gouache, 19 1/4" x 23 1/2"

Fernand Herbo (French, 1905-1995), “Place Blanche, Paris” gouache, 19 1/4″ x 23 1/2″

“Monhegan to Paris” opens at the Wiscasset Bay Gallery in Wiscasset, Maine on Saturday, July 7th with a reception from 4:00 to 6:00 pm. The event is free and open to the public and light refreshments will be served.

Viewers to the show may wonder what two seemingly disparate places, the cosmopolitan metropolis of Paris and the remote island of Monhegan, ten miles off the Maine coast, have in common. Both developed as artist destinations in the late 19th and early 20th centuries. Paris became an intellectual center for the arts with artists gathering in cafes for lively and heated debates. Monhegan, on the other hand, became an escape for many artists from New York and other urban areas and provided a freedom of exploration in a rugged, natural setting.

As Paris expanded rapidly during the Industrial Revolution and a bourgeois class began to develop, Parisian artists likewise sought to escape the city’s confines and soaring real estate prices. They retreated to the edge of the city in Montmartre, where some rural landscape remained with windmills, farms and cheap rent.

In Fernand Herbo’s (French, 1905-1995) colorful and dynamic gouache of “Place Blanche, Paris,” the viewer sees the foot of Montmartre and the bright red windmill of the Moulin Rouge. Opening in 1889, Moulin Rouge was an entertainment magnet for Paris bourgeois and artists alike. Auguste Grass-Mick (French, 1873-1963) captured the star of the Moulin Rouge, Louise Weber or La Goulue, in a vibrant pastel showing her profile in blues, greens and oranges. La Goulue was also a favorite of Henri Toulouse-Lautrec and he featured her on some of his most famous posters.

Traveling back across the Atlantic, the viewer observes Walter Farndon’s (American, 1876-1964) “Summer Day, Monhegan Harbor.” Farndon first came to Monhegan in the 1920’s and in this work he captures the warm afternoon light on the sailing and fishing boats contrasting the cool blues of the water and soft purples of the wharf. Contemporaries of Farndon, Charles Ebert (American, 1873-1959) and his wife Mary Roberts Ebert (American, 1873-1956) likewise explored the island rendering the village harbor and Manana island in both oils and watercolors. Other important Monhegan Island artists featured in the exhibition include Andrew Winter (American, 1893-1958), Jay Hall Connaway (American, 1893-1970), Samuel Peter Rolt Triscott (American, 1846-1925), Sears Gallagher (American, 1869-1955), Theophile Schneider (American, 1876-1960) and Morris Shulman (American, 1912-1978).

Walter Farndon (American, 1876-1964), “Summer Day, Monhegan Harbor,” oil on board, 14" x 18"

Walter Farndon (American, 1876-1964), “Summer Day, Monhegan Harbor,” oil on board, 14″ x 18″

Important Paris artists whose works are also on display include Francois Gall (French, 1912-1987), Edouard Manet (French, 1832-1883), Aristide Maillol (French, 1861-1944), Andre Derain (French, 1880-1954), Cesar Villacres (French, 1880-1941) and Lucien Genin (French, 1894-1953).

“Monhegan to Paris” will continue at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through August 8th. For further information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:30 am until 6:00 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

David Driskell opening reception at Greenhut Galleries

Opening reception Thursday July 5th, 5-7pm

Poetry Reading by Robert Gibbons, July 19, 5:45pm

David Driskell in conversation with Daniel Minter, moderated by African Art Historian, Henry Drewal, July 26

Angel of Peace mixed media collage, 30 x 22 inches

Angel of Peace mixed media collage, 30 x 22 inches

Assemblage is newly elected Fellow of the American Academy of Arts & Sciences David Driskell’s latest solo exhibition at Greenhut. As the title suggests, this exhibition assembles a variety of new and select earlier works in various media created over the past three decades. Among the new works are five mixed media pieces featured in the PMA’s 2018 Biennial as well as a selection of prints from the 2017 CMCA exhibition, David Driskell, Renewal and Form (which also traveled to the Academy Art Museum in Easton, Maryland). The earlier work, which dates back to 1986, has never before been shown in Maine. As Driskell describes the show: “from a limited edition color lithograph done in 1986 entitled Spirits Watching II to Girl with Sunflowers, a recent collage that was exhibited in the Portland Museum of Art Biennial, these works reveal the range of my interest in subjects drawn from nature, music and aspects of African and African-American culture.”

Driskell’s large and vibrant body of work is informed and impacted by the broad perspective of his own life experience as well as by his unique personal identity. He is the child of sharecroppers, born into the segregated South. But he is also a celebrated international artist and scholar. He is both an urbane denizen of our nation’s capital and a sophisticated world traveler with a deep connection to, and understanding of, the art of Africa and other world cultures. But just as importantly, he is the designer, creator, and loving tender of his own rather Edenic Falmouth, Maine gardens. Driskell — an artist very much concerned with the artist’s quasi-religious role as a “seer” and forthbringer of new forms — creates vivid, imaginative art that is equal parts Americana and Africana in his hand-hewn rural idyll, which is itself a form brought forth from Driskell’s rich, fertile, and prolific imagination.

David cites the strongest influences on his work as: 1) Environment — the natural world, but also “home,” both as a physical space and as a concept. The artist sees a type of “spirit” in the objects he depicts, and the spirit that animates these mundane subjects (furniture, etc.) becomes visible in his finished work); 2) Upbringing – David’s father was a Baptist minister, and many of Driskell’s works are highly stylized, uniquely personal expressions of Biblical themes, or contain motifs from the Judeo-Christian tradition; 3) “My intellectual pursuit of learning from the great civilizations of the world” – we see evidence of this influence through his incorporation of elements of Africana (masks, textile motifs, etc.) and other world cultures (including American, via spirituals, gospel, jazz and blues); and 4) Memory and Imagination.

In Driskell’s work, all of these source energies converge to form a voice complementary to, but unique and distinct from, other important African-American artists of the past and the present. Signatures of his style include rich, vivid color, rhythm, and line (as pictoral element), recurring motifs, and a spirit of constant invention and re-invention. Much of David’s work contains strong decorative elements: calligraphy, African textile motifs, the patterned imagery of folk art, etc., but Driskell never replicates existing patterns. In viewing his work, we see that David has created his own individualized, and fascinating, aesthetic language.

The work selected for Assemblage contains a sampling of all the themes mentioned above (nature, upbringing, world culture, music, memory and imagination), and also includes one fascinating and unusual piece, The Pet, Birmingham Dog, representative of David’s infrequent forays into overtly political subject matter (another of which, Behold Thy Son, is included in the permanent collection of the National Museum of African American History):

The collage Dizzy recounts visually the facial expression I recall seeing as the famous musician played the trumpet. In Ancient Call, a hand points to a stained glass window and an Egyptian statue sounding a mystical religious connection through time. Angels often appear in my work as peacemakers and musicians inviting joy, harmonious living and love. I am equally intrigued by the quiet nature of our favorite pet, the dog, and how these loving animals can be trained to become vicious attackers of people as happened in Birmingham, Alabama under Bull Connor in the 1960s. In The Pet, Birmingham Dog, I have used steel as a collaged material in the composition to emphasize Connor’s strong opposition to the Civil Rights Movement. 

Assemblage is, as David puts it, “a chorus of painterly themes that remain a vital part of my visual pursuit.”

Highly regarded as an artist, scholar and curator, David Driskell is one of the world’s leading authorities on African-American Art. He has been the recipient of thirteen honorary doctorates and has contributed significantly to scholarship in the history of art on the role of Black artists in America. Born in 1931 in Eatonton, Georgia, he was educated at Howard University and received a Master of Fine Arts from The Catholic University Of America. In 1953 he attended the Skowhegan School of Painting and Sculpture in Maine. He became a summer resident of Maine in 1961. In 1976, he curated the Los Angeles County Museum of Art’s groundbreaking exhibition, Two Centuries of Black American Art, and wrote the catalog, which became the seminal text of the canon. He currently holds the title of Distinguished University Professor of Art, Emeritus, at the University of Maryland, College Park. In 1997, Driskell was awarded the President’s Medal, the highest honor the University of Maryland bestows on a member of its faculty.  In 1998, the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora was founded to promote his scholarship and service to the University. He has served as an adviser to high profile collectors, including Oprah Winfrey and Bill and Hillary Clinton.  In December of 2000, President Bill Clinton bestowed the National Humanities Medal on Driskell. This April, Driskell was elected to the American Academy of Arts & Sciences.

The Bassist color lithograph, 30 x 21 inches

The Bassist color lithograph, 30 x 21 inches

David Driskell’s paintings and prints have been featured in numerous solo and group exhibitions in galleries and museums throughout the USA, and are housed in many important private and public collections, including the National Museum of African American History & Culture, the National Gallery of Art, Whitney Museum of American Art, and the Portland Museum of Art. He has been the recipient of several foundation fellowships among which are the Harmon Foundation, three Rockefeller Foundation Fellowships and the Danforth Foundation.

“We Are One” At the Gallery At Somes Sound

Serena Bates, "Dreamer", Limestone

Serena Bates, “Dreamer”, Limestone

Et In Spiritum …
(The Spirit Within)
June 29 – September 28

Please join us as we discover what motivates these talented artists –
creatively, emotionally, spiritually.

FIRST SHOW OF THE SEASON
Opening Reception Friday, June 29th, 4 – 6 pm

Sarah Seabury Ward, "Owl", Bronze

Sarah Seabury Ward, “Owl”, Bronze

We Are One …
June 29 – July 13

featuring:
Sculptors Serena Bates and Sarah Seabury Ward

The Gallery At Somes Sound

Mars Hall Gallery opens its 2018 summer season two group shows

“Rainbow Park” Ron Weaver

Mars Hall Gallery opens its 2018 summer season on Friday night June 15th with two group shows. In the main gallery “Anything Goes”, this evolving Exhibit will showcase oil and acrylic paintings by Nancy Baker, Jeanette Steele Esposito, Kris Johnson, Roger Kirby, Sharon Larkin, Maurice Michel Lode, Jimmy Reed and Mimo Gordon Riley as well as watercolors by Linda Funk, Greg Mort, Elaine Reed and Eleanor Zuccola and Outsider Art by Ian Baird, Elaine Niemi, C.W. Oakes and the late Rudy Rotter. Also on exhibit is black & white pinhole photography by Antonia Small and mixed media assemblage by Ian Baird and Elaine Niemi. A variety of quality crafts are available including decoupage by Davene Fahy, handmade leather journals by Karen Carroll, hand carved decoys by Stephan Hill, mixed media stained glass, mosaics and pottery by Dona Bergen. New to the gallery handmade jewelry by Nance Trueworthy. Metal sculptors Jay Hoagland and Brian Read will have works on display throughout the gallery as well as outside in the Sculpture Gardens. Phase One of the show runs through Sunday, August 5th.

In the new wing, “Thanks for the Memories” will feature works by the late artists Leo Brooks, Bill Cook, Robert Hamilton, Nat Lewis, Ken Martin, Donn Moulton, Cam Noel, Manuel Rincon, Carl Sublett, Janice Tate, William Thon and Ron Weaver. The show honors these artists as well as several members of our community that have recently passed including artists Jenifer Mumford and Carolyn Whitaker, a great patron of the arts, Peasy Love and pillars of our community John Bly, True Hall, Les Hyde and John Shea and lastly Jay, the Miller’s horse, who has summered at the gallery from the beginning. A reception will be held for both shows on Friday, June 15th, from 5-8 p.m.

The gallery also offers books by several of its artists, mixed-media cards, a large collection of original 1960’s & 70’s rock posters and a variety of antiques and collectibles. Gallery hours are 10-5, Wed. thru Sun. or by appointment and is located 12.7 miles down the beautiful St. George peninsula in Martinsville. For more information call 207-372-9996 or visit us on the web at www.marshallgallery.net

“Wisdom of the Brush” at DIAA Gallery

David Kofton

An exhibit of baskets, painting, photographs, pottery and sculpture

RECEPTION WITH ARTISTS
Sunday, June 10
3–5 PM

EXHIBITION DATES: June 5–17
HOURS: Tuesday–Sunday, 10 AM–5 PM

Katy Allgeyer
Cynthia Bourque Simonds
David Kofton
David McBeth

Julia McDonald
Kaitlyn Metcalf
Courtney Mooney

AND IN THE ART RACK

Betsy Braunhut
Leslie Landrigan
Cynthia Stroud-Watson

Archipelago hosts two receptions for summer gallery show during First Friday Art Walk June 1 and July 6 in Rockland

L-R: Some of the pieces featured in Archipelago’s summer show, “Turning Towards the Sun,” will include paintings by Holly Brooks, wood carvings by Wayne Robbins, and glass dishware by Karen Gola.

Join Archipelago to celebrate the opening of its new gallery show, “Turning Towards the Sun,” and the start of the summer during Rockland’s next Art Walk, Friday, June 1st, from 5:00 p.m. to 8:00 p.m. The Island Institute’s store and gallery will host two artist receptions for this show with another scheduled for the July 6th Art Walk.

“Turning Towards the Sun” will show through July 27th and features the work of Jeff Barrett from Monroe (carved wood sculptures), Holly Brooks from Portland (watercolor and acrylic painting), Karen Gola from Sanford (glass bowls and dishware), Debe Loughlin from Waldoboro (cyanotype collages), Dylan Metrano from Monhegan (papercuts), Wayne Robbins from Bath (carved wood sculptures), and Agnes Robinson from Holden (stained glass mosaics). The show features a wide variety of medium including paintings, papercut pieces, glass mosaics, glass bowls and dishware, cyanotype collage, wood folk carvings and more.

The public is invited to stop into the gallery’s 386 Main Street location to enjoy some light refreshments, see the new pieces, and meet some of the artists. In addition to the June 1st and July 6th receptions, Archipelago will be open extended hours, from 5:00 p.m. to 8:00 p.m., for the Arts in Rockland First Friday Art Walk events on August 3rd, September 7th, October 5th, November 2nd, and November 23rd.

The Archipelago Fine Arts Gallery features artists who work with natural, coastal, and working waterfront themes inspired by living and creating art in Maine. Located at 386 Main Street in Rockland, both the store and gallery and are open seven days a week; Monday through Friday, 9:30 a.m. to 5:30 p.m.; Saturday, 9:30 a.m. to 5:00 p.m.; and Sunday, 11:00 a.m. to 4:00 p.m.

For questions regarding Archipelago or the summer gallery show, please contact Archipelago Director Lisa Mossel Vietze at (207) 596-0701.

Homecoming at Camden Harbor

“Last Rays on the Bay” Charles Fenner Ball

Camden Falls Gallery is honored to open its 2018 season with Homecoming , opening Friday, June 8 from 5-7 PM with an artist’s reception. Homecoming features the works of celebrated mixed media artist Ann Trainor Domingue and other house artists.

“The title resonates on various levels,” says Howard Gallagher, owner of Camden Falls Gallery. He and his wife Margaret have run year-round retail businesses in Camden for 37 years. This year they embraced partial retirement and have adopted a seasonal business profile.

“Summer Day Port Clyde” Ken Dewaard

Like migrating waterfowl, the Gallaghers have become ‘snowbirds’. Homecoming is personal to them. “I don’t want to say it’s like migrating fish returning to their place of origin, but there’s something really special about coming home to the gallery on the edge of Camden Harbor,” said Gallagher. “The schooners shed their winter covers and the harbor just explodes with activity in anticipation of the summer to come. It’s like that in the gallery as well, we have shed winter, and the gallery is bursting with new and exciting work.”

The interplay of family, work, and home are at the core of coastal community life. They can be seen in Trainor Domingue’s playful, overlapping layers of texture, color, and repetitive forms.

In The Best Part of the Day , a school of simplified fish arch overhead and tumble in a torrent across a fisherman’s midsection, suggesting primordial forces cascading from a burst dam. Negative rectangular shapes created by the dockside piers act as anchoring counterpoints. It is the title, however, that leads us into the heart of the painting. A bell-shaped woman stands, back lit, in a doorway. The fisherman turns his head toward what surely is his home, with all the richness and heartache that connotes.

“Family Matters” Ann Trainor Domingue

Icons are visual images, usually rendered in strong, simple compositions, that lead the viewer through the realm of the senses into a more contemplative state. Trainor Domingue’s iconic imagery transcends a particular time and place, capturing our imagination with archetypal human beings and their mysterious lives. The imagery is intricate, yet free-flowing. Her work reminds us of the delicate ecosystems that thrive in the Gulf of Maine and Penobscot Bay, which are sometimes threatened by the intersection of human industry and enterprise.

Trainor Domingue was born in Fall River, Massachusetts and raised in Barrington, Rhode Island. Summer holidays spent on Cape Cod deepened her affinity for coastal estuaries, harbor towns, and the doughty New Englanders who earn their living from the sea.

“My work has transitioned from a focus on coastal structures and architecture toward incorporating the humanity of the working waterfront by bringing meaningful relationships between people, work and the landscape together in paintings that visualize this idea in uncommon ways,” said Trainor Domingue.

After graduating from Rhode Island College, Trainor Domingue had a successful career as an illustrator and art director. Two artist residencies from the Copley Society in Boston enabled her to return to Provincetown to paint after her escape from the corporate world.

Camden Falls Gallery is located at 5 Public Landing, Camden, ME. For more information, call (207) 470-7027 or email info@camdenfallsgallery.com .

Ogunquit Museum Announces 2018 Programs

Art in Bloom 2016

The Ogunquit Museum of American Art (OMAA) today announced the program schedule for its 65th Anniversary Exhibition Season. OMAA’s 2018 programs include the popular Totally Tuesday Talks lecture series, a new Arts & Letters by the Sea public readings series, Art in Bloom weekend, Totally Tuesday walking tours, and for young visitors, Stories by the Sea.

“Our 65th Anniversary Exhibition Season includes a wonderful series of programs to enrich our visitors’ experiences at OMAA, from the opportunity to hear artist Lois Dodd talk about her exhibition, Lois Dodd: Drawings and Paintings, which opens July 14, to a poetry reading by Inaugural Poet Laureate Richard Blanco,” said Michael Mansfield, Executive Director and Chief Curator of the Ogunquit Museum of American Art. “I’m excited to host these artists and introduce them to our guests.”

OMAA programs begin on Friday, June 22 with Art in Bloom weekend at OMAA. Members of the Piscataqua Garden Club, Portsmouth Garden Club, and Old York Garden Club will brighten the museum’s galleries with floral interpretations of selected works on view. OMAA visitors are invited to vote for their favorite arrangement and the festive spring program concludes with a new event, The Garden Party on Sunday, June 24 from 2pm to 4pm This lively party, a fundraiser for OMAA’s 3-acre seaside sculpture gardens, will include seasonal finger foods, beverages, and music, plus a prize for the favorite garden party hat of the day. Tickets are $25 and may be purchased at the museum, by phone at (207) 646-4909 or at www.ogunquitmuseum.org.

Totally Tuesday walking tours begin on June 26 with a tour of the OMAA sculpture gardens. On alternating Tuesdays through August 28, OMAA also offers walking tours of the Ogunquit art colony. Tours begin at the reception desk at 11am. Please check the calendar on the OMAA website for scheduled walks, which may be cancelled due to rain.

Totally Tuesday Talks also begin on June 26 with a lecture by Charles Burchfield scholar Nancy Weekly about the current exhibition, Surrounded: Sampling Burchfield’s Wallpaper. The weekly lecture series gives OMAA visitors the opportunity to hear from visiting artists, scholars, and experts about topics related to the museum’s exhibitions. Talks begin at 6 p.m. with light refreshments served by 2018 Director’s Circle sponsor Harvest & Plate Catering from 5pm to 5:45pm. Please check with the museum for a complete schedule of 2018 Totally Tuesday Talks.

Arts & Letters by the Sea, a new three-part program at OMAA, further explores the dynamic union between visual arts and literature inspired by recent exhibitions in the Strater Gallery, including the current show, This Side of Paradise: American Artists of the Paris Salon. The program includes three public readings by notable authors, beginning with Inaugural Poet Laureate Richard Blanco reading poetry at OMAA on Sunday, July 22 at 3pm. Please check the OMAA website for the complete program schedule.

In July and August, young visitors are invited to join OMAA Educator Jill Burke for Stories by the Sea, a weekly story hour with a related art project that meets on Wednesdays from 10am to 11am and is suited to children ages 4 to 8. The fee is $5 per child or free for OMAA members’ families.

Grand Opening of the season at Philippe Guillerm Gallery

“Mona Bird – Body Gard – Mine”

Philippe Guillerm at Philippe Guillerm Gallery

“Art is Fun”, a exhibition of works by international artist Philippe Guillerm, opens with an artist’s reception Saturday, June 9th, from 4 to 7pm.

Philippe Guillerm presents a unique series of Paintings and Sculptures from his travels to the Bahamas and the Caribbean Islands. This year’s Collection will be fun, eclectic and whimsical for Waldoboro’s first ArtWalk of the 2018.

Born in Paris, France, Philippe Guillerm began working with design in a early age and the local environment had an enormous and lasting influence on his drawings giving him contemporary forms he continues to use today on his tree dimensional works. The artist actually went to school for engineering, following his father’s vocation. He grew up surrounded by art, and his training, along with helping his father build furniture and boats, prepared him to compose. Philippe’s family is originally from Brittany, or “ Land of the Sea”, where the people traditionally worked as sailors or fishermen .With his heritage and a life time of summer sailing behind him, adolescent Guillerm left France for Spain and Morocco. His travels eventually led to French Guyana, where he met wife and wood, Philippe found the beauty of each undeniable, and he left for Tahiti two years later as a husband and sculptor.

Dowling Walsh Gallery July Exhibitions

Dowling Walsh Gallery will host three exhibitions in the month of July: Joyce Tenneson, Robin McCoy, and Stephen Pace.

Opening Friday, July 6th from 5-8pm in conjunction with Rockland First Friday Art Walk.

Joyce Tenneson
July 6, 2018

In the early 1970’s, Joyce Tenneson began creating her own photographic paper by applying silver emulsion with a brush to watercolor paper, creating images with a painterly effect. These works show the artist’s hand and the process of development in a beautifully revealing way through depicting moments of everyday intimacy: her own self portraits, photographs of her young son, and scenes of daily life in her home. Tenneson creates a world that seems to exist outside of time, open to the unconscious and heightened fragility, seeking to make the invisible visible.

Joyce Tenneson, Partitioned Shell, 1976, Hand applied silver on Arches rag paper, 30″ x 22″

Robin McCoy
July 6, 2018

Maude Robin McCoy grew up painting in the studios of her father, John McCoy and her aunt, Carolyn Wyeth. She is inspired by an intense observation of her surroundings. Using gestural strokes in watercolor, her works portray the natural landscape with attentive quietness.

Robin McCoy, First Snow, Watercolor on paper, 18″ x 15″

Stephen Pace (1918-2010)
July 6, 2018

Stephen Pace began spending time in Maine in 1953. This shift in his surroundings drew a change in his painting from pure abstraction to an interest in portraying what he saw around him in the working harbor of Stonington. He began depicting everyday scenes of his life in Maine with colorful gestural energy. These works show his interest in everything that made up his life in Maine; from landscapes of surrounding islands to the subtle figurative actions of working lobstermen.

Stephen Pace (1918-2010), Unloading at Duryeea’s Pier #2, 1988, Oil on canvas, 60-1/2″ x 84-1/2″

Randy Eckard Solo Exhibition

Randy Eckard ~ “Incoming Tide” ~ Watercolor on Paper 15″ x 21″

Time permitting, stop in Richard Boyd Art Gallery June 1 at 10:00 a.m. for the opening of a solo exhibition of paintings by noted watercolorist Randy Eckard, with a meet the artist reception to follow on the 2nd.

Randy Eckard ~ “The Old Ways” ~ Watercolor on Paper 12″ x 8″

A trained commercial and fine artist living in Blue Hill, Maine Randy’s career as a fine artist working exclusively with watercolors spans more than three decades. Eckard is known for his use of light and shadow, with the subject of most of his paintings being light and how it defines and shapes the scene before him. His paintings in watercolor are expertly detailed and invite the viewer in for a closer look.

Eckard has won over 190 awards for his paintings in watercolor throughout New England and the Southeast. His work is widely collected and included in numerous private and corporate collections.

You’re invited to meet Randy at a reception at Richard Boyd Art Gallery Saturday, June 2 between the hours of 11:00 a.m. and 3:00 p.m. when he will be available to discuss his work.

The exhibit is open free of charge between the hours of 10:00 a.m. and 5:00 p.m. daily from June 1 through June 29, 2018. For more information about the exhibit or reception contact the gallery by phone at (207)-712-1097

Cynthia Winings Gallery Presents: DIRECT CONTACT

Cynthia Winings Gallery Presents
DIRECT CONTACT, A Group Exhibition Featuring:

ELIZABETH GOURLAY
ANNA HEPLER
JULIET KARELSEN
MEGAN MAGILL
NORIKO SAKANISHI
With New Work from: Louise Bourne, Avy Claire, Tom Curry, Bill Mayher, Libby Mitchell, John Wilkinson, Cynthia Winings, Goody-B. Wiseman, Diane Bowie Zaitlin

Please join us for the Opening Reception on
Sunday, MAY 27, 4 – 7PM

The Cynthia Winings Gallery is pleased to present the first group exhibition of the season, Direct Contact, featuring the artwork of Elizabeth Gourlay, Anna Hepler, Juliet Karelsen, Megan Magill, and Noriko Sakanishi. The exhibition will include new artwork from Louise Bourne, Avy Claire, Tom Curry, Bill Mayher, Libby Mitchell, John Wilkinson, Goody-B. Wiseman and Diane Bowie Zaitlin. Everyone is warmly invited to the Opening Reception, Sunday, May 27, 4 – 7 PM.

Courthouse Gallery Fine Art opens for the 2018 Season Spring Show and Holly Meade: Everyday Charm

Holly Meade, Angel Plane Transporting Souls, woodblock print, 9 x 17 inches

Courthouse Gallery Fine Art is pleased to announce they will open for the 2018 season on May 25 with their annual Spring Show highlighting gallery artists, and an exhibition of woodblock prints by Sedgwick artist Holly Meade (1956–2013). Meade’s lively prints are full of wit and charm, exploring everyday life, baking cookies or an afternoon nap, and her humorous personification of animals. Meade is also an award-winning children’s book author and illustrator, who has illustrated more than 30 children’s books. Her illustrations for Hush!: A Thai Lullaby by Minfong Ho won a 1997 Caldecott Honor for illustration, and for John Willy and Freddy McGee she was named an honoree for the Charlotte Zolotow Award for Creative Writing.

Joseph Keiffer, Nasturtiums and Pansies on Green Gingham Cloth, oil on canvas, 16 x 20 inches

Courthouse Gallery Spring Show participating artists include: Susan Amons, Janice Anthony, Philip Barter, Lise Becu, Siri Beckman, Jeffery Becton, Judy Belasco, Ragna Bruno, Philip Frey, June Grey, William Irvine, Henry Issacs, Jessica Lee Ives, Joseph Keiffer, Philip Koch, Rosie Moore, Ed Nadeau, John Neville, Linda Packard, Colin Page, Alison Rector, Stephen Porter, Alison Rector, Cynthia Stroud, Lilian Day Thorpe.

Courthouse Gallery is located at 6 Court Street in Ellsworth. For more information on upcoming shows call 667-6611, or visit www.courthousegallery.com

Dowling Walsh Gallery June Exhibitions

Dowling Walsh Gallery will host three exhibitions in the month of June: Greta Van Campen, John Koenig, and Richard Silliboy.

Opening Friday, June 1st from 5-8pm in conjunction with Rockland First Friday Art Walk.

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

Greta Van Campen, The Red Room, Acrylic on panel, 40″ x 28″

Greta Van Campen
June 1, 2018

Our lives are full of intimate moments that pass through our eyes, sometimes only as glimpses, and return later in memories. These works represent some of the moments that inspire me, often discreetly, as I move through my day to day life. They highlight my memories, and invite the viewer to pause, look, discover, reflect, and later, remember anew.

John Koenig, Deep Woods 1, Lycopodium, Oil on board, 30″ x 36″

John Koenig (1927-2017)
June 1, 2018

“The soul of my subject matter, its vital essence, remains forever my obsession in painting…if that can be captured, then the work comes alive, fraught with its own note, its own music. Without that spark, that living radiance, the painting remains a dead thing.” – John Koenig

Brown ash wood, 11 3/4″ H x 13″ W x 13″ D

Richard Silliboy
June 1, 2018

Growing up making baskets with his family, Richard Silliboy returned to it when he realized basket making was a dying art among his people. He now creates baskets from brown ash wood using traditional Mi’kmaq basketry techniques with no adhesive or hardware. Enjoying the spiritual aspect of handling wood, the serenity as well as frustration within the process, it became a tool for reconnecting with his culture.

“Shapes in a Series” | Centre St Arts Gallery, LLC

Centre St Arts Gallery, LLC, announces the opening of a new exhibit by gallery members and guest artist Katharina Keoughan, at 11 Centre Street, Bath, on Friday, May 25, with a wine and cheese reception from 5:00 to 7:00 pm. The public is invited to attend and meet the artists. Admission is free.

Katharina Keoughan’s first career as a graphic designer and owner of a leading graphic studio in Miami, Florida, prepared her well for a second career as a fine artist. Keoughan says “On moving to Maine 25 years ago I pursued painting with the same drive and enthusiasm I gave to my design work. Fourteen years ago I began teaching and found my passion in nurturing adult painting students. The result is teaching, exhibiting, being a part of the art community and living a joyous life.”

About Shapes in a Series, the current exhibition of Conte and watercolor drawings she says “When drawing a figure, I don’t set out to draw a nude body. I draw shapes, positive and negative shapes, round shapes, and curved shapes. Often I draw in the areas that remain after the figure is rendered. This series began after I drew a female figure and chose to draw a square around her. My curiosity grew. I asked myself how much space could a figure fill in a square or a circle, where is the mass and what shapes remain? These drawings are a series of shapes. Yet, I am hoping my audience finds their own meaning in the drawings: femininity, sensuality, mother-earth, confinement, or strength.”

Shapes in a Series Exhibit ends July 13.

For more information please call 207-442-0300

Betts Gallery Opens Group Show ‘Halcyon’

Mj Viano Crowe, Kingfisher Queen, Papercut Stencils, Polychromed, 48″X24″

Betts Gallery kicks off the 2018 season with a show entitled ‘Halcyon’. This show features a plenteous group of local artists exploring the theme halcyon, which Webster’s defines as various species of kingfishers (in Latin; alcyon), as well as a feeling of calm or peacefulness, joy, prosperity or tranquility. The show runs through June 30th, and includes artists Daniel Anselmi, Sally Brophy, Kenny Cole, Susan Cooney, MJ Viano Crowe, Julie Cyr, Kris Engman, David Estey, JT Gibson, Jeffrey Jelenfy, Sheep Jones, Marc Leavitt, Karen MacDonald, Leslie Moore, Abbie Read, Wes Reddick, Willy Reddick, Dyan Ross, Lesia Sochor and April White.

Please join them for an opening reception as part of the Belfast Fourth Friday Art Walk, May 25th, 5:30-8pm. It’s always a fun time to walk around town, visit the galleries, talk to the artists and enjoy some fine refreshments. The Belfast Framer and Betts Gallery is located at 96 Main Street in Belfast, and also may be entered from Beaver Street. For more information please call 338-6465 or visit the website, www.thebelfastframer.com.

“On the Coast: Twentieth Century and Contemporary American Art”

Matthias Noheimer (1909-1982), “Three Gulls,” egg tempera, 18” x 20”

“On the Coast: Twentieth Century and Contemporary American Art” will open Saturday, May 26th at the Wiscasset Bay Gallery in Wiscasset, Maine.

 Among the featured works in the exhibition are recent oils by Judith Magyar including “October Moonrise, Maquoit Bay” with its clear, haunting light. David Kasman’s new paintings of Stonington, Maine and Monhegan Island have a weight and solidity of paint, which are energized by vigorous, free brushstrokes. Similarly, “Center Harbor” and “Island Poppies” by Keith Oehmig resonate with deep blues and purples captured in a loose, painterly manner. Other contemporary new artists showing in the exhibition include Michael Graves, Roberta Goschke, Guy Corriero, Diana Johnson, David Lussier, Tom McCobb and Paul Niemiec.

Keith Oehmig, “Island Poppies” oil on board, 14” x 18”

 Among the twentieth century American works highlighted in the show are Matthias Noheimer’s (1909-1982) egg tempera, “Three Gulls,” and Morris Shulman’s (1912-1978) geometric oil, “Horn’s Hill, Monhegan.” Other important American artists included in the exhibition are William Zorach (1887-1966), Gordon Grant (1875-1962), Jay Hall Connaway (1893-1970), Ernest Trova (1927-2009) and Robert Philipp (1895-1981).

 “On the Coast: Twentieth Century and Contemporary American Art” will be on display at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through July 6th. For more information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:30 am until 5:00 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

CRAFT Gallery opens “Nature as Muse”

Lichen painting by Alana Vanderwerker

CRAFT Gallery opens its first show of the season on May 25th with “Nature as Muse”. Nature is one of  the principals of art and craft. Rocks, trees, lichen and leaves are subjects that inspire this show’s artists. All mediums are represented: painting, drawing, calligraphy, sculpture, textiles, jewelry and glass. Sculptor Jacques Vesery says “It is human nature to be inspired by our surroundings”. He strives to create an illusion of reality with repetitive patterns found in nature. Water, sky, rocks and leaf patterns appear in his work, reinterpreted and fantasized in his meticulous wood and acrylic sculptures. Each artist has his or her own story to tell: what they see, experience and are inspired by. The meadows, bogs and trees that surround her property are the resources for Dudley Zopp’s work in this show. Alana Vanderwerker is fascinated with the beauty and significance of lichens as she walks through the Maine woods. She searches for specific specimens to paint, satisfying her interest in biology and botany. Nature has always been one of the many themes in Lissa Hunter’s art, using a variety of materials and processes.  Weaving, basketry, pottery, painting and drawing are all part of her oeuvre. Her work is in the permanent collections of museums throughout the country. Glass artist David Jacobson’s glass “rocks”,  part of his new Cairn Series, has been influenced by the many rock cairns that people build to help others find their way along the trails he hikes in the hills near his Montville studio. Jacobson has just been recognized as the Microenterprise of the Year by the Small Business Administration of Maine. He is foremost an artist, mentor and educator, promoting a new generation of glass blowers.

These and other distinguished artists are included in CRAFT’s opening show which will continue through June. The gallery represents Maine artists working in all mediums with a special emphasis in fine craft.  CRAFT will participate in the First Friday Art Walk on June 1st. Many of the gallery artists will be there to talk about their work. The gallery is in the brick courtyard at 12 Elm Street in Rockland. FMI visit www.craftonelm.com or call 207 594 0167.

CMCA 2018 Summer Exhibitions

Tom Burckhardt | Jocelyn Lee | John Bisbee

The Center for Maine Contemporary Art (CMCA) in Rockland, Maine, is excited to announce its summer 2018 exhibition lineup featuring three solo shows by artists Tom Burckhardt, Jocelyn Lee, and John Bisbee. The three artists will be recognized at CMCA’s annual summer gala, The Art Party, to be held on Friday evening, June 29. The event celebrates CMCA’s two-year anniversary in its new location and building designed by internationally acclaimed architect Toshiko Mori. Tickets to The Art Party are available online at cmcanow.org/theartparty or by calling 207-701.5005.

Tom Burckhardt, Studio Flood, 2016-18, cardboard and paint, installation

Tom Burckhardt: Studio Flood, June 9 – October 7, 2018

Studio Flood features a life-size, walk-in installation executed entirely in corrugated cardboard and black paint, and centered on the image of an artist’s studio that has experienced a catastrophic flood. Here the floor plane, now an extended surface of water, appears above our heads. One’s world is turned upside down, both figuratively and literally. In the floodwater, black monochrome canvases—emblems of intellect, will, and discipline—are floating and have been wrenched from their creators’ control and set adrift.

Tom Burckhardt has been called “one of the most interesting artists of his generation,” by art critic John Yau. His work has been shown nationally and internationally, including at McNay Art Museum, San Antonio, TX; National Academy Museum, New York, NY; and City Museum, Aalst, Belgium. An iteration of Studio Flood was exhibited at Pierogi gallery in New York City, in fall 2017 and premiered at the Kochi-Muziris Biennale, Kochi, Kerala, India in 2016. Burckhardt currently lives and works in New York City and Searsmont, Maine.

Jocelyn Lee, Jenna and fallen apples, 2016, archival digital print

Jocelyn Lee: The Appearance of Things, June 16 – October 14, 2018

Representing nearly ten years of work by photographer Jocelyn Lee, The Appearance of Things encompasses still life, portrait, and landscape photographs, as well as many images that fuse these genres. This mingling is partly what the work is about: creating a shift in perspective where a body (portrait) becomes a landscape; a still life becomes a portrait; and a landscape becomes a body.

Printed at large scale, the photographs beckon the viewer to a cinematic immersion in the image. The installation of the work as triptychs and diptychs juxtapose various bodies in divergent earthly environments and shift scale significantly across the images. The works are meant to engage the body of the viewer and become galaxies of their own through the use of space and the dilation and contraction of scale.

The New Yorker has called Jocelyn Lee’s photographs, “the very essence of transient beauty.” Lee was born in Naples, Italy, and received her BA in philosophy and visual arts from Yale University, and her MFA in photography from Hunter College. She currently lives in Cape Elizabeth, Maine. In 2013 she received a NYFA Fellowship, and in 2001 she received a Guggenheim Fellowship. She is represented by Pace MacGill Gallery in New York, Flatland Gallery in Amsterdam, and Huxley-Parlour gallery in London, where she was recently featured in a critcally-acclaimed solo exhibition. A monograph on The Appearance of Things, with an essay by Bill Roorbach, and printed by Meridian Printing, accompanies the exhibition at CMCA.

John Bisbee, American Steel, 2018, welded nails, installation

John Bisbee: American Steel, June 30 – October 14, 2018

American Steel is the first solo exhibition in Maine of sculptor John Bisbee’s work in nearly a decade. Bisbee, a resident of Brunswick, Maine, is celebrated for his masterful work created exclusively from forged and welded nails—as he says, “only nails, always different”—transforming their simple form into sculptures that defy the imagination.

Constructed entirely by hand using age-old techniques, Bisbee’s objects draw on a deep well of American historical and vernacular imagery. As Glenn Adamson, former director of the Museum of Arts and Design in New York, writes in the catalog essay, “They are made in a spirit of solidarity with workers of all kinds; each nail expresses the idea of things joined together. Yet the exhibition also has a critical edge. Bisbee uses poetic language, narrative imagery, and potent emblems to express his concern with our country’s direction.” American Steel is thus a statement on current affairs. The work is, in Bisbee’s words, “an abstraction of who are we are, right now.”

John Bisbee received his BFA from Alfred University and attended the Skowhegan School of Painting and Sculpture. He has had more than two dozen solo exhibitions across the country since 1993, including at Albright-Knox Art Gallery, Buffalo, New York; Kemper Museum of Contemporary Art, Kansas City, Missouri; Shelburne Museum, Shelburne, Vermont; Snite Museum of Art at University of Notre Dame, Notre Dame, Indiana; and a mid-career retrospective at the Portland Museum of Art in Maine, in 2008.

The exhibition, American Steel, and the accompanying catalog are made possible through the generous support of the Roxanne Quimby Foundation, and supporters John and Linda Coleman, James and Lisa Mooney, Robert and Elizabeth Nanovic, David E. Shaw Family Foundation, and Cold Mountain Builders.

New Show at Art Space

Lori Davis, Photography

A new show will be presented at Art Space Gallery in time for the June First Friday. The show will feature exciting new work by four artist-members including photography, wood, painting and mixed media.

Lori Davis is an Ellsworth based photographer specializing in nature, wildlife, and landscape images. Inspired by both the simplicity and intricate details found in nature, she captures spectacular moments to bring back and share with others.

Roger Barry creates sculptures that are organic, elegant and often intricately carved, using primarily walnut and cherry milled from known trees. Many of his pieces require interaction through hidden locks, vintage hardware or LED lighting. Whether formal or whimsical, functional or decorative, his work invites a personal encounter with the wood.

Jean Byrd paints realistic impressionism, in oil, as she captures the mood of the New England coast, depicting unique glimpses of ordinary life on and around the sea.

Hannah Nelsbach has worked in varied media for more than 50 years. Her artwork ranges from intimate collages to oversized nudes and landscapes in which she combines fantasy and realism with intriguing effect.

Art Space Gallery is located at 405 Main Street in Rockland. The gallery features seventeen artists who work in various media and genres. June hours are 11am – 5pm, Tuesday through Saturday, 1pm – 4pm Sunday, closed Mondays. Visit our website for more information at www.artspacemaine.com.

An Evening Reception | The Gallery at Somes Sound

Scott Baltz, Quiet Paddle, 10″x10″, oil on panel

Evening Reception

Featuring …

Art & Flowers

Friday, May 25th, 5 – 7 pm

Please join us as we welcome “Floret” to Somesville!
~~
Small works by Artist Scott Baltz
and  Floral arrangements by Floret owner Beth Ellen Renault

First Friday Art Walk, Rockland ME, 5-8pm, 1 June 2018

Rockland’s 2018 First Friday Art Walk season continues on Friday, 1 June.  Many of Rockland’s galleries will be open, including (but not limited to): Yvette Torres Fine Art, Archipelago, The Maine Coastal Islands Art Gallery, Artspace, The Art Loft, The Gautschi Center, Harbor Square Gallery, Stanhope & Spencer, Craft Gallery, Landing Gallery, Caldbeck Gallery and Black Hole.

Yvette Torres Fine Art is opening for the season with ‘Women of Black Mountain College’

Archipelago will be opening “Turning Towards the Sun” which will show through July 27th and features the work of Jeff Barrett from Monroe (carved wood sculptures), Holly Brooks from Portland (watercolor and acrylic painting), Karen Gola from Sanford (glass bowls and dishware), Debe Loughlin from Waldoboro (cyanotype collages), Dylan Metrano from Monhegan (papercuts), Wayne Robbins from Bath (carved wood sculptures), and Agnes Robinson from Holden (stained glass mosaics). The show features a wide variety of medium including paintings, papercut pieces, glass mosaics, glass bowls and dishware, cyanotype collage, wood folk carvings and more.

Maine Coastal Islands Art Gallery welcomes Lynn Travis of Lincolnville with paintings and drawings of flowers and landscpaes; Gwen Sylvester of Rockland, art of endangered plants and animals in Maine; and Sherrie York of Pemaquid with linocut images of birds and their watery habitat.

Stanhope & Spencer opens with a show of photography by Michael Kahn, produced by Harbor Square Gallery.

Craft Gallery opens with ”Nature as Muse” with featured gallery artists Lissa Hunter, Jacques Vesery and Dudley Zopp.

Landing Gallery will open “TREE and CLOUD”, and exhibition of new paintings by Sarah Faragher, opening on Friday, June 1 through July 1. The artists opening reception will be held on Friday, June 1 from 5-8 PM.

TREE and CLOUD at Landing Gallery

“BRIGHT DAY, VIEW TO THOMPSON ISLAND, FROM MARSHALL POINT, PORT
CLYDE, MAINE BY SARAH FARAGHER, OIL/PANEL, 9″ X 12″

Landing Gallery, 409 Main St in Rockland, is pleased to announce the opening of “TREE and CLOUD”, a solo exhibition of new paintings by Sarah Faragher, June 1 – July 1. Sarah will be present at the Artist’s Opening Reception if you would like to meet and talk with her. The artist’s opening reception will be held on Friday, June 1st, from 5-8 PM during Arts In Rockland’s first Friday art walk.

Sarah Faragher is a 1990 graduate of Colby College, Magna cum laude and Phi Beta Kappa. Her work was included in ART OF ACADIA by David Little and Carl Little, published in 2016 by Down East Books. Sarah was an Artist-in-residence at Acadia National Park and the Weir Farm National Historic Site in Wilton, Connecticut and has been invited to participate, numerous times, in Art Week on Great Spruce Head Island.

“SNOW DAY, EDGE OF THE WOODS, STOCKTON SPRINGS, MAINE” BY SARAH FARAGHER, OIL/LINEN, 8″ X 20″

“One of my great loves as a landscape painter is the open space between the treeline and the beginning of the sky – a realm of significant aesthetic excitement. The treeline has mass; it exists as one big shape; it can form the varied silhouette of an entire island or far hillside. When I approach that island or hill, however, the seeming whole becomes a forest of individuals, full of air and light. I paint portraits of them as themselves and also sometimes as stand-ins for people, since trees share so many traits with us. And I wonder, while painting them, What are all these trees reaching for? Light? Sky? Something more than what we know? The edges of the seen and the known, and then, beyond that?”

“MOONLIGHT, STARLIGHT, FROM THE HARBOR, GREAT SPRUCE HEAD ISLAND,
MAINE BY SARAH FARAGHER, OIL/LINEN, 24″ X 36″

“Whenever I spend time looking up, the big mystery of everything feels so evident. Painting the heavens as our planet moves through space feels like taking wordless notes about this very thing. I love painting clean, clear skies, the sun and moon, stars, and cloudscapes that continue for miles off the edges of a small canvas. As with trees, clouds live en masse and also as individuals, as big as continents or small as short-lived wisps. They offer boundless opportunity for painterly study. Finding their un-colors on my palette is a joyful difficulty, as is the problem of representing something with shape and heft that still must be made of air. Painting inside clouds, when they come down to earth, is a particular delight. In a snowstorm, or in a fog bank engulfing the trees and ledges and me too, I am wrapped in it. And rapt in it, in the paradox
of finding within the ephemeral something real as real can be.”

“Painting these themes as I experience them in nature helps me reconcile what is happening in the world – the endless permutations of light and darkness, the lasting and the transitory – and recognize the
interconnectedness of everything in a direct way.”

Hours: Wed-Sat 11-5, Sun 12-5 & closed on Mon & Tues. For more
information, please call 207 239-1223 or e-mail
landinggallery@gmail.com

Pemaquid Group of Artists Marks 90th Anniversary with a Public Reception June 3

The Pemaquid Art Gallery Opens for the 2018 Season

The Pemaquid Group of Artists opens its 90th season on Sunday June 3, with a gala public reception from 5 until 6:30 p.m. in the Pemaquid Art Gallery located at Lighthouse Park. The park is renowned for its panoramic views of sea, shore, and sky and the historic Pemaquid Lighthouse, which graces the Maine quarter. Refreshments, conversation with the artists and exciting new works of art will be featured, as will a 90th anniversary birthday cake.

The history of the Pemaquid Group of Artists began in 1928, when local and summer resident artists of New Harbor sponsored their first summer exhibition. Prior to the move to the current gallery in 1960, the Pemaquid Group of Artists exhibited in a variety of locations in the New Harbor area. The current gallery was designed by the artist group and financed and built jointly by the Town of Bristol and the Pemaquid Group of Artists

The Pemaquid Group of Artists is a nonprofit organization consisting of artist members juried into the group. The 30 artists exhibiting their artwork in 2018 are all from Lincoln County. This season the artists are pleased to welcome two new member artists. Sarah Fisher and Kathleen Horst have been juried into membership. Jane Bowman will be exhibiting her work as the 2018 Guest Artists. Come and meet these new artist members and guests, as well as the returning 27 member artists.

Each year the gallery provides financial aid to one or more community art programs, as well as a Museum Pass for the Portland Museum of Art, available to anyone at Skidompha Library. Artist-donated paintings and Gallery Patrons all help to make these gifts possible.

The 2018 exhibiting artists who are returning include: Barbara Applegate, Debra Arter, Bruce Babb, Julie Babb, Stephen Busch, Midge Coleman, Trudi Curtis, William Curtis, Dianne Dolan, Peggy Farrell, Bill Hallett, Claire Hancock, Kay Hannah, Hannah Ineson, Will Kefauver, Jan Kilburn, Barbara Klein, Patti Leavitt, Sally Loughridge, Marlene Loznicka, Nancy MacKinnon, Judy Nixon, Paul Sherman, Cindy Sherman, Liliana Thelander, Ernest Thompson, Jr., Bob Vaughan, Steve Viega and Bev Walker.

The Pemaquid Group of Artists invites you to visit the gallery often. Ongoing sales permit the gallery to display new works continually. The gallery is open daily from 10 a.m. to 5 p.m. through Columbus Day. For more information, please call the gallery at 677-2752 or visit www.pemaquidartgallery.com.

Caldbeck Gallery to open 37th season with 3 solo shows

BURNOUTS, DOUBLE YELLOW LINE 2015 oil on panel 17 x 20 inches Jeff Epstein

On June 1, the Caldbeck Gallery, 12 Elm Street in Rockland, will open its 37th year with 3 solo shows, featuring paintings in oil by Jeff Epstein of Cushing ME and Brookly NY, paintings in oil and in watercolor by Frederic Kellogg of Thomaston ME and Washington DC, and sculpture in alabaster and soapstone by Anne Kamila Alexander of Windham ME. A reception for the artists will take place on First Friday, June 1, from 5- 8 pm. These shows will run through July 7.

In “Wires, Poles, Tire Tracks and Weather”, Epstein will exhibit 30 recent paintings in oil on wood panel, ranging in size from 12 x 14 inches to 17 x 20 inches. All painted in his Cushing neighborhood, the various seasons are represented. The artist says of his work, “My paintings explore where the natural and made landscapes overlap. Although the spaces are unpeopled and speak of solitude, there is usually evidence of human activity. A bird feeder is a friendly incursion into the natural landscape, while tire marks on pavement suggest less gentle intentions. But each is a record of someone’s interaction with the world.” And often these objects define the spatial aspects of a painting, as when Epstein includes telephone wires dipping through space toward a vanishing point, or the “road graffiti” tire marks snaking off down the road. Light and color and atmosphere are prevalent in the work, as these moments of natural beauty are interrupted by the human intrusions. Disruption and harmony coexist, sometimes uneasily. Epstein received his MFA in painting from Brooklyn College, where he studied with Lennart Anderson, Lois Dodd, and John Walker. His work is exhibited in New Jersey, Pennsylvania, and Maine, and he has shown with the Caldbeck since 2003. This is his third solo show with the gallery.

SEPTEMBER, DUNN STREET oil on canvas 54 x 54 inches Frederic Kellogg

Kellogg’s exhibit of paintings in oil and in watercolor will include 2 large canvases (“September, Dunn St.” and “Rte 1 Elogy”) measuring 54 x 54 inches, as well as a selection of smaller paintings ranging in size from 6 x 16 inches to 24 x 36 inches. The subject matter in a number of the works in watercolor on paper are iconic Maine. “Fernald Farmhouse” is a portrait of one of the last of the grand farmhouses of Thomaston. “Dappled Woods” strikes that chord of delightful excitement when we walk through a favorite spruce forest where the moss is electric green, struck by the sun breaking through the canopy. Two 5 x 7 inch watercolors, “Inland Island” and “Night Watch”, define serenity. Engaged in the search for what can be called a “Contemporary Realism”, Kellogg is deeply influenced by the work of American realists Edward Hopper and Fairfield Porter. Even with the additional influences that photography and Abstract Expressionism have had on this contemporary realism, Kellogg feels that the art of painting still plays an essential role in helping people see the world around them. His work is in the permanent collections of the Farnsworth Art Museum, the Portland Museum of Art, and numerous corporate and private collections in Maine, Boston, and Washington, D.C. In the summer of 2017, a major exhibit of his work was mounted at the American University Museum at the Katzen Arts Center in Washington D.C. This is Kellogg’s 4th solo show with the Caldbeck, where he has shown since 2007.

VOLANDO 2018 translucent alabaster 2 x 2 x 2 1/2 inches Anne Alexander

Alexander’s new work in alabaster and soapstone includes 20 recent carvings, all based on the natural seed forms she encountered last fall at the ”Joseph A. Fiore Art Center at Rolling Acres Farm”, an Artist in Residency program in Jefferson, run by Maine Farmland Trust. “Little Flower” measures 3 x 4 x 2 inches, and is made of translucent orange alabaster, while “Ochre Cotyledon”, measuring 4 ½ x 3 x 4 inches, is made of opaque yellow- ochre soapstone. “Sprout”, “Stamen”, “Ovule”, and “Volando” also capture the marvelous shapes within our botanical world. Alexander received her BA from Bard College and an MFA in sculpture from Alfred University, followed by studies at Maine College of Art. Solo exhibits include the University of Maine in Farmington, The National Theater in the Dominican Republic, Ithaca House Gallery in New York, and the Caldbeck Gallery. Grants and awards include a Fulbright Senior Scholar Fellowship, with which she studied in the Dominican Republic, 2 Pollack/Krasner Foundation Grants, and a full fellowship at the Vermont Studio Center. Her work explores the form and function of natural shapes, often using seed and pod forms to explain her interests. Her artist residencies in the Dominican Republic introduced her to the ancient work of the Taino Indians, leading her to further explore the symbols of earth and fertility. She has been represented by the Caldbeck since 1990.

Gallery Hours are Tuesday – Saturday 11-4 and Sunday 1-4. For more information, call 207 594 5935 or email caldbeck@midcoast.com.

Tidemark Gallery opens with Doug Frati

Tidemark Gallery opens with Doug Frati

Palmyra, Maine, artist and farmer, brings bold paintings and graphic wood carvings for Waldoboro’s first ArtWalk of the 2018 season Saturday, June 9, from 4 to 7pm.

Frati’s work will be on exhibit through the month of June and may be previewed on Instagram at https://www.instagram.com/doug_frati_art/ and Tidemark’s Facebook page.

Summer gallery hours, 10-5pm, Tuesday through Saturday, begin on June 1.

Gleason Fine Art opens “Andrea Peters and Christine Peters: Awakenings.”

Andrea Peters, Spring Fantasy, oil, 24×24”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gleason Fine Art at 31 Townsend Avenue in Boothbay Harbor has opened  “Andrea Peters and Christine Peters: Awakenings.” The show runs through Tuesday, June 12.

Talent often runs in families, and so it does in the Peters family of East Boothbay. Andrea Peters, who has shown with the Gleasons for more than two decades, paints with confidence, exuberance, and an infallible sense of color. In “Awakenings,” the gallery will be presenting collectors with a stunning series of new paintings, some of them 4 feet square.

Peters’s spontaneous, gestural style works perfectly with her chosen oil paints. “Oils—I love them!” Exclaims Peters in a recent article by Lisa Kristoff of the Boothbay Register. “They have such flow. I can capture my energy or the energy of the place, the very spirit of the place with oils.”

 

Christine Peters, Silver Flower Moonstone Necklace Chain

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Many people will remember Christine Peters as Gleason Fine Art’s long-time gallery manager. Christine’s smile, energy, and willingness to tackle anything made a lasting impression on everyone she met. As with her mother Andrea, Christine excels at everything creative. When the former sculpture major began experimenting with making jewelry, she knew she’d found her medium. Naturalistic, feminine, and uniquely her own style, Christine’s jewelry soon began to be noticed. It wasn’t long before her jewelry began to be juried into some of the most prestigious fine-craft shows in the country.

With “Awakenings,” the gallery brings together Christine’s and Andrea’s remarkable creations for the first time in years. For both mother and daughter, the show’s title, “Awakenings,” is especially poignant because 2017 was a difficult year for both. Christine fought her way through a cancer diagnosis and its aftermath, emerging stronger than ever. Andrea, who has dealt with the effects of MS for years, had to face the added burden of a parent’s worst nightmare—a child forced to confront cancer. Andrea too has come through it all with renewed energy and an even stronger urge to express her joy in the natural world around her through art.

“Awakenings” opens May 10 and runs through June 12 at Gleason Fine Art gallery in Boothbay Harbor. Please join the gallery staff and both Andrea and Christine Peters on Saturday, May 24, from 5 to 7 pm to celebrate the creative output of this remarkable mother-daughter duo. For more information, call the gallery at 207-633-6849, email the gallery at info@gleasonfineart.com, or check out the gallery’s web site gleasonfineart.com.

Scott Kelley: The Slipping of the Hydrogen Bonds and Connie Hayes: Windows

Dowling Walsh Gallery will host two exhibitions in the month of May: Scott Kelley: The Slipping of the Hydrogen Bonds and Connie Hayes: Windows

Opening Friday, May 4th from 5-8pm in conjunction with Rockland First Friday Art Walk.

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

For more information, visit us online at www.dowlingwalsh.com  or call 207-596-0084

Scott Kelley, Icebergs, Hermit Island, Antarctica, Watercolor on paper, 22 1/2″ x 30″

Scott Kelley: The Slipping of the Hydrogen Bonds

May 4, 2018

“We sailed from Punta Arenas, Chile aboard the USRV Laurence M Gould, and on our third night as sea, approaching the Bransfield Strait about 2:00 AM, I saw it: my first iceberg. The sky and the water were black, but the southern horizon glowed with the intensity of an arc light: the ice from the White Continent, still hundreds of miles away, fluoresced through the pall like a beacon, drawing us south.” – Scott Kelley

Connie Hayes, Green Climber, Oil on canvas, 12″ x 12″

Connie Hayes: Windows

May 4, 2018

Connie Hayes’ recent body of work explores the shifting views and visual framework of windows. Inspired by the windows in her 1850’s home and on the island of Vinalhaven, these pieces blur the interior and exterior into engaging patterns that bring us into the artist’s space.

Art House Picture Frames presents Sarah Baldwin

Art House Picture Frames

A lock of hair saved in a box and a bottle of ink. Beginning with the Brother’s Grimm Fairy tale Rapunzel, artist, Sarah Baldwin explores stories with the common themes of forbidden food, desire, punishment and the element of magical hair. Through a multi-sensory re-telling of these stories, she invites you to examine constructed identity and the idea that desire causes the experience of suffering. Come see and taste the forbidden food of Rapunzel, Maud and Rom Say Sok. Artwork on display from 5/1/18 – 6/30/18. Opening Reception on Friday, May 4, 2018, 5-8 PM.

61 Pleasant Street, Portland ME

arthousepictureframes@gmail.com

Art Show and Talk at the Camden Library

“Gratitudes in Poems and Paintings”

May 2 -31, 2018
Reception: May 11, 3:30 – 5:30pm
Camden Public Library

Linden O’Ryan will begin a talk at 4:00pm on May 11. She will discuss the evolving creative process of her art work over the last 20 years. 20% of sales will be donated to the library. Refreshments will be served.

Greenhut Galleries presents Matt Blackwell and Kathi Smith

Greenhut Galleries presents a two person exhibition.

Matt Blackwell and Kathi Smith
May 3 – 27
Opening reception Thursday, May 3th from 5 – 7pm

Matt Blackwell artist talk Friday, May 4th at 2pm
Kathi Smith artist talk Saturday, May 12th at 2pm

Matt Blackwell

Matt Blackwell’s vibrant mixed media paintings burst with color, texture, and reverberations of the improvisatory bang of their creation. Blackwell is a fearless and prolific artist. His work, which is narrative and rooted in Americana, is wicked quirky, and floridly imaginative. In it, we see the artist’s flair for the uncanny, an irreverent wit, and a keen appreciation for the myriad absurdities of being, but Blackwell’s empathy for his often eccentric protagonists is always apparent. Though some pieces are inspired by the music of singer/songwriters like Bob Dylan, John Prine, and Lucinda Williams, or by scenes from everyday reality, in Blackwell’s America, delirious and carnivalesque inversions of order occur on the regular. Bears stand upright and escort glamorous women to undisclosed locations, gleefully maniacal, Day-of-the-Dead-looking characters speed their pink cartoon of a car around the feet of a great colossus of a moose (whose antlers seem light and airy, like fairy wings), as it stands motionless amid a crowd of random and assorted human and supernatural beings gathered in a forest clearing. As critic David Brody puts it, “Blackwell’s figures are both fantastic projections of psychic roles and notes on everyday weirdness. . . [his] fondness for the Twilight Zone is in cahoots with the ambiguity of his narratives.” Place is important, with most of Blackwell’s imagery drawn from places that meaningfully intersect with his own biography: Maine, upstate New York, and New Mexico. Artists Fintan Boyle and Jennie Nichols describe Blackwell as “something of a regionalist chronicler. As such, the paintings are a form of notation or witnessing. But if the footing is in regionalism there is also a Hogarthian cocked eye on the lookout for the right scene that will give us regionalism’s crusty experience as a cautionary lesson for the wider world.”

Blackwell on his process: “My work is a combination of observation, memory, and painterly process. Although narrative, the work is quite often propelled forward by formal and painterly concerns, abstraction. I often use groups of figures to convey my narratives. However, they exist as a reason to push paint around. Sometimes I have a clear agenda on my narratives, other times it comes about through painterly process. Sometimes the narrative is clear, other times its ambiguous and left to the viewer to draw their own conclusion.”

Matt Blackwell holds a BFA from Portland School of Art (now Maine College of Art)(1977) and an MFA from University of North Carolina (1988), where he received the Holderness Fellowship for Excellence. In 1980, he was the recipient of the Marguerite Zorach scholarship in painting to the Skowhegan School of Painting and Sculpture, and in 2015 he received a Guggenheim Fellowship. His work is in the permanent collections of the Portland Museum of Art (see the aforementioned Moose there), the Everson Museum of Art (Syracuse, NY), and the Savannah College of Art and Design (Savannah, GA), as well as many private collections.

Kathi Smith

Kathi Smith’s lush, expressionistic paintings are known for their loose, confident brush strokes, and their complex and sophisticated interplay of textures, gestural marks, and rich, abundant color. As art writer Marcia Santore notes: “Her surfaces are worked and reworked, brushed, rubbed, dabbed, scuffed and pressed, built up in layers, scraped down again, scratched through, into a surface defined by texture and traveling marks, touched by brilliant color.” Thematically, location holds a place of primacy. Smith is most inspired by scenes in which she finds herself lost in the act of looking: “Complicated spaces with an abundance of information intrigue me, and I consider it my task as an artist to find order within them.” Though her work is representational, she is always, in her words, “flirting with abstraction. . .There’s a balance between the literal and the conceptual. For me, painting is about seeing, experiencing, and articulating the world (things, spaces, places) around me. . .using observation, perspective, point of view and perception to translate the world I find myself in.”

Kathi is currently interested in “the role of the landscape in developing any one person’s sense of self, and, when conjured through sensations, such as color, light and touch, how powerful the visual memory of a place can be.” Introducing an implied “self” with a sense of identity in relation to a particular landscape necessarily inscribes it with a narrative quality. As Kathi says, “I look for narratives within the landscape. I find them in backyards, abandoned spaces and in those spaces in between that are often overlooked.”

Most of Smith’s paintings are started on location from direct observation, but are then brought to her studio, where she continues working on them. “Through this process, the paintings become a blend of both real and remembered worlds, more evocative of the subject matter than descriptive.” Kathi’s recent paintings are visually compelling landscapes relevant to her personal history, emotionally inscribed with sense memories of her family’s homestead in Nova Scotia, her hometown in western Maine, and Maine’s Great Cranberry Island. As such, their narrative holds an intimate, first person point of view: “I find familiarities in these places, where a particular light, color, or texture in the landscape will evoke a memory, then becoming my subject.”

Kathi Smith holds a BFA in Painting & Drawing from the University of Southern Maine (2003), and a MFA in Painting from the University of New Hampshire (2008). She has participated in many regional and national exhibitions, and numerous prestigious residencies. She received a full fellowship supported by the Joan Mitchell Foundation to the Vermont Studio Center and has been a Fellow and Artist-in-Residence at the Virginia Center for the Creative Arts, Weir Farm National Historic Site in Connecticut, and the Heliker-LaHotan Foundation in Maine. She currently teaches studio arts at Husson University in Bangor.

Greenhut Galleries
207.772.2693 info@greenhutgalleries.com
Open Monday through Friday 10:00 – 5:30 and Saturday 10:00 – 5:00

Landings Gallery – 2018 Season’s Invitational

“A Walk at Sunset” oil/canvas, 16” x 16” by Lisa Kyle

Landing Gallery, 409 Main St in Rockland opens this Season with the “2018 SEASON INVITATIONAL”, specializing in work celebrating the environment and nature in Maine. May 4 – May 21. New works by gallery artists; Roberta Baumann, Bruce Busko, Tom Curry, Sarah Faragher, Brian Krebs, Monique Lazard, David Peterson, Björn Runquist, Robert Stebleton, Liliana Thelander & J.M. Wilde are included in the exhibition. The gallery is also proud to introduce the oil paintings of two new artists, Christopher French and Lisa Kyle, who will be showing 40 paintings for the first time at the gallery.

The Artists’ Opening Reception will be held on Friday, May 4th from
5-8 PM during Arts In Rockland’s first Friday art walk for 2018.

Please join us in the gallery. Hours: Wed – Sat 11-5, Sun 12-5,
Closed, Sun, Mon & Tue. FMI 207 239-1223

Collin Burns: Maine Homage a new exhibition at Black Hole

17 June – 31 July

Rockland, Maine:  On 16 June 2017, Black Hole will host an opening reception for Collin Burns’ debut show: Maine Homage.  The exhibition will run from 17 June – 31 July, and showcase Michigan-native Burns’ latest work, created as a tip-of-the-hat to Midcoast Maine, the place he now calls home.  

Born in 1989 in Lapeer, Michigan, Burns moved to Maine in 2013, and has since been developing his artistic response to the Pine Tree State.  ‘Maine Homage’ consists of nine works, and represents the first instalment of this response.  All nine works have been consciously created using materials and techniques the artist has learned since arriving in Maine, during time spent working in the boatbuilding industry in Rockport.  

Burns seeks to portray his respectful understanding of place, and Maine’s unabashed honesty.  Using the figure as a key element in each piece, the artist successfully reveals narratives observed from his fresh perspective, through which he characterizes and represents his experience of the state, and specifically, the Midcoast.  

His choice of motifs and symbols, fluently expressed and expertly articulated through the use of carefully chosen materials, create a body of work which is an insightful and apt celebration of place.

For more information, please visit www.blackholegallery.com; or contact Black Hole at 207-808-2141

Tom Jessen: If/Then exhibition at Black Hole

17 June – 31 July

Rockland, Maine:  Black Hole presents If/Then.  The exhibition will run until 31 July 2017, and showcases the work of Tom Jessen, from Temple, Maine.  

In his work, Jessen explores form, depth and the nature of the plane, through seemingly simple compositions which engage the audience through their treatment of surface, balance and materiality.  If/Then represents a departure of sorts from the artist’s earlier work, as he introduces color, in so doing adding an extra sensory experience and point of contrast.  

Alongside Collin Burns’ Maine Homage (which runs concurrently in the gallery), Jessen’s works offer a stark yet sensitive counterpoint, at once contrasting and complimenting the illustrative, narrative pieces they hang beside. 

For more information, please visit www.blackholegallery.com; or contact Black Hole at 207-808-2141

Close to Nature, Works by Women Artist Of Midcoast Maine

The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents Close to Nature, works by Women Artist Of Midcoast Maine. Nine women artist painted themes of nature in their own styles. 

The show runs through May 6 and can be viewed any day between 10am and 6pm in The Rock & Art Shop. A reception will be held on April 6 from 5:00 to 7:00. 

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Press Pause: A Group Exhibition at Dowling Walsh Gallery

Fairfield Porter (1907-1975), Apple Blossoms III, 1974, Color lithograph on Arches paper, 23″ x 28″, Edition 31/50

Press Pause

April 7,  2018- April 28,  2018

Press Pause is a group exhibition of still life works that explore roles of the commonplace object in daily life. The artists included in this show approach the everyday as anything but trivial, elevating our routine domesticity.  These works create reflections of ourselves in everyday objects, showing that the portrayal of the ordinary can produce just as strong a sentiment as the grandiose.

Artworks by the following artists will be included in the exhibition; Bo Bartlett, Cig Harvey, Shawn Fields, Eric Green, Connie Hayes, Alan Magee, Anna B. McCoy, John McCoy, Stephen Pace, Fairfield Porter, Tollef Runquist, Joyce Tenneson, Marilyn Turtz, Susan Van Campen, and Andrew Wyeth.

Bo Bartlett, Cup, Oil on panel, 18″ x 18″

Dowling Walsh Gallery will host a group exhibition of works titled Press Pause from April 7 – April 28, 2018. An opening reception will be held Saturday, April 7th from 3pm -5pm

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084

9th Biennial Portland Show at Greenhut Galleries

April 5-28, 2018
Artists reception, Saturday April 7, 1-3pm

Greenhut Galleries is pleased to announce its 9th Biennial Portland Show featuring work by 51 artists. In a creative tribute to our city, artists are asked to interpret “Portland”.

Each unique vision of Portland makes for an interesting, exciting, dynamic, sometimes humorous and diverse exhibition. Greenhut is dedicated to showing the finest art made by Maine’s best artists. Please join us in celebrating our wonderful city, Portland, Maine.

Participating artists: Daniel Anselmi, Joel Babb, Susan Barnes, Phil Barter, Chris Beneman, John Bisbee, Mary Bourke, Louise Bourne, Jeff Bye, Thomas Connolly, Ben Coombs,
Diane Dahlke, David Driskell, Grant Drumheller, Kate Emlen, Lindsay Erin, Philip Frey, Roy Germon, Alison Goodwin, Tom Hall, Lindsay Hancock, Madeleine Hopkins, Tina Ingraham, Anne Ireland, William Irvine, Henry Isaacs, Sarah Knock, Margaret Lawrence, Richard Lethem, C Michael Lewis, David Little, George Lloyd, Daniel Minter, Ann Mohnkern, Nancy Morgan Barnes, Colby Myer, Lisa Noonis, Colin Page, Tom Paiement, Phoebe Porteous,  Alison Rector, Glenn Renell, Alec Richardson, Paul Rickert, Kathi Smith, Mike Stiler, Alice Spencer, Bonnie Spiegel, Barbara Sullivan, John Whalley and Richard Wilson.

Gallery Hours: Mon – Fri 10am – 5:30pm
Sat. 10am – 5:00pm
info@greenhutgalleries.com

New Exhibit and Guest Artist David Higgins | Centre St Arts Gallery

BATH – Centre St Arts Gallery, LLC, announces the opening of a new exhibit by gallery members and guest artist David Higgins, at 11 Centre Street, Bath, on Friday, March 30, with a wine and cheese reception from 5:00 to 7:00 pm.  The public is invited to attend and meet the artists.  Admission is free.

Dave Higgins has been a photographer and educator for more than fifty years. Born in Portland, ME, Dave is a lifelong resident of the state of Maine and has lived  and photographed all over the state. He is a tech school graduate in graphic arts and over the years earned a BS in vocational education and a Master of Fine Arts – Visual Arts . Higgins was a graphic arts teacher and taught photography and graphic design for 25 years. In 1999 Higgins was technology teacher of the year in New Hampshire. After retiring from public education, he continued to teach photography and design at local art societies and teacher workshops. Higgins’ work is exhibited and published throughout Maine and New England as well as online. In 2005 he was an artist in residence at Carina House on Monhegan Island.

Photography is his first love, and his work covers a wide spectrum of interests. Although much of his work could be called landscape, Higgins feels it is more about subtle relationships than grand vistas. He places emphasis on line, tone, form and compositional relationships. Minimalism is often a important concept in his work.  Twenty years ago he moved his photography completely into the digital realm which he feels allows him the freedom to simplify and to blur the borders between black and white and color, between photography and other art forms, and especially between the real and the perceived. 

These ideas led him back to painting, a medium he had not used since he was in his twenties.  He soon found that, not only does his photography influence his painting, but also his painting influences his photography.  He says: “In 2012, I had an epiphany of sorts and began combining both photography and painting in the computer. These images often start with a photograph and use digital brushes and various software, filters and/or screens to develop a scene. The resultant works are neither photographs nor paintings but an amalgamation of the two into something new. I now find my options for expressing my vision are truly limitless.”

Higgins’ work will be in the Gallery from March 25 through May 19.  Call 207-442-0300 or go to centrestartsgalleryllc.com for more information. Centre St Arts Gallery, LLC, at 11 Centre Street, Bath, is open Wednesday through Saturday 10:30 to 5:00.

Ten-Year Survey Exhibition of Artist John Moore at CMCA

John Moore, Six O'Clock in Mill Town, 2014, oil on canvas, 42 x 50"

John Moore, Six O’Clock in Mill Town, 2014, oil on canvas, 42 x 50″

John Moore: Resonance, the first solo exhibition in a Maine museum of artist John Moore’s work will open at the Center for Maine Contemporary Art (CMCA) in Rockland on Saturday, March 3. A public reception honoring the artist will be held on Saturday, March 17, from 4 to 6pm. The exhibition will remain on view at CMCA through Sunday, June 17.

John Moore: Resonance presents a ten-year survey of the artist’s work completed primarily in his Belfast, Maine, studio, where he has lived for more than a decade, first seasonally and more recently full-time, since retiring from the University of Pennsylvania, where he was Chair of the Department of Fine Arts from 1999 to 2009. A highly esteemed teacher and painter, with more than forty-two solo exhibitions to his credit, Moore is widely admired for his evocative, beautifully rendered composite images that range in subject from a mill town in eastern Pennsylvania and a manufacturing site in Philadelphia, to urbanized locations from Bangor to Belfast in midcoast Maine.

John Moore, Distant Voices, 2014, oil on canvas, 60 x 50"

John Moore, Distant Voices, 2014, oil on canvas, 60 x 50″

Moore’s Midwest origins, he was born in St. Louis, Missouri in 1941, and the remembered working class culture of his upbringing affect the choices that inspire his paintings and drawings, which are marked by personal experience and the “weathered weight of time.” Composed in the studio from drawings, on-site visits, sketchbook notations, photographs, and other source material, Moore’s paintings distill images from several locations into one, and are put together in a way that is intended to appear seamless. Some of them are close to the appearance of a specific site, some depart considerably. Everything in them is real however, or as he says, “should have been real, or could be real. That’s the only rule: it could be real.”

The exhibition is accompanied by a fully illustrated, 64-page catalog with an essay by Christopher B. Crosman, the former director of the Farnsworth Art Museum and founding curator of the Crystal Bridges Museum of American Art. In the essay, Crosman writes, “Moore’s montage sensibility takes painting back to its post-medieval roots and then slowly, smoothly, smartly, almost imperceptibly, imposes a contemporary pictorial logic of being in an unfixed present while simultaneously existing in several places, times, moods, or even styles, all at once. Only painting can do that. And Moore…quietly, clearly, inexorably makes us aware of this simple fact.”

Also included in the exhibition catalog is the poem, Frankford Station, written by poet Vincent Katz in response to Moore’s painting by the same name.

For additional information about the exhibition, John Moore: Resonance, please visit cmcanow.org or call 207-701-5005. 

Celebrate the Human Form in Boothbay Harbor

nude in Boothbay

It’s time for the Second Annual “What’s Nude in Boothbay Harbor?” An exhibit Celebration of the Human Form! The Show held at STUDIO 53, 53 Townsend Avenue, Boothbay Harbor, will be open two Saturdays, February 10th and 17th from 10:00 to 5:00, and on Sunday the 11th from 11:00 to 4:00. An opening reception will be held Saturday night, February 10 from 5:30 to 7:30 pm.

Last year we had a very successful show selling 7 major pieces and over 40 small nudes. It was great fun in the middle of winter and we’d like to do it all over again! For more information please call the chamber at 207-633-2353.

Bubbly Sweets and Shopping

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The Rock & Art Shop invites you to stop by on February 13th from 5 to 7pm for an evening of Shopping, Sweets, and Bubbly! Enjoy an art opening by Bangor Art Society, delicious treats from Specialty Sweets, and music from BSO members while doing your Valentine’s Day shopping at The Rock & Art Shop! A portion of all sales will benefit the BSO. For more information visit www.therockandartshop.com or call 207-947-2205.

CMCA announces upcoming exhibitions

The Center for Maine Contemporary Art (CMCA) in Rockland has announced an exciting and diverse lineup of exhibitions to launch the 2018 season. Opening in February is the exhibition, Boundaries, a recent collaboration between photographer Jacob Hessler and Presidential Inaugural poet Richard Blanco, followed in March by solo exhibitions of painters John Moore  and KJ Shows.

Jacob Hessler, Dreaming a Wall, 2017, photograph on aluminum

Jacob Hessler, Dreaming a Wall, 2017, photograph on aluminum

Jacob Hessler + Richard Blanco | Boundaries 

February 17 – May 27, 2018
Sunday, February 18 | Reception 1-4pm, reading by Richard Blanco at 1:30pm; public welcome

Boundaries is a recent collaborative project between Obama Inaugural Poet Richard Blanco (b. 1968) and contemporary landscape photographer Jacob Bond Hessler (b. 1985). Blanco’s poems and Hessler’s photographs together investigate the visible and invisible boundaries of race, gender, class, and ethnicity, among others. Together the artists and their work challenge the physical, imagined, and psychological dividing lines—both historic and current—that shadow America and perpetuate an us versus them mindset. In contrast to the current narrowing definition of an America with very clear-cut boundaries, Blanco and Hessler cross and erase borders. As artists, they tear down barriers to understanding by pushing boundaries and exposing them for what they truly are—fabrications for the sake of manifesting power and oppression pitted against our hopes of becoming a boundary-less nation in a boundary-less world. The exhibition is accompanied by a limited edition fine art book published by Two Ponds Press of Camden.Jacob Hessler is a fine art photographer specializing in the contemporary landscape. He is a graduate of the Brooks Institute of Photography, Santa Barbara, CA, and holds an MFA from Parsons The New School for Design, NYC. He lives in Camden, ME, and is represented by Dowling Walsh Gallery, Rockland, ME.

Richard Blanco is the fifth presidential inaugural poet in U.S. history—the youngest, first Latino, immigrant, and gay person to serve in such a role. Born in Madrid to Cuban exiled parents and raised in Miami, the negotiation of cultural identity and place characterize his body of work. In 2015, the Academy of American Poets named him its first Education Ambassador. Blanco lives in Bethel, ME.

John Moore, Six O'Clock in Mill Town, 2014, oil on canvas

John Moore, Six O’Clock in Mill Town, 2014, oil on canvas

John Moore | Resonance 
March 3 – June 16, 2018
Saturday, March 17, 5-7pm | Artist’s reception; public welcome

Resonance is a survey exhibition of paintings and drawings by artist John Moore (b. 1941), featuring work primarily completed in his Belfast, Maine, studio in the past decade. The paintings are derived from drawings, on-site visits, sketchbook notations, photographs, and other source material. Moore’s mid-west origins, and the remembered working class culture of his upbringing affect the choices that inspire his poetic, multi-faceted paintings. Marked by personal experience and by the “weathered weight of time,” the subjects of Moore’s art range from a mill town in eastern Pennsylvania and a manufacturing site in Philadelphia, to urbanized locations from Bangor to Belfast in mid-coast Maine. The exhibition is accompanied by a fully illustrated catalogue with an introductory essay by Christopher B. Crosman.John Moore was born in St. Louis, Missouri, and received his BFA from Washington University and MFA from Yale. He has had 42 solo exhibitions since 1970, and has received awards from the National Endowment for the Arts, the American Academy of Arts and Letters, and an Honorary Doctor of Fine Arts from Lyme Academy College of Fine Arts, Old Lyme, Ct. His work is in the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Chicago Art Institute, the Yale Art Gallery, the Colby College Museum of Art, and the Portland Museum of Art, among others.

Artist KJ Shows in her studio, Kennebunk, Maine

Artist KJ Shows in her studio, Kennebunk, Maine

KJ Shows | Portrait of an Artist
March 3 – June 3, 2018
Saturday, March 17, 5-7pm | Artist’s reception; public welcome

The exhibition, Portrait of an Artist, presents a nearly ten-year project by artist KJ Shows (b. 1965) of Kennebunk, Maine. In 2008, Shows began working on a series of oil paintings paying homage to a variety of contemporary artists worldwide. Connecting with them personally by mail, Shows asks each artist for a pair of shoes that they feel best represents them, from which she creates paintings that are unconventional and non-judgmental portraits. With continued positive response from participants, the series has come to include the shoes themselves along with a growing collection of ephemera, correspondence, and photos. To date, Shows has painted over 100 shoe portraits of both world renowned and obscure artists, including Jamie Wyeth, John Baldessari, Ed Ruscha, Jenny Holzer, William Wegman, Judy Chicago, and Annie Sprinkle…and the list keeps growing.

Born in Seabrook, Texas, KJ Shows attended the Art Institute of Houston for Visual Communications. After living in San Francisco for a number of years, Shows moved to Kennebunk, Maine, in 2001 to devote more time to painting. Shows has participated in a numerous solo and group exhibitions throughout the country.

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CMCA is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: November through May, Wednesday – Saturday10am to 5pm; Sunday, 12 to 5 pm. For more information visit cmcanow.org

Focus Printmaking 2 at Greenhut Galleries

Holly Berry, Trail to the Top, Linocut, 10.5 x 10.5 inches

Holly Berry, Trail to the Top, Linocut, 10.5 x 10.5 inches

Focus Printmaking 2 is an invitational group exhibition featuring the work of Maine printmakers that runs from February 1-24, 2018 with an Artists’ reception on Saturday, February 3, from 1-3pm

Susan Groce, Labyrinth, Photopolymer etching, 19 x 15 inches

Susan Groce, Labyrinth, Photopolymer etching, 19 x 15 inches

Please join us for this exciting invitational printmaking exhibition. The participating artists employ a wide variety of printmaking techniques and many belong to Maine printmaking organizations including Peregrine Press, Circling the Square Press, Midcoast Printmakers, Running With Scissors, Wolfe Editions and Pickwick Press. They are recipients of prestigious residences and fellowships such as the Monhegan Residency, Vermont Studio Center, Skowhegan School of Painting and Sculpture, Heliker-Lahotan Foundation and Tamarind Institute. Several are professors at institutions including Maine College of Art, University of Maine and University of New England.

George Lloyd, Figure of Outward for Chas Olson, 3 color lithograph, 12 x 16 inches

George Lloyd, Figure of Outward for Chas Olson, 3 color lithograph, 12 x 16 inches

Featured Artists include: Karen Adrienne, Judith Allen, Susan Amons, Christine Beneman,
Holly Berry, Stephen Burt, Crystal Cawley, Kate Chappell, Edwige Charlot, David Driskell, Susan Groce, Adriane Herman, Christine Higgins, Alison Hildreth, Jon Imber, Elizabeth Jabar, George Lloyd, Larinda Meade, Sandra Quinn, Alison Rector, Carter Shappy, Neil Welliver, David Wolfe and Jeff Woodbury.
For more information visit www.greenhutgalleries.com

 

Becton, Gervais, Raphael at DIAA’s 4th ART matters 3 Session, UNIQUE PERSPECTIVES

Jeffery Becton, “Equinox,” 2016, digital montage realized as archival pigment print;

Jeffery Becton, “Equinox,” 2016, digital montage realized as archival pigment print;

The Deer Isle Artists Association presents Maine artists Jeffrey Becton, Françoise Gervais and Chris Raphael at its fourth ART matters 3 session UNIQUE PERSPECTIVES at 1:30 p.m. on Sunday, Feb. 4th, at the Deer Isle gallery. Moderator: Hub White.

The artists all take the art of photography in new and different directions. Jeffery Becton works in digital montages, while Françoise Gervais focuses on capturing nature’s iconic beauty and Chris Raphael uses cut and re-combined images to express three-dimensional form.

About the Artists:

As an islander, Jeffery Becton is especially drawn to the ocean, finding meaning and inspiration in its challenging and mercurial presence, the embodiment of the beauty and harshness of life and proximity of death.

“Since 1990 I have worked in the medium of digital montage,” Becton said. “Combining primarily elements of photography as well as painting, drawing, and scanned materials, the techniques I use foster and give form to intriguing ambiguities, reexamining the boundaries of mixed media and creating altered realities that merge into images rich in symbolism both personal and archetypal.”

Francoise Gervais, Ethereal Shell

Francoise Gervais, Ethereal Shell

Françoise Gervais creates her artwork from a desire to honor nature’s iconic beauty. “Awestruck by the simple yet exquisite detail of a seedpod, a feather, a leaf, or a shell—often glanced at and forgotten, or never seen—I seek to offer a visual voice to these stunning icons of our natural world, so we may see and remember with fresh eyes that which is always there,” she said.

Chris Raphael over the past few years has been exploring ways to go beyond the limits of traditional still photography. Using cut and re-combined images without digital manipulation his work expresses three-dimensional form, time and motion.

Chris Raphael, “Untitled.”

Chris Raphael, “Untitled.”

Art Matters 3

Each artist has a short time to speak at the beginning of the ART matters 3 discussion. When all are done, the artists will talk among themselves and then hold an open discussion with the audience. A reception follows with 44 North Coffee, tea and homemade cake.

 

For more information visit www.deerisleartists.com or call 207-348-3129

Mid-Winter St. Valentine’s Day Show at The Cynthia Winings Gallery

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The Cynthia Winings Gallery presents The Mid-Winter (Valentine’s Day) Show: A group exhibition featuring the artwork of…

Jenny Brillhart, Heidi Daub, Devta Doolan, Sarah Doremus, Bill Mayher, Buzz Masters, Carol Pelletier, Suzanne Siegel, Cynthia Winings, and Goody-B. Wiseman.

Evening Reception: Friday, February 9, 5:00 – 8PM.

This is a one day event where the gallery is shining with creative expression – Come for the art, stay for the buttered rum. Please dress warmly. Everyone is Welcome!  

Please contact Cynthia Winings for more information at info@cynthiawiningsgallery.com or 917.204.4001

Greenhut Galleries Holiday Show

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Join us as we celebrate Greenhut’s 40th anniversary, its consistently fabulous roster of artists, and its proud distinction as Portland’s oldest year-round gallery.  Come by for a visit on Saturday, the 2nd of December 1:00pm to 3:00pm where refreshments will be served.
 
What’s your favorite arts and culture landmark of 1977? Fleetwood Mac Rumours? Star Wars? Beatlemania on Broadway? Ours is easily local legend Peggy Greenhut Golden establishing Greenhut Galleries in the Old Port! Join us as we celebrate Greenhut’s 40th anniversary, its consistently fabulous roster of artists, and its proud distinction as Portland’s oldest year-round gallery.
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Since the early 19th century, the rugged and intense beauty of Maine’s land- and seascape, as well as its famed quality of light have attracted and energized generations of artists. For them, Maine is both a geographic location and a site of artistic inspiration and creative freedom — a state of the union, but also a state of mind. Maine has been and continues to be vitally important to American art, and Greenhut is thrilled to play its part. In Peggy’s words, “It has been most gratifying for Greenhut Galleries to further the tradition of art in the State of Maine. We all work very hard at the gallery, but the artists we represent are the heart and soul of Greenhut.”
 
As the gallery has grown, so too, have the reputations of its artists, whose styles span the spectrum from realism to abstraction, with a wide range of subject matter in both two- and three-dimensional media. Greenhut represents a diverse group of over 30 Maine painters and sculptors, each selected not only for their technical skill, but also for his or her distinct voice and unique vision. The gallery is also proud to show work from the estates of Robert Hamilton, Maurice Freedman, Jon Imber, and most recently, Neil Welliver and Frederick Lynch.
 
Kelley Lehr and John Danos have implemented a strong social media presence with a long-term vision of dramatically expanding outreach and followship. They are planning big changes to the website in 2018 and special events, so stay tuned! To see of what’s in store this coming year be sure to visit our UPCOMING EXHIBITION page. Thank you for your patronage and we look forward to your next visit to the gallery.
 
 
PARTICIPATING ARTISTS
 
Joel Babb • Susan Barnes • Matt Blackwell • Mary Bourke
Jeff Bye • Thomas Connolly • Ed Douglas • David Driskell
Grant Drumheller • Maurice Freedman • Kathleen Galligan
Roy Germon • Alison Goodwin • Robert Hamilton
Thomas Higgins • Jon Imber • Tina Ingraham • William Irvine
Henry Isaacs • Sarah Knock • Margaret Lawrence
George Lloyd • Frederick Lynch • Alan Magee • Daniel Minter
Nancy Morgan Barnes • Colin Page • Tom Paiement
Roy Patterson • Stephen Porter • Roger Prince • Sandra Quinn
Alison Rector • Glenn Renell • Alec Richardson
Kathi Smith • Mike Stiler • Neil Welliver • John Whalley

Artwaves Reception at Shaw Jewelery in Northeast

shaw

Work pictured here by Nicole DeSimone

 

Join us at Shaw Jewelry in Northeast Harbor for an Opening Reception Sat. Dec 2 from 4:30 to 6:30 for a new show featuring artists from Bar Harbor’s ArtWaves.

Artists include Jessica Harris, Liz Cutler, Linda Rowell-Kelley, Ben Lincoln, Roberta Sprague, Roxane Scherer, Margaret Beaulieu, Nicole DeSimone, and others.
126 Main Street
Northeast Harbor, Maine
207 276 5000
info@shawjewelry.com
shawjewelry.com

 

Courthouse Gallery Fine Art is pleased to present “Winter is Coming,”

William Irvine, Woman Burning Brush, oil on panel, 12 x 16 inches

William Irvine, Woman Burning Brush, oil on panel, 12 x 16 inches

Courthouse Gallery Fine Art is pleased to present “Winter is Coming,” a group show that celebrates the change of season as Maine transitions from summer into fall and winter. There will be an open house Wednesday, December 6 from 5–7pm. The show runs from December 1– December 30, 2017. The event is free and open to the public.

Philip Barter, Smelt Shacks, acrylic on board, 24 x 30 inches

Philip Barter, Smelt Shacks, acrylic on board, 24 x 30 inches

Interpretations for “Winter is Coming” run the gamut from William Irvine’s iconic house painting  with a woman burning brush and Philip Barter’s dancing smelt shacks to David Vickery’s  larger-than-life realistic oil painting of marbles and Philip Koch’s memory of a magical winter  wonderland.

David Vickery, Marbles in Winter, oil on panel, 9 x 24 inches

David Vickery, Marbles in Winter, oil on panel, 9 x 24 inches

New to the gallery is Henry Isaacs who lives in Portland, Maine, but spent many years living and painting on Cranberry Island. His oil painting “Along the Tarn, Bar Harbor” seems to  exemplify the seasonal transition with a range of yellows and rusty reds juxtaposed against purple,  green, and blue.

Henry Isaacs, Along the Tarn, Bar Harbor, oil on canvas, 12 x 24 inches

Henry Isaacs, Along the Tarn, Bar Harbor, oil on canvas, 12 x 24 inches

Participating artists, include Berenice Abbott, Susan Amons, Janice Anthony, Philip Barter, Jeffery  Becton, Judy Belasco, Ragna Bruno, Philip Frey, June Grey, Henry Isaacs, William Irvine, Jessica Lee Ives, Philip Koch, Judith Leighton, William Moise, Emily Muir, Ed Nadeau, Carl Nelson, John Neville, Linda Packard, Colin Page, Alison Rector, Robert Shillady, Lilian Day Thorpe, David Vickery.

Philip Koch, Uncharted II, oil on canvas, 30 x 40 inches

Philip Koch, Uncharted II, oil on canvas, 30 x 40 inches

Courthouse Gallery is located at 6 Court Street in Ellsworth. For more information on upcoming shows call 667-6611, or visit www.courthousegallery.com

MFT Gallery exhibit honors “those that bend to raise food for many of us”

Don Pulls Garlic, by Bruce McAffee Towl

Don Pulls Garlic, by Bruce McAffee Towl

In a state like Maine, sometimes the greatest fruits of our labor grow through friendship. The multi-media exhibit “In the INTERVAL between snowflakes,” on view at Maine Farmland Trust Gallery from November 20 through January 5, is a case in point. The exhibition (part photography, part sculpture, part poetry) is a result of over 25 years of friendship between artist Bruce McAffee Towl and farmers Barbara and Jason Kafka, of Checkerberry Farm in Parkman, Maine. “It all started twenty-five years ago,” McAffee Towl recounts, “because Jason held out his hand and in his palm were the seeds for an entire crop of onions, and we said ‘Let’s make a book for the Common Ground Fair!’ That’s what got us started.”

Nancy Seeding, by Bruce McAffee Towl

Nancy Seeding, by Bruce McAffee Towl

“It was all drawings at first,” McAffee Towl continues. “It was the friendship that allowed the farmers and their crew to feel comfortable, to have someone right there with pencil and paper to record their triumphs and less-than-triumphs.” His nickname soon became The Spector. Fast forward two and a half decades: McAffee Towl presented the harvest of 25 years of drawings, photography, sculpture and poetry to his community, in the barn adjacent to his home in Dover-Foxcroft, in October of 2016.

“It was an emotionally moving experience,” writes John Harker, now retired but previously Director of Market and Production Development for the Maine Department of Agriculture for 26 years. He and many others felt that this exhibit must be shared around the State, as a way to raise awareness of the work that goes into growing food and simultaneously, as a way to celebrate Maine’s family farms.

J. Holding Soil, by Bruce McAffee Towl

J. Holding Soil, by Bruce McAffee Towl

Maine Farmland Trust Gallery was a logical first choice. “It was Barbara Kafka from Checkerberry Farm who approached us about Bruce’s exhibit,” says Anna Witholt Abaldo, gallery curator at Maine Farmland Trust. “When I went to see Bruce’s exhibit in early 2017, she was there, and it became immediately apparent that this production was truly a team effort, and important to many.” The Maine Arts Commission awarded INTERVAL partial funding to be adapted for display at other venues. Betsy Miller Minott, a former farm crew member at Checkerberry, has since been instrumental in converting the exhibit for display at MFT Gallery.

As curator of MFT Gallery, Witholt Abaldo has seen a plethora of artworks and exhibits that speak to farm life. “INTERVAL is unique,” she notes, “because of the decades of heartfelt observation that pour out through the poetry, the photographs, even the hand-hewn bench made from a fallen tree which serves as a seat to view the digital slide show. It is truly a labor of love.” In McAffee Towl’s own words, the exhibit “celebrates the I N T E R V A L between snowflakes: raising organic fruits and vegetables on a rural Maine farm in the state’s short growing season, and aims to honor all those who ‘bend’ to raise food for many of us.”

Melting and Mud, by Bruce McAffee Towl

Melting and Mud, by Bruce McAffee Towl

The exhibit will be on display from November 20, 2017 through January 5, 2018, and opens with a festive, public reception on Saturday December 2. The reception will be preceded by Artist/Farmer Talks at 5pm; the reception runs from 5:30-8pm.  Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org.

New Works by Sandra Leinonen Dunn at Roux & Cyr International Fine Art Gallery

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Roux & Cyr International Fine Art Gallery invites you to see New Works by Sandra Leinonen Dunn titled, “Maine Impressions.”  Please join us for 
a Wine and Cheese reception on
 First Friday December 1 from 5:00 – 8:00. The exhibit runs through Dec 29.

Sandra Leinonen Dunn is a Maine artist who paints in an old world style. Her oil paintings are filled with emotion, atmosphere and vibrant brushwork. She pulls you into her compositions with sensual delicate light that dances in a sea of rich tones. She is a master of soft edges allowing one subject to morph subtly into another, creating a dreamy approachable painting. Dunn is a well known, accomplished and admired artist. She brings us a wonderful selection of Maine nature theme paintings. Capturing the rural settings with a strong focus on trees soaring to the skies, her latest paintings are powerful and captivating. Her passion for what she does comes through in her work. She will be present at the opening. Come meet the artist!

Our Studio Exhibit showcases the work of Pat Eltman. She has the heart of a florist and loves all things beautiful, including people. Her oil paintings shine with color from flowers to sunsets as some of her favorite subjects to capture. Often described as a diamond in the rough, her paintings have taken the same approach. With direct strong brushstrokes she maneuvers the paint until it transforms into something vibrant and beautiful. Come meet this magnificent lady if you don’t already know her.

Both artists will be present during the opening. The gallery is located at 48 Free Street
 in Portland. For more information, please contact the gallery at 207-576-7787 or www.rouxandcyrgallery.com

Woodcuts, Paintings & Drawings Ogunquit 1968 – 2018 – Don Gorvett 50 years in Ogunquit Maine

Railway, Perkins Cove Oil Paint on Canvas, 30” x 22” by Don Gorvett, 1968

Railway, Perkins Cove
Oil Paint on Canvas, 30” x 22”
by Don Gorvett, 1968

Piscataqua Fine Arts Studio & Gallery will be presenting “DON GORVETT, 50 YEARS IN OGUNQUIT, ME 1968 – 2018.” Opening reception is Saturday, Nov 4 at 4 – 7 pm at 123 Market St, Portsmouth, NH. On view Nov 4 to Jan 31, 2018

For More Information:

dongorvett@dongorvettgallery.com
603.436.7278
www.dongorvettgallery.com

 

Greenhut Galleries Features Thomas Connolly “Scenes I’ve Seen” featuring Fred Lynch in the side gallery

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Thomas Connolly’s exhibition, “Scenes I’ve Seen” runs from November 2 – 25 with an Opening reception Thursday, November 2nd from 5 – 7pm.  This exhibition highlights Connolly’s keen gift for capturing and conveying the mood of any given location, as well as his ability to shift with ease from tight, detail-driven though painterly realist observations of architectural subjects to loose, lively and impressionistic land- and seascapes. Whether laboring in the studio on his architectural paintings or en plein air on his scenes of nature, Connolly’s stated goal is “to convey an emotional sense of place that is consistent with all the work I do. I want my paintings to have a sensual combination of colors that makes them feel like there is light coming from within the paintings, and this all comes from adjustments and balances within the work.”

With regard to his cityscapes, Connolly wants “to make the paintings look the way a city feels.” In this he is quite successful. As arts writer Mariel Melnick observes, “Connolly’s paintings are entirely realistic, but they are so much more. They contain brilliant, lyrical touches of paint that stand out like high notes in prominent harmonies. . .His paintings represent atmospheric light and emit their own luminosity. And instead of allowing architectural prestige and iconography to occupy the spotlight, Connolly forces them to succumb to the mood and atmosphere of his paintings. He deliberately chooses to paint identifiable sights, which are subsequently overshadowed by their painterly rendering.”

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In the side gallery this month, Greenhut is pleased to announce its first exhibition of works from the estate of one of Maine’s most celebrated abstract artists, Frederick Lynch. His obituary states, “In a career spanning more than 50 years, Lynch pursued a singular vision that began with the observed world and went deep into the underlying structure of appearances.” This exhibition features a group of Lynch’s sculptural segments, with each displayed beside a gouache on paper representation of itself. The works on paper feel a bit like architectural specs and are, in Lynch’s own words, “almost obsessively accurate” renderings of the geometric oil and enamel on pine segments they represent. “I tried to translate every nick, every texture,” he says. Though Lynch’s method is systematic, it is not formulaic. Lynch’s aesthetic is drawn from the ordered chaos of nature, his shapes a bit quirky. “Deviations, mutations, and the unexpected” are welcome advents, staving off predictability. “Art,” Lynch says, “is perhaps the most interesting subject there is to me, and my art the most interesting of that—not out of ego, certainly, but out of curiosity. I make art to see what happens.”

These two and three dimensional renderings of each respective form are separately and independently beautiful; the combined effect is not only beautiful, but also fascinating. Observing each segment as it confronts its own image, the viewer is invited to contemplate the transformative effects of media, scale, and dimensionality. But philosophical ponderings are not at all necessary to appreciate the exhibition. As Lynch puts it, “My art is about aesthetics. All other positive associations, invocations, or implications are bonus points, incurred with the advantage of a second look.”

Greenhut Galleries located at 146 Middle Street, Portland is open Monday through Friday 10:00 – 5:30 and Saturday 10:00 – 5:00. For more information visit www.greenhutgalleries.com or call 207.772.2693.

Upcoming Shows at Kefauver Studio & Gallery

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“The Little Holiday Show,” running from November 18th through January 2nd. An Artists’ Reception, open to the public, will be held on Saturday, November 18th, from 4:30 pm – 6:30 pm. The show will feature artwork that will include miniatures and smaller pieces, priced to suit every budget. Original art is perfect for holiday gift giving!

6x6

Until November 12th you can still see, “The 6 x 6 Show.” The show features artwork that is 6” x 6” or smaller. The art is small in size but big in impact! This show features Beth Badger, Deena Ball, Judy Bernier, Sandra Dunn, Virginia Forrest, Claudia Noyes Griffiths, Hannah Ineson, Jan Kilburn, Lisa Kyle, Sherie Lehman, Sally Loughridge, DiTa Ondek, Brooke Pacy, Elizabeth Palmer, Laurie Raba, Helen Warner, and Carol Wiley.

For more information visit www.kefauverstudio.com, call 207.226.0974 or email will@kefauverstudio.com

CSA II: Community Supporting Arts at Harlow Gallery

“Rake Them Seeds”, woodcut print, Anna O’Sullivan

“Rake Them Seeds”, woodcut print, Anna O’Sullivan

Harlow Gallery presents a series of 3 exhibitions showcasing artwork from CSA II: Community Supporting Arts in which participating artists have been visiting their partner farms regularly since January, at the start of the 2017 growing season, creating art inspired by their farmer’s lives, work, and landscape. The resulting body of artwork will be exhibited at 3 prominent Maine galleries beginning with The Maine Farmland Trust Gallery September 22-November 10. Maine Farmland Trust gallery, located at 97 Main Street in Belfast, celebrates agriculture through art, capturing the vibrancy of Maine’s farms and farmers—their intimate relationship to the earth, the crops they grow and animals they tend. (www.mainefarmlandtrustgallery.org.)

“Wise Guys”, film photograph, Karen Merritt

“Wise Guys”, film photograph, Karen Merritt

CSA II is also on view at Harlow Gallery, located at 160 Water Street in Hallowell, from October 27-December 2 with an opening reception Friday, October 27, 5-7pm; and at Engine, located at 128 Main Street in Biddeford, from November 10-December 16 with an opening reception Friday, November 10, 5-8pm. Harlow Gallery is home to the Kennebec Valley Art Association, a membership based 501(c)3 nonprofit dedicated to connecting and celebrating art, artists and community in central Maine since 1963. (www.harlowgallery.org.) Engine’s mission is to foster and integrate the arts and design, education, and sustainable creative entrepreneurialism as an explicit community value and civic priority in Biddeford. (www.feedtheengine.org.)

“Hand Tools Tumbler”, wheel-thrown ceramic tumbler, Rebecca May Verrill

“Hand Tools Tumbler”, wheel-thrown ceramic tumbler, Rebecca May Verrill

Participating artists and farms are: Ingrid Ellison of Camden (paired with Hope’s Edge Farm), Helene Farrar of Manchester (paired with Farmer Kev’s), Dylan Gifford of Kents Hill (paired with Wholesome Holmstead), Karen Merritt of Portland (paired with Crystal Spring Farm), Anna O’Sullivan of Portland (paired with The FarmME), Tim Ouillette of Portland (paired with Hancock Family Farm), Tyson Pease of Gardiner (paired with Tender Soles Farm), Alyssa Phanitdasack of Portland (paired with Sheepscot General Farm and Store), Jessica Rhoades of Thomaston (paired with Whatley Farm), Susan Bartlett Rice of Walpole (paired with Tarbox Farm), Nicholas Runco of Oakland (paired with KVCC CSA), Kris Sader of Orono (paired with Ripley Farm), and Rebecca May Verrill of Portland (paired with Frith Farm).

“Still Frozen Spring”, oil on panel, Ingrid Ellison

“Still Frozen Spring”, oil on panel, Ingrid Ellison

All the participating farms are Community Supported Agriculture (CSA farms). A CSA farm sells shares at the beginning of the growing season and then provides fresh, seasonal food on a regular basis to each shareholding household throughout the growing season. CSA II will use the power of art to promote the economic and environmental benefits of organic farming and of buying locally grown food. Our food industry is a critical key to a sustainable economy and the health and well-being of Maine citizens in an age of accelerating climate change.

“Bovine Hierarchy” ceramic sculptures, Dylan Gifford

“Bovine Hierarchy” ceramic sculptures, Dylan Gifford

For more information please visit harlowgallery.org or call 207-622-3813.

Cynthia Winings Gallery presents Kids Talk About Art

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First Friday Blue Hill, Kids Talk About Art, Friday, October 6 at 5:00PM

The October Kids Program! Children are invited to the gallery for First Friday Blue Hill, to view the artworks and tell me what they think! The gallery will be open late, until 7PM, and there will be refreshments, Everyone is welcome! For more information contact Cynthia at info@cynthiawiningsgallery.com, or call, 917.204.4001.

Work from Maine’s Craft Apprentice Program on display at Caleb Johnson Studio

MCA
The Maine Craft Association’s Craft Apprentice Program (CAP) offers Maine-based master craft artists and apprentices the opportunity to learn, create and connect. The 2017 Craft Apprentice Program will celebrate with capstone exhibition on view at Caleb Johnson Studio, 110 Exchange Street, Portland, Maine October 3-31, 2017.

Please join us for the artist reception and refreshments
October 6th, 4-7pm
during the Portland First Friday Art Walk!

Apprentice Cara Taggersell

Apprentice Cara Taggersell

In 2017, the two master-apprentice pairs selected through a competitive application process were glass artists, the exhibition will feature new glass work created during the 2017 seven month apprenticeship.

Exhibiting Artists:

Ben Coombs
Charlie Jenkins
Carel Shonerd
Cara Taggersell
Terrill Waldman

CAP is a program of the Maine Crafts Association in partnership with the Maine Arts Commission. Maine Magazine is the exclusive magazine sponsor of the CAP exhibition. Caleb Johnson Studio partners with CAP to host the exhibition.

For more information contact Sadie Bliss, MCA Director  at 207-205-0791 or sbliss@mainecrafts.org

Higgins, Welliver & Lloyd: Opening reception at Greenhut Galleries

J. Thomas R. Higgins

J. Thomas R. Higgins

Greenhut Galleries presents an exhibition of three incredible Maine artists from October 5th through 28th with an opening reception Thursday, October 5th from 5 – 7pm.

Growing up in Bucks County, Pennsylvania, J. Thomas R Higgins’s earliest exposure to art was the work of Edward Redfield, Daniel Garber and related Pennsylvania Impressionists. Later, as a college student, principal influences were Van Gogh, Kokoschka, Abstract Expressionists and other painters with a romantic vision. For more than four decades Higgins’s paintings have responded to the Maine landscape with passion and a personal viewpoint.

“As a painter, what I find most interesting is the dialogue between perception and the act of painting, how a gesture of paint can become the equivalent of what is observed and subjectively transformed. Painting for me is an active and intuitive process of participating in natural spaces. By working on site through direct sensory experience, I hope to achieve a dynamic, animated, and painterly response to a subject that is often untamed and in flux.”

This exhibition consists of paintings produced during a residency at Maine Farmland Trust’s Joseph A. Fiore Art Center in Jefferson, Maine during the summer of 2016. The residency provided me with the opportunity to immerse myself in the rustic landscape from North Whitefield to Nobleboro, Maine—a subject matter to which I related unabashedly and enthusiastically.

Neil Welliver

Neil Welliver

This month Greenhut is also thrilled to announce its first exhibition of works by Neil Welliver. Welliver’s huge oil paintings of the Maine landscape are considered by art critic Robert Hughes to be “among the strongest images in modern American art.” While this exhibition includes oil paintings, it is primarily designed to celebrate the artists’ talents as a printmaker. The ten selected prints showcase Welliver’s use of the following media in creating an intuitive yet precise vision of the wild natural world: etching (using the difficult, laborious aquatint process) and woodblock (created in the intricate, exacting and time intensive Japanese tradition of ukiyo-e).

As former US poet laureate Robert Strand notes: “The world of the prints seems more vulnerable than that of the paintings. In fact, it seems oddly, radically poised for dissolution. Subjects are singled out, regarded, and given, finally, a painstaking mortal presence, reminding us that what we see will come to an end and that nothing in nature will last. It is on this that their lyric character depends, this terrible, gratuitous knowledge of limitation by which we make things matter.”

Neil Welliver was born in Pennsylvania in 1929 and lived in Maine for 35 years prior to his death in 2005. He received his BFA from Philadelphia Museum, College of Art and his MFA from Yale School of Art. He taught at Yale and the University of Pennsylvania, where he served as chairman the Graduate School of Fine Art from 1966 to 1989. Welliver’s works are included in many major museum collections, including Metropolitan Museum of Art, Museum of Modern Art, Museum of Fine Arts, Boston, and the Hirshhorn Museum and Sculpture Garden, as well private collections worldwide.

George Lloyd

George Lloyd

This month our side gallery show will feature works by George Lloyd. These paintings were made in the 80s and 90s, following the artist’s move to Maine from the San Francisco Bay Area, where he had spent the previous 13 years as both painter and teacher.

The 8 works included in the present exhibit were selected in part on the basis of their Maine-centric palette. As poet and critic W.S. DiPiero puts it: “George Lloyd has lived west and east, and different weathers coexist in his work to strong, sometimes disturbing effect, especially in the paintings he has made while living in Maine. While haunted by Bay Area light, his work has also been infused with New England’s brutally changeful weather.” Lloyd’s paintings are marked by their exuberant vitality, and a brand of sensuality that incorporates both masterful brushwork and an extraordinary command of color.

George Lloyd received his BFA from the Rhode Island School of Design and his MFA from Yale School of Art. In 1969, he moved to Berkeley to teach at the University of California. There he met and was befriended by Elmer Bischoff, a leader of the Bay Area Figurative Movement, with whom he drew from the figure model in weekly drawing sessions in a group that also included the painter Joan Brown.

Lloyd has received grants from the Pollack-Krasner Foundation in 1994 and 2006, and the
Elizabeth Foundation in 1995. He was a Visiting Artist at the American Academy in Rome in 2002. His work is included in numerous museum collections as well as private collections both here and abroad.

For more information call 207-772-2693 or visit greenhutgalleries.me

Dowling Walsh Gallery to Exhibit the Work of Eric Green in October

Eric Green, Mirrored Room Five, Graphite grisaille, colored pencil and UV varnish on board, 18" x 16"

Eric Green, Mirrored Room Five, Graphite grisaille, colored pencil and UV varnish on board, 18″ x 16″

Dowling Walsh Gallery will host an exhibition in the month of October of Eric Green’s work. An opening reception will be Friday, October 6th from 5-8pm in conjunction with Rockland’s First Friday Art Walk.

 

Heroes and Mirrors is an exhibition of a few bodies of work. The first is from the early 1990’s depicting a nostalgic reality of baseball heroes, while the other two series twist that nostalgic reality into a surreal perspective that challenges the viewers ability to comprehend the true image.

Eric Green was born in Gorham, New Hampshire in 1956 and currently lives and works in Belfast, Maine. Green has had several solo exhibitions including Ameringer McEnery Yohe, New York, NY; Gallery Henoch, New York, NY; Thomas Moser Gallery, Portland, ME; and Haley and Steele, Boston, MA. Green is the recipient of the National Academy of Design Merit Award and the Vermont Council Arts Fellowship.

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

For more information, visit us online at www.dowlingwalsh.com  or call 207-596-0084

The Sohns Gallery Presents Paintings by Martin Gallant

rock art

The Sohns Gallery, located in The Rock & Art Shop presents Paintings by Martin Gallant. The show runs from September 18th through November 5th. A reception and an artist talk will be held with conjunction with the First Fright ArtWalk on October 6th from 5-8pm.

This is Martin Gallant’s first time showing his large scale acrylic painting of beach stones. His artistic eye drew him to the stones describing them as “forested, wind worn, and sea worn gems”. Growing up in Bangor and attending the Mary Snow School art has always been his ticket to being noticed. He has lived his life around Maine and has always adored the Maine Landscape. Over the last 37 years he has produced hinders of painting ranging from murals to realistic landscapes. Now retired Martin Gallant has the time to focus of the smaller beauties of Maine. His large scale paintings of Maine beach stones are exquisitely rendered.

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Farnsworth Free Community Opening for Black and White: Louise Nevelson/Pedro Guerrero

Pedro E. Guerrero, Louise Nevelson Gazes at her Artwork in New York, 1978, Courtesy of Dixie Guerrero, ©Pedro E. Guerrero Archives

Pedro E. Guerrero, Louise Nevelson Gazes at her Artwork in New York, 1978, Courtesy of Dixie Guerrero, ©Pedro E. Guerrero Archives

On Friday, October 6, the Farnsworth Art Museum, in Rockland, Maine, will celebrate a free community opening for the exhibition Black and White: Louse Nevelson/Pedro Guerrero. The opening, which will take place from 5 – 8 p.m., will feature black and white films in the library accompanied by live music, fun craft activities, both chocolate and regular milk, Oreo cookies, and other creative activities. Also opening on that night will be an exhibition of studies that Jamie Wyeth did for his now-famous portrait of JFK. The opening is part of the museum’s First Fridays at the Farnsworth sponsored by First National Bank.

Jamie Wyeth, Portrait of President John F. Kennedy, Oil Study, 1967, oil on canvas, 14 x 18 inches. Collection of Jamie and Phyllis Wyeth

Jamie Wyeth, Portrait of President John F. Kennedy, Oil Study, 1967, oil on canvas, 14 x 18 inches. Collection of Jamie and Phyllis Wyeth

Louise Nevelson (1899-1988) is recognized as one of the most important sculptors of the twentieth century, whose wood sculptures, painted in black or white, revolutionized artists’ ideas of what sculpture could be. This exhibition will feature signature examples of these works drawn from the Farnsworth’s collection, the second largest collection of Nevelson’s work in the world. Some of these works reflect the artist’s interests in creating environments, in which her home and studio were laboratories for her innovations.

Nevelson’s home and studio were captured in a series of arresting black and white photographs by Pedro E. Guerrero (1917-2012) taken in 1978 and 1979. Guerrero, a renowned architectural photographer, is perhaps best known for his images of Frank Lloyd Wright buildings which brought him to national attention. Guerrero’s photographs of Nevelson in her home and studio, in combination with examples of her sculpture, offer a captivating look at her life and work.

The Lead Sponsor of the exhibition is Gail Catharine Bertuzzi. The exhibition is made possible in part through a grant from the Davis Family Foundation. The primary media sponsor of this exhibition is Maine Home + Design. Support for the community opening is also provided by Oakhurst Dairy.

Closing Celebration at Finch Gallery

Finch

Fog is rolling in. Summer has ebbed. Another successful season at The Finch Gallery in Belfast is coming to an end.

Come in September 28,29 or 30 to enter your name in the drawing for door prizes. They are very cool ones-

One of Jay Hoagland’s Granite Apples, and a few of Jerri Finch’s on paper, prints on canvas, and cards will be given away.

You need not be present to win…

On our last day, September 30 we will have gallery talks-

At 2:00 pm, Jay Hoagland will entertain us. And then Jerri Finch will share pearls of wisdom at 2:30….Refreshments will be served.

Special Pricing on Select Items all of September-25% off all canvas prints, and 10% off all original art, including Jerri Finch’s paintings and Jay Hoagland’s scupltures. For more information visit www.jerrifinch.com or call 207-338-1060

Fall Exhibitions and Barn Gallery Memories

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

Fall Exhibitions include ‘Shadows and Reflections’ by artists of the Ogunquit Art Association from September 13 through October 9 with an Opening Reception on Saturday September 16, 5 – 7:30 PM. See ‘OAA Expressions’ with its wide variety of style, subject, medium and price. Remember painter Norman West in a small Memorial Exhibition of his work. Enjoy work by photographer Steven Holt and painter Shiao-Ping Wang in the North Gallery. Walk through the three-dimensional work by Invited New England Sculptors in the outdoor Sculpture Court. Browse through our ever-changing array of small works of art in the Collectors Gallery.

wangLove.Story

Join us for ‘Barn Gallery Memories’ an engaging remembrance of Norman West, Mary-Leigh Smart, Barbara Hilty, DeWitt Hardy and George Burk on Thursday, September 21 at 6 PM.

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Don’t miss Andy Happel and Los Galactacos String Band – “Songs of the Americas” on Friday, September 15, 7:30 PM. Tickets in advance or at the door. And Poetry Readings by Richard Foerster & Alice B. Fogel, Poet Laureate of New Hampshire on Wednesday, September 20, 7 PM

For more information call 207-646-8400, email oacbarngallery@gmail.com, or visit www.barngallery.org

Courthouse Gallery Fine Art presents Jessica Lee Ives: Watermark

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Courthouse Gallery Fine Art is pleased to present Jessica Lee Ives: Watermark, the
gallery’s first solo show for Ives. The show opens on Friday, September 15, with an artist
reception from 5–6pm, and an artist talk at 6pm. The show runs through October 28. The event is
free and open to the public.

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

In her most recent series, Ives explores the figure as it moves through water—at the surface,
below, and looking down from above—creating colorful ripples or exploding above a swimmer’s
head like a jeweled headdress. These contemporary figures, combined with her exquisite
portrayal of water, make Ives’ paintings fresh, exciting, and relevant.

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Tuesday–Saturday 10am–
5pm. For more information on upcoming shows call 207-667-6611, or visit
www.courthousegallery.com

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

WINE & CHEESE ART RECEPTION AT Centre St Arts Gallery

Reliquary, carved wood, by guest artist Roger Barry

Reliquary, carved wood, by guest artist Roger Barry

Centre St Arts Gallery, LLC, invites the public to a Wine and Cheese Reception on Friday, September 15, 2017, from 4 to 7 pm, during Bath’s Third Friday Art Walk.  Join artists and art lovers in opening a new exhibition featuring work by guest artists Alston Stoney Conley, watercolor, and Roger Barry, wood sculpture, as well as the 20 members of the gallery showing many new works.All artworks are original pieces in a variety of media including oil, acrylic, watercolor, pastel, tempera, clay and wood.  Twenty artists from the midcoast area are Barbara Bean, Sharon Bouchard, Laurie Burhoe, Judy Conlan, John Gable, Andrea Galuza, Claudette Gamache, Livy Glaubitz, Marnie Hackenberg, Sarah Harvey, Jillian Herrigel, Tom Hinkle, Victoria Jackson, Daniele Lambrechets, Jackie Melissas, Shelby Patton, Lea Peterson, Sharon Renk-Greenlaw, Jane Rosenfield, and Sarah Wilde.

Roger Barry is a sculptor of wood.  He produces furniture, abstract sculpture, and, featured in this exhibition: Reliquaries.  Barry writes “Working with wood is in my blood. My great-grandfather published The Lumberman’s Actuary and my grandfather and father were  in the lumber milling business. In 1975 I received a BFA in wood sculpture from Eastern Michigan University. Secret locks have intrigued me all my life. Many of my reliquaries incorporate hidden mechanisms which enhance the interaction with the piece. After the process of creation, I love to display a sculpted box and say, “open it.”

River Odyssey, watercolor, by guest artist Alston Stoney Conley

River Odyssey, watercolor, by guest artist Alston Stoney Conley

Alston Stoney Conley graduated from the School of the Museum of Fine Arts Boston in 1974, and is on the faculty of the Fine Arts Department of Boston College.  His work in watercolor features landscapes with trees, water and clouds at sunset/sunrise.  Conley says:
“I live under a New England sky. The light, its color, intensity, sensation, season, and length of day influence my psyche, mood, interior life and art practice. The long hours of daylight during summer and short hours during winter define our seasons, influence our lives, and distance us from our southern neighbors. The low sun, color-rich light and long shadows of early morning or end of the day often silhouette the horizon or individual trees in shadow, while the light fills the sky.”

Admission is free and light refreshments will be served.  Centre St Arts Gallery, LLC, is open 7 days a week during the summer, Monday through Saturday 10:30 am to 5:00 pm, and Sunday 12 noon to 4:00 pm.  For more information, please call 207-452-0300, or visit the Gallery at 11 Centre Street, Bath.

Littlefield Gallery ends season with “Beyond the Sea”

CMCGrindstone2

“Grindstone” by Caren-Marie Michel

Littlefield Gallery in Winter Harbor concludes its ninth season with a group show “Beyond the Sea” featuring  artists Ben Lincoln, Caren-Marie Michel, Rachael Eastman, and John David O’Shaughnessy. This unique variety of interpretations of the coast of Maine will begin September 17 and run through Columbus Day, October 9. A reception celebrating the artists is Saturday, September 30, from 3-5 pm littlefieldgallery.com

Open Studio Day at Joseph A. Fiore Art Center Sept. 30

JAFAC_Open-Studios-flyer_Sept_proof3

 

Open Studio Day Saturday September 30, 11-3 at the Joseph A. Fiore Art Center, 152 Punk Point Rd, Jefferson

Join Maine Farmland Trust on Saturday, September 30th, from 11am-3pm, at our Joseph A. Fiore Art Center at Rolling Acres Farm for a family-friendly Open Studio Day. Come meet and view the work of September’s artists Anne Alexander, a sculptor from Windham who creates nature-based work (MFA in Sculpture from Alfred University, NY, 1989) and Jude Valentine, a printmaker and pastel artist hailing from East Machias, (MFA in Visual Art  with a concentration in multi-disciplinary media, Vermont College of Fine Art, Montpelier, VT.)  Resident gardener and artist Nellie Sweet will be on site to share the beautiful kitchen garden she has created this year; Center co-directors David Dewey and Anna Witholt Abaldo will be available to offer tours of the residency center and gallery. There will be live music on the lawn by Marsh & Lane – a young guitar/cello duo associated with the Midcoast Music Academy – and free coffee, tea and ice cream. Located right on Damariscotta Lake the public is invited to bring a picnic and enjoy the Center’s grounds for the day.

FMI: https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/

MFT Gallery opening Sept. 22, presenting CSA II

BartlettRice_TarboxStart

Susan Bartlett Rice, Tarbox Start, oil on canvas, 24 x 24”,

 

On View: Sept. 22 – Nov.10 at Maine Farmland Trust Gallery in Belfast, Maine
Opening Reception: Fri., Sept. 22, 5:30-8pm (during Belfast Art Walk) with artist talks preceding at 5pm.

Maine Farmland Trust Gallery, in partnership with the Harlow Gallery/Kennebec Valley Art Association, presents CSA II – one of three exhibitions of work by 13 Maine artists who have been partnered with CSA (Community Supported Agriculture) farms throughout the 2017 growing season.

Meet the artists and farmers at the opening reception on Friday, September 22, from 5-8pm with a gallery talk at 5pm. Maine Farmland Trust is located at 97 Main Street in Belfast; the exhibition is on view from September 22 through November 10, 2017. For more information about Maine Farmland Trust Gallery please visit www.mainefarmlandtrust.org/public-outreach-new/gallery/

Merritt_FarmTruck

Karen Merritt, Farm Truck, gelatin silver print, 9 x 9”

Participating artists and farms are: Ingrid Ellison of Camden (paired with Hope’s Edge Farm), Helene Farrar of Manchester (paired with Farmer Kev’s), Dylan Gifford of Kents Hill (paired with Wholesome Holmstead), Karen Merritt of Portland (paired with Crystal Spring Farm), Anna O’Sullivan of Portland (paired with The FarmME), Tim Ouillette of Portland (paired with Hancock Family Farm), Tyson Pease of Gardiner (paired with Tender Soles Farm), Alyssa Phanitdasack of Portland (paired with Sheepscot General Farm and Store), Jessica Rhoades of Thomaston (paired with Whatley Farm), Susan Bartlett Rice of Walpole (paired with Tarbox Farm), Nicholas Runco of Oakland (paired with KVCC CSA), Kris Sader of Orono (paired with Ripley Farm), and Rebecca May Verrill of Portland (paired with Frith Farm).

During CSA II (Community Supporting Arts), participating artists have been visiting their partner farms regularly since January 2017, at the very start of this year’s growing season, creating art inspired by their farmers’ lives, work, and landscape. The resulting body of artwork will be exhibited at three venues in the fall of 2017: at the Maine Farmland Trust Gallery in Belfast September 22 – November 10; at the Harlow Gallery in Hallowell October 27 – December 2; and at Engine in Biddeford November 10 – December 16.

 

OSullivan_Makin_Maple

Anna O’Sullivan, Makin’ Maple, woodcut, 11 x 17”

 

In 2012 Harlow Gallery organized the first Community Supporting Arts (CSA) project to connect Maine’s artist and farming communities, two vibrant and idealistic groups that are key to our state’s unique sense of place. The first CSA project was a huge success and the Harlow Gallery staff and volunteers are thrilled to bring it back for 2017.

All the participating farms are Community Supported Agriculture (CSA farms).  A CSA farm sells shares at the beginning of the growing season and then provides fresh, seasonal food on a regular basis to each shareholding household throughout the growing season. CSA II will use the power of art to promote the economic and environmental benefits of organic farming and of buying locally grown food. Our food industry is a critical key to a sustainable economy and the health and well-being of Maine citizens in an age of accelerating climate change.

Verrill_FarmBowl

Rebecca May Verrill, Farm Bowl, wheel-thrown earthenware, 8”L x 8”W x 4”H

 

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org.

 

Tina Ingraham and Roy Germon at Greenhut Galleries

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham’s Rocks, Trees, Sand & Sea: Popham to Blue Hill will be on display September 7th – 30th, 2017 with an opening reception Thursday September 7th, 5-7pm. Roy Germon featured in the side gallery.

Tina Ingraham’s inspiration for her most recent group of paintings is the Maine landscape. She finds beauty in the subtleties of the world around her and in the paint itself, pushing and pulling the paint with the use of palette knife and brush. Tina was classically trained and received her MFA from Brooklyn College of CUNY in 1996 and holds a BS in Design from the University of Cincinnati. As a John Simon Guggenheim Grant recipient, Ingraham painted in Italy and traveled Europe from 1999 to 2003 to study master paintings integral to her work. She is also the recipient of the Maine Commission for the Arts Project Grant, the Pollock Krasner Foundation Award, and the Milton and Sally Avery Fellowship. She has been an educational instructor at Bowdoin College, Stephens College, Maine College of Art and Brooklyn College, where she received a teaching fellowship and the Charles G. Shaw Award for Excellence.

 

Roy Germon

Roy Germon

Recent work by Roy Germon will be featured in our side gallery this month. Germon attended the School of the Visual Arts in NYC where he received his BFA in 1990. During his 20-year tenure in NYC he worked as a freelance illustrator and a conservator of fine art and original prints. In 2003 he moved to Portland, Maine with his wife, son and daughter. Inspired by the Maine landscape, he took up painting, dominating his canvases with energetic brushstroke and bold line.

Gallery hours are Monday to Friday 10am – 5:30pm and Saturday 10am – 5pm. For more information please call (207) 772-2693 or visit www.greenhutgalleries.com

ART & EDUCATION IN MAINE Featuring ERNEST MCMULLEN & VICTORIA ACCARDI

Ernest McMullen:  Last Light, Somes Harbor, 24 x 36, oil on panel

Ernest McMullen: Last Light, Somes Harbor, 24 x 36, oil on panel

Art & education in Maine featuring Ernest McMullen & Victoria Accardi runs September 2 – 16, 2017. There will be a cocktail reception and open house on Saturday, September 2nd from 4:00 – 6:00 pm. The exhibit features works by renowned landscape painter and former educator at College of the Atlantic, Ernest McMullen and realist painter and former student, Victoria Accardi.

Ernest McMullen is a gifted teacher who introduced multiple students to the fine arts during his 43-year tenure on the faculty of College of The Atlantic (COA). McMullen’s luminous work is highly sought after by collectors who are drawn to his iconic imagery – the quiet ambiance of evening closing in on the cool, blue-tinged waters of Somes Harbor or the steely tranquility of the moon over NE Harbor – as well as the sense of mystery and silence that pervades his landscapes.

Victoria Accardi:  Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi: Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi is tremendously grateful for her four years of study with McMullen; “he’s the reason I stayed at COA,” she says simply. Accardi says that this ability to see beauty in the commonplace mirrors that of her teacher, Ernest McMullen. The streets of New York offer endless fodder for Accardi’s imagination. A realist painter with a fascination for portraiture and the human form, Accardi celebrates the fleeting moments of life that unfold in the city around her.

Please visit www.galleryatsomessound.com/events for more information.

“Touch of Gold” at CRAFT Gallery

Thread drawing by Daphne Taylor

Thread drawing by Daphne Taylor

CRAFT Gallery opens “Touch of Gold” on Friday, September 1st through October 5th, presenting new work by gallery artists. Four featured artists use gold as a common element in their work: potter Paul Heroux, calligrapher Jan Owen, quilter Daphne Taylor and sculptor Jacques Vesery. Quilt maker Daphne Taylor’s powerful design sense and minimalist aesthetic are expressed in her ”drawings” with thread. Her use of gold and silk recall the Middle Ages and Renaissance art, sumptuous with gold and precious materials to add value.She uses wool and silk as a surface to create her work with thread. Potter Paul Heroux treats the ceramic vessel as a painting surface and 3 – dimensional canvass, combining colors, patterns, angles and metallic lusters to his abstract and architectural approach to pottery. Calligrapher Jan Owen’s hand lettered piece, “Benediction” features a poem by Wesley McNair from his newest book “The Unfastening” McNair was poet laureate of Maine from 2011 to 2016. This is the ninth collection of his published work.

Bronze glazed vase by Paul Heroux

Bronze glazed vase by Paul Heroux

CRAFT Gallery is also privileged to present the newest clay sculptures by Lynn Duryea, co-founder of Watershed Center for Ceramic Arts. Duryea began her career as a functional potter and progressed to making minimalist abstract forms. Her geometric and architectural clay sculptures combine angles, colors and textures that she has observed in smokestacks, dock pilings and worn building facades. She was included in the Center for Maine Contemporary Art’s 2016 Biennial and has taught and lectured widely in the U.S. Many of the artists will be present during the September 1st First Friday Art Walk and books pertaining to their work will be available for purchase and signing including the new “Handcrafted Maine” featuring weaver Sara Hotchkiss.

Clay sculpture by Lynn Duryea

Clay sculpture by Lynn Duryea

CRAFT Gallery is located at 12 Elm Street in Rockland and will have live music by “Good Vibrations” in the gallery courtyard during the evening Art Walk. For more information call (207) 594-0167 and visit www.craftonelm.com

“WHAT’S UP THERE” at Philippe Guillerm Gallery

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

“WHAT’S UP THERE Attic Window Series”, a exhibition of works by Waldoboro artist Jean Kigel, opens with an artist’s reception Saturday, September 9th, from 4 to 7pm.

Jean Kigel presents a unique series of oils and watercolors of attic windows from Mid-coast Maine. “There is something romantic about an attic”.In Kigel’s paintings the viewer is invited to take a virtual look from the street into attic windows to imagine the story within.
Nigel travels Mid-coast Maine towns, seeking unusually shipped attic windows, in the form of crescent moons, polygons, or ornately arranged and decorated multi-panes.

Philippe Guillerm Gallery proudly presents Jean Kigel and Philippe Guillerm’s new collection of sculptures and joins with Tidemark Gallery, Heywood Gallery and a local Collective Art Group for Waldoboro’s “Second Saturday ArtWalks.” For more information call 207-701-9085 or visit www.guillermsculptures.com

September 3rd Opening Reception at The Turtle Gallery

Alix Bacon, The Climate Change Apocolypse, 24 x 72

Alix Bacon, The Climate Change Apocolypse, 24 x 72

This new exhibition features 3 series of paintings by Alix Bacon, mixed media drawings by Mary Barnes, abstract paintings by Anderson Giles and hand-printed paper collages by Alice Spencer.

Alix Bacon returns to the Turtle Gallery with three new series of work: The Scottish Paintings, Windows on Maine and the Climate Change Apocalypse. Bacon’s landscapes depict tranquil terrains, opening vistas onto the natural world in all its richness. Though the paintings contain no figures, we are reminded that we are present in them; we bear a responsibility to the landscapes in which we always, indelibly, appear. Bacon translates her vision by painting the environment, not just the landscape, and reminds us of the raw truth of Climate Change on our world.

Mary Barnes Frigate 40 x 52 mixed media on mylar

Mary Barnes Frigate 40 x 52 mixed media on mylar

Moved by the wonder and mystery of our avian counterparts, Mary Barnes captures their presence in a series of both vibrant and evocative mixed media drawings. Inspired by both the birds of her home in the north and a journey to the Galapagos, Barnes translates the vitality of aviary flight, habitat, sounds and habits of birds in this new collection of drawings.

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles joins the Turtle Gallery for his first showing since retiring from 35 years of teaching art and photography at The University of Maine at Presque Isle. The show will include several older works as well as paintings recently completed during his final summer in northern Maine. Giles engages his powerful use of color and light to capture representational imagery, abstract visions and the many lines and points between where the spiritual and the physical blur.

Alice Spencer, Quilt Improv 2, 16x16

Alice Spencer, Quilt Improv 2, 16×16

Portland based artist Alice Spencer will be showing new collages of hand-printed paper. A lifelong artist of various mediums, Spencer has long been influenced by textiles from her travels and their integration into culture and everyday life.

Chris Joyce  Studio Shot

Chris Joyce Studio Shot

A new collection of woodwork from local favorite Chris Joyce will also be on display, as well as copies of his new catalog.

In addition, a vast collection of jewelry and contemporary craft, print collections and sculpture garden will be on display. Light refreshments will be served. For more information call (207) 348-9977 or visit theturtlegallery.com

Erik Lundin Retrospective at The Kelpie Gallery

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A first ever showing of the works of the late artist Erik Lundin of Rockland/Thomaston and Madrid, Spain at The Kelpie Gallery of South Thomaston, Maine. Erik Lundin Retrospective – The Art of a Quiet Soul opening reception Saturday, September 9, 2017 5:00 – 7:00 p.m.

Erik Lundin, a lifetime and reclusive artist, died at the age of 86 having never shown his paintings. Susan Lewis Baines of The Kelpie Gallery has been gifted almost 300 pieces of artwork and as many studies of the artist’s life’s works by Lundin’s sister in the hopes of creating and building the legacy of her late brother.

Baines was approached by a healthcare worker of Lundin’s asking Baines to view his body of work. Baines agreed and was impressed with the artist’s geodynamic landscapes of Maine, Spain, and Central America. Baines met with the artist before his passing. His wish was to have confirmation by the populace of his talent. Unfortunately, Erik Lundin passed away before he could realize his wish. Susan agreed to accepting the work with one caveat; that 50% of the sales of Erik Lundin’s work by donated to the Sussman House, a hospice facility located in Rockport, Maine.

The Kelpie Gallery, in conjunction with the Pen Bay Waldo Healthcare Foundation, presents: Erik Lundin Retrospective – The Art of a Quiet Soul. For more information call (207) 691-0392 or visit www.thekelpiegallery.com

John Bowdren Fall Exhibit Opens at Yarmouth Frame and Gallery

"Lobster Rafts at Dusk" 36x48 acrylic on canvas

“Lobster Rafts at Dusk” 36×48 acrylic on canvas

Yarmouth Frame and Gallery’s Fall exhibit Presence of Place, is a group show with their 22 year around gallery artists with a focus on John Bowdren. John’s works have a quietness about them, a peacefulness that is soothing and meditative. The show is a reflection of that sensibility and having a presence of place. There is an Artist Reception on September 9th 4 to 7 and runs through November 22nd.

In John’s own words about his process, he shares,”Mornings start with a cup of tea, a quick look at the weather and the tide charts, then grab the Maine Gazetteer, sketchbooks and camera and off along the Mid-Coast, following the little boat symbols in the Gazetteer for public boat ramps and put in’s, where I hope to find my painting subjects and an A-Ha moment to share.”

"White Boat at Dock" 12x12 acrylic on canvas

“White Boat at Dock” 12×12 acrylic on canvas

John’s work relies on the warm or cool temperature of light and how it effect the emotional presence of a place. “Reflecting light is important to my work.” John tells us. “I work the color values back and forth in the water of my seascapes so that it appears to be there, but not there and serves as a supporting role for the placement of boats or wharf subjects.” The overall effect gives my audience a feeling of calm in the unbalanced balance of a finished piece.”

"Hanging Out at the Wreck" 24x24 acrylic on canvas

“Hanging Out at the Wreck” 24×24 acrylic on canvas

Yarmouth Frame and Gallery is located at 720 Rt. 1 in Yarmouth. Hours: Monday – Friday 10:00am – 6:00pm. For more information about all 22 of our year around gallery artists or to make an appointment for a private viewing call 207-846-7777 or email from our website. www.YarmouthFrameAndGallery.com

Impressionist Artist Specialized in Coastal New England Paintings & Drawings

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Summerings with Mary Bradish Titcomb, 1892-1902: Drawings of Coastal New England and the White Mountains will be on view at James L. Kochan Fine Art & Antiques, 75 Main St., Wiscasset, from August 31st to September 27th. Although listed as a portrait painter, Titcomb is best known for her impressionistic paintings of rural and coastal New England and is considered the most important woman artist of the Boston Impressionists.

The Kochan Fine Arts exhibition, with an opening reception during the Wiscasset Art Walk on Thursday, August 31, 5-8pm, features finished and preliminary drawings in graphite, watercolor and/or ink on paper from the first decade of Titcomb’s professional career. The drawings on view were all executed while on summer holidays in New England, principally coastal Maine (including Ogunquit, Sebago Lake, Cape Elizabeth, Portland, and Monhegan), the White Mountains, the North Shore, and Plymouth, Massachusetts. Principally landscape and coastal views, the exhibition also includes some portraits and still lifes.

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Born in Windham, New Hampshire, Mary Bradish Titcomb (1858-1927) began her artistic career teaching drawing in the Brockton, MA public schools. In 1888, she relocated to Boston to commence studies at the Boston Museum School under Boston Impressionists Edmund C. Tarbell and Frank W. Benson and later Philip Hale. During her early professional career, summers were spent drawing and painting in coastal Maine or the White Mountains near her birthplace. In 1895, Titcomb traveled to Europe for the first time, studying with Jules Lefebvre in Paris, but returned to Boston, where she exhibited regularly with the Copley Society and in numerous national exhibitions. Titcomb continued to summer along the New England coast, from the North Shore to Cape Cod, although she is known to have gone on a sketching trip to Arizona and Mexico in 1901. As she became more successful, she left her Fenway studio and purchased a home in Marblehead, Massachusetts, where she died in 1927.

For more information about Mary Bradish Titcomb and the Summerings exhibition, please contact James L. Kochan Fine Art & Antiques, 304-279-7714 or jameskochan@comcast.net

Landing Gallery presents “MAINE PLEIN AIR PAINTERS”

"McCloons" by Monique Lazard, 16" x 20" Oil/Canvas

“McCloons” by Monique Lazard, 16″ x 20″ Oil/Canvas

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “MAINE PLEIN AIR PAINTERS”, an exhibition of new paintings by Monique Lazard, Tom Curry and Björn Runquist opening on Friday, September 1 through October 15. The Artists’ Opening Reception will be held on Friday, September 1 from 5-8 PM.

Monique’s landscape paintings have sense of movement and are filled with a gestural energy. She is a life long artist and has been painting since she was 10. “I always have a sketch book with me to record my observations. During my teens I began taking back packing trips to the Sierras, which helped foster my love of nature. Wherever I am, I find the local landscape to be an inspiring and fascinating subject for my painting.” Monique’s studies began as an undergraduate at the Academy of Art in San Francisco, she received her BA from the California College of Art and pursued graduate studies at the Art Center College of Design in Pasadena. She also studied with artists Nelson Shanks at Studio Incamminati, Stuart Shills and Alex Kanevsky at the Pennsylvania Academy of the Fine Arts in Philadelphia.

"Weir Cove" by Tom Curry, 12" x 12" Oil/Panel

“Weir Cove” by Tom Curry, 12″ x 12″ Oil/Panel

For the past 18 years, Tom has painted the landscape around his home in Maine. “As a plein air painter, I immerse myself in landscape to explore the relationships between stillness and flux. What we call a “place” is a paradox – it is not fixed but always changing: the light shifts from moment to moment, water is never still, clouds come and go. I paint the interplay of light, island, sky and water as a metaphor and meditation on place and time, the dance between what we perceive as eternal and ephemeral.” Tom Curry has a MS from the University of Massachusetts at Amherst, BFA from the Rhode Island School of Design and attended the Graduate Program at Yale University. His work is in the collection of the Farnsworth Art Museum, Delaware Art Museum and the Wheaton College Museum.

Pier: Wheeler Bay" by Björn Runquist, 16" x 20" Oil/Linen

Pier: Wheeler Bay” by Björn Runquist, 16″ x 20″ Oil/Linen

Björn Runquist has been painting in the mid coast area from Port Clyde to the Camden area, for thirty years. Björn is one of Maine’s most accomplished and collected Plein Air Painters, his paintings are in many major, private and public, collections including the Farnsworth Art Museum. “My subjects vary: the Working Waterfront and in particular this year, Piers, have become my subject of choice.” The Pier’s structural complexity allows for an interplay of color and light that creates a visual energy. It’s a visually interesting combination of solid and transparent areas that are very challenging and gratifying to paint. “There are things that I return to and there are things I paint only once. But, at the core is the ever-present force of light as the source of all that we see, indeed, at the source of life itself – the source of each day’s new beginning.”

Please join us Friday, September 1 from 5 – 8 pm for an artist’s reception with Monique Lazard, Tom Curry and Björn Runquist. Hours: Tue – Sat 11– 5, Sun 12 – 5 & closed on Mon. For more information please call 207 239-1223 or visit www.LandingArt.com

New Era Gallery Opens “Home”

Evening Reflection, oil on canvas, by Susan Day Philbrook

Evening Reflection, oil on canvas, by Susan Day Philbrook

New Era Gallery in Vinalhaven will open the last show of the summer season on Saturday September 2, with a reception from 5:00-7:00pm.  The show is open to all gallery artists, with a theme based on the concept of “home”.  Works will include paintings by Susan Day Philbrook and Elaine Austin Crossman, hand-hooked rugs by Kathleen Bird, and sculpture and prints by Kitty Wales.    

Labor Day weekend hours are Saturday 10:00am to 7:00pm, Sunday 11:00am to 2:00pm, and Monday 10:00am to 12:00pm.  Late summer hours following the weekend are Tuesday-Saturday 10:00am to 4:00pm.  For more information call 207-863-9351 or visit neweragallery.com.

Art Space Gallery September 1st Opening

Roger Barry, Face, Wood

Roger Barry, Face, Wood

Art Space Gallery invites you to the September “Arts in Rockland” first Friday art walk on September 1st.  Our front room features the work of Roger Barry, Janalee Welch, Joan Wright, and Melissa Post van der Burg. Additionally, there are many new works by our 15 other gallery artists. Please stop by and join us for wine, refreshments, and meet our artists on Friday, September 1st, from 5 to 8 pm.

Roger Barry of Edgecomb is a sculptor artisan who makes reliquaries from native hardwoods, many with secret locks. Heavily carved and beautifully finished, each is designed to hold precious personal items or enhance decor. Roger also creates sculptures and dreamlike tree houses that light up and draw starry nights on ceilings.“Most of my wood stock is milled from downed trees. Each one has its unique character and the sculpture that unfolds must reflect and honor it. Whether formal or whimsical, functional or decorative, all my pieces invite a personal encounter with the wood.”

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch of Farmington uses paper, both bits of the old and those she has decorated, painted, printed, or rusted together with bits and pieces of found objects to express her ongoing interest in how these materials work together in collage. Her work is inspired by her love of the natural world that was her playground as a child and her subject as a classroom teacher. “I love the rocks of the Maine coast, and I am inspired by their shapes, colors, conglomerate components, their history and their formation.” Janalee’s collages employ reminiscences of nature using simplicity and order; and pattern and symmetry as design elements, creating the sense of serenity and stability that she takes from nature.

Joan Wright, Up, Photography

Joan Wright, Up, Photography

Joan Wright of Rockland continues her exploration of the abstraction of reflections in water as well as capturing the many moods of her favorite island in the fog and out. Her exhibition will include both abstract and land/water scapes around Vinalhaven. Joan, who has been coming to Vinalhaven for over 35 years, reveals the spirit of the coast in her photography. “Water fascinates me. Its beauty and destructive power. It’s ability to reflect, distort, to change itself into what we perceive as another medium.”  

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg of Augusta will be featuring a new set of watercolor paintings. She works with the medium as if it were oil, creating rich, colorful and soulful paintings.  Her work, featuring images of Maine, has won awards across the country and is capturing the attention of many collectors. “Most of my work is figurative, with a narrative quality. I often use friends and family members as models–this is a venerable tradition dating back to the great renaissance painters. When I have a figure in front of me that I know very well, it leaves me free to focus on the story–what the painting is about.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  September hours are Monday through Saturday 10 am to 6 pm and Sundays 1 pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

New Shows by Anthony and Curry at Gleason Fine Art

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

Gleason Fine Art in Boothbay Harbor opens two new shows on August 31: JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK. The opening reception for both shows is First Friday, September 1, from 5 to 7 pm. Everyone is invited to join Janice and Tom in a glass of Monhegan Brewing beer or fine wine. The two shows run through October 3.

JANICE ANTHONY     Jackson resident Janice Anthony is on the short list of Maine’s most respected and collected contemporary realist painters. A long-time member Tom Crotty’s Frost-Gully Gallery in Freeport, Anthony joined the Gleason roster of artists upon Crotty’s death two year’s ago. The gallery welcomed Anthony’s fresh and direct approach to painting the landscape.

     Anthony’s beautifully rendered landscapes of Maine invite viewers to see the natural world as she does. In her own words: “The content of my paintings lies beyond the visible features of woods, rocks, and water. My intention is to convey the sense of place: the moving air, the solidity of rock, the transience of water, and the strength of the ground beneath. The act of painting unites me with a wilderness that I recognize within myself. Putting paint on the canvas is where I find my bearings, at the intersection of the image and the brush” (O’Hern, “Am. Art Collector,” 6/2012).

       Janice Anthony lives in rural Jackson, Maine, where she and her husband raise cattle. Anthony’s resume is long and includes numerous solo and group shows at prestigious galleries. Her paintings hang in many public collections, including Unum, in Portland, Maine, and the McGraw-Hill Companies in New York City. Her paintings appear in many books and magazines, including the Little/Skolnick series, Paintings of Maine, Paintings of Maine in Winter, and Paintings of Maine Islands.

        For her solo show JANICE ANTHONY: AT ONE WITH NATURE, Anthony has given the gallery a dozen new paintings, including the ethereal “Threshold” (acrylic, 24 by 24 inches), which depicts a place and a moment in time so evocative that one is tempted to use the word “dreamlike.” 

TOM CURRY     Artist Tom Curry could live anywhere, but he and his wife, the writer Kim Ridley, chose the Down East village of Brooklin, Maine. Here Curry’s singular passion focuses on the tiny, uninhabited island of Chatto, which sits in Blue Hill Bay in sight of Curry’s studio.  Curry paints Chatto at all times of day and in all types of weather. 

      The show’s centerpiece, a 48 by 57 inch oil titled “Venus,” is breath-taking. With “Venus,” Curry conjures a spectacular summer day in Maine. Immense, puffy, white clouds float in the sky above Chatto and are reflected in the sea below, enveloping the lush, green island. The open sky is an unforgettable clear blue. The sun, threatening to break through the clouds, yellows their edges. 

       “Venus” is classic Tom Curry: take a simple thing, like a little, green pincushion of an island, and make it the center of the universe, a universe the viewer wants very much to be a part of.

        When Curry can take his eyes off Chatto, Brooklin’s serrated coastline and dozens of islands offer the artist an unlimited number of possibilities to paint. In “The Meadow,” a delicately striped sky fills the top half of the painting. The lower half takes the viewer from the mainland to a wooded island, and then to the distant hills beyond. The striped sky plays against supercharged spring greens and the reds and oranges of newly leafed blueberry shrubs. The result is a stunning painting that lets the viewer know just how precious this bit of coastline is.  

        Both shows, JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK, may be viewed on the gallery’s website: gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849, or send an email to info@gleasonfineart.com. Gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm.

Events at the ANNEX in Castine

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Upcoming Events for the ANNEX –
Co-Presented by the Castine Arts Association

• Artists-in-Residence have arrived!

• August 6-25 Kelly Carmody (Boston) and Viktor Butko (Russia) – They will be painting around town for the first week and a half and then moving into the studio space at the ANNEX. Keep an eye out for them. Both Kelly and Viktor will do a painting demonstration.

• Thursday, August 17, 5-7, Showing for Artists-in-Residence, Ben Skinner and Genevieve Dionne at the ANNEX – come see the ephemoral Castine-inspired installation they’ve been making while in residence.

• Saturday, August 19, 9-12PM, Kelly Carmody Painting Demonstration. Kelly will work through painting a still-life while answering questions from the audience, from 9:00 – 12:00. The public is free to stay the whole time or come and go as necessary. Offered as part of the Artist-in-Residence Program at the ANNEX happening at 8 Water Street, Castine, Maine in the studio.  Free and open to the public. Please come and enjoy the insights of a truly gifted and thoughtful artist.

• Tuesday, August 22, 5-7PM Kelly Carmody and Viktor Butko Residency Exhibition Reception. Show will be up until Friday August 25.

• Thursday, August 31, 5-7: Opening Reception for Charleen Wiseman, Quilts! @ the ANNEX

For more information call or email theannexcenter@gmail.com • 213-839-0851, or drop into Gallery B, 5 Main Street, Castine

The ANNEX is located at 8 Water Street, Castine, ME 04421
www.annexarts.org

Deer Isle Artists Association presents “Fresh Ink,”

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Evocation, by Marianne Alweiss

 

From August 18 through the 31, the Deer Isle Artists Association will present “Fresh Ink,” featuring the art of Marianne Alweis, Don Bardole, Cynthia Bourque Simonds, Betsy Braunhut, Emily Brett Lukens, Janet Cook, Mary Eaton, Judith Felch, Jill Finsen, Jeri Gillin, Kaitlyn Metcalf, Carolyn Raedle, Hub White, and Alice Wilkinson. Appearing in the Art Rack will be work by Leslie Anderson, Avery Falkner, Judith Felch, Judith Felch, Jerry Levitt, and Cynthia Stroud-Watson.

The title “Fresh Ink” refers not necessarily to the materials utilized by each artist; rather it serves as a metaphor for how each interprets the theme and applies it to his or her own work. Included in the show will be a wide range of mediums, including drawing, printmaking, painting, photography, basketry, fiber arts, etc.

A reception with the artists will take place on Sunday, August 20, from 4:00 – 6:00. The DIAA Gallery is located at 15 Main Street in Deer Isle Village, and is open daily from 10:00 – 6:00. www.deerisleartists.com   (207) 348-2330.

Cynthia Winings Gallery presents “Viewfinders”

17-MASTERS-Rain-Room-9'-16'x-14'-mixed-media-on-paper-2017

Buzz Masters, “Rain Room”

The Cynthia Winings Gallery in Blue Hill presents a new group exhibition, Viewfinders, featuring the work of Jenny Brillhart, Brita Holmquist, and Buzz Masters, with new work from Ingrid Ellison, with an Opening Reception, Sunday, August 20, 4 – 7PM

A Summer of exciting shows continues with the the fourth group exhibition of the season!

VIEWFINDERS features the artwork of Jenny Brillhart, Brita Holmquist, Buzz Masters, with new work from Ingrid Ellison. I am fortunate to include artwork from Louise Bourne, Avy Claire, Tom Curry, Diane Green, M P Landis, Bill Mayher, Libby Mitchell, Jerry Rose, John Wilkinson, Goody-B. Wiseman and Diane Bowie Zaitlin.

Everyone is warmly invited to the Opening Reception, Sunday, August 20, 4 – 7 PM. On view through September 18. Contact: Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

Night Stories After Party at CMCA

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Dance the night away at the Night Stories After Party following the Center for Maine Contemporary Art’s Summer Gala on Friday, August 18th, from 9-11pm. CMCA’s courtyard at 21 Winter Street, Rockland, will come alive with dance music by DJ Owen Cartwright, cash bar by Trillium Caterers, ice cream truck by Stone Fox Farm Creamery, a fire pit to gather around, sparklers, and more! Tickets are $10 for CMCA Members, $12 for Non-members, and are available online at http://cmcanow.org/event/afterparty-night-stories/, or the evening of the event.

The CMCA Summer Gala is the art center’s most important fundraising event, offering an exceptional evening of food, drinks, fun, and art. All proceeds provide essential support for CMCA’s exhibitions and programs, including ArtLab, CMCA’s signature hands-on education program for all ages. This year’s Summer Gala honors the opening of Linden Fredrick | Night Stories, a collaboration between the artist and 15 award-winning authors, including Anthony Doerr, Andre Dubus III, Louise Erdrich, Joshua Ferris, Tess Gerritsen, Lawrence Kasdan, Lily King, Louis Lowry, Ann Patchett, Luanne Rice, Richard Russo, Elizabeth Strout, Ted Tally, and Daniel Woodrell. Festivities include a moveable feast and cocktails by Trillium Caterers, oyster bar by Otter Cove Farm, silent auction, live music and entertainment. Event tickets are $225 for CMCA members and $250 for non-members, and include entry to the After Party. Major media sponsor is Maine Home + Design magazine.

In addition, to benefit CMCA, artist Linden Frederick and Forum Gallery have donated his painting, Midnight, 2009 (oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches), valued at $5,500, to be raffled at the Gala. Raffle tickets are $100 each and only 100 will be sold. Tickets are available for purchase online at cmcanow.org or by calling 207-701-5005. Raffle ticket holders do not need to attend the event or be present to win

CMCA to Hold Public Reception for Linden Frederick: Night Stories Exhibition

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

The Center for Maine Contemporary Art (CMCA) will hold a public reception for the exhibition Linden Frederick: Night Stories on Friday, August 25, from 5 to 8pm. The exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers. The exhibition will be on view at CMCA through November 5, 2017.

The collaborating writers include: Pulitzer Prize-winner Anthony Doerr (All the Light We Cannot See); National Book Award-finalist Andre Dubus III (House of Sand and Fog); National Book Award-winner Louise Erdrich (The Round House); National Book Award-finalist Joshua Ferris (Then We Came to the End); Internationally bestselling author Tess Gerritsen (Rizzoli & Isles series); Academy Award-nominee Lawrence Kasdan (Raiders of the Lost Ark); Kirkus Prize-winner Lily King (Euphoria); Edgar Award-winner Dennis Lehane (Mystic River); Newberry Medal-winner Lois Lowry (The Giver); PEN/Faulkner Award-winner Ann Patchett (Bel Canto); New York Times bestselling author Luanne Rice (Crazy in Love); Pulitzer Prize-winner Richard Russo (Empire Falls); Pulitzer Prize-winner Elizabeth Strout (Olive Kitteridge); Academy Award-winner Ted Tally (The Silence of the Lambs); PEN USA Award-winner Daniel Woodrell (Winter’s Bone).

In conjunction with the exhibition, Frederick will present a gallery talk on the inception and creation of the Night Stories series on Tuesday, August 29, at 5:30pm. Space is limited to 40; reservations are required. The event is free to CMCA members; others with admission. To reserve: call 207-701-5005 or email info@cmcanow.org.

Additional upcoming Night Stories programs include a conversation in the gallery with Linden Frederick and author Tess Gerritsen on Sunday, September 17, at 3:00pm; and a conversation between the artist and author Richard Russo on Sunday, October 22, 3:00pm.

A resident of Belfast, Maine, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. He is represented by Forum Gallery, New York and Los Angeles.

CMCA is located at 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org.

Four Solo Shows Opening at Caldbeck Gallery

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

From August 16 to September 16, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit the work of 4 artists: Lois Dodd of Cushing ME and New York NY, Bayard Hollins of Islesboro ME and Ojai CA, Janice Kasper of Swanville ME, and Lise Becu of Tenants Harbor ME.  An opening reception for the artists will take place on Wednesday, August 16, from 6-8 pm.

In “Summer Paintings”, Dodd’s oil on masonite and oil on aluminum paintings sing with the light and air of summer in Cushing, Maine.  Mostly painted within the past 3 years, the paintings range in size from 5 x 7 inches to 18 x 20 inches.   In “Open Barn Door with Wheelbarrow” a very red wheelbarrow casts its shadow on the barn’s cedar shakes.  The shadow is that cool color that only the heated light of summer can create.  In one of the smaller paintings, “Frog Road Kill”, a frog’s little body is painted with a care that is both scientific and tender.  Dodd’s work has been shown widely in NYC, where she shows with Alexander Gallery, and throughout the U.S. for more than 60 years; her first exhibit with the Caldbeck was in 1985; this is her 11th solo show at the gallery.

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

Hollins’s show, “A Special Place”, features paintings in oil on canvas, as well as in acrylic on paper, measuring in the range of 18 x 20 inches to 72 x 60 inches.  About his work, the artist explains, “many influences go in my work, though the dominant theme tends to be the interaction between classical realism and abstract expressionism.  I work very fast, with large brush strokes, in order to convey the rawness of nature.  I like to leave a painting in a sort of incomplete state.  I believe that an unrefined painting is truer to nature and to my own emotions.  Space is created so that the painting can move, breath, and grow in the viewer’s imagination.  He used to love to go out in his power boat in stormy weather, but gave that up, and now relives those experiences in some of his paintings.   This is the artist’s third solo show with the Caldbeck.

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

Kasper’s 5 canvases in her show “New Work” are about nature (and human nature).  Measuring in the range of 21 x 31 inches to 24 x 80 inches, each painting tells a story woven together by the artist’s sense of humor and compassion for the animal world.   “My work is concerned with how we view and interact with our fellow creatures. They make our lives richer and we have the power to enrich their lives by protecting their habitats and by seeing the beauty in all living things”, Kasper says. Kasper was the curator of historic sites for the Farnsworth Art Museum for many years.  Her work there included caring for the Lucy Farnsworth Homestead, as well as the Olson House in Cushing.  Her passion and compassion for wildlife plays out in all of her artwork. She has shown widely in Maine and Connecticut, and has been with the Caldbeck since 1985.

FERTILITY  2017  granite  48 x 13 x 9 inches  Lise Becu

FERTILITY 2017 granite 48 x 13 x 9 inches Lise Becu

“Works in Stone” includes a number of new sculptures by Lise Becu, as well as a number of earlier pieces.  Becu works predominantly in different kinds of granite and Rockland limestone, but also works in alabaster, travertine, and calcite.  Of particular interest to her are found stones – on the beach, or in a wall, or from a slag pile.  “I like to use the natural shape of the stone”, explains the artist.  “I also try to leave some of the stone’s texture that is created by the many years of erosion out in nature.  When I finish a piece, I blend those areas of roughness into the final polished surface.  My imagery usually evolves as I carve, like having a conversation with the stone.  It’s as though the stories appear all by themselves.  I like to describe my work as ‘stylized figurative depictions of everyday life, dreams, and legends’.” Becu has been represented by the Caldbeck since the gallery’s first exhibit in June of 1982.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4.  For more information, please call the gallery at 594 5935, or email at caldbeck@midcoast.com.

Late Summer Exhibitions at Barn Gallery

Evelyne Harper Neill will celebrate over 50 years as a member of the Ogunquit Art Association with a solo exhibition of her paintings in the North Gallery. She will give a Gallery Talk on Thursday, August 17 at 6 PM, a talk that is free and open to the public. There will be an opening reception on Saturday August 19, 5 – 7:30 PM.

Late Summer Exhibitions begin on August 9 and run through September 9. OAA members, old and new, will show paintings, graphics photographs and sculpture in “OAA Expressions” and in a special theme show, “From Above.” Invited New England Sculptors continue to display three-dimensional work in the outdoor Sculpture Court. An ever-changing array of small works of art is always available in the Collectors Gallery.

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Barn Gallery’s expanded schedule of figure drawing sessions, artist demonstrations and workshops in a variety of media as well as artist gallery talks continues through August.

Barn Gallery, Shore Road & Bourne Lane, Ogunquit, Maine
Hours: 11 AM – 5 PM daily, 1 – 5 PM Sunday
For More Information : 207-646-8400, oacbarngallery@gmail.com, or www.barngallery.org

The Sohns Gallery Presents Collage Works By Artist Abbie Read

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The Sohns Gallery, located in The Rock & Art Shop presents collage works by artist Abbie Read. The show runs from August 1st through September 17th. August 25th at 6:30 will be a reception and an artist talk at 7:00.
Abbie Read’s large impressive assemblage installation “Library” was on display in the Sohns Gallery in 2015. She is back in the gallery showing her new Paper Collage works. Abbie Read is drawn to the stained and abused surfaces of old books and discarded objects, the stuff of previous lives and times and the rustier, the more ancient looking the better. She uses her collected objects to create her abstract collage works. One body of work on display showcases exquisite range of reds inspired by the colors of the blueberry barrens on Appleton Ridge in the fall. This captivating gallery show has a range of sizes and prices.

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Jean Kigel’s 19th Annual Eastern Views: Geometric Realism+Attic Windows

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Jean Kigel, Attic Window Series Friendship From Wallaces to the Wharfs oil 18×22

New paintings by Jean Kigel are featured at a museum-quality retro 1950’s setting, the Brick House Gallery, 176 Winslow Mills Road, Waldoboro from August 11th to 13th.  The reception  is on Friday August 11th from 5-7pm.
Celebrating its 19th season, Kigel’s Annual Eastern Views is a synthesis of motifs from Maine and Asia. Continuing her new geometric-realism series, she manipulates visual perceptions, creating a dichotomy of the real and the unreal.  Her seascapes capture jagged patterns of the luminous, shifting light and reflective waters of Maine.  Several muses – including Clary Hill and sea creatures – appear again and again, testament to their emotional power for the artist.  Featured this year is “Muscongus”, depicting the Atlantic in vibrant tones of blues, which she observed while kayaking near her studio.
In addition, Kigel will exhibit her growing attic windows series. These whimsical paintings depict colorful clusters of roof tops of an by-gone, architectural style in Mid-coast towns.   “When I paint this series, I always delight and surprise myself, reshaping forms, reinterpreting colors, and even inserting magical elements like fish into the skies.”
As usual, Kigel’s show is punctuated with paintings of garden perennials; her Asian brush techniques lending a sense of “exotica” to the familiar.
An award-winning member of the Sumi-e Society of America and the Union of Maine Visual Artists, Kigel’s work is exhibited in galleries in Maine, Massachusetts, NY City, and Vermont.    For more information, preview this exhibit at www.jeankigel.com or call 975-3262.

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost”

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Bo Bartlett, Christmas, Oil on linen, 82″ x 100″

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost,”
with an Opening Reception: Friday, August 4 from 5-8pm.
“Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism as defined by artists such as Thomas Eakins and Andrew Wyeth. Like these artists, Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.”

Shaw Jewelry Opening Reception

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Shaw Jewelry in Northeast Harbor hosts an OPENING RECEPTION
Thursday, August 3, 5–7pm, with a show that runs August 3–16

Hughes-Bosca: Bountiful Rarity
Largest collection will be August 3–5
Good things need to be replayed, this is our 8th show. They fabricate 18 kt. jewelry using gemstones, colored diamonds, and artifacts from distant corners. It has weight, glowing surface, quiet confidence, and un-restrained boldness. The soulful power of wearing this work will enhance your mood and presence. Come meet our dearest collaborators, Caro-Gray Bosca and Mary Hughes, Thursday through Saturday.

Jaber Lutfi: Exquisite Bizarre Brought to Canvas
If there is common ground between Van Eyck, Picasso and Hieronymus Bosch, Jaber is it. These figurative acrylics tell an indeterminate story of costumed characters with curiousness turned up to 11. Superbly crafted, allegorical, fantasy realism and flirting with ominous events delivered from the mind of this Montreal based artist.

McTeigue Estate Jewelry
AUGUST 3–5 ONLY
Our second presentation of this venerable New York based estate jewelry firm established in 1895 will be presenting fabulous jewels for three days only. Kate Fisher, born in Australia, and an expert for decades, will be exhibiting magnificent pieces that were in high fashion from before you were born.

Gustav Klimt and Egon Schiele
You read it right, two historic art revolutionaries right here in NEH. Curated by Jerry Suqi of Gallery Feldermaus in Chicago, he will be bringing collotypes from folios made prior to 1930. You will find evocative line drawings of Schiele’s astonishing draftsmanship, and Klimt’s golden and dense surfaces.

Littlefield Gallery presents “Daniel Anselmi: Paper, Scissors, Paint”

Littlefield

 

Daniel Anselmi: Paper, Scissors, Paint
Littlefield Gallery, Winter Harbor
August 14 – September 10
Artist’s Reception Saturday, August 19, 4-6 pm

Daniel’s works on paper and canvas explore the use of paper as an ongoing dialogue between painting and collage. He uses artist-painted paper as one would handle a brush to elicit brushstrokes on canvas. Never using the new, he enjoys the felt quality of the discarded: blueprints, old ledgers, chart papers, and used canvas dropcloths are materials that offer an aesthetic conversation with his work. The paint he applies to these various materials, whether in large cut pieces or intimate fragments, and affix to already created surfaces, offers countless opportunities to express color, line, and form. Though sourced materials are not intended to be recognizable in these abstractions, sometimes surface traces remain that become a moment of discovery for the discriminating viewer.

Closing Reception for “Home is Where the Heart is”

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“I hope you can join us for the closing reception for my show at the Midcoast Conservancy during Wiscasset Art Walk this coming Thursday, August 31st from 5-8 PM.”

This is the second to the last show in the beautiful Hagget Building and Midcoast Conservancy will receive 20% of all sales

Carolyn Gabbe “Home is Where the Heart is” is a solo show at the Historic Hagget Building in Wiscasset, Aug 9 through Aug 31, with an Opening Reception Thurs Aug. 10 from 5 to 8 pm.

 

 

 

 

Philippe Guillerm Gallery opens “From Our Sea”

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Philippe Guillerm Gallery in Waldoboro will have this month’s vernissage on August 12th from 4-7 pm with the unveiling of Philippe Guillerm collection of inks on paper “From Our Sea”

“From Our Sea” is a powerful vision on the wonderful world of traveling and discovering the marvelous ocean. Philippe has sailed the oceans since he was 20 and since then, the oceans have captivated him to a quest of preservation.

Philippe Guillerm is known for his violins and cellos carved from found driftwood and mixed with real music instruments, which convey not only physical strength and beauty but also individuality, intelligence, and grace. Lesser known are his paintings and drawings that further express his artistic involvement with the sea world. This exhibition brings together a series of ink drawings and driftwood sculptures  that will captivate your imagination and define the concept of preserving our waters.

Greenhut Galleries presents New Work by Colin Page

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Colin Page, Hanging Buoys, oil on canvas, 36×48 inches

 

Greenhut Galleries presents New Work by Colin Page, his 4th solo exhibition at the gallery. The opening reception is Thursday August 3rd from 5-7pm.

Colin says this about his work, “These paintings are about where land and water meet. Some of the landscapes are about the colors along the coastline, and others are about how our waterfront engages land and sea. Whatever the subject, color and light are my main attraction to a scene as I start painting. This show is about visual decadence. Whether I’m painting pattern and light, or the chaos of a working harbor, I experience the world through color, shape and line.”

In addition to making art, Colin Page teaches a number of painting workshops across the state.  Colin attended the Rhode Island School of Design and holds a BFA from Cooper Union in New York City.

Linden Frederick: Night Stories Exhibit and Summer Gala at CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

The Center for Maine Contemporary Art (CMCA) is celebrating its first anniversary in its Toshiko Mori Architect building with its Summer Gala on Friday, August 18, 2017. The evening also celebrates the preview opening of the much-anticipated exhibition Linden Frederick: Night Stories, a collaboration between the artist and 15 award-winning authors, including Anthony Doerr, Andre Dubus III, Louise Erdrich, Joshua Ferris, Tess Gerritsen, Lawrence Kasdan, Lily King, Louis Lowry, Ann Patchett, Luanne Rice, Richard Russo, Elizabeth Strout, Ted Tally, and Daniel Woodrell.

The CMCA Summer Gala is the art center’s most important fundraising event, offering an exceptional evening of food, drinks, fun, and art. All proceeds provide essential support for CMCA’s exhibitions and programs, including ArtLab, CMCA’s signature hands-on education program for all ages. This year’s Summer Gala includes a moveable feast and cocktails by Trillium Caterers, oyster bar by Otter Cove Farm, silent auction, live music and entertainment. Festivities will end with Stone Fox Farm Creamery ice cream truck and dancing with music by DJ Owen Cartwright. Event tickets are $225 for CMCA members and $250 for non-members. Major media sponsor is Maine Home + Design magazine.

Gala attendees are also able to reserve an advance copy of the hardcover book, Night Stories: Fifteen Paintings and the Stories they Inspired ($45 + tax), signed by artist, with the purchase of Gala tickets. A number of the featured authors will be in attendance at the event to sign books throughout the evening.

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

In addition, to benefit CMCA, artist Linden Frederick and Forum Gallery have donated his painting, Midnight, 2009 (oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches), valued at $5,500, to be raffled at the Gala. Raffle tickets are $100 each and only 100 will be sold. Tickets are available for purchase online at cmcanow.org or by calling 207-701-5005. Raffle ticket holders do not need to attend the event or be present to win.

Event Tickets are available online at cmcanow.org/summer-gala or by calling 207-701-5005. For sponsorship opportunities, please contact Jean Thompson at jthompson@cmcanow.org

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

The groundbreaking exhibition, Linden Frederick: Night Stories, from August 19 through November 5, 2017 with an Artist Talk August 29, at 5:30pm. The much-anticipated exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers.

The exhibition, and the accompanying book, Night Stories: Fifteen Paintings and the Stories They Inspired, have been eight years in the making. When artist Linden Frederick (b. 1953) realized a growing number of his collectors were novelists and screenwriters, he wondered what would happen if the writer-illustrator relationship were reversed: the painting first, then the writing. The result is Night Stories. Fifteen celebrated American fiction writers each agreed to select one painting especially created by Frederick as inspiration and then, over the following months, write a unique story inspired by it.

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

A native of Amsterdam, New York, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. Frederick has lived and worked in Belfast, Maine since 1989. He has had more than twenty solo exhibitions of his work throughout the United States, including the exhibition You Are Here, held at CMCA in Rockport, in 2010.

CMCA, founded in 1952, is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207-701-5005 or visit cmcanow.org.

Henry Isaacs: Working Color II at Gleason Fine Art

Burnt Coat Harbor, Swans Island #5 oil on canvas 20x40"

Burnt Coat Harbor, Swans Island #5
oil on canvas 20×40″

Cranberry Island artist Henry Isaacs paints with energy, passion, and self-assurance. His style—broken brushwork and a palette of delicate blues, greens, pinks, and yellows—marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet. He is both worldly and down to earth, both witty and self-effacing, generous with his time, and passionate about the dangers of the art world’s becoming overly commercialized.

The show runs  from July 29 – August 29, 2017 with an Artist’s Reception: Friday, August 4th, 5-7pm.

For more information contact Gleason Fine Art:
www.gleasonfineart.com
31 Townsend Avenue / Boothbay Harbor / Maine 04538
207-633-6849

 

August Events at the ANNEX and Gallery B

Lyn Mayewski – An Exhibition of New Felted Animal Sculptures – a Fundraiser to Benefit Endangered Species

The felted sculptures are primarily of endangered and threatened animals throughout Maine and the world.  Half of the proceeds from sales will go to the World Wildlife Fund and the Climate Change Institute.
@Gallery B, 5 Main Street, Castine

Exhibition runs: July 28 – August 3, 2017
GALLERY B.
Free and open to everyone

 

Annex Feature Exhibition:  The work of Thomas Barrett and Leni Mancuso, and their son, Kedron Barrett

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•Opening reception: Tuesday, August 1, 5-7
•Artist Talk: August 5, 7PM
•August 1 – 7

These longtime Castine residents were astonishingly gifted, avant-garde, and prolific. It is our honor to show their work at Gallery B and the ANNEX. Tom and Leni met in New York in the 1940s while studying art at the Brooklyn Museum School. They came up in the art world in New York City when it was the nexus of art innovation and they worked side-by-side with many of the well-known artists of the Abstract Expressionism movement. Both of their bodies of work reveal a deep thoughtfulness, a response to the different eras they lived in, and explorations of shifting styles and movements. They started summering in Maine in the 1960s, and much like Marsden Hartley and Fairfield Porter before them, they brought worldly expressive and stylistic innovations to bear on representing the Maine landscape and culture that became its own style. Kedron Barret, their son, was raised immersed in art and became a fabulous painter and print-maker himself. He lives in Berlin, Germany and visits Castine 3 or 4 times a year. Please join us to hear him talk about the lives and work of his parents, Leni and Tom and his own work.

For more information visit: www.gallerybgallery.com

Betts Gallery Opens Comfort Zone

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Please join Betts Gallery at an opening reception on Friday August 4th, 5:30-8pm, for their late summer show entitled ‘Comfort Zone’. The show features paintings by two expressive midcoast artists, Kathleen Mack and Carol Sloane. Mack divides her time between Round Pond, Maine and Italy, and Sloane between Washington, Maine and Nova Scotia. In Mack’s oil and wax paintings, she explores the idea of wanderers, ‘living on the edge’ in search of a comfortable place, while Sloane’s oil paintings explore the mutual affection and devotional relationship between people and their pets.

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

The show runs from August 4th through September 2nd. The Belfast Framer and Betts Gallery are located at 96 Main St, and also may be entered on Beaver St. For more information please call (207) 338-6465 or visit our website www.thebelfastframer.com

WET PAINT AUCTION COMING TO WALDOBORO AUGUST 5th

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Paint the Town, Waldoboro’s annual plein air event and art auction, is returning on August 5th. Many well-known artists will rendezvous in one of the Mid-Coast’s hidden gems, and spend the day painting select views of the historic village and surrounding countryside.  The fresh art will be auctioned off at day’s end, following an artists’ reception featuring fresh lobster hors d’euerves and local wines from Cellardoor Vineyard. Wet Paint preview starts at 4:30 pm, with the auction beginning at 6:00 pm. $15 suggested donation at the door. The event takes place at 995 Main Street, in Waldoboro. All proceeds are shared by The Lions Club, The Waldoboro Public Library, and the Waldoboro Volunteer Fireman’s Association. For more information, visit https://www.facebook.com/paintthetownwaldoboro or email nkmasse@yahoo.com

Two New Shows in August from Gleason Fine Art

Henry Isaacs, Near Damariscotta, oil, 30x40”

Henry Isaacs, Near Damariscotta, oil, 30×40”

Gleason Fine Art opens two new shows on July 27: Henry Isaacs: New Work and Peter Sculthorpe: An Eye for Monhegan. The opening reception for the artists is First Friday, August 4, from 5 to 7 pm. Everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine. The two shows run through August 29.

HENRY ISAACS: NEW WORK    Artist Henry Isaacs paints with energy, passion, and self-assurance. His style–broken brushwork, a liberal use of paint, and a sunny palette of blues, greens, pinks, and yellows–marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet.
Henry Isaacs and his wife Donna divide their time between Portland, Maine, Vermont, and the tiny village of Islesford on Little Cranberry Island, located just next door to the much larger island of Mount Desert. Little Cranberry has seen dozens of artists over the years, including most recently Isaacs and his close friend, renowned children’s book author Ashley Bryan. Earlier artists included Dorothy Eisner (whose estate is handled by Gleason Fine Art), William Kienbusch, and John Heliker.
Freelance writer, and Portland Newspapers arts reviewer, Dan Kany uses high praise to describe Isaacs’ technique: “Isaacs’ approach to color is based on balancing warm and cool tones. He does this brilliantly. His handling of paint owes an unapologetic debt to the chunky boldness of the early 20th century Modernists and Fauves such as Matisse. The brushwork is strong, dedicated to the job of pushing paint around the canvas–an activity Isaacs clearly enjoys.”

Peter Sculthorpe, Storm at Sunrise, oil, 30x30”

Peter Sculthorpe, Storm at Sunrise, oil, 30×30”

PETER SCULTHORPE: AN EYE FOR MONHEGAN      Classically trained at the prestigious Pennsylvania Academy of Fine Art, Peter Sculthorpe’s painting style is meticulous and hard-edged. Through his masterful use of light and unsurpassed observational skills, Sculthorpe creates the feeling in the viewer of being on the cusp of a significant event, either one that has occurred or is about to occur. He captures the tension and beauty as the sun sets, the moon rises, or the wind blows, suspending the viewer in the moment to ponder the infinite.
Sculthorpe has traveled extensively in the northeast and the maritime provinces to gather inspiration and subject matter for his paintings. However, it has been Monhegan Island that has really brought his imagination to the fore. Look at Sculthorpe’s magnificent “Morning Fog (Monhegan)”. This little white cape house on Swim Beach has been in dozens, if not hundreds, of paintings, but you’ve never seen it like this before. As is his genius, Peter Sculthorpe sees something different and then paints it as he sees it. It’s skill, but it’s also a little bit of magic.
Sculthorpe creates works of great beauty, finding the transcendent in what to the casual observer may at first seem commonplace. The Brandywine Museum, the Berman Museum, the Butler Institute, and the Delaware Art Museum all have sssSculthorpe paintings in their collections. Corporate collectors include Bank of America, Forbes, DuPont, and Nabisco. Peter Sculthorpe’s collectors are international. Locally, one of Peter Sculthorpe’s masterworks may be seen in Paul’s Restaurant at the Boothbay Harbor Country Club.
Gleason Fine Art has represented Sculthorpe for over a decade. We are his only gallery in Maine. Gallery Director Dennis Gleason wrote the foreword for the artist’s new book: The Art of Peter Sculthorpe (Schiffer).

Both “Henry Isaacs: New Work” and “Peter Sculthorpe: An Eye for Monhegan” are open now and run through August 29, with a reception for the artists on First Friday, August 1, from 5 to 7 pm. Friends, collectors, and fellow artists are all invited to attend the reception. Summer gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm. For further information, call Gleason Fine Art at 207-633-6849, or email the gallery at info@gleasonfineart.com. View both shows, and the gallery’s entire inventory of contemporary and estate art, at www.gleasonfineart.com

“Nature As Color” at Landing Gallery

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

Landing Gallery, 409 Main St. in Rockland opens “Nature As Color”, a solo exhibition of 55 new paintings by Irma Cerese, Aug 4 – Sept 10. The Opening Reception will be held on Friday, August 4th, from 5-8 PM during Arts In Rockland’s first Friday art walk in August.

Irma has always been fascinated with color and her primary interest in painting is focused on color relationships. Her current paintings use the intrinsic beauty and evocative qualities of color to speak to our emotions. Her landscape compositions become an entry point into her paintings rather than depict a specific location or illustrate an idea.

“I use landscape both as a point of connection and departure but I don’t wish to tell a story, or accurately describe the observed world, so I don’t “return to a place in the studio”. Instead, I convert the primary elements of what inspired me in the first place – trees, sky, ground, water, weather, the occasional building, – into an underlying loosely geometric structure. The resulting images often border on the abstract, although I often seek to evoke the general atmosphere of the subject. So I don’t seek to inspire people viewing my work with this or that place; I aim to produce evocative work that is compelling in its own right as a celebration of visual experience.”

 “Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

“Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

Irma Cerese received her formal training at the Academy of Art and the School of the Art Institute, both in Chicago, IL. Irma maintained a studio in New York City until 1985 and her paintings are in numerous private, corporate and institutional collections in the United States and Europe. Landing Gallery in Rockland, Maine, is Irma Cerese’s principal gallery affiliation and the gallery has held 11 consecutive, annual, solo exhibitions for her paintings since 2007.

Please join us in the gallery. Hours: Tues – Sat 11-5, Sun 12-5, Closed Mon, FMI 207 239-1223 or www.LandingArt.com

August Opening at New Era Gallery

“Isabel at Guisando” by William Lasansky, Vinalhaven Black Granite and pigments, 27”x17”x6”

“Isabel at Guisando” by William Lasansky, Vinalhaven Black Granite and pigments, 27”x17”x6”

New Era Gallery’s late summer show is entitled “Land and Legend” and will feature the work of sculptor William Lasansky and photographers Andrew Crane and Ron Rosenstock.
William Lasansky was born in Argentina, but has been a part of the Vinalhaven community for seventy years. His intense observations of the natural world led to a love of Vinalhaven stone, particularly the gabbro that is known locally as black granite. His sculpture references his broad exposure to many world cultures.

Ron Rosenstock leads photographic workshops in many parts of the world, including Vinalhaven. He has worked and taught here for many years, developing an extraordinary body of images of iconic island landscapes. Andrew Crane is making his first appearance at New Era Gallery, with a group of tintype photos of the island. Crane has traveled extensively, creating small, powerful images that are at once contemporary and yet lost in time.

The show opens on August 5 with an artist’s talk at 4:30pm followed by a reception from 5:00–7:00pm, and runs through August 30. Summer gallery hours are Monday through Saturday 10:00am – 5:00pm and Sunday 11:00am – 2:00pm. Please visit neweragallery.com for a complete schedule of shows and events.

August 6th Opening Reception at Turtle Gallery

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5" x 8" x 6" © Lynn Duryea

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5″ x 8″ x 6″ © Lynn Duryea

This new exhibition features new work from fiber artist Sondra Bogdonoff, the ceramics of Lynn Duryea and Paul Heroux, new abstract paintings by Jaap Eduard Helder and mixed media constructions by Jamie Johnston.

Fiber artist Sondra Bogdonoff will be exhibiting at the Turtle Gallery for the first time. Portland based, Bogdonoff has returned to the studio after a 20 year hiatus from full-time weaving. She describes the new work as a beginning and each weaving as it’s own short story. In addition to the weavings, Bogdonoff explores working on paper in a series titled “Stilled Life” which explores the grid structures and linear sensibilities of weaving in wax pastels.

Gallery artist Lynn Duryea will be exhibiting a new body of work she has completed since retiring from her tenure of teaching ceramics at Appalachian State and returning to Maine full-time. Through elemental shape and form, Duryea’s reference is to architectural, structural and mechanical elements.

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24" x 24", 2017 © Jaap Helder

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24″ x 24″, 2017 © Jaap Helder

Abstract painter Jaap Eduard Helder returns to the Gallery with a vibrant new series of paintings. Created over the winter and spring, he refers to the work as a re-emergence and re-commitment to his art. Helder creates in layers, working to create balance with new materials, on a new scale and with with new mark making methods. Largely working in square formats on wood panels, Helder creates vivid landscapes of abstractions.

Ceramic artist Paul Heroux returns with a new series of his distinctive forms and abstract compositions. Having worked with ceramic vessels as a painting surface for over twenty years, Heroux continues to reinvent the work using photo transfers, underglaze decals and metallic lusters. His folded vessels not only speak to his abilities as a painter but to his sculptural awareness – the folds of each vessel taking new lines and each foot finding a different path to the surface it rests on.

Paul Heroux, Folded double vase, soda-fired stoneware, 8" x 15" x 6", 2016 © Paul Heroux

Paul Heroux, Folded double vase, soda-fired stoneware, 8″ x 15″ x 6″, 2016 © Paul Heroux

Woodworker Jamie Johnston joins the Turtle Gallery with his show Constructions. His minimalist approach to design allows the woods inherent beauty to speak all while controlled by a masterful understanding of design.

In addition, Jewelers Glenda Arentzen and Heather Guidero will have full collections on display.

Opening Reception Sunday, August 6 from 2 to 6 PM – A vast collection of jewelry and contemporary craft, print collections and Sculpture Garden will also be on display. Light refreshments will be served.

Show runs through Saturday, September 2nd. For more information visit www.theturtlegallery.com

Art Space Gallery First Friday Art Walk

Art Space Gallery invites you to the August Arts in Rockland First Friday Art Walk.  We will be hanging a new show in our front room featuring works by John Wood, Penny Markley, Lara Marx, and Obrianna Cornelius. You’ll also find many new works displayed throughout the gallery. Please stop by and join us for wine, refreshments and meet our artists Friday, August 4th, 5 to 8pm.

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John Wood, Lobster Cove

John Wood is a painter who lives in Rockland, Maine. He studied oil painting under the tutelage of Michael Aviano at the National Academy in NYC. In 1996, Wood switched his style to watercolors, and location to Philadelphia where he studied with James McFarlane and Frank Webb. He joined the Watercolor Society of both Pennsylvania and Baltimore and exhibited at the Berman Art Museum and Woodmere in Pennsylvania. Moving to Maine in 2008, Wood resumed the oil painting and studied locally with Ron Frontin.

 

Penny-Markley_Willows-in-Spring_acrylic

Penny Markley, Willows in Spring

Penny Markley, a painter from central Maine, is fascinated by Maine’s varied landscapes, both inland and coastal. Recently she has focused on the various cloud patterns and light brought by changing weather. The paintings she displays in August’s show emphasize the sky and its effects on the land below. Her work has been accepted into numerous juried shows in Maine and out of state. Her work has hung in the Office of the President of the Maine State Senate, at the State House in Augusta, and is in private collections in the United States and England.

 

Lara-Max,-swimming-bass,-steel

Lara Max, Swiming Bass

Lara Max is an artisan blacksmith living in Orono. She works in steel, copper, and slate creating forms with texture and color out of basic metal shapes. Her interest in the reflective property of metal has inspired her to experiment. “I am intrigued by how hammered metal reflects light, adding details and character to a form with each hammer’s mark.” Her work is highly unique and captures fleeting moments such as bass swimming among the reeds of Maine’s freshwater ponds.

 

Obrianna-Cornelius--Lighthouse-Reflected--Watercolor

Obrianna Cornelius, Lighthouse Reflected

Obrianna Cornelius is a painter living in Hampden who received training in fine art at Pensacola Christian College. She specializes in watercolor landscapes. Her highly detailed paintings are filled with natural color and scenic lighting effects, using Maine’s beautiful landscapes and unique culture as inspiration. “From the glory of a sunset over the ocean, to the historic architecture, to the details of an ice covered berry or a brilliantly colored fall leaf, Maine never stops amazing me. I look forward to every day spent painting Maine.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  August hours are Monday through Saturday 10am to 6pm and Sundays 1pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Star Gallery Opening Reception

Star

Please join Star Gallery for an exhibit featuring:

Jess Hurley Scott
Margery Torrey
Melina White

Thursday July 20,
5 – 7 pm

Star Gallery
6 Neighborhood Rd
P O Box 55
Northeast Harbor, ME 04662

Shaw Jewelry Opening Reception

shaw

 

Shaw Jewelry Opening Reception
Thursday, July 20, 5–7pm

July 20–August 2
Petra Class: The Aesthetics of Materials
This will be the first visit from Petra whose work we have presented for decades. She has a playful color palate, using gems connected like constellations in 18 kt and 22 kt gold. They are elegantly simple but dense with beauty. She will be in the gallery Thursday and bringing brand new work.

Julie Freund: Maine Landscapes Redefined
Landscape paintings of Maine composed of bold strokes. Julie abstracts our beloved trees, rocks and atmospheres in colorful montages of texture and color. She is not afraid to go in and rework her canvases to imbue them with life and spontaneity.

Sam Shaw: Figure Landscape Mashup
Sam’s second presentation of fantasy figurative landscapes. The paintings are male and female nudes, often dancing and cavorting in an imaginary setting. At times, the figures and the landscapes merge, tugging the brain between what the mind sees and what the eyes see.

Ben Lincoln: Atmospheric Realism
Ben’s oils straddle the real and the imaginary. Boats, planes, and objects are rendered with invisible forces at play made visible. Such include wind, vortexes, and currents that are given energy, space and presence. Ben was raised and lives today on MDI.

James Groleau: Tide at Littlefield Gallery

"Hidden Falls, Bass Cove" collage on canvas 30 x 24

“Hidden Falls, Bass Cove” collage on canvas 30 x 24

James Groleau: Tide
July 17-August 14
Artist’s Reception July 22, 4-6 pm

Tide is a series of imagery exploring life at the margins of the sea. James Groleau was born in Lewiston, Maine, in 1960. He is the recipient of numerous awards, grants, and fellowhips, including a MacDowell Colony fellowhip in 2001. His work is included in the collections of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Portland Museum of Art, Portland, ME; Cleveland Museum of Art, Cleveland, OH; Oakland Museum of California; National Museum of Fine Art, Antwerp, Belgium; and the Janet Turner Print Museum, Chico, CA. He divides his time between San Francisco and coastal Maine.

"Schoodic Surge" collage on canvas 30 x 24

“Schoodic Surge” collage on canvas 30 x 24

The process for the collage works:

There are several steps I take in the process of making a collage; preparing the paper is a key element. I first paint color inks on crumpled paper, the hills and valleys of which concentrate the ink in certain areas creating an irregular pattern. I allow the painted paper to dry then crumple it again and paint the back side often with its complimentary color. While the paper is still wet I stack one sheet over another and allow that to dry before separating them. I sometimes add acrylic medium to encourage the paper to tear in separation. The image is then created by gluing torn pieces onto stretched canvas. In general the darker colors are laid down first, while the highlights are the final touches. I then sand the collage to an even finish before applying multiple layers of varnish.

For more information visit littlefieldgallery.com

The Cynthia Winings Gallery presents the new group exhibition Visual Impressions

Anna Hepler , March 5, collage on gessoed board

Anna Hepler , March 5, collage on gessoed board

VISUAL IMPRESSIONS: A Group Exhibition is the third show of Season V at the Cynthia Winings Gallery!  Everyone is warmly invited to the Opening Reception for the new group show, SUNDAY, July 23, 4 – 7 PM.

The gallery is pleased to present the artwork of Josephine Burr,Elizabeth Gourlay, Anna Helper, and David Hornung, with new work from Christine Lafuente and Jerry Rose. The exhibit also includes new work from Diane Green, Christine Lafuente, Jerry Rose and Suzanne Siegel. The gallery will also include work from Louise Bourne, Tom Curry, M P Landis, Buzz Masters, Bill Mayher, Libby Mitchell, Carol Pelletier, and John Wilkinson.

For more information contact:  Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

DIAA’s Announces Annual All Member 12×12 Exhibition

2015 All Member 12 X 12 Show

2015 All Member 12 X 12 Show

The eagerly anticipated, annual event at the Deer Isle Artists Association, the “All Member 12 x 12 Show” opens July 21 and runs through August 3. The gallery will contain a seemingly boundless collection of small artworks by almost 70 DIAA members. This show is the opportunity for the public to own pieces of original art by their favorite (or yet to be discovered!) accomplished local artists at an irresistible price of $144. Painters and photographers were challenged to create work measuring 12 by 12 inches. Sculptors, ceramists, jewelers and fiber artists have made works measuring a maximum of 12 inches in any direction. In the ART RACK will be work by Betsy Braunhut, Jacqueline Davidson, Ron Deprez, Glenn Felch, Judith Felch, and Leslie Miller Landrigan.

2016 All Member 12 X 12 Show

2016 All Member 12 X 12 Show

DIAA’s doors open Friday, July 21 at 10 AM and we will remain open until 7 PM to participate in “Third Thursday in Deer Isle.” Please join us for a reception with the artists on Sunday, July 23, from 4–6 PM. The DIAA Gallery is open daily 10 AM–6 PM and is located at 15 Main Street, Deer Isle Village, ME. www.deerisleartists.com (207) 348-2330.

Summer Opening At Gallery at Widgeon Cove

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Announcing showing of “Monhegan Days”, bas-relief paintings of handmade paper by Georgeann Kuhl. Gallery showing includes sculpture, jewelry, handmade books, gifts. Opening reception on Sunday, July 30, from 1 to 5 p.m. Public is invited, and refreshments will be served.
Route 123, Harpswell. Regular hours, Thursday through Saturday, 11 to 5
For more information call 833-6081 or visit widgeoncove.com

Katherine Mead-von Huene featured at Centre St Arts Gallery

Transfiguration, oil on canvas

Transfiguration, oil on canvas

Arrowsic artist Katherine Mead-von Huene is the featured guest artist at Centre St Arts Gallery, LLC, at 11 Centre Street in Bath, from July 17 through September 8, 2017. An opening reception will be Friday, July 21, from 5 to 7 pm at the Gallery.

Mead-von Huene writes: “As a child, drawing gave me an alternate world, to which I could escape and saturate in the things I loved. My artistic mother encouraged me, providing lessons and materials. I attended art schools as finances permitted, but am mostly self-taught, working primarily in watercolor, oils and graphite.

Ready for the Launch, oil on canvas

Ready for the Launch, oil on canvas

“While living in Pennsylvania with several artist-friends, I painted that which surrounded us: flowers in the vast gardens, landscapes, and insects. Maine has been home for the past 26 years. Although raising my son took the place of art creation for many years, I am now getting back to my studio.”

Twenty member-artists of the Centre St Arts Gallery, LLC have new works in the latest show at the gallery which will run until September 8, 2017.

For more information call 207-442-0300, go to the website: centrestartsgalleryllc.com, or visit the gallery Monday through Saturday, 10:30 am to 5:00 pm, Sunday 12 noon to 4 pm (closed Tuesdays in September).

Portland Museum of Art Announces Grand Opening of the David E. Shaw and Family Sculpture Park

Sculpture Park Opening

On July 7, the Portland Museum of Art will open the David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden with a community celebration. Taking place on First Friday and featuring food trucks, live music, raffles, art-based activities, and much more, the grand opening of the David E. Shaw and Family Sculpture Park will be the arts and cultural event of the season.

In addition to the grand opening, the entire museum will be free and visitors will be encouraged to take their PMA Summer of Sculpture experience from the Park to the major exhibition inside, A New American Sculpture, 1914-1945: Lachaise, Laurent, Nadelman, and Zorach.
The David E. Shaw and Family Sculpture Park in the Joan B. Burns Garden not only makes outdoor art, a crucial and unique part of the PMA collection, more available to everyone, but it also improves quality of life in Portland, creating a green space where anyone can have quiet moments with world-class works of art at any time during museum hours. The grand opening event also serves as the unveiling of the latest addition to Portland’s outdoor arts landscape and a new major work in the PMA collection: Jonathan Borofsky’s Human Structures (24 Figures Connected).

The Joan B. Burns Garden has incorporated sculpture since Celeste Roberge’s Rising Cairn was installed there in 2000. Since then, the PMA acquired Anthony Caro’s Moment in 2012 and John Bisbee’s Hearsay in 2016. Aside from specific events, however, the public has never been allowed access to the Garden; visitors to the PMA could only admire the works from viewing points throughout the inside of the museum or the sidewalk on High Street. Thanks to Shaw’s gift, the Garden will be open to anyone during PMA hours May through December; whether they are visitors to the museum or simply out for a stroll in Portland.

For more information visit www.portlandmuseum.org

July 9th Opening Reception at The Turtle Gallery

Jeff Loxterkamp, View from Greenhead Lane

Jeff Loxterkamp, View from Greenhead Lane

Join The Turtle Gallery for an opening reception Sunday, July 9 from 2-6 pm

Featuring
Siri BECKMAN – Selected Works
Peter KEMBLE – New Work
Jeff LOXTERKAMP – Paintings
Barbara SULLIVAN – Maine Women Artist Portraits
* * *
with House Gallery
Black & White Show
featuring Vaino KOLA
Gene SHAW & Many More

Siri Beckman, Pileated Woodpeckers

Siri Beckman, Pileated Woodpeckers

Longtime Turtle Gallery artist and Deer Isle printmaking favorite Siri Beckman will be showing Selected Works including new woodcuts, her iconic wood engravings and handmade lampshades. The prints emanate an intimacy with island life and a deep appreciation of the character of our DownEast fishing communities; as well as the wildlife that is a part of daily life on the Maine Coast. Both Beckman’s rootedness in work and place are intangibly linked in this show, giving the viewer a look back with a simultaneous look forward in an artist’s journey.

Peter Kemble, Linescape

Peter Kemble, Linescape

Graphic artist Peter Kemble shows New Work. A longtime summer resident of Deer Isle, Kemble has been working to bring life and intrigue to an empty palette with technology as his tool. He defines his understanding of art as a form of experimental revelry – using form, line and color as methods to produce a playful interpretation of light and space.

Jeff Loxterkamp, NAPA Auto Parts

Jeff Loxterkamp, NAPA Auto Parts

Bangor-based painter Jeff Loxterkamp graces the Gallery Barn with a large collection of new Oil Paintings. With an enviable eye for finding beauty in and adding abstractions to everyday life, Loxterkamp paints views other eyes may miss. Infused with a vivid sense of reality, this collection of highly texturized and richly toned oils offers a striking visual interpretation of Maine.

Barbara Sullivan, Portraits

Barbara Sullivan, Portraits

Fresco artist Barbara Sullivan returns to the Turtle Gallery with a powerful series of Maine Women Artist Portraits. While painting is not a new endeavor for Sullivan, this series embarks on a larger mission of recognition, appreciation and a timely focus on how women are a driving force in Maine arts and beyond.

Vaino Kola, Norton Woods I

Vaino Kola, Norton Woods I

A Black & White Show fills the House Gallery and immerses the viewer in a monochromatic understanding of nature and space. Featuring the masterful etchings of Vaino Kola, woodcuts from Gene Shaw and prints and drawings from a host of Gallery artists.

A vast collection of jewelry and contemporary craft, print collections and sculpture garden will also be on display. Light refreshments will be served. For more information call 207-348-9977 or visit
TheTurtleGallery.com

Henry Isaacs – Finding Values at Greenhut Galleries

 

Somes Sound from Sargent Drive, 36x24, oil on canvas

Somes Sound from Sargent Drive, 36×24, oil on canvas

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush. He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

The exhibition runs July 6 – 29, 2017 with an opening reception on Thursday July 6th, 5-7pm.

Minter

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail. His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours: Mon to Fri 10am – 5:30pm and Saturday 10am – 5pm. For more information call
207.772.2693 or visit www.greenhutgalleries.com

“POINTS NORTH” Now Showing at Landing Gallery

“Standing Tall”  by Jill Valliere, Oil/Copper Leaf

“Standing Tall” by Jill Valliere, Oil/Copper Leaf

Landing Gallery at 409 Main St. in Rockland proudly announces the opening of “POINTS NORTH” from June 30 – July 30”. The new three-person exhibition focusing on current paintings and photographs by Roberta Baumann, Bruce Busko and Jill Valliere. The Artists’ Opening Reception will be held on Friday, July 7th, from 5-8 PM during Arts In Rockland’s first Friday art walk. All three artists are Rockland Residents and have widely exhibited their work throughout Maine.

Jill Valliere is a 1997 graduate of the Rhode Island School of Design. “I have always been drawn to the vibrancy and texture of art, this translates to my own process of layering, adding and subtracting elements in my works. This additive and subtractive process creates a textural surface and tension which ultimately brings forth the nuances of color, depth and shadow. My use of metal leaf as a medium in my paintings creates an effulgent, transitional passage, which serves as the basis for the conceptual origin of my work.”

“Quiet Cove, Low Tide”  by Roberta Baumann, Alternative Process Photograph on Copper

“Quiet Cove, Low Tide” by Roberta Baumann, Alternative Process Photograph on Copper

Roberta Baumann is an award winning fine art photographer with over 60 shows and exhibits. Roberta has been taking photographs all of her life and has kept up with new processes, techniques & equipment. “Physically exploring space and light while out in nature becomes the beginning of an image. Back in the studio the fun really begins. Additional processing using various applications and materials are combined for the final work. Alternative processing adds a richer and more complex final photograph.”

Bruce Busko is an exhibiting artist and Owner/ Director of Landing Gallery. His work has been exhibited in his galleries, in NY and ME, since 1980 with a long list of additional Juried Shows, Invitational Exhibits and Awards. He received his MFA from Pratt Institute and BFA from the Pennsylvania State University. “During my frequent hikes, throughout Maine, I like to gather inspiration and visual information for my paintings. Nature walks and my outdoor experience become the first step for creating art in my studio. Sketches, photos, memories and on site materials become the initial components of my painting process. Each element lends its “specific flavor” to enrich my feeling for nature.”

For more information please call 207 239-1223 or visit www.LandingArt.com

Mid-Season Exhibitions opening at Barn Gallery

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‘Regional Artists: An Open, Juried Show’ is one of four new Mid-Season Exhibitions opening at Barn Gallery on June 28. Andres Verzosa, former Interim Executive Director and Curator at the Ogunquit Museum of American Art (OMAA) and former owner of Aucocisco Galleries in Portland, Maine will select work for this show from entries by local artists and members of the Ogunquit Art Association. ‘OAA Expressions’ features a wide variety of art by OAA artist members. Sculptor Jeffrey Briggs and painter Theresann D’Angelo have Showcase exhibitions in the North Gallery.

There will be an opening reception on Saturday July 8 – 7:30 PM. You can also join them for a free Gallery Talk on Thursday, July 13 at 6:00 PM. Invited New England Sculptors continue to display three-dimensional work in the outdoor Sculpture Court. An ever-changing array of small works of art is available in the Collectors Gallery.

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Barn Gallery’s expanded schedule of figure drawing sessions, artist demonstrations and workshops in a variety of media as well as artist gallery talks continues through July and August

For More Information: 207-646-8400 or oacbarngallery@gmail.com. www.barngallery.org

The Caldbeck Gallery Welcomes the Work of David Dewey

Pemaquid Light: Winter Moon, 2016  watercolor on paper  11 x 38 1/2 inches  David Dewey

Pemaquid Light: Winter Moon, 2016 watercolor on paper 11 x 38 1/2 inches David Dewey

From July 12 through August 12, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit new work in watercolor by David Dewey of Owls Head and Blairstown NJ. In the upstairs galleries, there will be an exhibit of selected paintings, photographs, and sculpture by gallery artists, including Katherine Bradford of Brunswick and NYC, Alan Bray of Sangerville, Sam Cady of Friendship, Jeff Epstein of Cushing and Brooklyn NY, Melanie Essex of Cushing, Nancy Glassman of Searsmont, John Goodman of Friendship and Wellesley MA, Frederic Kellogg of Thomaston and Washington D.C., Kristin Malin of Georgetown, K.Min of Friendship, Kayla Mohammadi of South Bristol and Brookline, MA, Dennis Pinette of Belfast, Barbara Sullivan of Solon, Todd Watts of Blanchard, Dan West of Friendship, Susan Williams of Camden, and Nancy Wissemann-Widrig of Cushing and Southold NY. A reception for the artists will take place on Wednesday, July 12, from 6-8 pm.

Pemaquid Point: On the Fourth, 2016 watercolor on paper  25 x 38 5/8 inches  David Dewey

Pemaquid Point: On the Fourth, 2016 watercolor on paper 25 x 38 5/8 inches David Dewey

The Pemaquid Light Paintings: Watercolors of an Iconic Maine Landmark 2014 – 2017 is David Dewey’s most recent body of work, painted over the time period of 2014 – 2017. The artist explains, “since first settling into Maine many, many years ago, I’ve visited both Pemaquid, the Light and the place, more times than I can count. It’s been a kind of Mecca and retreat for me, where I loved to paint small watercolors with my field kit. But as my dear friend, Joe Fiore, once told me, “sometimes you just need to take a walk and not paint, so you don’t miss the things of beauty in nature that are important”. I took this lesson to heart: some of my best experiences at Pemaquid were when I just walked around, or sat on those grand rocks and simply watched the light change. Those years of returning again and again to Pemaquid Light to visit and to paint have led to many significant large-scale watercolors.  The watercolors in this exhibit range in size from 8 x 36 inches to 27 x 39 inches. This is his 6th solo show with the Caldbeck Gallery, where he has been represented since 2004.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4. For more information, please call the gallery at 594-5935, or email at caldbeck@midcoast.com

Conversations: Studio and Table at Fiore Art Center

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

The Joseph A. Fiore Art Center will host its first ever gallery exhibit, opening on July 8th, with a public reception from 4-6pm. Conversations: Studio and Table is curated by David Dewey, co-director of the Fiore Art Center, curator of the estate of Joseph A. Fiore with the Falcon Foundation, and an esteemed watercolorist represented in Maine and New York. The exhibit features the work of sixteen prominent artists, most of whom live or spend summers in Maine: Richard Abbott, Sam Cady, Kimberly Callas, Lois Dodd, Nancy Glassman, Cynthia Hyde, Frances Hynes, Jim Kinnealey, Dennis Pinette, Carol Rowan, Susan Stephenson, Susan Van Campen, Tim Van Campen, Mary Jean Viano Crowe and Patricia Wheeler. All of these artists were invited to be a guest at the Fiore Art Center’s 2016 residency farm-to-table dinners and studio visits.

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

“2016 was a very exciting first step for our artist residency program at Rolling Ares Farm,” says Dewey. “Having distinguished artists join us for weekly studio visits and delightful farm-to-table dinners was a valuable experience for our artists-in-residence, as well as an important contribution to the Fiore Art Center’s residency program,” he explains. The exhibit, Conversations: Studio and Table was a natural outcome, as conversations begun in the studios turned into lively discussions around the table, touching on art, agriculture, the relationship between humans and environment, observation, intention, how art can be a voice for awareness, and so on.

As a program of Maine Farmland Trust, the Fiore Art Center aims to attract artists for whom the relationship between human and environment is an important element in their work. Naturally, many of the artists invited to the table resonate with that theme, and often, this resonance is apparent in the art they create. Take Kimberly Callas’ sculpture Honey-eyed, for instance: a digitally constructed, 3D-printed mask made from PLA filament (a corn-based plastic), coated with yellow and black iron oxide pigments in a solution of acrylic and beeswax

Kimberly Callas: Honey-eyed, 3D printed mask - PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Kimberly Callas: Honey-eyed, 3D printed mask – PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Callas, who teaches sculpture at Monmouth University in New Jersey, explained that she wanted to explore working with 3D printing and train herself in that medium, as it is gaining ground in the arts, sciences and construction. “Creating masks gives me a way to integrate patterns of nature with the human form,” says Callas. “I ask myself: ‘Where is our ecological self, and how can we express that part of ourselves more?’ Sometimes when you speak from behind a mask, you can speak more truthfully and open up that ecological voice.

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16” 

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16”

Lois Dodd’s work, in contrast, is a small landscape titled Will’s Cabin. “It’s a modest piece,” observes Dewey. “It shows the little white building artist Will Barnet would stay in when he would come up to be with his daughter, Ona Barnet, at the Rock Gardens Inn near Bath – a place of great natural beauty.” Barnet spent his summers “on retreat” there, while Dodd would be teaching painting workshops. Dewey chose this particular piece “because it marks the long relationship between Lois and Will: they became good friends, ever since she was a student of his at Cooper Union (NYC).”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

The work by the sixteen veteran artists in Conversations: Studio and Table represents a high water mark of the mission of the Joseph A. Fiore Art Center at Rolling Acres Farm: excellence in ideas, creative vision and environmental awareness. Conversations: Studio and Table will be on exhibit from July 8 through September 4, 2017. The Gallery at Rolling Acres is located at 152 Punk Point Road in Jefferson and is open on Saturdays throughout the summer, from 12-4, or by appointment. In addition to the exhibit, there will be Open Studio Days at the Center on the last Saturday of each month, showcasing the work of each month’s artists-in-residence. July’s Open Studio Day will take place on the 29th, from 11-3. For more information please visit https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/.

“By Land and by Sea” on display at Joy To The Wind Gallery

Under A Summer Sky”   18 x 24 oil on linen  Lynne Seitzer

Under A Summer Sky”
18 x 24 oil on linen
Lynne Seitzer

Joy To the Wind Gallery will present a compelling new exhibit featuring landscapes and seascapes by artists Lynne Seitzer and John M T Seitzer during the month of July. The artist reception for “By Land and By Sea” will be held at Joy to The Wind Gallery on Friday, July 7th from 7-9pm. All are welcome to join them in the celebration at 34 Atlantic Avenue, Boothbay Harbor, Maine.
The exhibit highlights the local color and natural beauty of the region.

The two artists continue to stretch themselves creatively. Both have spent their lives, to date, in the pursuit of art, creative exploration and knowledge. John M T Seitzer holds a BFA degree in painting and ceramics and a Bachelor of Science degree in Art Education from the University of Minnesota, Mankato. He also is an expert custom picture framer (45 years) which is reflected in the beautiful frames found on his and Lynne’s art. Lynne Seitzer earned a Liberal Arts degree from the University of Minnesota, Mankato and a Commercial Art degree from South Central College. Along with painting she has been an educator, art director , fashion illustrator and a greeting card designer.

First Light  30 x 40 oil on linen  John MT Seitzer

First Light
30 x 40 oil on linen
John MT Seitzer

For the last 18 years John and Lynne have owned and operated Joy To The Wind Gallery, Studio and Custom Picture Framing Service- a bright art filled gallery at 34 Atlantic Avenue, Boothbay Harbor, ME. Together they have dedicated their lives to the joys of living a life woven deeply in the visual arts. Don’t miss this journey “By Land and By Sea” reception Friday evening, July 7th from 7-9 pm at Joy To The Wind Gallery. For more information call 207-633-7025 or visit joytothewind.com

See The Forest and The Trees at the Eastport Art Center

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The Forest and The Trees is a 20 year retrospective of paintings and weavings with natural fibers by by artist Leatrice Linden. The show opens at the Eastport Art Center, 36 Washington Street, Eastport, Maine on  July 8, 2017, with an opening reception July 9. The Forest and the Trees runs through August 2, 2017.

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Linden, a New York artist who moved to Maine in the early 70’s, co-curator and exhibited in The 70’s Show: Art and Place at The Tides Institute in Eastport, Maine. Her work has been exhibited through out the United States and is in collections here and in Europe.

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For more information pleas contact Leatrice Linden at llstudios938@gmail.com

Gleason Fine Art opens two new shows

Andrea Peters, Lupine Land, oil on paper, 12x22”

Andrea Peters, Lupine Land, oil on paper, 12×22”

Gleason Fine Art opens two new shows: ANDREA PETERS: IN LIVING COLOR and KEVIN BEERS: FROM MANANA TO HAVANA, beginning Thursday, June 29th, and running through Tuesday, July 25th,. The opening reception for Beers and Peters is 1st Friday, July 7th, from 5 to 7 pm. Everyone is invited to join Andrea and Kevin and enjoy a glass of Monhegan Brewing Beer or fine wine.

ANDREA PETERS: IN LIVING COLOR
East Boothbay artist Andrea Peters’ world is outside her windows – salty inlets, mossy ledges, towering spruces, and abundant flower and vegetable gardens. It is a quintessentially Maine landscape, where the keen-eyed Peters sees more in a glance than many of us would see in a lifetime. Andrea loves color. She dazzles us with her passion for paint. Her yellows sizzle, her reds pop, and her blues make us swoon.

 Kevin Beers, Manana Sunset, oil on canvas, 18x22”

Kevin Beers, Manana Sunset, oil on canvas, 18×22”

KEVIN BEERS: FROM MANANA TO HAVANA
When Kevin Beers first walked into Gleason Fine Art nearly 20 years ago, he had just given up his Manhattan position as an art director in order to follow his passion, becoming a full-time artist. He had just begun to paint landscapes, but, “motorhead” that he is, he focused primarily on old cars and trucks that had caught his eye. Beers studied each vehicle to discover its story, so each painting became a kind of portrait. A pea-green truck with lots of missing paint became “Rusty,” and a car with a particularly ferocious looking grille became “Vampire.” The cars and trucks took a backseat. However, one place, a country where old cars have been repaired and reused for over half a century, lived on in Beers’ mind; that place was Cuba.

Both “Andrea Peters: In Living Color” and “Kevin Beers: From Manana to Havana” run through July 25. The reception for Andrea and Kevin, to which everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine, is First Friday, July 7, from 5 to 7 pm. Both shows, plus the gallery’s entire inventory of contemporary and estate art, may be viewed on the gallery’s website gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849 and ask for Dennis, Marty, or Andrew Gleason, or Diana Kerr. Or email the gallery at info@gleasonfineart.com. Summer hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4

Haynes Galleries’ Celebrates the Summer Season With Majestic Views of the Water

Joseph McGurl Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises Oil on Panel 14 x 8.5 inches

Joseph McGurl
Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises
Oil on Panel
14 x 8.5 inches

For its 2017 season, Haynes Galleries in Thomaston will present “Homage to the Art of the Sea.” This exhibition of seascapes will showcase the magic of marine vistas, including views of Maine, by four of the country’s finest marine artists. Through a modern lens, Joseph McGurl, William R. Davis, Donald Demers and Marc Dalessio capture in paint the appeal of the water, sky, and light along the coast, an appeal that often cannot be expressed in words. “Homage to the Art of the Sea” opens July 6 in Thomaston and continues through the summer until September 9 and will showcase four of the country’s finest marine artists but each has its own aesthetic and vision.

Joseph McGurl calls himself a contemporary luminist. For him that means his paintings explore the same ideas as the Luminists of the 19th century, like a poetic & philosophical contemplation on nature, but his paintings look a bit different. McGurl’s images of the sea can vary in brushstroke and texture, in aerial perspective, and in tone. Even individual pieces feature this variation, like “He Came Dancing Across the Water…Cortez Cortez” where a single ship in the middle ground illuminated by the sun and guided by clear skies contrasts with ominous dark clouds casting shadows on the rest of the fleet on the horizon.
William R. Davis Barkentine at Dusk Oil on Panel 6 x 12 inches

William R. Davis
Barkentine at Dusk
Oil on Panel
6 x 12 inches

A native of Cape Cod, William R. Davis has been surrounded by water and sailing his whole life. He’s acutely aware of the realities of being near the sea. Primarily self-taught, Davis opts for a more serene take on marine views. There is a stillness & dreaminess to his seascapes where water gently ripples off the bows of sailing ships and the sun, low on the horizon, glows like a comforting warm orb. To create the soothing effect Davis paints with thin semi-translucent paint. He carefully builds up layers, replicating the transparency of water and the way light bounces off the surface. He can even do it with moonlight like in the nocturnal scene “Moonrise.”

Donald Demers Bass Rocks Oil on Linen 16 x 24 inches

Donald Demers
Bass Rocks
Oil on Linen
16 x 24 inches

Donald Demers love of maritime subjects began during the summers of his youth spent in and around Boothbay Harbor. The sea has stayed with him all these years. His artistic career began as an illustrator but soon expanded to traditional fine art. His background as an award-winning illustrator is clear in his seascapes— an attention to detail pervades his scenes— but they also exhibit visual poetry as if they are the carefully remembered memories from a trip to the coast long ago.

Marc Dalessio The Grand Canal Oil on Linen 8 x 12 inches

Marc Dalessio
The Grand Canal
Oil on Linen
8 x 12 inches

Marc Dalessio has painted the seven seas, the waters of the Venice canals, and the tropical beaches of the South Pacific. This master of plein air painting has also turned his eye towards Maine. In his trademark quick and expressive style Dalessio works up a scene to capture its very essence, often from interesting and unexpected points of view.

An opening reception to celebrate the exhibition will take place the evening of July 6 from 5-7:30pm. Joseph McGurl, William R. Davis, and Donald Demers are expected to attend the opening to share their stories. Haynes Galleries is located at 91 Main Street in Thomaston, Maine. Gallery hours are Tuesday through Saturday, 10am to 4pm. For more information, visit haynesgalleries.com or call (615) 430-8147.

“Island Boats Homes and Harbors” at New Era Gallery

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

The mid-summer show at New Era Gallery is entitled “Island Boats Homes and Harbors” and will feature the work of painter Esther Garcia Eder and ceramic sculptor David Riley Peterson. Eder’s colorful and joyous oils and watercolors of familiar island locales, often seen from atop the hill where she maintains her studio, speak of her love and deep appreciation for the island.  Peterson, who has spent summers on the island since childhood, shows his lifelong love of boats and the water in his ceramic sculpture, a range including representational dories, shipwrecks, and fantastical mythological vessels.

The show will open on July 15, and run through August 2.  The gallery will host an artists’ talk and reception on July 15 beginning at 4:30. Summer gallery hours are Monday through Saturday 10:00 – 5:00, and Sunday 11:00 – 2:00. Please visit our website for a complete schedule of shows and events.

Greenhut Galleries presents “Henry Isaacs: Finding Values”

Acadia_Mountain_Somes_Sound_web

Henry Isaacs “Somes Sound from Sargent Drive,” 36×24, oil on canvas

 

Greenhut Galleries presents “Henry Isaacs: Finding Values” July 6 – 29, with an Opening reception Thursday July 6th,  5-7pm

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush.  He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail.  His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours:  Mon to Fri 10am – 5:30pm
Saturday 10am – 5pm
207.772.2693

Art Space Gallery July 7th opening

Jean Byrd, Isand Anchorage, oil

Jean Byrd, Isand Anchorage, oil

Art Space Gallery invites you to the July Arts in Rockland First Friday art walk. We will be hanging a new show in our front room. Please stop by on Friday, July 7 from 5 to 8pm and join us for wine and refreshments and meet our artists. This reception will feature the work of Jean Byrd, Nancy Davies Tang, Sandra Leinonen Dunn, and Sylvia Isabelle Murdock.

Jean Byrd will be featuring her painting “Island Anchorage”. It is of “Devil’s Island”, an island in Merchant’s Row off the coast of Stonington, ME.  Devil’s Island, like many Maine islands, is a small island with water worn rocks on its shore and a forested interior.  This painting takes you down a shadowy path onto the rocky shore and the idyllic island anchorage beyond, a spot that is truly a place sailors dream of all winter.  Jean’s painting style is tradition realism. Her subject is the New England coast with all its fishing villages, islands, harbors, and seaports.  Her love of the sea is evident in her work.

Nancy Davies Tang, lobstah, fused glass

Nancy Davies Tang, lobstah, fused glass

Mother Nature offers boundless inspiration in form and color. She stills the mind and soothes the soul and, if you are lucky, will whisper in your ear and play the muse. Nancy Davies Tang looks to her garden, fields, and forests for inspiration to create works of art in kiln fired glass and dichroic glass jewelry. Largely self-taught, Nancy has been working with warm glass for over 20 years. She has a background in painting and sculpting and strives to bring all her experience to her work in glass. Currently she is working on pieces inspired by the ocean.

Sandra Leinonen Dunn, 12x12 inch, oil

Sandra Leinonen Dunn, 12×12 inch, oil

Sandra Leinonen Dunn is a Maine artist. Ms. Dunn is represented at many galleries throughout Maine as well as by the Cortile Gallery in Provincetown, Ma. Ms. Dunn’s intuitive use of color and free brushwork give her paintings a uniquely fresh feel. Her work is in collections throughout the U.S. as well as abroad.  Ms. Dunn is also a teacher and a published children’s book illustrator.  She has a studio at her home in Chelsea, Maine.

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock is a self-taught artist, Sylvia has painted seriously since she was 12 years old. She finds the simplicity and clarity of coastal living has left a lasting impression on her artist journey. Sylvia paints primarily with watercolors, but also occasionally works in egg tempera and oils.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. July hours are Monday through Saturday 10am to 6pm and Sundays 1am to 4pm. For more information visit our website at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Shaw Jewelry Announces Opening of July Gallery Shows

shaw jewelryOpening Reception Thursday, July 6, 5-7pm

July 6-19
George Daniell: Modernist Hero Returns

George (1911-2002) was a much-loved painter with local roots whose career started in the WPA era. He was a fixture at the Wingspread Gallery in NEH and a character with a life long dedication to the visual image. He won the prestigious Jenny Sesnan Gold medal from the Pennsylvania Academy of Art. We are presenting a selection of oils and watercolors spanning 60 years.

Barbara Heinrich:
Contemporary Classic Jewelry 
Largest grouping from Thursday-Saturday, July 6-8

Barbara’s recognizable style consists of distinctive visual vocabulary defined by matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening through Saturday.

Duncan Martin: Maine Landscape Abstracted

Duncan’s work features gestural strokes of color, form and texture. This is his second show with us, a follow up on last season’s success. He is a life long painter who lives in Colorado and has deep ties to Maine.

VISIT SHAWJEWELRY.COM FOR FULL EXHIBITION DETAILS

Mars Hall Gallery features Manuel Retrospective

DelmarjTrena Vl (1998)

DelmarjTrena Vl (1998)

If you drive to the end of Rt. 131 South you’ll end up on the Monhegan Island Ferry dock. Look to the right across the channel and you’ll see beautiful Hupper Island. In 1975 Dr. Arthur (Bert) Wills bought a small cape on the NW corner of this 500 acre island. It began his passionate love affair with Hupper. Since then Bert has shared his island home with friends many artists. “I have always wanted young people to help sustain my passion for the island, not just for art but for anything they wanted to pursue”.

In 1978 Dr. Wills acquired an island farm which he called “Bert’s Boathouse University”. Luke Randall from Rhode Island came to paint on Hupper’s in 1992, soon to be joined by his friend and fellow painter R. Michael Carr, also from Rhode Island. They were followed by three more artists in 1996 for the islands best attended “art colonization” ever. Sue McNally and Theodore Tihansky both Newport, RI based oil painters and Manuel Rincon from Margarita Island, Venezuela. They became the “Hupper’s 5ive” and painted on the island in October or several years. Dr. Wills exhibited the resulting paintings in an annual group show at his Downtown Medical Associates office in Boston. All five have become accomplished artists.

The Hupper’s 5ive celebrate the late Manuel Rincon in “Manuel Rincon Retrospective” which previewed June 16th and runs through August 6th. Rincon, a once successful business man, gave up the corporate dream to pursue his dream of being an artist. Bold shapes and vivid color are used to portray the playful images in Manuel’s paintings. His work has been shown in Maine, Boston, Rhode Island, and New Jersey as well Venezuela. A reception for the show will be held Saturday, July 8th from 6-8 p.m. For more information call 207-372-9996 or visit www.marshallgallery.net

Courthouse Gallery presents Philip Barter: Maine Oasis and Judith Leighton Retrospective in July

 

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Courthouse Gallery Fine Art is pleased to present two solo exhibitions—Philip Barter: Maine Oasis and Judith Leighton Restrospective—from June 21 through July 20. Also showing are Susan Amons, Judy Belasco, Philip Koch, Mark Kidschi, and Stephen Porter. The exhibitions are free and open to the public.

 

Philip Barter: Maine Oasis

Philip Barter (b.1939) is a self-taught artist from Boothbay, Maine, who was living in California during the 1960s when he met Alfonso Sosa, an abstract expressionist painter. Sosa took Barter under his wing and added a “charge of light and color” to Barter’s aesthetic vision that influenced his work for the next fifty years. Barter has spent a half-century painting narratives based on the Maine’s fiercely independent people and the landscape of his home state, becoming the “painter laureate” of the region. Barter was the subject of a feature profile in Down East magazine and went national when, in January 1995, Tim Sample highlighted his life in art in one of his “Postcards from Maine” segments on the CBS Sunday Morning program hosted by Charles Kuralt.

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip Barter, Bottom: Book Jacket

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip

 

In conjunction with the show Philip Barter: Maine Oasis, Courthouse Gallery will host a Book Launch and Signing on July 12 from 4–7pm for Philip Barter: Forever Maine, a new book by Carl Little (Marshall Wilkes). At 5:30pm Little will introduce Philip Barter, who will talk about his narrative paintings, process, and career. The author will be available for book signing. Books can be reserved by calling (207) 667-6611. The event is free and open to the public.

 

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton Retrospective

Judith Leighton (1929–2011) was the former owner of the Leighton Gallery in Blue Hill and an artist in her own right.  She began painting with watercolors in the 1950s, gaining notice for her work by the 1960s. After moving to Maine in 1970, Leighton worked almost exclusively with dry pastels.Her modernist inspired motifs included flowers, landscapes, tables and chairs, and women, often seated as if engaged in an pleasant conversation, or standing, or holding a dog, cat or bird. Leighton was passionate about art that “celebrated life” whether it was the art she showed at her gallery, or the art she made.

 

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Monday–Saturday 10am– 5:30pm; Sunday 12–4pm. For more information on upcoming shows call 207-667-6611, or visit www.courthousegallery.com

Dowling Walsh Gallery to Feature Three Artists in July

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.
Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

“Rebel Angels” — Birds at Tidemark Gallery

Pastel by Chris Augusta

Pastel by Chris Augusta

“Rebel Angels” — Birds at Tidemark Gallery ArtWalk Waldoboro July 8

Chris Augusta sees them as “Rebel Angels.” Pam Cabañas shows what it probably feels like to be a sea bird soaring over the ocean. These two artists bring a powerful and transforming vision of birds to Tidemark from July 5 through August 5. Artists reception Saturday, July 8, 4 to 7 pm.

For a preview of the show, please visit tidemarkgallery.com To see examples of these artists’ other work, please visit them at pamcabanas.com and chrisaugusta.com

Outtakes From a Memoir – Celebrating Deborah Joy Corey’s newly released book, Settling Twice

Woman with Blue Irises by William Irvine

Woman with Blue Irises by William Irvine

Please Join Us to Celebrate – Outtakes From a Memoir – a Group Exhibition of Artworks Inspired by (or relating to) Deborah Joy Corey’s newly Released Memoir, Settling Twice.

Friday, June 16, 5-7PM
Exhibition Runs June 17 – 29, Wed. – Sun., 11:00-5:00
At the ANNEX, 8 Water Street, Castine, Maine

Mother Nature by Mattina Blue. Watercolor, 27x33", 2017

Mother Nature by Mattina Blue. Watercolor, 27×33″, 2017

The Author and many of the artists will be present. Refreshments and books will be available. The artists in this exhibit are all connected with Deborah Joy Corey. When asked if they would read excerpts of her upcoming memoir, Settling Twice, and respond to it visually in their own medium – these artists enthusiastically answered the call. The result is a joyful and cacophonous visual representation in different mediums and styles to moments, themes, or sections of the book. Each artist experienced the writing in a different way and we are excited to see the work all together, a frolicking visual representation of a single text which resonated for everyone who read it.

Eatons Boatyard by Greg Dunham, Watercolor, 2016

Eatons Boatyard by Greg Dunham, Watercolor, 2016

This cross-disciplinary dialogue between art and literature by local artists and writers feels like an accurate reflection of a community that is filled to the brim with gifted cultural producers, most of whom show an active enthusiasm and curiosity for the world around them and the work of their peers. Outtakes from a Memoir aims to highlight the significant relationship between the arts and highlight the great talents of our very own creators.

For more information visit www.annexarts.org and www.gallerybgallery.com or call 213-839-0851

July exhibits at The Gallery at Somes Sound

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40" x 40", oil on linen

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40″ x 40″, oil on linen

Exhibits run July 1 – July 31
Open House and Reception Saturday, July 1st
4:00 – 6:00 pm

A TRIBUTE TO JOELLYN DUESBERRY:
Reflections of MaineArtist Joellyn Duesberry’s (1944-2016) paintings on display for the month of July, celebrating her summers in Maine. Joellyn Duesberry (called Joly by friends and family) enjoyed a long and illustrious career as a landscape painter. Rich in coloration, Duesberry’s abstract images reveal a strong interest in geometry and an awareness of such modernist masters as John Marin and Milton Avery. . . .
Richard Oedel, Macassar end tables

Richard Oedel, Macassar end tables

STUDIO FURNITURE EXHIBIT
(to coincide with the Joellyn Duesberry Exhibit)
Featured Masters of NHFMA
The New Hampshire Furniture Masters Association
enjoys a membership of nearly two dozen makers from New Hampshire, Maine, Massachusetts and Vermont. These gifted artisans create studio furniture that is exceptionally beautiful and wonderfully diverse, and spans an array of styles including Period, Early American, Shaker,
Neo Classical, Traditional, Contemporary and Art Furniture.Participating Masters include . . .
Ted Blachly, Jon Brooks, Greg Brown, John Cameron, Timothy Coleman, Jeffrey Cooper, Garrett Hack, David Lamb, Terry Moore, Richard Oedel,
Brian Reid, Jeffrey Roberts, and visiting artist, Roger Myers

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40" x 60", oil on linen

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40″ x 60″, oil on linen

THE LIFE OF JOELLYN DUESBERRY
Saturday, July 8
7:00 – 9:00 pm
Reservations are required
To make your reservation please call 207 610-4622

On Saturday, July 8th from 7 pm – 9 pm, the Gallery will host a celebration of Duesberry’s life. The evening will include a screening of Peter Logue’s new documentary “Joellyn” and a performance by musicians Brittany Parker and Katherine Perkins of Barn Arts Collective.

Please visit www.galleryatsomessound.com/events for more information

July shows at Dowling Walsh Gallery

dowlingwalshlogo

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.  Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.
James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

 

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

New Era Gallery presents “In the Garden”

“Crab Apple”, Watercolor on Vellum, Curly Lieber

“Crab Apple”, Watercolor on Vellum, Curly Lieber

New Era Gallery in Vinalhaven presents “In the Garden” beginning Saturday, June 24.  The show features Gobelin-style tapestries by Don Burns, botanical drawings and watercolors by Curly Lieber and stoneware sculpture by Gail Savitz.  There will be an artists talk in the Windy Way Barn at 4:30 pm followed by an opening reception in the main gallery from 5:00–7:00pm.

The exhibition will run through July 12.  Summer gallery hours, beginning June 25, are Monday through Saturday 10:00am – 5:00pm, Sunday 11:00am-2:00pm.  For more information call 863-9351 or visit neweragallery.com

14 Miles to the Horizon at Mars Hall Gallery

Mimo Gordon Riley's "Overlooking Our Lives"

Mimo Gordon Riley’s “Overlooking Our Lives”

Mars Hall Gallery opens its 2017 Summer Season with a show titled “14 Miles to the Horizon”. This ever changing Exhibit will showcase Maine ART along with an expanded selection of fine antiques and collectibles. On display are paintings by Nancy Baker, Leo Brooks, Jeanette Steele Esposito, Linda Funk, Kris Johnson, Roger Kirby, Brian Kliewer, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, David Paffhausen, Elaine Reed, Jimmy Reed, Mimo Gordon Riley, Holly Smith, Carl Sublett, William Thon, Ron Weaver and Eleanor Zuccola. Also on exhibit is black & white pinhole photography by Antonia Small, mixed media assemblage by Bill Cook, whimsical driftwood fish by Claire Perry and a variety of quality crafts including decoupage by Davene Fahy, hand carved decoys by Stephan Hill and mixed media stained glass, mosaics and pottery by Dona Bergen. Metal sculptors Jay Hoagland and Brian Read will have works on display through out the gallery as well as outside in the Sculpture Gardens. Phase One of the show runs through Sunday, August 6th.

The gallery wants to congratulate Antonia Small and Gary Libby for winning the John N. Cole Maine Literary Award for Maine Themed Nonfiction for their book “Caught”. Autographed copies are available at the gallery as well as Antonia’s photography. Also congratulations to Linda Funk for being featured in the current Victoria Magazine. A botanical painting of hers was selected for use in advertizing of the 2017 Boston Flower Show.

The new wing will preview a retrospective show opening in July for the late Venezuelan artist Manuel Rincon. A reception will be held on Friday, June 16th, from 5-8 p.m.. The gallery is open 10-5, Wed. thru Sun. or by appointment and is located 12.7 miles down the beautiful St. George peninsula in Martinsville. For more information call 207-372-9996 or visit us on the web at www.marshallgallery.net

William Wegman | Reel to Real Opens June 10 at CMCA

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

The Center for Maine Contemporary Art (CMCA) announces the opening of the exhibition William Wegman: Reel to Real on Saturday, June 10. The exhibition features selections from the artist’s early videos and drawings and is on view through October 22, 2017.

An important pioneer in video art, William Wegman created a series of short videos between 1970 and 1978, which are now considered classics in the field. He began experimenting with the new medium in earnest in 1970, while living in Southern California, where he taught for a year at California State College, Long Beach. Working concurrently with other early West Coast video artists as Bruce Nauman and John Baldessari, Wegman perfected a deadpan humor and absurdist logic in his videos that came to define much of the West Coast conceptual art of this period.

It was in Long Beach that Wegman acquired his first Weimaraner, Man Ray, who became an active participant in the early videos and an iconic presence in the artist’s career. “My background is in painting,” says Wegman, “but in school in the sixties, like many artists of that time, I believed that painting was dead. I began to work in collaboration with other artists in the creation of performance and installation works. Soon after, I started making video and photographic works and in the process became fascinated with the media itself. Before long I was setting things up just for the camera. In 1970, I got a dog and he turned out to be very interested in video and photography as well.”

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

Born in 1943, in Holyoke, Massachusetts, William Wegman is one of the best-known and most highly regarded artists of his generation. He received a BA from the Massachusetts College of Art and an MFA from the University of Illinois, Urbana. With homes and studios in both New York and Rangeley, Maine, he continues to make videos, to take photographs and to make paintings and drawings.

A public reception celebrating CMCA’s summer exhibitions will be held on Saturday, June 24, from 5 to 8pm. William Wegman, accompanied by his Weimaraners, will discuss his work as part of CMCA’s Tuesday Talk series on July 25 at 5:30pm at The Strand Theatre, Main Street, Rockland, with a reception following at CMCA. Tickets for the talk will be available online starting July 1 at www.rocklandstrand.com.

CMCA is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org

Smart Studio Celebrates 50 Years

gallerywc-21

Business was different 50 years ago when Smart Studio opened in Northeast Harbor. “We opened from nine am to noon during the week, as there were very few tourists back then” according to founder Wini Smart. Business was brisk for the artist as the summer folk shopped in town to collect their newspaper and groceries. Afternoons were devoted to painting on location to replenish the gallery, five children in tow. “Mom would take us to her favorite painting spots around MDI, she would paint and we would picnic, explore, fish, and play” daughter Gail Cleveland remembers.

Fast forward 50 years to today and one would see some changes at the gallery. Back in 1967 watercolors were hung on fish net and sold for a few dollars. Today the gallery offers much larger works, in oil and watercolor, limited edition prints and cards, gifts, antiques and custom framing. Still offered are the small intimate watercolors painted on location by Wini and Gail.

To celebrate the milestone the gallery is hosting a retrospective show at the Northeast Harbor Library for the month of July. Works on display will include loaned paintings from collectors. There will be a reception for the public on July 20th from 5-7 in the Melon room at the library. The show will be available to view from July 1-30th. Please call the gallery at 276-5152 for more information.

Littlefield Gallery opens “Best in Show: Animal-Inspired Art.”

Don Best, "Jungle Dream", relief sculpture 38 x 50 x 6

Don Best, “Jungle Dream”, relief sculpture 38 x 50 x 6

Littlefield Gallery opens its ninth season on May 26 with “Best in Show: Animal-Inspired Art.” This group show features some of Maine’s best artists including Robert Pollien, Don Best, Ben Lincoln, Diana Arcadipone and Matt Welch. The show will run through June 18.

An artists’ reception will be held June 10 from 4-6 p.m. The gallery is open daily from 11 a.m. to 5:30 p.m.

For more information contact 207.963.6005 or 207.838.4174
info@littlefieldgallery.com

Gallery B. 9th Season Opening and Launch of The Annex

goodieB
Please Join us on Friday, May 26th, 5-7 PM (or anytime this summer) to Celebrate
Gallery B. 9th Season Opening and Launch of Our new Endeavor: The Annex, an Arts Center and Residency Program
At GALLERY B. the season-starter group show is opening on Friday, May 26, 5-7 PM. The ANNEX will be open for sneak peaks of the space and the work of Shelley Mansel

• Onward! at Gallery B. is a group show featuring  new work by both a fresh crop of artists and gallery perennials: Tom Barrett, Amy Bernhardt, Jenny Brillhart, Hannah Bureau, Louise Bourne, Temple Blackwood, Kelly Carmody, Heidi Daub, Clark Fitz-Gerald, Melissa Kuntz, Leni Mancuso, Shelley Mansel, Lyn Mayewski, Bill Mayher, Basha Olsen, Julia Parish, Marcia Stremlau, Kreg McCune, Kara Taylor, Emily Schaeffer, Nisa Smiley, Goody-B. Wiseman, Anna Woolf & Neale Lasalle, and a few more.
A View of the ANNEX at 8 Water Street last year when we hung it with Shelley Mansel’s Paintings.
And… at The ANNEX at 8 Water Street: Gallery B. is inaugurating a second space, The Annex, and an artist-in-residence program.  The Annex will be a center for a broad range of events and activities—exhibitions, workshops, panel discussions, screenings, and community events—related to the work of the resident artists as well as local artists.

The first event at The Annex will be an open studio featuring artist-in-residence Shelley Mansel of Halifax, Nova Scotia, on Saturday and Sunday, May 27 and 28, 12-4 pm – drop in and say hi!
“The aims of The Annex are twofold,” said Goody-B. Wiseman, director of The Annex and owner of Gallery B. “We want to bring excellent art, diverse voices, innovative practices, and cultural richness to our region and to support the production of new work by artists while they are in interdisciplinary dialog with the wealth of historical, cultural, and natural assets of our area.”

SAVE THE DATE!
Next up at the ANNEX is
Settling Twice: an Exhibition of Art inspired by the new book of essays by Deborah Joy Corey
Opening Reception June 16th, 5-8PM
Settling Twice, June 16 – June 29, a group show inspired by Deborah Joy Corey’s new book of essays and featuring work by Josh and Susan Adam, Berke Billings, Hannah Bureau, Bill Irvine, Gail Page, Rob Shetterly, Sherry Streeter, Phoebe and Georgia Zildjian, Mattina Blue, Patricia Maclain, Diane Lindscot, John and Julie Gardner, Goody-B. Wiseman, and Charleen Wiseman.

Betts Gallery opens with GO HIGH

On-High-JulieCyr

“On High” Oil on Panel by Julie Cyr
Betts Gallery GO HIGH  May 26-June 24, 2017

Opening Reception Friday May 26, 5:30-8
Please join us for an opening reception on May 26th, 5:30-8pm, as we welcome spring and the start of the Fourth Friday Art Walks in Belfast. Betts Gallery is thinking positive and looking up with the first show of the season, entitled “Go High”, which features work by artists: Kenny Cole, Mj Viano Crowe, Julie Cyr, Susan Guthrie, Sheep Jones, Willy Reddick and Buzz Stultz. The Gallery is located at 96 Main Street in Belfast, and also may be entered on Beaver Street. For more information please call (207) 338-6465or visit our website www.thebelfastframer.com.

Art Space Gallery opens new show for Rockland First Friday Art Walk

 

JK Herman, Three Pears, watercolor

JK Herman, Three Pears, watercolor

Art Space Gallery invites you to the June Arts in Rockland first Friday art walk. We will be hanging a new show in our front room. Please stop by and join us for wine, refreshments and meet our artists Friday, June 2rd, 5 to 8pm. This reception will feature the work of Lori Davis, Teddi-Jann Covell, Keith Plummer, and Judith Herman.

Judith Herman has been working in watercolor for over 30 years. The exciting properties of the watercolor medium gives her flexibility in creating depth and luminosity in her art. Currently she is capturing the light, color, and movement in her still life paintings.

 

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell is a Fine Art oil painter who lives and works in Orono, Maine. Teddi-Jann primarily creates, “Plein-aire” style all year, all around the state. She is represented in Fine Art Galleries such as North Light Gallery in Millinocket, River Arts Gallery in Damariscotta and Harlow Gallery in Hallowell. Teddi-Jann is also a member of several artists Co-Ops including Saltwater Gallery in Pemaquid and Southwest Harbor Artisans. “My art is a reflection of my love and passion for Maine, for Baxter State Park and for the rugged coast of Maine and all her secret spots in between!

Keith Plummer, Ghost Dancers, mix media

Keith Plummer, Ghost Dancers, mix media

As a self taught metal smith and sculptor, Keith’s experimental evolution has lead him to create a body of work that incorporates the precision of metallurgy with an inventive transformation of bone into anthropomorphic form. He is inspired to use ancient processes that result in textures, colors, and a spirit not found in modern, manufactured jewelry. While working under magnification, Mr. Plummer adds minute details to create an overall effect of an artifact from a lost civilization. Keith hopes his jewelry pieces become memorable conversation pieces and spark discussions about this ancient craft.

 

Lori Davis, Red Fox, photograph

Lori Davis, Red Fox, photograph

Lori Davis is a professional photographer specializing in nature, wildlife and landscape images. With a background in wildlife rehabilitation, she was inspired at an early age to pick up a camera and start capturing unique moments with the intent to share with others. She’s traveled cross county and to Alaska on multiple occasions, capturing dramatic landscapes and wildlife encounters, before finally settling in Maine. Working out of her home studio, Lori prints her own work. With multiple fine art Giclée printers, Lori can recreate her images in a variety of sizes and prices, both on canvas and as matted and framed photographs.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. June hours are 11am to 6 pm Monday through Saturday and 1pm to 4pm on Sundays. Visit our website for more information at www.artspacemaine.com

Sarah Faragher to exhibit at Landing Gallery

 

"8 A.M. SCHOODIC POINT, MAINE", Oil/Linen 18" x 24" by Sarah Faragher

“8 A.M. SCHOODIC POINT, MAINE”, Oil/Linen 18″ x 24″ by Sarah Faragher

 

Landing Gallery, 409 Main St in Rockland is pleased to announce the opening of “WATER & STONE: SCHOODIC & MOUNT DESERT ISLAND”, a solo exhibit of new paintings by Sarah Faragher from May 26 – June 25. Sarah will be present at the Artist’s Opening Reception if you would like to meet and talk with her. The Reception will be held on Friday, June 2nd, from 5-8 PM during Arts In Rockland’s first Friday art walk.

Sarah Faragher is a 1990 graduate of Colby College, Magna cum laude and Phi Beta Kappa. Her work was included in ART OF ACADIA by David Little and Carl Little, published in 2016 by Down East Books. Sarah was a 2015 Artist-in-residence at Acadia National Park, a 2008 Artist-in-residence at the Weir Farm National Historic Site in Wilton, Connecticut and has been invited to participate, numerous times, in Art Week on Great Spruce Head Island.

"RADIANCE, RISING TIDE, SCHOODIC, MAINE", Oil/Linen 10" x 10" by Sarah Faragher

“RADIANCE, RISING TIDE, SCHOODIC, MAINE”, Oil/Linen 10″ x 10″ by Sarah Faragher

“I moved away from Mount Desert Island when I was still a child, and ever since then it has felt like a lost Eden. But in recent years, returning to paint the landscape set some stopped part of me back into motion. And this could turn out to be a lifelong subject, since the more deeply I look, the better it gets. Especially at Schoodic, where the elemental is particularly insistent. I love to be there, out on what feels like the edge of everything, participating in nature. Paradise lost is sweeter regained.”

“My paintings are memoirs of my experiences with nature. Through painting I participate in the landscape, recognize transcendent moments in nature, honor the integrity of natural forms, and describe where my heart lives. I often feel as if the places I paint have commissioned me to tell their autobiographies, at the same time that I tell my own.”

"OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE", (Detail) Oil/Canvas 20" x 16" by Sarah Faragher

“OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE”, (Detail) Oil/Canvas 20″ x 16″ by Sarah Faragher

Please join us in the gallery. Hours: Wed – Sat 11-5 & Sun 12-5, Closed Mon & Tue. FMI 207 239-1223, LandingArt.com.

Dan Graziano exhibit opens at Roux and Cyr International Fine Art Gallery

"are you ready to order?" , Dan Graziano, 12" x 16", oil on panel

“are you ready to order?” Dan Graziano, 12″ x 16″, oil on panel

Dan Graziano is happy to announce his upcoming solo show at Roux & Cyr International Fine Art Gallery which opens on June 2nd in Portland, Maine. Over twenty paintings will be featured sharing the themes of restaurants, cafes and street life. Sun dappled figures of waiters, sidewalk cafes and glistening wine glasses are depicted with bold, “juicy” brush strokes in an impressionistic manner creating an unfinished narrative for the viewer to define with their own story. With strong contrasts of light, shadow and color, these paintings were made to invite you into the world of food, wine and the lively characters who inhabit “café society.”

The gallery exhibition opens with a wine reception on June 2nd from 5:00 to 8:00pm.

The exhibition runs from June 2nd to July 6th. Roux & Cyr International Fine Art Gallery is located at 48 Free Street in Portland, Maine. For more information visit www.dangrazianofineart.com or www.rouxandcyrgallery.com

Philippe Guillerm Gallery presents “PARTS AND COLORS” – An Architectural Artist Work

 

Pistachio, Oil on Canvas by Jim Root

Pistachio, Oil on Canvas by Jim Root

Philippe Guillerm Gallery will ones again re-open its doors on June 10th, 2017 with an exciting new exhibit from Jim Root and Philippe Guillerm. Jim Root is known for his dramatic views of our surrounded local islands and water views and Philippe Guillerm for his remarkable and intriguing work of drift wood and music instruments.

 

The exhibition will include as yet unseen paintings from Jim Root and sculptures from Philippe Guillerm from the 2017 collection as part of the ArtWalk Waldoboro.

The exhibition will run from June 10 – July 7, 2017 with a reception on Saturday, June 10, 2017 from 4pm to 7pm.

Philippe Guillerm Gallery
882 Main Street – Waldoboro ME 04572 – 207-701-9085
Gallery Hours:
Tuesday – Friday: 10am – 4pm
Saturday – Sunday: By Appointment Only

For More Information Contact:
207-701-9085
philippeguillermgallery@gmail.com

Mary Bourke’s “Small Things” at Greenhut Galleries

"Brothers" acrylic on panel 18 x 18 inches

“Brothers”
acrylic on panel
18 x 18 inches

Greenhut Galleries presents “Small Things”, a solo exhibition, June 1 – July 1, 2017  with an opening reception on Thursday, June 1st from 5 – 7pm.

Mary Bourke’s paintings, which focus on her childhood memories, are truly a delight to behold. In a recent article, when asked about the current subjects of her paintings Mary said the following: I ran across some old photographs that showed my parents, grandparents and all of us, there are nine siblings. I combined images, photographs and memories; I also developed a new style and technique, learning about layering colors and glazes. The paintings themselves have more depth although my bright colors haven’t changed.”

While it’s apparent that Ms. Bourke feels comfortable with experimentation and feels less restricted with her current work, she still treasures one thing that will never change: her affinity for nostalgia. We can see that when she talks about her pieces inspired by childhood memories, especially concerning her growing up on Long Island.

For more information call 207-772-2693 or email info@greenhutgalleries.com

Randy Eckard to exhibit at Richard Boyd Gallery

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Richard Boyd Art Gallery opens a solo exhibition of paintings by noted watercolorist Randy Eckard on June 1 at 10 a.m. A trained commercial and fine artist living in Blue Hill, ME Randy’s career as a fine artist working exclusively with watercolors spans more than three decades. Eckard is known for his use of light and shadow, with the subject of most of his paintings being light and how it defines and shapes the scene before him. His iconic architectural landscapes are expertly detailed and capture the essence of New England. Randy’s paintings have won over 190 awards in watercolor throughout New England and the Southeast. His paintings are widely collected and included in numerous private and corporate collections.

The public is invited to meet Randy at a reception at Richard Boyd Art Gallery on Saturday, June 3 between the hours of 12:00 noon and 3 p.m. where he will be available to discuss his current series of paintings. The exhibit is open free of charge between 10 a.m. and 5 p.m. daily through June 29, 2017. Additional days and times can be scheduled by appointment. For more information about the exhibit or reception please contact the gallery by phone at 207-712-1097, email info@richardboydartgallery.com or visit www.richardboydartgallery.com

Pemaquid Group of Artists opens 89th Season

Gallery Sign

The Pemaquid Group of Artists opens its 89th season on Sunday June 4, with a gala public reception from 5 until 6:30 p.m. in the Pemaquid Art Gallery located at Lighthouse Park.  The park is renowned for its panoramic views of sea, shore, and sky and the historic Pemaquid Lighthouse, which graces the Maine quarter. Refreshments, conversation with the artists and exciting new works of art will be featured.

The Pemaquid Group of Artists has invited Midge Coleman of Newcastle, Bill Hallett of  Nobleboro, Cindy Spencer of Wiscasset and Steve Viega of Walpole to permanent membership.   Sarah Fisher and Kathleen Horst both of Damariscotta and Mary Mabry  of Waldoboro  will be guest artists for the current exhibition season. They will show their work, together with that of 26 other juried members of the group, at Pemaquid Art Gallery at Lighthouse Park beginning Monday, June 5.  Thirty-three panels/exhibition spaces will be filled with original artworks in oil, pastel, watercolor, gouache, and acrylic as well as marquetry, pottery and turned wooden bowls.

New 2017 Artists at PAG

The Pemaquid Group of Artists invites you to visit the gallery often.  Ongoing sales permit the gallery to display new works continually.  The gallery is open daily from 10 a.m. to 5 p.m. through Columbus Day.  For more information, please call the gallery at 677-2752 or vist www.pemaquidartgallery.com.

Special Preview at Tidemark Gallery

Hoagy, digital conflation on canvas by Petrea Noyes

Hoagy, digital conflation on canvas by Petrea Noyes

Fine art photography and mosaics by teaching artists Lindsay Pinchbeck and Argy Nestor, are on display in Tidemark’s first show of the season along with the innovative canvasses of Lincolnville artist, Petrea Noyes.

In a special preview for the show on Saturday June 3rd, Nestor and Pinchbeck will give their Pecha Kucha presentation of their experience last summer in Africa with Go!Malawi! a Hebron, Maine-based arts education exchange program. MVHS teacher, Jacob Newcomb will do the introductions.

The gallery will be open at 6pm and refreshments will be served following the 7pm presentation.

Tidemark will also host a reception for the artists from 4 to 7 on the following Saturday, June 10, as part of ArtWalk Waldoboro

“Dorothy Eisner (1906-1984): The Cranberry Island Years.” at Gleason Fine Art

Dorothy Eisner, Boat Trip II

Dorothy Eisner, Boat Trip II

Beginning Thursday, May 25, 2017, Gleason Fine Art at 31 Townsend Avenue in Boothbay Harbor opens its first show of the season: “Dorothy Eisner (1906-1984): The Cranberry Island Years.” The show runs through Tuesday, June 27, with a reception First Friday, June 2, from 3 to 5 pm.

Dorothy Eisner’s artistic career spanned seven decades. From her Greenwich Village studio, she traveled widely, including to the American West, Mexico, and Europe. However, it was her discovery in 1960 of Cranberry Island, an enchanting small island off Mount Desert, and its vibrant community of artists that was the beginning of Eisner’s passion for Maine,