Archive for exhibitions

Markings Gallery “Bright Night Bath”

Markings Gallery, 50 Front St., Bath, ME, is excited to see their holiday windows come to LIFE on Friday, December 13, 2019 as part of Bright Night Bath. Join Barbara Burns, fiber artist, at her loom and Wayne Robbins, woodcarver, at his carving bench as they create art from 5pm – 8pm.

Admission is free, and refreshments will be served.

More information about these artists can be found at www.burns-studio.com, www.waynerobbins.com and www.markingsgallery.com.

Jazz Age Open House at Carol L. Douglas Studio

Dancing Santa, oil on canvas, by Carol L. Douglas

Jazz Age Open House

The public is invited to a holiday open house at Carol L. Douglas Studio at 394 Commercial Street in Rockport. It’s from noon to five on Saturday, December 7.

The theme of the party is the Jazz Age. Reminiscent of Bohemian studio parties attended by Bright Young Things, there will be period refreshments and music. “You’re not required to dress in your feathers, beads and bangles, but it will help set the mood, especially if you can do the Charleston,” said Douglas.

When Douglas relocated her studio to Maine from New York four years ago, she stopped her tradition of an annual party to thank friends, students, clients and gallerists. “I didn’t know if anyone would come,” she said. “But I’ve been warmly welcomed to this unique arts community, and want to return the favo

Peggy Farrell Exhibits Watercolors at Miles Hospital through January 1

 

The watercolors of New Harbor artist Peggy Farrell are now on display in the Hall Gallery at Miles Hospital in Damariscotta through January 1, 2020.  

Peggy Farrell is living proof that childhood dreams can come true.  From earliest childhood in Pennsylvania she has been drawn to artistic pursuits, from crayons and pencils to oils.  She wanted art lessons and an art education, but practicality and life intervened.  It was not until moving to the rocky shores of New Harbor, Maine in 2001 that she took out brush and paper and began once again to paint and fulfill her dream of becoming an artist.

Farrell is largely self-taught and developed her talent attending local workshops and community education programs in Pennsylvania, New Jersey, Massachusetts, and Maine.  Art has always been a pursued interest and has included exploring mediums such as stained glass and calligraphy. She has painted in oils and spent a number of years studying decorative and tole painting techniques.  But it is watercolor that has evolved as her favorite and most natural medium. Initially influenced by the eminent American watercolorists, Winslow Homer and Andrew Wyeth, she continues to work on mastering the medium.

Maine is Peggy Farrell’s primary source of inspiration.  Living full time on the Pemaquid peninsula, she appreciates the diversity and beauty of each season and has titled her exhibit, “The Seasons of Pemaquid”.  Her realistic and intensely hued paintings reflect an appreciation for the landscape and its distinctive architecture.  She is frequently moved to paint old barns, sheds and rural homes, as well as harbor and waterfront scenes and local wild life.  She often sketches and photographs the local Maine scenery before returning to her Potting Shed Studio where she takes out brush and paint to render what she has observed.

Farrell is an active member of the Pemaquid Art Gallery at Pemaquid Point where she has served as Gallery Manager for the past 5 years and the River Arts and Kefauver Galleries in Damariscotta.   Her work has been featured on many locally sold note and holiday cards.

Paintings may be purchased directly from the artist during the exhibition.  A portion of the proceeds from sales of art will be retained by the Miles Art Committee, one of the branches of the Miles Hospital League which, ensures the  acquisition and placement of original art on hospital walls.

Sohns Gallery Seventh Annual All Small Art Show Reception Dec. 6

 

The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents The Seventh Annual All Small art show.  Fifty two local Maine artists were given three small (6”x 6”) birch wood panels and asked to create. The result is one of the most diverse gallery shows of the year.  Artist’s works include a wide variety of mediums from wax encaustics, cardboard relief, prints, carved and burnt wood, to, collage, assemblage, oil and acrylic paintings. The All Small works hung together on the gallery wall provide a great viewing experience and the size of the works helps keep the prices accessible.  

Curator Annette Dodd say’s “this show is a great way to encourage gifts of art, with the show ending on Dec. 24th just in time for Christmas. It is traditionally one of our best received shows.”

The show runs from Nov 5th – Dec. 24th and can be viewed any day between 10am and 6pm at The Rock & Art Shop. A reception will be held on Dec. 6 th at 6:30. 

For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Brick Store Museum show through Nov. 17

The Brick Store in Kennebunk is showing the work of Susan Barrett Merrill and Rosalind Fedeli for Homecoming, through Nov. 17.

 

Sohns Gallery reception for “Summer J. Hart: unwritten”

Trained in book arts and printmaking, Summer J. Hart received a BFA from the Hartford Art School, West Hartford, CT, and an MFA from the University of the Arts, Philadelphia. Influenced by repetitive organic geometries, scenes viewed through knotholes, and forgotten territories reclaimed by nature, she creates environments out of cut paper: using both shadows and vacancies as marks.

Her immersive installations are both obsessive and about obsession. They are sites of biological disasters and fairytale forests. Astounded by the resiliency of the forest: the endless process of reproduction, mutation, and evolution, Summer J. Hart makes a million marks that slowly shift in form and texture, compulsively repeating minor movements with a blade to draw objects that are indicative of natural forms, such as leaves, feathers, barnacles, and seaweed.

By creating dense, cascading “living walls” of  synthetic paper, she allows her vision of a ghostly nature to creep in through any breach, fissure, or opportunity.

The reception starts at 630 with an artist talk at 7.

Dowling Walsh Gallery hosting three exhibitions for October

Tollef Runquist, Carrying Cake, 2019, Oil on canvas, 54″ x 60″

 

Dowling Walsh Gallery will host three exhibitions in the month of October for Tollef Runquist, Sarah McRae Morton, and Reggie Burrows Hodges

Opening Friday, October 4th from 5-8pm in conjunction with Rockland First Friday Art Walk.

Tollef Runquist

Tollef Runquist received his B.A. in Studio Art from Dickinson College in 2002. Since then he has been continuing his education through painting and other mediums. He lives and works in Searsport, Maine. He has had solo exhibitions at Taylor Gallery, Meriden, NH; Ober Gallery, Kent, CT; and OK Harris, New York, NY; among others. Runquist looks at a wide range of artists as inspiration including Richard Diebenkorn, Monet, De Kooning, Gauguin, Bonnard, Rothko, Sargent, Gordon Grant, Gerhard Richter, Hopper, Homer, Klimt and Egon Schiele.

Runquist states, “Painting for me is an undertaking of appreciation and inquiry. It is a means by which to engage the beauty and mystery of visual experience in an ongoing dialogue. This is a widening puzzle; as I partake in this conversation, it continually refreshes itself, revealing unexpected angles and new understanding. I feel no particular loyalty to realism or my own past work. I set to draw out a particular vision as long as my experience with it is visceral, attentive and useful. I try to encapsulate the fullness of my experience of a moment; weight and stillness, burning edges, massive calm. These move me towards a particular subject, I try to paint and honor them, and then move on.”

 

Sarah McRae Morton, The Half Life of Luck, Frank Morley Fletcher Twist Morton in the Clover, Oil on line, 60″ x 60″

 

Sarah McRae Morton

Sarah McRae Morton grew up in rural Lancaster County Pennsylvania, where she still keeps a hayloft studio above the horse stalls in her family’s barn. Sarah attended the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania. She has studied chemical composition of paintings in Rome as well as studied with Odd Nerdrum in Norway. Sarah received a Mattisse Foundation fellowship for her work on the local history of West Virginia, and attended the Skowhegan School of Painting and Sculpture. Her work has been exhibited across the country, including at the Vermont Studio Center. She currently lives and paints in Cologne, Germany.

Sarah McRae Morton’s paintings are invented portraits of her ancestors and historical figures – people from her own life, from books and paintings, and from her travels and stories learned. The events and people illustrated are not bound by time or fact, but are imbued with ghosts and artifacts from cross sections of history. Sarah’s work is wildly romantic, with an earthy palate and energetic movement around the canvas that quiets on key moments – detailed renderings of the face of a bear, the lips of a lover, the fox stole around a poet’s neck. The paintings seem to flicker to life with her spirited brush strokes.

 

Reggie Burrows Hodges, First Serve, Hands Behind Your Back, Acrylic on canvas, 58″ x 84″

 

Reggie Burrows Hodges

Reggie Burrows Hodges is a narrative figurative painter whose work centers around visual metaphor and storytelling. He works primarily large-scale on raw canvas, wood and rag paper with acrylic and pastel — exploring themes such as identity, truth, surveillance, and often childhood memories. As method, Hodges paints from a black ground, developing the environment around the figure so it emerges from its surroundings, examining the possibility that we are all products of our environment.

Hodges attended the University of Kansas studying theatre and film. He is currently an adjunct professor at the Maine College of Art teaching Cinematic Storytelling, Character Design and Professional Studio Development in Animation and Game Arts. Hodges has been the recipient of numerous artist residencies including the Ellis- Beauregard Foundation, Stephen Pace House and Monson Arts.

 

Dowling Walsh Gallery is located at 365 Main Street in Rockland, Maine, directly across from the Farnsworth Art Museum. Gallery Hours, Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday.

For more information, visit us online at www.dowlingwalsh.com  or call 207-596-0084

Cove St. Arts opening for “Exquisite Beauty”

Join us on Thursday, September 19 from 5-7 pm for the Opening Reception of: Exquisite Beauty. The enduring legacy of grace.
The exhibition, curated by Indigo Arts Alliance co-founder Marcia Minter, showcases the international photography of two Maine artists, David Caras and Meredith Kennedy.
“Grace,” as a noun, refers to the elegance or beauty of form, manner, motion or action. As a verb, it means to confer dignity or honor upon a subject. Through the work of two Portland-based artists, Marcia Minter curated an exhibition that explores both concepts.
The Cuba-based work of photographer David Caras depicts everyday life set in decaying colonial grandeur. Meredith Kennedy transports the viewer to the other side of the globe, to Asia and to scenes immediately recognizable as foreign whether depicting frenetic city streets or quiet village scenes.In both artists’ work, there is an elegance of form and a beauty in the human environments depicted. Through their lenses, Caras and Kennedy document the dignity in their subjects and confer that dignity upon the viewer by evoking our shared humanity across cultures and the often exquisite (acute, even painful) beauty we create.
Marcia Minter is the co-founder of Indigo Arts Alliance, VP Creative Director of L.L. Bean, and a member of the board of trustees of the Portland Museum of Art.

Cynthia Winings Gallery opening for “Reverant Outcomes”

Image: M P Landis, Acrylic on canvas, 16 x 16 inches

Cynthia Winings Gallery Presents “Reverant Outcomes”  a group exhibition with an Opening Reception: Sunday September 22 4 – 7PM

With New Work for Season VII from:
Louise Bourne Josephine Burr Tom Curry David Hornung Christine Lafuente Joanna Logue Buzz Masters Bill Mayher Libby Mitchell Carol Pelletier Jerry Rose Lari Washburn. And in the New Sculpture Garden: Ray Carbone Rebekah Raye Melita Westerlund and John Wilkinson! The Cynthia Winings Gallery is pleased to present the fifth group exhibition of the season  Reverent Outcomes. Everyone is warmly invited to the Opening Reception Sunday September 22 4 – 7 PM. On view  September 17 – October 14

Colin Page artist talk at Greenhut

Colin Page Behind Fish Beach, oil on canvas, 24 x 36 inches

 

Please join us!
 Saturday, Sept. 21 at 1pm
Colin will talk about the work from his current solo exhibition “Color Notes”
Exhibition continues through September 28
Event is free and open to the public
Please note, seating is limited, first come, first served
 
In September, Greenhut is pleased to present Color Notes, an exhibition of new oil paintings by one of Maine’s most masterful, and most popular, plein air artists, Colin Page. As Press Herald art critic, Daniel Kany puts it, “Page is a leading light of what is called ‘Maine painting’ — that striking, quick and largely improvisational style of observational painting that ranges from Winslow Homer to Don Stone; Maine painting blends a bold brush with atmospheric light and an ever-present sense of place.” Colin shares a bit about his personal process and inspiration in his artist statement below:
The spark of an interesting color or light sensation inspires me to start a painting. A color relationship can create a mood, describe a time of day, give depth to a flat canvas, and emulate a vibration or glow. With this series, I begin each painting with a specific color idea: a harmonious color key or a discordant contrasting key. The paintings are not exact replicas of a scene, but instead are driven by the mood and story I can tell with color and brushwork.
 
This creative use of color is sometimes described in musical terms. Color notes are individual moments that sing when placed in relation to one another. When there is an overall color scheme to a painting, it forms a harmony that can be felt in a way similar to a musical key in a song. A color can be read as discordant but still be the right note. Colors can work together to create the equivalent uplift of a major chord, or the slight sad turn of a minor. A painting is not a copy of nature, but a composition that describes a feeling.      
 
Color is just one tool of communication that I use, but the power and depth of this expression directs my decisions when I consider what to paint, and why.
 
Colin Page was raised in Baltimore, Maryland and studied painting at the Rhode Island School of Design and at the Cooper Union for the Advancement of Science and Art. Whether working on location or in the studio, Colin strives to capture the atmosphere and light of a scene. Colin currently lives in Maine, where he focuses on painting the landscape, and scenes that show his life as a father of two young girls. His work has been featured in solo exhibitions and group shows nationally and abroad