Archive for Ellsworth

(KōT) Contemporary Craft Guest Artist Appearance – Erica Moody & Kreg McCune

Cake knife and cake server brass and steel Moody

 

Two Maine craft artists team up for a duo guest artist appearance this month at (KōT) Contemporary Craft, 6 State Street in downtown Ellsworth, August 31st, 2019 11am – 6:00pm

This is the fifth event in a series of summertime trunk shows showcasing the work of American craft artists. Award-winning artists, Metalsmith Erica Moody, and potter Kreg McCune draw on the beauty of Maine and a Yankee sensibility creating practical pieces for the kitchen and home. Moody using traditional metal working techniques and an old analog industrial machine creates flatware and serving pieces that have been featured in publications such as Bon Appetité & Bake From Scratch magazines. Kreg McCune is a studio potter who works in stoneware and porcelain creates pieces connected to a timeless aesthetic drawing on the landscape of Maine. He strives to craft functional pots that are beautiful alone and in combination with one another. Both these artists work play off the idea of elevating everyday tasks through thoughtfully designed pottery and servings pieces creating a unique connection to food and heritage – a shared passion of both Moody and McCune. 

http://www.kotcontemporarycraft.com/ Phone: (207) 479 5011

Courthouse Gallery Presents Works by: Janice Anthony, Jeffery Becton, Richard Keen and Linda Packard

Janice Anthony, Incoming Fog, Ship’s Cove, Acadia, acrylic on canvas, 28 x 40 inches

Courthouse Gallery will present new work by four artists: Janice Anthony, Jeffery Becton, Richard Keen, and Linda Packard. The exhibition opens on Wednesday, September 11, and runs through October 15. In addition, the best work from the summer season by the gallery’s stable of artists will also be highlighted. The exhibition is free and open to the public.

Courthouse Gallery is located at 6 Court Street in Ellsworth. For gallery hours and more information on upcoming shows call (207) 667-6611, or visit courthousegallery.com.

Janice Anthony is a realist painter who has a great affection for the otherness of the natural world. Her paintings explore this mysterious relationship between humanity and wilderness—parallel worlds where the natural world is clearly a world apart and self sufficient. Anthony holds a BFA from Boston University, and she was awarded a grant from the Pollock-Krasner Foundation. Her paintings have been included in art books, publications, and in numerous solos shows in Maine and New York, and in national and international exhibitions, including “Masterworks from the International Guild of Realism.” Anthony lives in Jackson, Maine.

Jeffery Becton, Passing Green Ledge, digital montage, 16 x 34.8 inches

Jeffery Becton is pioneer in the field of photo-based art, who creates provocative digital montages inspired by the tidal reaches and atmospheric weather near his Deer Isle home. Author Deborah Weisgall beautifully describes his montages in the monograph Jeffery Becton: Border World (Marshall Wilkes 2014): “Jeffery Becton’s works are meditations on ambivalence: digital montages, beautiful and unsettling mashups, altered realities. . . . Becton is really exploring our own permeability.” Becton’s work has been in numerous solo, group, and juried exhibitions, and has been highlighted in national and international publications. In 2016, the Bates College Museum of Art hosted a solo exhibition of Becton’s large-scale monographs, which then traveled to the Daura Gallery at the University of Tennessee, the Vero Beach Museum of Art in Florida, and to Lynchburg College in Virginia. His work is included in the museum collections of Bates College of Art, Farnsworth Museum of Art, and Portland Museum of Art, among others.

Richard Keen, Form Singularity No. 152, acrylic and oil on canvas, 48 x 36 inches

Richard Keen is from Stroudsburg, Pennsylvania. He holds a BFA from Millikin University, Dacatur, IL, and a MA from State University of New York (SUNY), Albany, NY. Since moving to Maine in 1999, Keen has maintained a studio at Fort Andross Mill in Brunswick. Keen’s work is inspired by his travels along the coast of Maine, working waterfronts, and his experience diving on boat moorings in Casco Bay.  Keen’s work has been included in numerous solo and group exhibitions, including Dili in East Timor as part of the Art in Embassies Program. The University of Maine Museum of Art, Bangor, Maine, held a solo show of Keen’s work in 2019. Keen has received grants from the Maine Arts Commission, the University of Rhode Island, and the Berkshire Taconic Community Foundation. He has been a visiting artist at various educational institutions. Keen’s work has been reviewed in numerous publications, including Art New England, Portland Press Herald, Maine Home + Design, Dispatch Magazine, Fresh Paint Magazine, and Studio Visit Magazine.

Linda Packard, Stonington Repertoire, oil on panel, 25 x 18 inches

Linda Packard is an en plein air landscape painter, who recently transitioned to a totally process driven studio practice. Her new abstract paintings bring the sensuous physicality of her visceral landscapes to a new level. Packard holds a BA in Studio Art from Smith College. She has worked as a graphic designer, librarian and a printmaker, and in 2006, she returned to pursuing a fine art career. Packard spent five years working with the late Boston painter, Jon Imber, in Stonington, Maine, who she still cites as one of her greatest influences. Packard was awarded a Heliker-LaHotan Foundation residency fellowship in 2015, and participated in a month-long residency this past fall at Weir Farm in Wilton, Connecticut in 2017. Packard lives in Bangor Maine, where she maintains a year-round studio.

Courthouse Gallery presents three shows: Philip Barter: My Maine, Rosie Moore: New Work, and Charlie Hewitt: Abstract Paintings and Electric Dreams

Philip Barter, Weir Fishermen, acrylic on board, 30 x 30 inches

Courthouse Gallery is pleased to present a three shows: Philip Barter: My Maine, Rosie Moore: New Work, and Charlie Hewitt: Abstract Paintings and Electric Dreams. The exhibitions open on August 14 with a reception from 5–7pm, and run through September 6, 2019. The Hewitt exhibition runs through October 15. The exhibitions are free and open to the public.

Courthouse Gallery is located at 6 Court Street in Ellsworth. For gallery hours and more information on upcoming shows call (207) 667-6611, or visit courthousegallery.com.

Philip Barter’s solo show highlights new paintings and wood reliefs of fishermen, houses, landscapes, and his fondness for Maine’s four distinct seasons, especially fall when the blueberry barrens turn a deep crimson red. A prolific self-taught artist, Barter has become the poet laureate of downeast Maine. His work is in numerous private and public collections, including the Portland Museum of Art and the Farnsworth Art Museum. Barter and his wife, Priscilla, live in Franklin, Maine.

Rosie Moore, Blue Interior, mixed media on canvas, 24 x 24 inches

Rosie Moore’s new series of mixed media paintings and collages explore her love of color, texture, and line. These energetic still lifes invite the viewer to simply enjoy the glorious shapes and colors. Moore’s work has been exhibited in New York, San Francisco, Washington, Maryland, Virginia, Mexico, and Maine. Moore, who taught at The Studio School in Washington D.C, often told her students “A painting is a discovery. The possibilities are infinite.” Moore splits her time between Washington DC, Mexico, and Blue Hill, Maine.

Charlie Hewitt, Looking East, oil on canvas, 48 x 72 inches

Charlie Hewitt is a nationally known Maine-born painter, printmaker, and sculptor. Hewitt grew up in a large working-class French Canadian family in the mill-working communities of Lewiston/Auburn and Brunswick, Maine. Home was a place of family, love and faith. Life revolved around church and work, and the energetic culture of these mill-working communities became the foundation for his imagery and symbols. Hewitt’s work is in numerous private and public collections, including the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; Museum of Modern Art, NY; Library of Congress, Washington, DC; and in Maine at the Portland Museum of Art, Farnsworth Museum of Art, and in the art museums at Bates, Bowdoin, and Colby colleges. Hewitt and his wife and their two children live in Yarmouth, Maine.

Courthouse Gallery hosts “Meaning in Layers”

Charlie Hewitt and Daniel Kany

 

Courthouse Gallery will host “Meaning in Layers” on Wednesday, August 28 at 5:30pm. Artist Charlie Hewitt and art critic Daniel Kany will talk about Hewitt’s work and the strategies behind making art, and how the creative process, technique, and cultural meaning come together in contemporary art. A solo show of Hewitt’s large-scale abstract paintings and neon constructions are on view at the gallery through September. The talk is free and open to the public.

Courthouse Gallery is located at 6 Court Street in Ellsworth. For gallery hours and more information on upcoming shows call (207) 667-6611, or visit courthousegallery.com.

Charlie Hewitt is a nationally known Maine-born painter, printmaker, and sculptor. Hewitt grew up in a large working-class French Canadian family in the mill-working communities of Lewiston/Auburn and Brunswick, Maine. Home was a place of family, love, and faith. Life revolved around church and work, and the energetic culture of these mill-working communities became the foundation for his imagery and symbols. Hewitt’s work is in numerous private and public collections, including the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; Museum of Modern Art, NY; Library of Congress, Washington, DC; and in Maine at the Portland Museum of Art, Farnsworth Museum of Art, and in the art museums at Bates, Bowdoin, and Colby colleges. Hewitt lives in Yarmouth, Maine.

Daniel Kany is an art historian, art critic, and freelance writer. More than 420 of Kany’s art criticism columns have appeared in the Maine Sunday Telegram and Portland Press Herald, and he has authored dozens of catalogs, publications, and magazine articles about art and artists. Kany serves on the editorial board of the Maine Arts Journal: The UMVA Quarterly and is an adjunct at the New Hampshire Institute of Art. He has won multiple awards from the Maine Press Association for his art criticism. Kany studied at Bowdoin College and then at Johns Hopkins University under Michael Fried and Yves-Alain Bois. An experienced curator, Kany has been a director of the Center on Contemporary Art in Seattle, Friesen Gallery, William Traver Gallery, and the Daniel Kany Gallery. Kany lives in Cumberland, Maine.

(KōT) Contemporary Craft Guest Artist Rachel Sherman

Summer brights contemporary patchwork skirt by Rachel Sherman of Malaguetta handmade at (KōT) Contemporary Craft

Artist Rachel Sherman of Malaguetta will be at (KōT) Contemporary Craft, 6 State Street in downtown Ellsworth, August  3 +4, 2019 11:00 – 6:00pm. This is the fourth year Sherman will show her work in a trunk show style setting showcasing her clothing. Sherman’s work is based on improvised surface manipulation techniques such as applique, couching, shirring, top-stitching, ruching, embroidery, piecing, and pin-tucking. Her work has been described as “where cyber meets bohemian” Her newest collection of work is based on the fabric remnants that would otherwise be thrown out are pieced together to make tops, skirts, and small accessories. The intention behind the “fragment” line is to keep fabric waste to a MINIMUM as to not contribute to the already increasing rubbish being created by the global fashion industry.

http://www.kotcontemporarycraft.com/ Phone: (207) 479 5011

Guest Artist Trunk Show at KOT

Mallard Waxed Canvas Tote with leather handles by Stitch & Rivet at (KōT) Contemporary Craft

 

On July 20 from 12:00-6:00 artist Kate Stack of Stitch & Rivet Handmade will be at (KōT) Contemporary Craft, 6 State Street in downtown Ellsworth, Maine.

 

Maine Leather Tote by Stitch & Rivet at (KōT) Contemporary Craft

 

This is the second event in a series of summertime trunk shows showcasing the work of American craft artists. Using leather sourced from a tannery here in Maine, Stack and her team make goods and accessories for everyday adventures. An additional collection of items for the home crafted from waxed canvas and linen will be available.   

http://www.kotcontemporarycraft.com/ Phone: (207) 479 5011

Courthouse Gallery Debuts International Artist Christina Thwaites

Courthouse Gallery Fine Art is pleased to debut a selection of work by artist Christina Thwaites, a British painter, who moved to Maine in 2015, and whose artistic career spans four continents. The show opens June 15, and runs though ­July 11, 2019.

Christina Thwaites, Three Sheds, oil on canvas, 32 x 38 inches

Thwaites graduated from The University of Edinburgh, Scotland, UK, in 2004 with an M.A. in French Literature and the History of Art. She attended the Ecole du Louvre in Paris, France, and worked as an assistant to watercolorist Patrick Fouilhoux. In Italy, she developed her painting skills at the La Porta Blu Art School in Rome.

In 2010, Thwaites worked at Kanal 10 Guest Studio in Amsterdam, as well as in Walasiho, an extremely remote village in South East Sulawesi, Indonesia. In 2011, Thwaites was invited to Palestine to run art workshops, and to exhibit with the Al-Mahatta Gallery during a residency period at Al Fara refugee camp. Thwaites then moved back to Italy where she helped set up and run 33 Officina Creativa (33OC), an international artist-in-residence program located in the medieval hilltop village of Toffia.

Christina Thwaites, Small Lake III, oil on canvas, 10 x 16 inches

While living near Rome, Thwaites exhibited with commercial galleries, and her work was included in exhibitions at two public institutions in Rome: the Palazzo delle Esposizioni and the Museum of Contemporary Art (MACRO).

In 2013, Thwaites moved to Canberra, Australia. She was offered studio space at Australian National Capital Artists (ANCA). While living in Australia, she had solo shows in three different states. She also continued to exhibit her work in Europe with two solo shows in London and Rome, as well as a two-person show with British Pop artist Peter Blake.

Christina Thwaites, Road to the Island, oil on canvas, 40 x 56 inches

Thwaites maintains a studio in Orono, Maine, where she lives with her husband and two small children. Since moving to Maine, Thwaites has been taken by the incredible coastline: “The shapes and colours have made a real impression on me. Working on this subject matter in my studio gives me the same feelings of peaceful relief that I experience when I arrive at the seashore in Maine.”

Courthouse Gallery is located at 6 Court Street in Ellsworth. For more information on upcoming shows call (207) 667-6611, or visit www.courthousegallery.com

Courthouse Gallery Fine Art Presents Spring Show

 

Janice Anthony, Incoming Fog, Ship’s Cove, Acadia, acrylic on canvas, 28 x 40 inches

 

Courthouse Gallery Fine Art in Ellsworth is pleased to announce the opening of their annual Spring Show on May 22, highlighting twentyeight gallery artists, three of which are new to the gallery—Kate Emlen, Richard Keen, and Christina Thwaites. The show runs through June 14.

 

Christian Thwaites, Three Sheds, oil on canvas, 32 x 38.25 inches

 

Also highlighted is an exhibition of monoprints and watercolors by printmaker Susan Amons. Amons created the work on Great Cranberry Island during a residency at the Heliker–LaHotan Foundation. Her work is included in numerous private and public collections, including the Portland Museum of Art, Farnsworth Museum of Art, the New York and Boston Public Library Collections of Prints, the University of New England, and the museums at Bates, Colby, and Bowdoin colleges, among others.

 

Susan Amons, Seaside Laundry, monoprint, 18 x 26 inches

 

Courthouse Gallery Spring Show participating artists include: Janice Anthony, Philip Barter, Lise Becu, Jeffery Becton, Judy Belasco, Ragna Bruno, Kate Emlen, Lisa Tyson Ennis, Philip Frey, June Grey, Charlie Hewitt, Kazumi Hoshino, William Irvine, Jessica Lee Ives, Richard Keen, Joseph Keiffer, Philip Koch, Rosie Moore, Ed Nadeau, John Neville, Linda Packard, Colin Page, Heath Paley, Stephen Porter, Alison Rector, Cynthia Stroud, Lilian Day Thorpe, Christina Thwaites.

Courthouse Gallery Fine Art opening for “Heath Paley: Photographs of Ellsworth”

Mike’s, dye-sublimation on aluminum, 39.5 x 80 inches

 

Courthouse Gallery Fine Art in Ellsworth is pleased to present a selection of Heath Paley’s high-definition, large-scale photographs of Ellsworth. The show runs from April 24–May 15, 2019. Paley’s prints use a new cutting-edge process called dye-sublimation, which permanently infuses the image onto aluminum. Paley will give at talk about his work at the Gallery on Thursday, May 9 at 6pm, refreshments at 5:30pm. The event is free and open to the public.

 

Elver Weir, dye-sublimation on aluminum, 68.3 x 30.6 inches

 

Paley’s large-scale prints, which are up to 96 inches in length, have incredible detail and resolution. He is able to accomplish this feat by using focus stacking to enhance the depth of field of his photographs, which are then stitched together by overlapping each individual shot into a grid. His final prints can contain as many as one hundred photographs. Paley prefers this intricate process because the exceptional detail mimics how the eye/brain interprets an image, completely immersing the viewer into his photographs.

Paley holds a MA in history from Northeastern University and an MFA from Emerson College. He studied with Sam Abell at Maine Media Workshops in Rockport, Maine. In 2016–2017, Paley’s photographs of Maine downtowns were highlighted in a traveling exhibition at the Maine State House, Augusta, and the University of Maine’s Lord Hall Gallery (Orono) and Reed Gallery (Presque Isle). Paley’s work is in the collections of several museums, including the Portland Museum of Art.

 

T Bird, dye-sublimation on aluminum, 54.6 x 47 inches

 

Paley and his wife, who live in Portland, Maine, recently purchased a second home in Ellsworth to be closer to Acadia. They love Ellsworth, and now they split their time between these two year-round communities. Paley has since created over forty large-scale photographs of Ellsworth.

 

Heath Paley Portrait

Courthouse Gallery is located at 6 Court Street in Ellsworth. Courthouse Gallery is open for the season on April 24. Spring time hours will be Thursday–Saturday 11–5:30pm, or by appointment. For more information call 667-6611, or visit www.courthousegallery.com

Courthouse Gallery Fine Art is pleased to present “Studio Picks”

Philip Frey, Through and Through, oil on canvas, 30 x 40 inches

 

Courthouse Gallery Fine Art is pleased to present “Studio Picks,” a juried show highlighting new work selected from the studios of their gallery artists. There will be an opening reception on Wednesday, December 5 from 5–7pm. The show runs from December 5–December 23, 2018. The event is free and open to the public.

 

Rosie Moore, Blue Vase, oil on canvas, 12 x 12 inches

 

Many of the artworks in the show are oil paintings created in late summer or fall. Other mediums include a monoprint by Susan Amons, a digital montage by Jeffery Becton, silver gelatin prints by Lisa Tyson Ennis, and one-of-a kind tri-color gum prints by Alan Vlach. Vlach gum prints are made from photographs he took of wheatpaste graffiti in Portland, Maine, and New York City. Gum printing is a nineteenth century process using a mixture of gum Arabic, photosensitive dichromate, and watercolor pigment that is brushed on paper, dried, and exposed to ultraviolet light under an enlarged negative.

 

Alan Vlach, A Tear, tri-color gum print, 8 x 8 inches

Participating artists, include Susan Amons, Janice Anthony, Philip Barter, Jeffery Becton, Ragna Bruno, Lisa Tyson Ennis, Philip Frey, William Irvine, Jessica Lee Ives, Rosie Moore, John Neville, Linda Packard, Colin Page, Alison Rector, Alan Vlach.