Archive for gallery

KVAA Announces “Harlow 2.0” Debut Art Show at New 100 Water Street Location

Harlow 2.0_ Debut Show

Kennebec Valley Art Association and Harlow Gallery present “Harlow 2.0”, the debut art exhibition at their new location at 100 Water Street, in downtown Hallowell. The public is invited to come see the new location filled with work by local artists, representing a range of genres and media. “Harlow 2.0” is on view September 23 through November 4, 2017. Hours are Thursday through Saturday noon-6pm.

Participating artists include Karen & Ru Allen, Nancy Keenan Barron, Megan Daigle, Whitney Gill, Judy Herman, Pamela Hetherly, Nancy Holland, Eddie Leaman, Kay Morris, Anita Morrissey, Linda Murray, Petrea Noyes, Peter Precourt, Judy Schuppien, Sally Wagley, and more.

The Harlow Gallery, located at 160 Water Street will remain open into the spring of 2018. The current exhibition is POW!, an art exhibition of original comics as well as artwork inspired by comics, which on view September 8 through October 21, 2017. Gallery hours at 160 Water Street are Wednesday-Saturday 12-6pm.

For more information please visit harlowgallery.org or call 207-622-3813.

Fall Exhibitions and Barn Gallery Memories

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Fall Exhibitions include ‘Shadows and Reflections’ by artists of the Ogunquit Art Association from September 13 through October 9 with an Opening Reception on Saturday September 16, 5 – 7:30 PM. See ‘OAA Expressions’ with its wide variety of style, subject, medium and price. Remember painter Norman West in a small Memorial Exhibition of his work. Enjoy work by photographer Steven Holt and painter Shiao-Ping Wang in the North Gallery. Walk through the three-dimensional work by Invited New England Sculptors in the outdoor Sculpture Court. Browse through our ever-changing array of small works of art in the Collectors Gallery.

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Join us for ‘Barn Gallery Memories’ an engaging remembrance of Norman West, Mary-Leigh Smart, Barbara Hilty, DeWitt Hardy and George Burk on Thursday, September 21 at 6 PM.

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Don’t miss Andy Happel and Los Galactacos String Band – “Songs of the Americas” on Friday, September 15, 7:30 PM. Tickets in advance or at the door. And Poetry Readings by Richard Foerster & Alice B. Fogel, Poet Laureate of New Hampshire on Wednesday, September 20, 7 PM

For more information call 207-646-8400, email oacbarngallery@gmail.com, or visit www.barngallery.org

UMaine Museum of Art announces Fall Exhibitions

Maine and Again: Jack Balas

Maine and Again: Jack Balas

The University of Maine Museum of Art, located at 40 Harlow Street in downtown Bangor, opens four new exhibitions in September. UMMA is open Tuesday-Saturday from 10 am – 5 pm and brings modern and contemporary art to the region, presenting approximately 12 original exhibitions each year. UMMA’s fall shows open to the public on September 15 and run through December 30, 2017. Admission to the Museum of Art is free in 2017 thanks to the generosity of Deighan Wealth Advisors.

JACK BALAS: MAINE AND AGAIN
September 15 – December 30, 2017

Maine and Again, features over forty works by painter Jack Balas, who lives and works in Arizona and Colorado. The UMMA exhibition is the largest assembly of the artist’s works to date. Balas’s works, principally watercolor on paper and oil on canvas, are featured in a wide range of sizes including small compositions, multi-paneled paper pieces and several large canvases.

For nearly twenty years the depiction of athletic, youthful men, primarily of the all-American type, has been a focus of Balas. The artist’s buff subjects, some of whom seem to have just finished a gym session, offer a counterpoint to the proliferation of images of women throughout art history. These images of idealized masculinity celebrate the virility and wished-for invincibility of youth. Balas’s male subjects, at this particular stage of their lives, are full of desires, confidence, and hope. They possess an optimism and vitality as yet unfettered by the pressures of life.

Central to Balas’s creative process is the layering of seemingly disparate elements and painting styles within each work to create a fertile ground for contemplation. For example, in ZEITGEIST (#1207), we are left to ponder the relationship between a realist depiction of a muscular young boxer, a hastily-rendered outline of Mickey Mouse, thought bubbles with hand-drawn text, and a circular pool of bright green paint. Balas’s practice of journaling and story-telling is evident in the hand-drawn scrawled text and poetic passages that weave their way through many of the paintings.

The exhibition includes a selection of images that retell the artist’s adventures touring Maine as a young man in the 70s. Balas captures the lure of Maine’s varied landscape and creatures, as well as memorable moments for him such as meeting Andrew Wyeth, exploring coastal fishing villages, and hiking to the summit of Mt. Katahdin.

Maine and Again–a mid-career survey of sorts–features a number of just-completed works that are his largest canvases to date. Portage (Evening Would Know My Reply)(#1470), an 80 x 90-inch work from 2017, highlights the pleasures of summer. The artist has juxtaposed a painting of a log cabin, a linear drawing of an Adirondack chair, and two shirtless guys: one hugging a pine tree, the other crouched down in a game of catch. The cohabitation of Balas’s imagery ignites curiosity and sends the viewer on a search for meaning.

Traces: Amy Theiss Giese & Keliy Anderson-Staley

Traces: Amy Theiss Giese & Keliy Anderson-Staley

TRACES: AMY THEISS GIESE & KELIY ANDERSON-STALEY
September 15 – December 30, 2017

Traces features the works of Amy Theiss Giese and Keliy Anderson-Staley, two photographers whose processes and images question deep-rooted conceptions on what constitutes a photograph. Both photographers have not used camera or lens to create these abstract compositions. Their process of applying and manipulating photo chemicals, and the resulting final images, may be more akin to the language of painting. The splatters, drips, blooms, and marks in these assorted works are not unlike the movement and gestural brushwork seen in Abstract Expressionist canvases, particularly notable in Action Painting and Color Field.

Giese and Anderson-Staley’s work methods necessitate a keen understanding of the fleeting nature of photographic chemicals, darkroom techniques, and materials. However, of equal importance to their processes is the sheer delight of experimentation. A creative fearlessness and willingness to embrace uncertainty is essential in realizing these evocative works. The imagery invites innumerable associations including mutable landscapes, networks, organisms, and micro/macro worlds.

Anderson-Staley resides in Houston, Texas and creates works using a wet-plate collodion tintype process—the origins of which are rooted in photography’s early history. Giese, who is based in Boston, Massachusetts, creates her images by using black and white darkroom chemistry on both silver gelatin and chromogenic papers.

Tintype Portraits: Keliy Anderson-Staley

Tintype Portraits: Keliy Anderson-Staley

KELIY ANDERSON-STALEY: TINTYPE PORTRAITS
September 15 – December 30, 2017

Houston-based photographer Keliy Anderson-Staley has made thousands of portraits that record the diversity of American faces. The wall installations, arranged in grids, consist of portraits of individuals and couples. The photographer states, “Each individual in this series—identified only by a first name—defiantly asserts his or her selfhood, resisting any imposed or external categorizing system we might bring to these images.” Anderson-Staley’s images exhibit the alluring surfaces and distinctive tonality characteristic of the tintype process. Another unique aspect of her portraits is that some facial features of the subjects are sharp, while others are out of focus. Adding to the drama are the darkened, rounded edges that frame the compositions. Anderson-Staley focuses on individuals from all walks of life and highlights our uniqueness, as well as the interconnectedness of humanity.

Anderson-Staley creates images using the wet-plate collodian tintype process, made with chemistry mixed according to nineteenth-century recipes. She coats blackened aluminum with collodian and then submerges them in silver nitrate to become light sensitive. The portraits are created using a wooden view camera with antique brass lenses. Exposures range between four and 20 seconds and require the sitters to remain motionless. The plates are then developed with ferrous sulfate and fixed with potassium cyanide. Anderson-Staley keeps the history of the medium alive by exploring these early photographic processes, all while creating works that advance photography’s contemporary relevance and discourse.

Littoral Drift Nearshore: Meghann Riepenhoff

Littoral Drift Nearshore: Meghann Riepenhoff

MEGHANN RIEPENHOFF: LITTORAL DRIFT NEARSHORE
September 15 – December 30, 2017

Meghann Riepenhoff exhibits a selection of camera-less images created in 2017, that record the essence of nature in its most elemental and fluctuating states. Riepenhoff works primarily in cyanotype, a process explored by Anna Atkins and other photographic pioneers in the 1840s. As is characteristic with this early photographic process, the artist has hand-coated watercolor paper with light-sensitive chemicals. What is unique to Riepenhoff’s process is that these works, often of considerable size, are created on location in a variety of natural environments. The paper is brought to sites where it is exposed to ocean waves, sections are buried in the sand, submerged in tidal pools, and draped over limbs in the rain. The process is both performative and physical as Riepenhoff collaborates with natural forces to create these striking works.

The cyanotype takes on a monumental presence in Littoral Drift Nearshore #516 (Bainbridge Island, WA 04.27.17), a large-scale composition created specifically for the UMMA exhibition. This immersive work, spanning ten feet, consists of twenty components joined together to convey the energy of undulating waves captured in a range of deep blues. Like the evolution of natural environments, Riepenhoff’s images continue to change over time—the surfaces are not fixed as in traditional darkroom photographs. While the artist’s images undeniably draw associations to painterly abstraction, these one-of- a-kind images are also direct imprints of the landscape.

Riepenhoff lives and works in Bainbridge Island, Washington and San Francisco, California, and these locales are often reflected her compositions.

Admission to the Museum of Art is FREE in 2017 thanks to the generosity of Deighan Wealth Advisors. For more information visit umma.umaine.edu

Mars Hall Gallery – Touring Peninsula Art 2017

Kris Johnson "Waiting for the Ferry"

Kris Johnson “Waiting for the Ferry”

Mars Hall Gallery will participate in the St. George Business Alliance event, “Touring Peninsula Art”, on Saturday, September 16th, from 10 a.m. to 5 p.m. In addition to the two shows currently on exhibit, “14 Miles to the Horizon” and “The Bigger Picture”, there will be new works by Nancy Baker, Kris Johnson and new to the gallery, artist & sculptor, Ian Baird. A variety of books by gallery artists are available including “Covered Ground” by Nancy Thomas Baker; “Colors of Maine” by Davene Fahy; “30 Missions” by Roger Kirby; “Baker’s Dozen” by Antonia Small and Amy Rockett-Todd; “Caught” by Gary Libby and Antonia Small; and “Visionary Messages” by Holly Smith.

The gallery offers an eclectic mix of paintings by watercolorists Leo Brooks, Nat Lewis, Greg Mort, Cam Noel, Elaine Reed, Carl Sublett and Eleanor Zuccola; acrylic and oil paintings by Nancy Baker, Kris Johnson, Roger Kirby, Sharon Larkin, Maurice Michel Lode, Elaine Niemi, Jimmy Reed, Mimo Gordon Riley, Manuel Rincon, Holly Smith and Ron Weaver; and black and white pinhole photography by Antonia Small.

Also on display will be a large variety of 3-D Art by Ian Baird, Bill Cook, Jay Hoagland, Elaine Niemi and the late Rudy Rotter; a variety of quality crafts including driftwood fish by Claire Perry; decoupage by Davene Fahy; carved decoys by Stephen Hill; handmade collage cards by Eleanor Zuccola and stained glass, pottery and mosaics by Dona Bergen. The gardens are alive with metal sculpture by Jay Hoagland and Brian Read. A large collection of antiques, handmade & vintage jewelry and quality crafts are also available.

The gallery is located 12.7 miles down the beautiful St. George peninsula at 621 Port Clyde Road/Route 131. Gallery hours are 10-5, Friday, Saturday and Sunday through Monday October 9th, Columbus Day or by appointment. For more information, call 372-9996 or 372-8194 or visit marshallgallery.net or email marshallgallery@roadrunner.com.

Landscape Painters Curtis and Ineson at Pemaquid Art Gallery

Bill Curtis’ oil painting, “Pemaquid Point Surf”

Bill Curtis’ oil painting, “Pemaquid Point Surf”

William Curtis and Hannah Ineson are two area landscape painters who find the Pemaquid peninsula and the nearby islands inspiration for their work. Both have connections in other states, while the Maine landscape forms the basis for the majority of their paintings. They have both pursued artistic ventures for over 40 years.

William Curtis grew up in the art-saturated environment of Gloucester, Massachusetts, where his father and uncle were renowned artists. He and his brothers were involved in art from an early age, and Curtis has continued to paint throughout the New England area. Curtis particularly enjoys oil painting en plein air, sometimes returning multiple times to observe the fleeting light and shadow, colors and values, of a location that particularly piques his interest.

Moving to midcoast Maine a few years ago, he has been exploring and sketching the rugged coastline and wooded interiors.  He has found here what he “truly considers ‘Mother nature at her very best,’ where each season has so much to offer in sheer beauty and challenge to an artist.” Curtis’s work may also be found at the Rockport Art Association, Rockport, MA and online at williamacurtis.com.

 

Hannah Ineson’s “Pemaquid Morning”

Hannah Ineson’s “Pemaquid Morning”

Hannah Ineson paints in her Damariscotta studio, often focusing on coastal landscape interpreted in oil with a palette knife for her tool. She also enjoys watercolor, acrylic and drawing with an ink pen. Her oil and acrylic paintings most often have highly textured and heavily worked surfaces while she returns to drawing and watercolor for freshness and spontaneity.

Ineson has worked with various forms of art including printmaking, soft pastel, and pottery as well as oil and watercolor painting. She is a restless artist, enjoying the exploration of different media and styles of expression, while always returning to the natural environment for inspiration. Her subject matter draws on local scenery, but her interest is less in specific geographic accuracy than in the pleasure of composing and executing a work of art and she takes plenty of “artistic license.”

 

She also enjoys and teaches Illustrated Journaling, in Maine, Florida, and Wisconsin. This form of quick sketching often leads to a more finished piece, and she is also working on finishing and publishing a tour of Maine lighthouses in journal format. Ineson is also represented by Camden Falls Gallery and her work can be found online at hannahineson.com. She has had many solo and group shows and will be seen locally at Rising Tide Coop and at the River Grill in Damariscotta in September.

 

Visit the Pemaquid Gallery of Art this season to see the work of member artists all residing within the Lincoln County area. The Gallery is situated within Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

Courthouse Gallery Fine Art presents Jessica Lee Ives: Watermark

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Jessica Lee Ives: Watermark, 2017, oil on panel, 24 x 48 inches

Courthouse Gallery Fine Art is pleased to present Jessica Lee Ives: Watermark, the
gallery’s first solo show for Ives. The show opens on Friday, September 15, with an artist
reception from 5–6pm, and an artist talk at 6pm. The show runs through October 28. The event is
free and open to the public.

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: WaterForm, 2017, oil on panel, 18 x 18 inches

In her most recent series, Ives explores the figure as it moves through water—at the surface,
below, and looking down from above—creating colorful ripples or exploding above a swimmer’s
head like a jeweled headdress. These contemporary figures, combined with her exquisite
portrayal of water, make Ives’ paintings fresh, exciting, and relevant.

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Jessica Lee Ives: Humanity of the Body, 2017, oil on panel, 6 x 6 inches

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Tuesday–Saturday 10am–
5pm. For more information on upcoming shows call 207-667-6611, or visit
www.courthousegallery.com

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

Jessica Lee Ives: Embody, 2017, oil on panel, 18 x 18 inches

WINE & CHEESE ART RECEPTION AT Centre St Arts Gallery

Reliquary, carved wood, by guest artist Roger Barry

Reliquary, carved wood, by guest artist Roger Barry

Centre St Arts Gallery, LLC, invites the public to a Wine and Cheese Reception on Friday, September 15, 2017, from 4 to 7 pm, during Bath’s Third Friday Art Walk.  Join artists and art lovers in opening a new exhibition featuring work by guest artists Alston Stoney Conley, watercolor, and Roger Barry, wood sculpture, as well as the 20 members of the gallery showing many new works.All artworks are original pieces in a variety of media including oil, acrylic, watercolor, pastel, tempera, clay and wood.  Twenty artists from the midcoast area are Barbara Bean, Sharon Bouchard, Laurie Burhoe, Judy Conlan, John Gable, Andrea Galuza, Claudette Gamache, Livy Glaubitz, Marnie Hackenberg, Sarah Harvey, Jillian Herrigel, Tom Hinkle, Victoria Jackson, Daniele Lambrechets, Jackie Melissas, Shelby Patton, Lea Peterson, Sharon Renk-Greenlaw, Jane Rosenfield, and Sarah Wilde.

Roger Barry is a sculptor of wood.  He produces furniture, abstract sculpture, and, featured in this exhibition: Reliquaries.  Barry writes “Working with wood is in my blood. My great-grandfather published The Lumberman’s Actuary and my grandfather and father were  in the lumber milling business. In 1975 I received a BFA in wood sculpture from Eastern Michigan University. Secret locks have intrigued me all my life. Many of my reliquaries incorporate hidden mechanisms which enhance the interaction with the piece. After the process of creation, I love to display a sculpted box and say, “open it.”

River Odyssey, watercolor, by guest artist Alston Stoney Conley

River Odyssey, watercolor, by guest artist Alston Stoney Conley

Alston Stoney Conley graduated from the School of the Museum of Fine Arts Boston in 1974, and is on the faculty of the Fine Arts Department of Boston College.  His work in watercolor features landscapes with trees, water and clouds at sunset/sunrise.  Conley says:
“I live under a New England sky. The light, its color, intensity, sensation, season, and length of day influence my psyche, mood, interior life and art practice. The long hours of daylight during summer and short hours during winter define our seasons, influence our lives, and distance us from our southern neighbors. The low sun, color-rich light and long shadows of early morning or end of the day often silhouette the horizon or individual trees in shadow, while the light fills the sky.”

Admission is free and light refreshments will be served.  Centre St Arts Gallery, LLC, is open 7 days a week during the summer, Monday through Saturday 10:30 am to 5:00 pm, and Sunday 12 noon to 4:00 pm.  For more information, please call 207-452-0300, or visit the Gallery at 11 Centre Street, Bath.

Littlefield Gallery ends season with “Beyond the Sea”

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“Grindstone” by Caren-Marie Michel

Littlefield Gallery in Winter Harbor concludes its ninth season with a group show “Beyond the Sea” featuring  artists Ben Lincoln, Caren-Marie Michel, Rachael Eastman, and John David O’Shaughnessy. This unique variety of interpretations of the coast of Maine will begin September 17 and run through Columbus Day, October 9. A reception celebrating the artists is Saturday, September 30, from 3-5 pm littlefieldgallery.com

The Smallest House on view at CMCA

Jeff Smith, The Smallest House in the World

Jeff Smith, The Smallest House in the World

The Center for Maine Contemporary Art is presenting The Smallest House in the World, an art installation by sculptor Jeff Smith in its courtyard at 21 Winter Street, Rockland, from September 14 to 17, 2017. Presented concurrently with the Camden International Film Festival, The Smallest House in the World includes a short documentary video about the project screened in its interior. Part sculpture, part experimental living project, at 25 square feet, this pad on wheels challenges even the most open-minded small-home dweller. And that’s kind of the point. 

“When I looked at the tiny house movement, I saw everyone trying to make the best tiny house in the world, but no one was trying to make the smallest one,” says builder, sculptor and filmmaker Jeff Smith. In wondering about this housing trend, he questioned, “How small is too small for a house?” In a movement called the tiny house movement, this seemed like a really basic question that needed an answer. “So,” Smith says, “I built the smallest house in the world to test the limits of what a house can be.”

Last year during CIFF, CMCA exhibited in its Winter Street courtyard, The Tent of Casually Observed Phenologies by artist James Leonard, in which the artist gave divinatory readings about climate change inside a special, hand-sewn tent. “With all the visitors in town for the film festival,” says CMCA Director Suzette McAvoy, “it’s a great opportunity for us to present really publicly accessible work that parallels current topics, such as sustainability, limited resources, and how we live in an increasingly congested world.”

CMCA is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org.

Harlow Gallery Presents “POW!”, a Comic Book Themed Art Show

“Comic Con” by Mort Todd

“Comic Con” by Mort Todd

Harlow Gallery presents POW!, a comic book themed art exhibition. Artists responded to a call for comic book art as well as artwork inspired by comics. POW! features the work of over 34 artists from across Maine and beyond. The exhibition is on view September 8 – October 21, 2017 at 160 Water Street in Hallowell. Both the exhibit and the reception are free and open to the public. Gallery hours are Wednesday-Saturday 12-6pm. For more information visit www.harlowgallery.org

“New Friends” by Mili St. John

“New Friends” by Mili St. John

Participating artists listed alphabetically by town:

Auburn: Amanda Kahl
Augusta: Anthony Austin
Bangor: Jodi Renshaw
Bowdoinham: Howard Solomon
Bristol: Ted Closson
Cape Elizabeth: Stivo Zittel
Derry, NH: Matthew Berry
Dresden Mills: Neal J. Clark
East Winthrop: August Rudy
Falmouth: Rick Parker
Fort Hood, TX: Peter Buotte
Gardiner: Allison McKeen, Tyson Pease, Abby York
Hallowell: Becky Havens, Nancy Jacob, Bruce Mayo, Sam Hill Jr.
Jefferson: Suzanna Lasker
Manchester: Bruce Armstrong
Morrill: Kathy Weinberg
Perth, Australia. (Formerly Portland, ME): Sarah Winifred Searle
Poland: Santiago Farias
Portland: Julia Durgee, Mort Todd
Richmond: Becca Case, K. Scott Davis
Rockland: Kitty Winslow
South Gardiner: Laura Barron
South Portland: Mili St. John
Unity: Joshua Roberts
Waterville: Lesley Schuman, Brian Vigue
Weeks Mills: Justin Pierce

“Somber Goodbye to All Hands Lost” by Stivo Zittel

“Somber Goodbye to All Hands Lost” by Stivo Zittel

The Danforth Gallery at University of Maine at Augusta is also presenting a comic themed exhibition, “Seven Cartoonists in a Gallery” on view August 28 through October 6, 2017 at Jewett Hall, 46 University Drive in Augusta. The show “Seven Cartoonists in a Gallery” is a presentation by artist Ted Closson of comics and cartooning work by himself and his peers in the comics’ community from around the New England region. The show will entail a traditional presentation of work on the gallery walls coupled with a reading space, a live presentation, and a workshop for comic artists and those interested in the process of making comics. For more information about “Seven Cartoonists in a Gallery” please visit www.artsuma.com.

MFT Gallery opening Sept. 22, presenting CSA II

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Susan Bartlett Rice, Tarbox Start, oil on canvas, 24 x 24”,

 

On View: Sept. 22 – Nov.10 at Maine Farmland Trust Gallery in Belfast, Maine
Opening Reception: Fri., Sept. 22, 5:30-8pm (during Belfast Art Walk) with artist talks preceding at 5pm.

Maine Farmland Trust Gallery, in partnership with the Harlow Gallery/Kennebec Valley Art Association, presents CSA II – one of three exhibitions of work by 13 Maine artists who have been partnered with CSA (Community Supported Agriculture) farms throughout the 2017 growing season.

Meet the artists and farmers at the opening reception on Friday, September 22, from 5-8pm with a gallery talk at 5pm. Maine Farmland Trust is located at 97 Main Street in Belfast; the exhibition is on view from September 22 through November 10, 2017. For more information about Maine Farmland Trust Gallery please visit www.mainefarmlandtrust.org/public-outreach-new/gallery/

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Karen Merritt, Farm Truck, gelatin silver print, 9 x 9”

Participating artists and farms are: Ingrid Ellison of Camden (paired with Hope’s Edge Farm), Helene Farrar of Manchester (paired with Farmer Kev’s), Dylan Gifford of Kents Hill (paired with Wholesome Holmstead), Karen Merritt of Portland (paired with Crystal Spring Farm), Anna O’Sullivan of Portland (paired with The FarmME), Tim Ouillette of Portland (paired with Hancock Family Farm), Tyson Pease of Gardiner (paired with Tender Soles Farm), Alyssa Phanitdasack of Portland (paired with Sheepscot General Farm and Store), Jessica Rhoades of Thomaston (paired with Whatley Farm), Susan Bartlett Rice of Walpole (paired with Tarbox Farm), Nicholas Runco of Oakland (paired with KVCC CSA), Kris Sader of Orono (paired with Ripley Farm), and Rebecca May Verrill of Portland (paired with Frith Farm).

During CSA II (Community Supporting Arts), participating artists have been visiting their partner farms regularly since January 2017, at the very start of this year’s growing season, creating art inspired by their farmers’ lives, work, and landscape. The resulting body of artwork will be exhibited at three venues in the fall of 2017: at the Maine Farmland Trust Gallery in Belfast September 22 – November 10; at the Harlow Gallery in Hallowell October 27 – December 2; and at Engine in Biddeford November 10 – December 16.

 

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Anna O’Sullivan, Makin’ Maple, woodcut, 11 x 17”

 

In 2012 Harlow Gallery organized the first Community Supporting Arts (CSA) project to connect Maine’s artist and farming communities, two vibrant and idealistic groups that are key to our state’s unique sense of place. The first CSA project was a huge success and the Harlow Gallery staff and volunteers are thrilled to bring it back for 2017.

All the participating farms are Community Supported Agriculture (CSA farms).  A CSA farm sells shares at the beginning of the growing season and then provides fresh, seasonal food on a regular basis to each shareholding household throughout the growing season. CSA II will use the power of art to promote the economic and environmental benefits of organic farming and of buying locally grown food. Our food industry is a critical key to a sustainable economy and the health and well-being of Maine citizens in an age of accelerating climate change.

Verrill_FarmBowl

Rebecca May Verrill, Farm Bowl, wheel-thrown earthenware, 8”L x 8”W x 4”H

 

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org.

 

Fall Arts Exhibition at Sylvan Gallery

Haney_By-the-Blue-Barrel

By the Blue Barrel by Susannah Haney, oil, 8” x 10”

Fall Arts Exhibition Now Through October 29th at Sylvan Gallery

Sylvan Gallery’s Fall Exhibition, featuring the work of contemporary New England artists, is now on view and will continue through October 29th. The gallery’s exhibitions are known for the quality of the work displayed and the unique and discernible style of the artists that are represented. Gallery goers will be charmed by the vision behind favorite Maine subjects such as Monhegan Island and Maine coastal and harbor views, local rural scenes focusing on domestic farm animals, and cafe and street scenes of Florence, Italy. New paintings by the gallery’s roster of fine artists arrive almost daily.

Featured works by Maine-based artists include those by Susannah Haney of Wiscasset. Haney spends several weeks every year sketching on Monhegan Island, a well-known and loved location that has been attracting artists since the19th century. Back in her studio in Wiscasset, she transforms the sketches into oil paintings of remarkable clarity and richness of color. In “By Blue Barrel,” Haney captures a view of a Monhegan cottage sited with Manana Island behind it. The luminous light of a gray day brings a glow to the violet-gray tones of the cottage and illuminates the dory in front of it. Her fine attention to detail delights us as she brings her focus to the outer stairway of the neighboring cottage, the lapis lazuli tone of the blue fish barrel, the granite rocks leading us from foreground to middle distance, and the dandelions whose spent blooms are now transformed to fluff. The luminous and finely detailed quality of her oil paintings has earned her collectors from all over the United States. Her other new paintings include “View From the Hill, Monhegan,” and “The Fishermen’s Museum, Pemaquid.”

Wiscasset artist and gallery owner, Ann Scanlan’s favorite subjects to paint are animals in rural farm settings. She will often follow cows as they wander across the landscape, looking for the right composition or interaction between animals that will inspire a painting. In her works she tries to capture a sense of the peace she feels while in their presence. The leisurely feel of a sunlit day is captured in her painting, “Cows at the Edge of the Marsh.” A grouping of five cows stands behind grasses lit by the warm glow of the sun while the water and distant trees in the background capture the hazy quality of the day. We feel a sense of tranquility as we take in the image. Her other paintings in the exhibition include paintings of sheep with newly born lambs.
Stan Moeller, of York, Maine, turns his attention to the streets and architecture of Florence, Italy, in “Piazza della Signoria.” He is an experienced plein air painter and has the ability to capture an impression of bustling figures amidst the architecture of this famous city. His work evokes memories of travels abroad. This talent in capturing figures is also apparent in “Tidal Pool Souvenirs,” a painting of a young woman precariously balanced on the rocks, intent on reaching down into a tidal pool to grasp a treasure she’s just discovered. Years spent painting on Monhegan Island have given Moeller an innate understanding of Maine’s rocky landscape and the ability to capture it with ease. Stan Moeller has taught numerous painting workshops on Monhegan Island, Tuscany, and in the South of France. He was honored with a one-person show at the Island Inn on Monhegan Island this summer.

 

Noreika_Afternoon-Light-Monhegan

Afternoon Light, Monhegan by Robert Noreika, oil, 16” x 20”

Maine subject matter continues to inspire artists from all over the United States. Robert Noreika travels to Maine throughout the summer to paint en plein air, directly from life. “Afternoon Light, Monhegan Island” is a lively painting with energetic colorful brushwork. The foreground grasses, tree, and cottage have an easy gestural quality to them. In the middle distance, Manana Island is captured in violet and golden tones, white billowy clouds are to the right, and the turquoise sky above is reflected in the water. Just a few lobster boats provide additional interest. Noreika’s paintings have a spontaneous quality that is achieved by what he describes as his “gestural, fluid approach.” Of Noreika’s other paintings in the exhibit, of particular note is “Back Cove, New Harbor,” a beautiful painting in which he captures the essence of a small fishing cove by focusing on broad shapes and beautiful cool tones of violet, greens, and blues, for the sky, trees, and water, setting off the warmer tones of the buildings and accents of red dashes for the buoys; and “The Strike” which is a whimsical painting of a striped bass, its mouth open wide as it’s goes for a lure. “Working Harbor, Stonington, Maine” and “Incoming Squall” are his two largest paintings in the exhibit at 24 by 36 inches.

Hughes_Evening-Port-Clyde

Evening, Port Clyde by Neal Hughes, oil, 12” x 16”

Neal Hughes is another plein air artist who travels yearly to paint on the coast of Maine. His painting, “Evening, Port Clyde,” is a beautiful depiction of a fleeting moment when the last rays of the setting sun glance across the hull of a lobster boat. In the background, the dock, land, and buildings are also bathed in the sun’s rich warm light contrasting with the scene’s cooler blue, grey, and violet shadows. The painting glows with an almost inner illumination.

Hughes is a former illustrator who has been painting professionally for over 30 years. His work has been accepted into many national juried exhibitions, and he has won many awards including an Award of Excellence at the prestigious International Marine Art Exhibition at the Gallery at Mystic Seaport. He was the grand prize winner of the Utrecht 60th Anniversary Art Competition, winning the top prize out of more than 12,000 entries.

A selection of work by the gallery’s other contemporary artists will also be on display, including Peter Layne Arguimbau, who paints shoreline views from the vantage point of his catboat as he travels up the coast; Joann Ballinger, whose pastels focus on children playing at the beach and scenes of farm animals, including “Youngins,” a pastel of three baby chickens alert in a coop; luminous ocean moonscapes by Al Barker; a series of winterscapes by Angelo Franco, as well as a dynamic painting titled “Fisherman’s Folly” which captures the vibrant colors of autumn at Jordan Pond in Acadia; a collection of photographic images of Scottish Blackface Sheep by photo journalist and shepherdess Nina Fuller; three separate paintings of birds – a seagull, a puffin, and a bird of prey by Charles Kolnik who employs a technique using many layers of oil glazes to achieve his distinctive results; classically inspired jewel-sized still lives by Heather Gibson Lusk; intimate small oil paintings by Crista Pisano who captures the atmospheric foggy conditions in her paintings titled, “Pemaquid Mist” and Ocean Point Waves”; a series of 8 by 8 inch painterly landscapes of marsh, ocean, and woodland by Polly Seip; Laura Winslow’s elegant watercolors that are inspired by nature; and rich evocative oil paintings of children at the water’s edge by Shirley Cean Youngs.

For more information, call 882-8290 or go to www.sylvangallery.com. The gallery is open Monday through Saturday, 10:30 a.m to 6 p.m., and Sunday, 11 a.m. to 5 p.m. at 49 Water St., Wiscasset, on the corner of Main Street (Route 1) and Water Street, next to Red’s Eats.

Tina Ingraham and Roy Germon at Greenhut Galleries

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham, Source, 24 x 50 inches, oil on linen

Tina Ingraham’s Rocks, Trees, Sand & Sea: Popham to Blue Hill will be on display September 7th – 30th, 2017 with an opening reception Thursday September 7th, 5-7pm. Roy Germon featured in the side gallery.

Tina Ingraham’s inspiration for her most recent group of paintings is the Maine landscape. She finds beauty in the subtleties of the world around her and in the paint itself, pushing and pulling the paint with the use of palette knife and brush. Tina was classically trained and received her MFA from Brooklyn College of CUNY in 1996 and holds a BS in Design from the University of Cincinnati. As a John Simon Guggenheim Grant recipient, Ingraham painted in Italy and traveled Europe from 1999 to 2003 to study master paintings integral to her work. She is also the recipient of the Maine Commission for the Arts Project Grant, the Pollock Krasner Foundation Award, and the Milton and Sally Avery Fellowship. She has been an educational instructor at Bowdoin College, Stephens College, Maine College of Art and Brooklyn College, where she received a teaching fellowship and the Charles G. Shaw Award for Excellence.

 

Roy Germon

Roy Germon

Recent work by Roy Germon will be featured in our side gallery this month. Germon attended the School of the Visual Arts in NYC where he received his BFA in 1990. During his 20-year tenure in NYC he worked as a freelance illustrator and a conservator of fine art and original prints. In 2003 he moved to Portland, Maine with his wife, son and daughter. Inspired by the Maine landscape, he took up painting, dominating his canvases with energetic brushstroke and bold line.

Gallery hours are Monday to Friday 10am – 5:30pm and Saturday 10am – 5pm. For more information please call (207) 772-2693 or visit www.greenhutgalleries.com

ART & EDUCATION IN MAINE Featuring ERNEST MCMULLEN & VICTORIA ACCARDI

Ernest McMullen:  Last Light, Somes Harbor, 24 x 36, oil on panel

Ernest McMullen: Last Light, Somes Harbor, 24 x 36, oil on panel

Art & education in Maine featuring Ernest McMullen & Victoria Accardi runs September 2 – 16, 2017. There will be a cocktail reception and open house on Saturday, September 2nd from 4:00 – 6:00 pm. The exhibit features works by renowned landscape painter and former educator at College of the Atlantic, Ernest McMullen and realist painter and former student, Victoria Accardi.

Ernest McMullen is a gifted teacher who introduced multiple students to the fine arts during his 43-year tenure on the faculty of College of The Atlantic (COA). McMullen’s luminous work is highly sought after by collectors who are drawn to his iconic imagery – the quiet ambiance of evening closing in on the cool, blue-tinged waters of Somes Harbor or the steely tranquility of the moon over NE Harbor – as well as the sense of mystery and silence that pervades his landscapes.

Victoria Accardi:  Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi: Canton Kitchen, 30 x 48, oil on canvas

Victoria Accardi is tremendously grateful for her four years of study with McMullen; “he’s the reason I stayed at COA,” she says simply. Accardi says that this ability to see beauty in the commonplace mirrors that of her teacher, Ernest McMullen. The streets of New York offer endless fodder for Accardi’s imagination. A realist painter with a fascination for portraiture and the human form, Accardi celebrates the fleeting moments of life that unfold in the city around her.

Please visit www.galleryatsomessound.com/events for more information.

Ogunquit Museum Fall Shows Include Cabot Lyford, Marsden Hartley, Alison Rector

Cabot Lyford (1925-2016) Heron Rising Carved wood on stone base Private collection

Cabot Lyford (1925-2016)
Heron Rising
Carved wood on stone base
Private collection

The Ogunquit Museum of American Art (OMAA) today announced that exhibitions opening September 1, 2017 will include American sculptor Cabot Lyford, Modernist artist Marsden Hartley, and Maine artist Alison Rector.

Cabot Lyford: Truth of Material, on view in the Sculpture Gallery through October 31, 2017, presents the artist’s sculptures alongside rarely seen works on paper. While he is best known for direct carving – chiseling and cutting directly into stone and wood – this installation also includes a selection of drawings and watercolor paintings.

“Direct carving reveals the harmony between a material and the resulting work of art.  And with Lyford’s work, we can feel that liberating and spontaneous call and response between the artist and his subject,” said Michael Mansfield, Executive Director and Chief Curator of the Ogunquit Museum of American Art.

Isabella Howland (1895-1974) Caricature Bust of Alfred Stieglitz, 1948 Bronze 7.5 x 5.5 x 4 inches Museum purchase, 1970 Bust of Georgia O’Keeffe c. 1960 Bronze 5.5 x 5.5 x 4 inches 1968.15 Anonymous gift, 1968 Photo: Larry Hayden

Isabella Howland (1895-1974)
Caricature Bust of Alfred Stieglitz, 1948
Bronze, 7.5 x 5.5 x 4 inches

Bust of Georgia O’Keeffe, c. 1960
Bronze, 5.5 x 5.5 x 4 inches

Photo: Larry Hayden

Marsden Hartley and His Circle presents painter, poet, and essayist Hartley among a coterie of associates within the Modernist movement in American art. From Maine to Ohio, New York, and Europe, Hartley traveled widely during his lifetime and became active among a formidable group of contemporaries such as American photographer Alfred Stieglitz and artist Georgia O’Keeffe. This exhibition draws upon the OMAA permanent collection to explore the circle of artists that helped to shape his personal awakening and career. This show is on view in the Little Gallery through October 31.

Alison Rector Down East Oil on linen 40 x 40 inches

Alison Rector
Down East
Oil on linen
40 x 40 inches

Alison Rector: The Value of Thought is the latest in a series of paintings by Rector exploring historic public library buildings. The artist has visited 18 of the Carnegie libraries in Maine and many others, and has created more than 40 paintings exploring a wide variety of these shared spaces. This exhibition is on view in the Long Gallery through October 31 and is sponsored by Greenhut Galleries.

Please note: an exhibition of works by artist Steve Hawley, originally planned for 2017, has been rescheduled for May, 2018.

The Ogunquit Museum of American Art (OMAA) was founded by Lost Generation artist Henry Strater and opened in 1953. Closely connected to two of America’s earliest art colonies that directly contributed to the roots of American modernism, OMAA today houses a permanent collection of important paintings, sculpture, drawings, prints and photographs from the late 1800s to the present and is the only museum in Maine devoted exclusively to the exhibition, preservation, and interpretation of American art. A short walk from Perkins Cove, the museum and its three acres of sculpture gardens overlook Narrow Cove and the Atlantic Ocean. OMAA is open May 1 through October 31, daily 10 a.m. to 5 p.m. For more information, visit www.ogunquitmuseum.org

“Touch of Gold” at CRAFT Gallery

Thread drawing by Daphne Taylor

Thread drawing by Daphne Taylor

CRAFT Gallery opens “Touch of Gold” on Friday, September 1st through October 5th, presenting new work by gallery artists. Four featured artists use gold as a common element in their work: potter Paul Heroux, calligrapher Jan Owen, quilter Daphne Taylor and sculptor Jacques Vesery. Quilt maker Daphne Taylor’s powerful design sense and minimalist aesthetic are expressed in her ”drawings” with thread. Her use of gold and silk recall the Middle Ages and Renaissance art, sumptuous with gold and precious materials to add value.She uses wool and silk as a surface to create her work with thread. Potter Paul Heroux treats the ceramic vessel as a painting surface and 3 – dimensional canvass, combining colors, patterns, angles and metallic lusters to his abstract and architectural approach to pottery. Calligrapher Jan Owen’s hand lettered piece, “Benediction” features a poem by Wesley McNair from his newest book “The Unfastening” McNair was poet laureate of Maine from 2011 to 2016. This is the ninth collection of his published work.

Bronze glazed vase by Paul Heroux

Bronze glazed vase by Paul Heroux

CRAFT Gallery is also privileged to present the newest clay sculptures by Lynn Duryea, co-founder of Watershed Center for Ceramic Arts. Duryea began her career as a functional potter and progressed to making minimalist abstract forms. Her geometric and architectural clay sculptures combine angles, colors and textures that she has observed in smokestacks, dock pilings and worn building facades. She was included in the Center for Maine Contemporary Art’s 2016 Biennial and has taught and lectured widely in the U.S. Many of the artists will be present during the September 1st First Friday Art Walk and books pertaining to their work will be available for purchase and signing including the new “Handcrafted Maine” featuring weaver Sara Hotchkiss.

Clay sculpture by Lynn Duryea

Clay sculpture by Lynn Duryea

CRAFT Gallery is located at 12 Elm Street in Rockland and will have live music by “Good Vibrations” in the gallery courtyard during the evening Art Walk. For more information call (207) 594-0167 and visit www.craftonelm.com

“WHAT’S UP THERE” at Philippe Guillerm Gallery

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

Attic Windows of Tides and Atmosphere Rockport by Jean Kigel

“WHAT’S UP THERE Attic Window Series”, a exhibition of works by Waldoboro artist Jean Kigel, opens with an artist’s reception Saturday, September 9th, from 4 to 7pm.

Jean Kigel presents a unique series of oils and watercolors of attic windows from Mid-coast Maine. “There is something romantic about an attic”.In Kigel’s paintings the viewer is invited to take a virtual look from the street into attic windows to imagine the story within.
Nigel travels Mid-coast Maine towns, seeking unusually shipped attic windows, in the form of crescent moons, polygons, or ornately arranged and decorated multi-panes.

Philippe Guillerm Gallery proudly presents Jean Kigel and Philippe Guillerm’s new collection of sculptures and joins with Tidemark Gallery, Heywood Gallery and a local Collective Art Group for Waldoboro’s “Second Saturday ArtWalks.” For more information call 207-701-9085 or visit www.guillermsculptures.com

September 3rd Opening Reception at The Turtle Gallery

Alix Bacon, The Climate Change Apocolypse, 24 x 72

Alix Bacon, The Climate Change Apocolypse, 24 x 72

This new exhibition features 3 series of paintings by Alix Bacon, mixed media drawings by Mary Barnes, abstract paintings by Anderson Giles and hand-printed paper collages by Alice Spencer.

Alix Bacon returns to the Turtle Gallery with three new series of work: The Scottish Paintings, Windows on Maine and the Climate Change Apocalypse. Bacon’s landscapes depict tranquil terrains, opening vistas onto the natural world in all its richness. Though the paintings contain no figures, we are reminded that we are present in them; we bear a responsibility to the landscapes in which we always, indelibly, appear. Bacon translates her vision by painting the environment, not just the landscape, and reminds us of the raw truth of Climate Change on our world.

Mary Barnes Frigate 40 x 52 mixed media on mylar

Mary Barnes Frigate 40 x 52 mixed media on mylar

Moved by the wonder and mystery of our avian counterparts, Mary Barnes captures their presence in a series of both vibrant and evocative mixed media drawings. Inspired by both the birds of her home in the north and a journey to the Galapagos, Barnes translates the vitality of aviary flight, habitat, sounds and habits of birds in this new collection of drawings.

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles, Sacral Rampart, Acrylic on canvas, 58 x 42

Anderson Giles joins the Turtle Gallery for his first showing since retiring from 35 years of teaching art and photography at The University of Maine at Presque Isle. The show will include several older works as well as paintings recently completed during his final summer in northern Maine. Giles engages his powerful use of color and light to capture representational imagery, abstract visions and the many lines and points between where the spiritual and the physical blur.

Alice Spencer, Quilt Improv 2, 16x16

Alice Spencer, Quilt Improv 2, 16×16

Portland based artist Alice Spencer will be showing new collages of hand-printed paper. A lifelong artist of various mediums, Spencer has long been influenced by textiles from her travels and their integration into culture and everyday life.

Chris Joyce  Studio Shot

Chris Joyce Studio Shot

A new collection of woodwork from local favorite Chris Joyce will also be on display, as well as copies of his new catalog.

In addition, a vast collection of jewelry and contemporary craft, print collections and sculpture garden will be on display. Light refreshments will be served. For more information call (207) 348-9977 or visit theturtlegallery.com

Erik Lundin Retrospective at The Kelpie Gallery

Lundin

A first ever showing of the works of the late artist Erik Lundin of Rockland/Thomaston and Madrid, Spain at The Kelpie Gallery of South Thomaston, Maine. Erik Lundin Retrospective – The Art of a Quiet Soul opening reception Saturday, September 9, 2017 5:00 – 7:00 p.m.

Erik Lundin, a lifetime and reclusive artist, died at the age of 86 having never shown his paintings. Susan Lewis Baines of The Kelpie Gallery has been gifted almost 300 pieces of artwork and as many studies of the artist’s life’s works by Lundin’s sister in the hopes of creating and building the legacy of her late brother.

Baines was approached by a healthcare worker of Lundin’s asking Baines to view his body of work. Baines agreed and was impressed with the artist’s geodynamic landscapes of Maine, Spain, and Central America. Baines met with the artist before his passing. His wish was to have confirmation by the populace of his talent. Unfortunately, Erik Lundin passed away before he could realize his wish. Susan agreed to accepting the work with one caveat; that 50% of the sales of Erik Lundin’s work by donated to the Sussman House, a hospice facility located in Rockport, Maine.

The Kelpie Gallery, in conjunction with the Pen Bay Waldo Healthcare Foundation, presents: Erik Lundin Retrospective – The Art of a Quiet Soul. For more information call (207) 691-0392 or visit www.thekelpiegallery.com

John Bowdren Fall Exhibit Opens at Yarmouth Frame and Gallery

"Lobster Rafts at Dusk" 36x48 acrylic on canvas

“Lobster Rafts at Dusk” 36×48 acrylic on canvas

Yarmouth Frame and Gallery’s Fall exhibit Presence of Place, is a group show with their 22 year around gallery artists with a focus on John Bowdren. John’s works have a quietness about them, a peacefulness that is soothing and meditative. The show is a reflection of that sensibility and having a presence of place. There is an Artist Reception on September 9th 4 to 7 and runs through November 22nd.

In John’s own words about his process, he shares,”Mornings start with a cup of tea, a quick look at the weather and the tide charts, then grab the Maine Gazetteer, sketchbooks and camera and off along the Mid-Coast, following the little boat symbols in the Gazetteer for public boat ramps and put in’s, where I hope to find my painting subjects and an A-Ha moment to share.”

"White Boat at Dock" 12x12 acrylic on canvas

“White Boat at Dock” 12×12 acrylic on canvas

John’s work relies on the warm or cool temperature of light and how it effect the emotional presence of a place. “Reflecting light is important to my work.” John tells us. “I work the color values back and forth in the water of my seascapes so that it appears to be there, but not there and serves as a supporting role for the placement of boats or wharf subjects.” The overall effect gives my audience a feeling of calm in the unbalanced balance of a finished piece.”

"Hanging Out at the Wreck" 24x24 acrylic on canvas

“Hanging Out at the Wreck” 24×24 acrylic on canvas

Yarmouth Frame and Gallery is located at 720 Rt. 1 in Yarmouth. Hours: Monday – Friday 10:00am – 6:00pm. For more information about all 22 of our year around gallery artists or to make an appointment for a private viewing call 207-846-7777 or email from our website. www.YarmouthFrameAndGallery.com

Impressionist Artist Specialized in Coastal New England Paintings & Drawings

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Summerings with Mary Bradish Titcomb, 1892-1902: Drawings of Coastal New England and the White Mountains will be on view at James L. Kochan Fine Art & Antiques, 75 Main St., Wiscasset, from August 31st to September 27th. Although listed as a portrait painter, Titcomb is best known for her impressionistic paintings of rural and coastal New England and is considered the most important woman artist of the Boston Impressionists.

The Kochan Fine Arts exhibition, with an opening reception during the Wiscasset Art Walk on Thursday, August 31, 5-8pm, features finished and preliminary drawings in graphite, watercolor and/or ink on paper from the first decade of Titcomb’s professional career. The drawings on view were all executed while on summer holidays in New England, principally coastal Maine (including Ogunquit, Sebago Lake, Cape Elizabeth, Portland, and Monhegan), the White Mountains, the North Shore, and Plymouth, Massachusetts. Principally landscape and coastal views, the exhibition also includes some portraits and still lifes.

titcomb_Maine08012017

Born in Windham, New Hampshire, Mary Bradish Titcomb (1858-1927) began her artistic career teaching drawing in the Brockton, MA public schools. In 1888, she relocated to Boston to commence studies at the Boston Museum School under Boston Impressionists Edmund C. Tarbell and Frank W. Benson and later Philip Hale. During her early professional career, summers were spent drawing and painting in coastal Maine or the White Mountains near her birthplace. In 1895, Titcomb traveled to Europe for the first time, studying with Jules Lefebvre in Paris, but returned to Boston, where she exhibited regularly with the Copley Society and in numerous national exhibitions. Titcomb continued to summer along the New England coast, from the North Shore to Cape Cod, although she is known to have gone on a sketching trip to Arizona and Mexico in 1901. As she became more successful, she left her Fenway studio and purchased a home in Marblehead, Massachusetts, where she died in 1927.

For more information about Mary Bradish Titcomb and the Summerings exhibition, please contact James L. Kochan Fine Art & Antiques, 304-279-7714 or jameskochan@comcast.net

Landing Gallery presents “MAINE PLEIN AIR PAINTERS”

"McCloons" by Monique Lazard, 16" x 20" Oil/Canvas

“McCloons” by Monique Lazard, 16″ x 20″ Oil/Canvas

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “MAINE PLEIN AIR PAINTERS”, an exhibition of new paintings by Monique Lazard, Tom Curry and Björn Runquist opening on Friday, September 1 through October 15. The Artists’ Opening Reception will be held on Friday, September 1 from 5-8 PM.

Monique’s landscape paintings have sense of movement and are filled with a gestural energy. She is a life long artist and has been painting since she was 10. “I always have a sketch book with me to record my observations. During my teens I began taking back packing trips to the Sierras, which helped foster my love of nature. Wherever I am, I find the local landscape to be an inspiring and fascinating subject for my painting.” Monique’s studies began as an undergraduate at the Academy of Art in San Francisco, she received her BA from the California College of Art and pursued graduate studies at the Art Center College of Design in Pasadena. She also studied with artists Nelson Shanks at Studio Incamminati, Stuart Shills and Alex Kanevsky at the Pennsylvania Academy of the Fine Arts in Philadelphia.

"Weir Cove" by Tom Curry, 12" x 12" Oil/Panel

“Weir Cove” by Tom Curry, 12″ x 12″ Oil/Panel

For the past 18 years, Tom has painted the landscape around his home in Maine. “As a plein air painter, I immerse myself in landscape to explore the relationships between stillness and flux. What we call a “place” is a paradox – it is not fixed but always changing: the light shifts from moment to moment, water is never still, clouds come and go. I paint the interplay of light, island, sky and water as a metaphor and meditation on place and time, the dance between what we perceive as eternal and ephemeral.” Tom Curry has a MS from the University of Massachusetts at Amherst, BFA from the Rhode Island School of Design and attended the Graduate Program at Yale University. His work is in the collection of the Farnsworth Art Museum, Delaware Art Museum and the Wheaton College Museum.

Pier: Wheeler Bay" by Björn Runquist, 16" x 20" Oil/Linen

Pier: Wheeler Bay” by Björn Runquist, 16″ x 20″ Oil/Linen

Björn Runquist has been painting in the mid coast area from Port Clyde to the Camden area, for thirty years. Björn is one of Maine’s most accomplished and collected Plein Air Painters, his paintings are in many major, private and public, collections including the Farnsworth Art Museum. “My subjects vary: the Working Waterfront and in particular this year, Piers, have become my subject of choice.” The Pier’s structural complexity allows for an interplay of color and light that creates a visual energy. It’s a visually interesting combination of solid and transparent areas that are very challenging and gratifying to paint. “There are things that I return to and there are things I paint only once. But, at the core is the ever-present force of light as the source of all that we see, indeed, at the source of life itself – the source of each day’s new beginning.”

Please join us Friday, September 1 from 5 – 8 pm for an artist’s reception with Monique Lazard, Tom Curry and Björn Runquist. Hours: Tue – Sat 11– 5, Sun 12 – 5 & closed on Mon. For more information please call 207 239-1223 or visit www.LandingArt.com

New Era Gallery Opens “Home”

Evening Reflection, oil on canvas, by Susan Day Philbrook

Evening Reflection, oil on canvas, by Susan Day Philbrook

New Era Gallery in Vinalhaven will open the last show of the summer season on Saturday September 2, with a reception from 5:00-7:00pm.  The show is open to all gallery artists, with a theme based on the concept of “home”.  Works will include paintings by Susan Day Philbrook and Elaine Austin Crossman, hand-hooked rugs by Kathleen Bird, and sculpture and prints by Kitty Wales.    

Labor Day weekend hours are Saturday 10:00am to 7:00pm, Sunday 11:00am to 2:00pm, and Monday 10:00am to 12:00pm.  Late summer hours following the weekend are Tuesday-Saturday 10:00am to 4:00pm.  For more information call 207-863-9351 or visit neweragallery.com.

Art Space Gallery September 1st Opening

Roger Barry, Face, Wood

Roger Barry, Face, Wood

Art Space Gallery invites you to the September “Arts in Rockland” first Friday art walk on September 1st.  Our front room features the work of Roger Barry, Janalee Welch, Joan Wright, and Melissa Post van der Burg. Additionally, there are many new works by our 15 other gallery artists. Please stop by and join us for wine, refreshments, and meet our artists on Friday, September 1st, from 5 to 8 pm.

Roger Barry of Edgecomb is a sculptor artisan who makes reliquaries from native hardwoods, many with secret locks. Heavily carved and beautifully finished, each is designed to hold precious personal items or enhance decor. Roger also creates sculptures and dreamlike tree houses that light up and draw starry nights on ceilings.“Most of my wood stock is milled from downed trees. Each one has its unique character and the sculpture that unfolds must reflect and honor it. Whether formal or whimsical, functional or decorative, all my pieces invite a personal encounter with the wood.”

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch, Circles over Circles, Mixed Media Collage

Janalee Welch of Farmington uses paper, both bits of the old and those she has decorated, painted, printed, or rusted together with bits and pieces of found objects to express her ongoing interest in how these materials work together in collage. Her work is inspired by her love of the natural world that was her playground as a child and her subject as a classroom teacher. “I love the rocks of the Maine coast, and I am inspired by their shapes, colors, conglomerate components, their history and their formation.” Janalee’s collages employ reminiscences of nature using simplicity and order; and pattern and symmetry as design elements, creating the sense of serenity and stability that she takes from nature.

Joan Wright, Up, Photography

Joan Wright, Up, Photography

Joan Wright of Rockland continues her exploration of the abstraction of reflections in water as well as capturing the many moods of her favorite island in the fog and out. Her exhibition will include both abstract and land/water scapes around Vinalhaven. Joan, who has been coming to Vinalhaven for over 35 years, reveals the spirit of the coast in her photography. “Water fascinates me. Its beauty and destructive power. It’s ability to reflect, distort, to change itself into what we perceive as another medium.”  

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg, My Immigrant 2, watercolor

Melissa Post van der Burg of Augusta will be featuring a new set of watercolor paintings. She works with the medium as if it were oil, creating rich, colorful and soulful paintings.  Her work, featuring images of Maine, has won awards across the country and is capturing the attention of many collectors. “Most of my work is figurative, with a narrative quality. I often use friends and family members as models–this is a venerable tradition dating back to the great renaissance painters. When I have a figure in front of me that I know very well, it leaves me free to focus on the story–what the painting is about.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  September hours are Monday through Saturday 10 am to 6 pm and Sundays 1 pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Oil Painters Kefauver and Mabry On Exhibit at Pemaquid Art Gallery

“Welcome II” , an oil painting by Will Kefauver, can be viewed at the Pemaquid Art Gallery.

“Welcome II” , an oil painting by Will Kefauver, can be viewed at the Pemaquid Art Gallery.

Two fine oil painters, Mary Mabry of Waldoboro and Will Kefauver of Damariscotta, are showing their work at the Pemaquid Art Gallery this season. Both are skilled at landscape as well as portraits and figurative subjects. Relatively recent additions to the Gallery (Mabry is a Guest this year, and it is Kefauver’s third season as Member), their work adds to the professional quality artwork seen at the Gallery.

Will Kefauver has an extensive art background as an illustrator, graphic designer and art director, who has now returned to painting and teaching in his home gallery, The Kefauver Studio in Damariscotta. With many nationwide shows and awards under his belt, he is finding the Maine landscape satisfies his desire to create a living memory of a beautiful time and space. He states: “It is the sculpture created by the land, sea, and foliage – brought to life by the changing light – which draws me to the easel. Whether working en plein air or from reference, interpreting what nature presents is both grueling work and joyful play.” He categorizes his Maine subjects as Lighthouses, Monhegan Island, Along the Shore and Boats and Buoys. Within these themes are many subjects that reveal his interest in “wherever land and water meet.” His surf paintings are particularly exciting, showing technical expertise as well as emotional content. His website contains full information on the work and schedule of this busy artist: kefauverstudio.com.

“ Chamberlain” is just one example of Mary Mabry’s lush landscape oil paintings, now on view at the Pemaquid Art Gallery.

“ Chamberlain” is just one example of Mary Mabry’s lush landscape oil paintings, now on view at the Pemaquid Art Gallery.

Mary Mabry spent many years in the banking business, but has found her true home as a painter in mid-coast Maine. She wisely sought art education from great artists and teachers, including a year at the California Art Institute. Although she considers herself an ongoing student, she credits her intensive work drawing and painting the figure from life with her progress and success.  She is a gardener as well as a painter: “Most of my floral paintings start with a walk through my garden.  For example, as I walk by an old French hybrid lilac, my senses come alive.  And I think as I sink my nose into a flower cluster, “What a heavenly fragrance!  These petals feel like silk on my cheek!  Look at the subtle variations in the color!”  And a concept for a painting is born—translating these sensory feelings into paint—so that others may somehow experience them.” Mabry’s lush landscapes reflect a similar personal experience and emotional response that goes beyond her considerable technical skill. She has earned awards for her work, which has been shown in many prestigious national and regional locations. Her website is marymabry.com.

Visit the Pemaquid Gallery of Art this season to see the work of member artists residing within the Lincoln County area. The Gallery is situated within Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

New Shows by Anthony and Curry at Gleason Fine Art

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

CAPTION: Janice Anthony, Damariscotta River, 14 by 30 acrylic on canvas.

Gleason Fine Art in Boothbay Harbor opens two new shows on August 31: JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK. The opening reception for both shows is First Friday, September 1, from 5 to 7 pm. Everyone is invited to join Janice and Tom in a glass of Monhegan Brewing beer or fine wine. The two shows run through October 3.

JANICE ANTHONY     Jackson resident Janice Anthony is on the short list of Maine’s most respected and collected contemporary realist painters. A long-time member Tom Crotty’s Frost-Gully Gallery in Freeport, Anthony joined the Gleason roster of artists upon Crotty’s death two year’s ago. The gallery welcomed Anthony’s fresh and direct approach to painting the landscape.

     Anthony’s beautifully rendered landscapes of Maine invite viewers to see the natural world as she does. In her own words: “The content of my paintings lies beyond the visible features of woods, rocks, and water. My intention is to convey the sense of place: the moving air, the solidity of rock, the transience of water, and the strength of the ground beneath. The act of painting unites me with a wilderness that I recognize within myself. Putting paint on the canvas is where I find my bearings, at the intersection of the image and the brush” (O’Hern, “Am. Art Collector,” 6/2012).

       Janice Anthony lives in rural Jackson, Maine, where she and her husband raise cattle. Anthony’s resume is long and includes numerous solo and group shows at prestigious galleries. Her paintings hang in many public collections, including Unum, in Portland, Maine, and the McGraw-Hill Companies in New York City. Her paintings appear in many books and magazines, including the Little/Skolnick series, Paintings of Maine, Paintings of Maine in Winter, and Paintings of Maine Islands.

        For her solo show JANICE ANTHONY: AT ONE WITH NATURE, Anthony has given the gallery a dozen new paintings, including the ethereal “Threshold” (acrylic, 24 by 24 inches), which depicts a place and a moment in time so evocative that one is tempted to use the word “dreamlike.” 

TOM CURRY     Artist Tom Curry could live anywhere, but he and his wife, the writer Kim Ridley, chose the Down East village of Brooklin, Maine. Here Curry’s singular passion focuses on the tiny, uninhabited island of Chatto, which sits in Blue Hill Bay in sight of Curry’s studio.  Curry paints Chatto at all times of day and in all types of weather. 

      The show’s centerpiece, a 48 by 57 inch oil titled “Venus,” is breath-taking. With “Venus,” Curry conjures a spectacular summer day in Maine. Immense, puffy, white clouds float in the sky above Chatto and are reflected in the sea below, enveloping the lush, green island. The open sky is an unforgettable clear blue. The sun, threatening to break through the clouds, yellows their edges. 

       “Venus” is classic Tom Curry: take a simple thing, like a little, green pincushion of an island, and make it the center of the universe, a universe the viewer wants very much to be a part of.

        When Curry can take his eyes off Chatto, Brooklin’s serrated coastline and dozens of islands offer the artist an unlimited number of possibilities to paint. In “The Meadow,” a delicately striped sky fills the top half of the painting. The lower half takes the viewer from the mainland to a wooded island, and then to the distant hills beyond. The striped sky plays against supercharged spring greens and the reds and oranges of newly leafed blueberry shrubs. The result is a stunning painting that lets the viewer know just how precious this bit of coastline is.  

        Both shows, JANICE ANTHONY: AT ONE WITH NATURE and TOM CURRY: NEW WORK, may be viewed on the gallery’s website: gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849, or send an email to info@gleasonfineart.com. Gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm.

Events at the ANNEX in Castine

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Upcoming Events for the ANNEX –
Co-Presented by the Castine Arts Association

• Artists-in-Residence have arrived!

• August 6-25 Kelly Carmody (Boston) and Viktor Butko (Russia) – They will be painting around town for the first week and a half and then moving into the studio space at the ANNEX. Keep an eye out for them. Both Kelly and Viktor will do a painting demonstration.

• Thursday, August 17, 5-7, Showing for Artists-in-Residence, Ben Skinner and Genevieve Dionne at the ANNEX – come see the ephemoral Castine-inspired installation they’ve been making while in residence.

• Saturday, August 19, 9-12PM, Kelly Carmody Painting Demonstration. Kelly will work through painting a still-life while answering questions from the audience, from 9:00 – 12:00. The public is free to stay the whole time or come and go as necessary. Offered as part of the Artist-in-Residence Program at the ANNEX happening at 8 Water Street, Castine, Maine in the studio.  Free and open to the public. Please come and enjoy the insights of a truly gifted and thoughtful artist.

• Tuesday, August 22, 5-7PM Kelly Carmody and Viktor Butko Residency Exhibition Reception. Show will be up until Friday August 25.

• Thursday, August 31, 5-7: Opening Reception for Charleen Wiseman, Quilts! @ the ANNEX

For more information call or email theannexcenter@gmail.com • 213-839-0851, or drop into Gallery B, 5 Main Street, Castine

The ANNEX is located at 8 Water Street, Castine, ME 04421
www.annexarts.org

Deer Isle Artists Association presents “Fresh Ink,”

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Evocation, by Marianne Alweiss

 

From August 18 through the 31, the Deer Isle Artists Association will present “Fresh Ink,” featuring the art of Marianne Alweis, Don Bardole, Cynthia Bourque Simonds, Betsy Braunhut, Emily Brett Lukens, Janet Cook, Mary Eaton, Judith Felch, Jill Finsen, Jeri Gillin, Kaitlyn Metcalf, Carolyn Raedle, Hub White, and Alice Wilkinson. Appearing in the Art Rack will be work by Leslie Anderson, Avery Falkner, Judith Felch, Judith Felch, Jerry Levitt, and Cynthia Stroud-Watson.

The title “Fresh Ink” refers not necessarily to the materials utilized by each artist; rather it serves as a metaphor for how each interprets the theme and applies it to his or her own work. Included in the show will be a wide range of mediums, including drawing, printmaking, painting, photography, basketry, fiber arts, etc.

A reception with the artists will take place on Sunday, August 20, from 4:00 – 6:00. The DIAA Gallery is located at 15 Main Street in Deer Isle Village, and is open daily from 10:00 – 6:00. www.deerisleartists.com   (207) 348-2330.

Cynthia Winings Gallery presents “Viewfinders”

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Buzz Masters, “Rain Room”

The Cynthia Winings Gallery in Blue Hill presents a new group exhibition, Viewfinders, featuring the work of Jenny Brillhart, Brita Holmquist, and Buzz Masters, with new work from Ingrid Ellison, with an Opening Reception, Sunday, August 20, 4 – 7PM

A Summer of exciting shows continues with the the fourth group exhibition of the season!

VIEWFINDERS features the artwork of Jenny Brillhart, Brita Holmquist, Buzz Masters, with new work from Ingrid Ellison. I am fortunate to include artwork from Louise Bourne, Avy Claire, Tom Curry, Diane Green, M P Landis, Bill Mayher, Libby Mitchell, Jerry Rose, John Wilkinson, Goody-B. Wiseman and Diane Bowie Zaitlin.

Everyone is warmly invited to the Opening Reception, Sunday, August 20, 4 – 7 PM. On view through September 18. Contact: Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

New Alan Magee paintings at Greenhut Galleries

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Alan Magee, born in 1947 in Newtown, Pennsylvania, attended art school in Philadelphia and, in 1969, began working as an editorial and book illustrator in New York. Among his regular clients were Time, Atlantic, New York Magazine, The New York Times, and Bantam, Ballantine, and Simon & Schuster Books. He received numerous awards for his illustrations including the National Book Award, Awards of Excellence from the Society of Illustrators and many more. Magee began to concentrate on personal paintings in the late 70s and in 1980 had his first solo exhibition at Staempfli Gallery in New York.

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His painting career took off, and in 1991 he had a ten-year retrospective simply titled, Alan Magee 1981-1991. The show traveled to four US museums. Other retrospectives have been hosted by the James A. Michener Art Museum, the Farnsworth Art Museum, the Museum of Texas Tech University, and the Frye Art Museum.

Magee’s paintings are in many public collections including The Fine Arts Museums of San Francisco, The Art Institute of Chicago, The National Portrait Gallery, the Portland Museum of Art, the Farnsworth Art Museum, Arkansas Art Center, Arizona State University Art Museum, The Newark Art Museum, and the Columbus Museum of Art. For more information visit www.greenhutgalleries.com

CMCA to Hold Public Reception for Linden Frederick: Night Stories Exhibition

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

Linden Frederick, Takeout, 2016, oil on linen, courtesy of Forum Gallery

The Center for Maine Contemporary Art (CMCA) will hold a public reception for the exhibition Linden Frederick: Night Stories on Friday, August 25, from 5 to 8pm. The exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers. The exhibition will be on view at CMCA through November 5, 2017.

The collaborating writers include: Pulitzer Prize-winner Anthony Doerr (All the Light We Cannot See); National Book Award-finalist Andre Dubus III (House of Sand and Fog); National Book Award-winner Louise Erdrich (The Round House); National Book Award-finalist Joshua Ferris (Then We Came to the End); Internationally bestselling author Tess Gerritsen (Rizzoli & Isles series); Academy Award-nominee Lawrence Kasdan (Raiders of the Lost Ark); Kirkus Prize-winner Lily King (Euphoria); Edgar Award-winner Dennis Lehane (Mystic River); Newberry Medal-winner Lois Lowry (The Giver); PEN/Faulkner Award-winner Ann Patchett (Bel Canto); New York Times bestselling author Luanne Rice (Crazy in Love); Pulitzer Prize-winner Richard Russo (Empire Falls); Pulitzer Prize-winner Elizabeth Strout (Olive Kitteridge); Academy Award-winner Ted Tally (The Silence of the Lambs); PEN USA Award-winner Daniel Woodrell (Winter’s Bone).

In conjunction with the exhibition, Frederick will present a gallery talk on the inception and creation of the Night Stories series on Tuesday, August 29, at 5:30pm. Space is limited to 40; reservations are required. The event is free to CMCA members; others with admission. To reserve: call 207-701-5005 or email info@cmcanow.org.

Additional upcoming Night Stories programs include a conversation in the gallery with Linden Frederick and author Tess Gerritsen on Sunday, September 17, at 3:00pm; and a conversation between the artist and author Richard Russo on Sunday, October 22, 3:00pm.

A resident of Belfast, Maine, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. He is represented by Forum Gallery, New York and Los Angeles.

CMCA is located at 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org.

Barbara Ernst Prey Museum Commission

BEP in front of MASS MoCA commission Building 6_

The Massachusetts Museum of Contemporary Art (MASS MoCA) has commissioned Barbara Ernst Prey to paint a groundbreaking 8 by 15 feet watercolor for their new Building 6 that opened its doors to the public in May 2017.

As an artist that works mainly on site, Prey spent countless hours in the space at MASS MoCA, looking, distilling and thinking about the architecture; as the concept developed, she started working on preliminary drawings during her visits. The studies began small and in pencil to accurately capture the architecture and overall composition; Prey then moved to color and larger formats, working out the light and the complex colors.

The drawings displayed in this exhibition served as references for the world’s largest known watercolor and uniquely chronicle the development of Barbara Prey’s commission for MASS MoCA.

BARBARA PREY PROJECTS will be open daily from 10am-5pm between July 1 and September 20.

Barbara Prey Projects, Main Street, Port Clyde, ME 04855
July 1−September 20 daily from 10a.m.−5 p.m. 207 372 8087
Barbarapreyprojects.com / info@barbarapreyprojects.com

Four Solo Shows Opening at Caldbeck Gallery

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

CARDOON 2012 oil on panel 16 x 12 inches Lois Dodd

From August 16 to September 16, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit the work of 4 artists: Lois Dodd of Cushing ME and New York NY, Bayard Hollins of Islesboro ME and Ojai CA, Janice Kasper of Swanville ME, and Lise Becu of Tenants Harbor ME.  An opening reception for the artists will take place on Wednesday, August 16, from 6-8 pm.

In “Summer Paintings”, Dodd’s oil on masonite and oil on aluminum paintings sing with the light and air of summer in Cushing, Maine.  Mostly painted within the past 3 years, the paintings range in size from 5 x 7 inches to 18 x 20 inches.   In “Open Barn Door with Wheelbarrow” a very red wheelbarrow casts its shadow on the barn’s cedar shakes.  The shadow is that cool color that only the heated light of summer can create.  In one of the smaller paintings, “Frog Road Kill”, a frog’s little body is painted with a care that is both scientific and tender.  Dodd’s work has been shown widely in NYC, where she shows with Alexander Gallery, and throughout the U.S. for more than 60 years; her first exhibit with the Caldbeck was in 1985; this is her 11th solo show at the gallery.

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

A SPECIAL PLACE 2017 oil on canvas 60 x 60 inches Bayard Hollins

Hollins’s show, “A Special Place”, features paintings in oil on canvas, as well as in acrylic on paper, measuring in the range of 18 x 20 inches to 72 x 60 inches.  About his work, the artist explains, “many influences go in my work, though the dominant theme tends to be the interaction between classical realism and abstract expressionism.  I work very fast, with large brush strokes, in order to convey the rawness of nature.  I like to leave a painting in a sort of incomplete state.  I believe that an unrefined painting is truer to nature and to my own emotions.  Space is created so that the painting can move, breath, and grow in the viewer’s imagination.  He used to love to go out in his power boat in stormy weather, but gave that up, and now relives those experiences in some of his paintings.   This is the artist’s third solo show with the Caldbeck.

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

THREE GRACES 2017 oil on canvas 36 x 21 inches Janice Kasper

Kasper’s 5 canvases in her show “New Work” are about nature (and human nature).  Measuring in the range of 21 x 31 inches to 24 x 80 inches, each painting tells a story woven together by the artist’s sense of humor and compassion for the animal world.   “My work is concerned with how we view and interact with our fellow creatures. They make our lives richer and we have the power to enrich their lives by protecting their habitats and by seeing the beauty in all living things”, Kasper says. Kasper was the curator of historic sites for the Farnsworth Art Museum for many years.  Her work there included caring for the Lucy Farnsworth Homestead, as well as the Olson House in Cushing.  Her passion and compassion for wildlife plays out in all of her artwork. She has shown widely in Maine and Connecticut, and has been with the Caldbeck since 1985.

FERTILITY  2017  granite  48 x 13 x 9 inches  Lise Becu

FERTILITY 2017 granite 48 x 13 x 9 inches Lise Becu

“Works in Stone” includes a number of new sculptures by Lise Becu, as well as a number of earlier pieces.  Becu works predominantly in different kinds of granite and Rockland limestone, but also works in alabaster, travertine, and calcite.  Of particular interest to her are found stones – on the beach, or in a wall, or from a slag pile.  “I like to use the natural shape of the stone”, explains the artist.  “I also try to leave some of the stone’s texture that is created by the many years of erosion out in nature.  When I finish a piece, I blend those areas of roughness into the final polished surface.  My imagery usually evolves as I carve, like having a conversation with the stone.  It’s as though the stories appear all by themselves.  I like to describe my work as ‘stylized figurative depictions of everyday life, dreams, and legends’.” Becu has been represented by the Caldbeck since the gallery’s first exhibit in June of 1982.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4.  For more information, please call the gallery at 594 5935, or email at caldbeck@midcoast.com.

Multiple Media Artwork Featured At Pemaquid Art Gallery

“State of the Union” by Debra Arter if reflective of her intriguing and colorful work which always has something to say.

“State of the Union” by Debra Arter if reflective of her intriguing and colorful work which always has something to say.

Debra Arter, uses a multiple media approach to art. Known for her printmaking and collage, she also enjoys painting and assemblage. Her subject matter ranges from realistic to abstract. Steve Viega is a woodworker who creates functional art for marine and residential uses. At the Pemaquid Gallery he will be showing unique bowls that highlight the natural beauty of the wood.

Deb Arter remembers her first “serious” art project was a third grade class bulletin board titled “What the Wind Does,” and in high school she won the state anti-smoking poster contest and her design was mass produced. She went on to earn a BA degree in Art Education, and a Masters in Fine Arts. She is a member of many art societies and guilds, and has taught printmaking extensively in the mid-coast Maine area.

Arter’s work reflects a wide-ranging interest in poetry, history and music. A recurring theme is houses and homes, as they reflect the personalities of the inhabitants. Much of her work can be seen as a kind of storytelling, as though the work has something to say, which may or may not be obvious to the viewer! Whatever the subject, her work is intriguing, colorful and delightful, recalling Matisse, Bonnard, and Klee among many other of her favorite artists. She can be seen online at the sites of societies she belongs to including the Monotype Guild of New England, www.mgne.org. She will also be showing her work in Brunswick this fall.

Functional woodworking is the goal and Steve Viega of Walpole and bowls are just some of the fine woodworking he is exhibiting this season at the Pemaquid Art Gallery.

Functional woodworking is the goal and Steve Viega of Walpole and bowls are just some of the fine woodworking he is exhibiting this season at the Pemaquid Art Gallery.

Steve Viega also remembers early inspiration for working with wood as he grew up in rural Connecticut, which led a degree in forestry from Paul Smith’s College in the New York Adirondack Mountains. On graduation, he worked as a finish carpenter until he became involved in wooden boatbuilding in Maine, where he worked as a joiner in the famed boatyards of the mid-coast, learning from world-class boat builders and joiners.

Viega has now launched his own business, Steve Viega Woodworks, in Walpole. He offers a wide range of fine woodworking services, marine and residential, from furniture to sign carving, new and renovated. After a fire in 2016 destroyed his studio and new house, he is as determined as ever to pursue his art with functional woodworking. The bowls he is showing in his first year at the Pemaquid Gallery are stunning. His work may be seen online at www.svwoodworks.com.

Artists all reside within the Lincoln County area. The Gallery is situated within Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

ART with a story at Mars Hall Gallery

Nancy BakerArt #19.gn

Running 8/9/2017 – 10/9/2017 –  Mars Hall Gallery opens “The Bigger Picture”, a show featuring ART with a story. Two photographers, two painters and a friendship spanning two continents are the stories to be shared.

In the fall of 2016 artist Nancy Baker began her almost 400 mile trek in the village of Alcoutim, Portugal. She hiked the Via Algarviana and Rota Vincentina trails raising money for the Herring Gut Learning Center in Port Clyde. Along the way she met many people, some now good friends, who generously opened their doors to her. The journal, sketches and prose done on her trek are the inspiration for her “Covered Ground” series and book. Baker has opened doors to her inspiring heartfelt endeavor.

A chance meeting in the Maine woods between two pinhole photographers would begin a visual dialogue spanning almost 2,000 miles and 13 months. In 2013 Amy Rocket-Todd of Okalahoma and Antonia Small of Port Clyde began documenting their visionary journey. The end result was a show at the Tulsa Artists’ Coalition Gallery in Tulsa, Oklahoma and a book titled “Baker’s Dozen: A Pinhole Dialogue”. The show and book are on display as well as Gary Libby and Antonia Small’s book “Caught”.

“Visionary Messages” is the theme of Holly Smith’s creations. “Meditations, like dreams, can drift from one reality to another, and subconscious messages, if allowed, can imerge. One can accept this information as mere fantasy or pure imagination.” Smith’s paintings are a reflection of a dreamlike collective consciousness that uses meditation as a tool to discover incredible insights.

While vacationing in Venezuela Dr. Al Wills and his wife Hannah Boulton , of Boston and Hupper Island, met artist Manuel Rincon. They would form a life long friendship and Rincon would become one of the Hupper’s 5ive in 1996. Rincon’s playful imagery of his early childhood subtly depict the depth of human relationships. The story behind the late Rincon’s paintings in this show will be shared along with the story of a very special friendship.

The Main Gallery features the second phase of “14 Miles to the Horizon”. This ever changing exhibit showcases Maine ART along with an expanded selection of fine antiques and collectibles. On display are paintings by Leo Brooks, Jeanette Steele Esposito, Linda Funk, Kris Johnson, Roger Kirby, Brian Kliewer, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, C.W. Oakes, David Paffhausen, Elaine Reed, Jimmy Reed, Mimo Gordon Riley, Carl Sublett, William Thon, Ron Weaver and Eleanor Zuccola. Also on exhibit is mixed media assemblage by Bill Cook, whimsical driftwood fish by Claire Perry and a variety of quality crafts including decoupage by Davene Fahy, hand carved decoys by Stephan Hill and mixed media stained glass, mosaics and pottery by Dona Bergen. New to the gallery are paintings and wood & stone sculptures by Ian Baird. Metal sculptors Jay Hoagland and Brian Read will have works on display through out the gallery as well as outside in the Sculpture Gardens.

The gallery is open 10-5, Wed. thru Sun. thru Labor Day, Labor Day thru Columbus Day 10-5, Fri. thru Sun. or by appointment. Mars Hall Gallery is located 12.7 miles down the beautiful St. George peninsula in Martinsville. For more information call 207-372-9996 or visit us on the web at www.marshallgallery.net

Late Summer Exhibitions at Barn Gallery

Evelyne Harper Neill will celebrate over 50 years as a member of the Ogunquit Art Association with a solo exhibition of her paintings in the North Gallery. She will give a Gallery Talk on Thursday, August 17 at 6 PM, a talk that is free and open to the public. There will be an opening reception on Saturday August 19, 5 – 7:30 PM.

Late Summer Exhibitions begin on August 9 and run through September 9. OAA members, old and new, will show paintings, graphics photographs and sculpture in “OAA Expressions” and in a special theme show, “From Above.” Invited New England Sculptors continue to display three-dimensional work in the outdoor Sculpture Court. An ever-changing array of small works of art is always available in the Collectors Gallery.

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Barn Gallery’s expanded schedule of figure drawing sessions, artist demonstrations and workshops in a variety of media as well as artist gallery talks continues through August.

Barn Gallery, Shore Road & Bourne Lane, Ogunquit, Maine
Hours: 11 AM – 5 PM daily, 1 – 5 PM Sunday
For More Information : 207-646-8400, oacbarngallery@gmail.com, or www.barngallery.org

Courthouse Gallery Fine Art Announces New Exhibitions

JANICE ANTHONY  Cobble Beach, Schoodic, acrylic on canvas, 14 x 36 inches

JANICE ANTHONY Cobble Beach, Schoodic, acrylic on canvas, 14 x 36 inches

Courthouse Gallery Fine Art is pleased to present a two-person exhibition: Janice Anthony and Alison Rector: How the Light Gets In, and solo shows of new work by Ragna Bruno, Rosie Moore, and Colin Page from August 16– September 12. The exhibitions are free and open to the public.

Janice Anthony and Alison Rector: How the Light Get’s In
Janice Anthony (landscapes) and Alison Rector (interiors) spend their days contemplating the illusion of light. They study how light gives form to an interior space as it moves across a room through windows and doors, or how shafts of light illuminate the ferns and wild plants that flourish below an impenetrable canopy of trees.

Anthony and Rector found apt inspiration for this show in the lyrics of a song by Leonard Cohen, the late great singer, songwriter, and poet. In his song Anthem, Cohen wrote:

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in

Cohen was speaking about more than the physical properties of light in Anthem. He was addressing life and political unrest. The sadness and wisdom of his words are mighty. Humans are flawed. There is a crack in everything.

ALISON RECTOR  The Fragrance of Afternoon, oil on linen, 28 x 28 inches

ALISON RECTOR The Fragrance of Afternoon, oil on linen, 28 x 28 inches

In painting, the illusion of light is derived from the manipulation of an opaque material (paint) on a flat two-dimensions surface. Both painters transformed these benign materials into remarkable works of art brimming with mood and emotion. For Anthony and Rector, light is their glimpse into an overlooked quiet space, the hidden mysteries of a cool hollow, or the extraordinary colors of pebbled beach —a reminder to look for the beauty in, and beyond, the crack.

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Monday–Saturday 10am–5:30pm; Sunday 12–4pm. For more information on upcoming shows call 207-667-6611, or visit www.courthousegallery.com

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost”

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Bo Bartlett, Christmas, Oil on linen, 82″ x 100″

Dowling Walsh Gallery presents “Bo Bartlett: Paintings from the Outpost,”
with an Opening Reception: Friday, August 4 from 5-8pm.
“Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism as defined by artists such as Thomas Eakins and Andrew Wyeth. Like these artists, Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.”

Shaw Jewelry Opening Reception

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Shaw Jewelry in Northeast Harbor hosts an OPENING RECEPTION
Thursday, August 3, 5–7pm, with a show that runs August 3–16

Hughes-Bosca: Bountiful Rarity
Largest collection will be August 3–5
Good things need to be replayed, this is our 8th show. They fabricate 18 kt. jewelry using gemstones, colored diamonds, and artifacts from distant corners. It has weight, glowing surface, quiet confidence, and un-restrained boldness. The soulful power of wearing this work will enhance your mood and presence. Come meet our dearest collaborators, Caro-Gray Bosca and Mary Hughes, Thursday through Saturday.

Jaber Lutfi: Exquisite Bizarre Brought to Canvas
If there is common ground between Van Eyck, Picasso and Hieronymus Bosch, Jaber is it. These figurative acrylics tell an indeterminate story of costumed characters with curiousness turned up to 11. Superbly crafted, allegorical, fantasy realism and flirting with ominous events delivered from the mind of this Montreal based artist.

McTeigue Estate Jewelry
AUGUST 3–5 ONLY
Our second presentation of this venerable New York based estate jewelry firm established in 1895 will be presenting fabulous jewels for three days only. Kate Fisher, born in Australia, and an expert for decades, will be exhibiting magnificent pieces that were in high fashion from before you were born.

Gustav Klimt and Egon Schiele
You read it right, two historic art revolutionaries right here in NEH. Curated by Jerry Suqi of Gallery Feldermaus in Chicago, he will be bringing collotypes from folios made prior to 1930. You will find evocative line drawings of Schiele’s astonishing draftsmanship, and Klimt’s golden and dense surfaces.

Littlefield Gallery presents “Daniel Anselmi: Paper, Scissors, Paint”

Littlefield

 

Daniel Anselmi: Paper, Scissors, Paint
Littlefield Gallery, Winter Harbor
August 14 – September 10
Artist’s Reception Saturday, August 19, 4-6 pm

Daniel’s works on paper and canvas explore the use of paper as an ongoing dialogue between painting and collage. He uses artist-painted paper as one would handle a brush to elicit brushstrokes on canvas. Never using the new, he enjoys the felt quality of the discarded: blueprints, old ledgers, chart papers, and used canvas dropcloths are materials that offer an aesthetic conversation with his work. The paint he applies to these various materials, whether in large cut pieces or intimate fragments, and affix to already created surfaces, offers countless opportunities to express color, line, and form. Though sourced materials are not intended to be recognizable in these abstractions, sometimes surface traces remain that become a moment of discovery for the discriminating viewer.

Philippe Guillerm Gallery opens “From Our Sea”

Philippe-Guillerm

 

Philippe Guillerm Gallery in Waldoboro will have this month’s vernissage on August 12th from 4-7 pm with the unveiling of Philippe Guillerm collection of inks on paper “From Our Sea”

“From Our Sea” is a powerful vision on the wonderful world of traveling and discovering the marvelous ocean. Philippe has sailed the oceans since he was 20 and since then, the oceans have captivated him to a quest of preservation.

Philippe Guillerm is known for his violins and cellos carved from found driftwood and mixed with real music instruments, which convey not only physical strength and beauty but also individuality, intelligence, and grace. Lesser known are his paintings and drawings that further express his artistic involvement with the sea world. This exhibition brings together a series of ink drawings and driftwood sculptures  that will captivate your imagination and define the concept of preserving our waters.

Greenhut Galleries presents New Work by Colin Page

Hanging-Buoys-web-36x48

Colin Page, Hanging Buoys, oil on canvas, 36×48 inches

 

Greenhut Galleries presents New Work by Colin Page, his 4th solo exhibition at the gallery. The opening reception is Thursday August 3rd from 5-7pm.

Colin says this about his work, “These paintings are about where land and water meet. Some of the landscapes are about the colors along the coastline, and others are about how our waterfront engages land and sea. Whatever the subject, color and light are my main attraction to a scene as I start painting. This show is about visual decadence. Whether I’m painting pattern and light, or the chaos of a working harbor, I experience the world through color, shape and line.”

In addition to making art, Colin Page teaches a number of painting workshops across the state.  Colin attended the Rhode Island School of Design and holds a BFA from Cooper Union in New York City.

Linden Frederick: Night Stories Exhibit and Summer Gala at CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

Artist Linden Frederick in his Belfast, Maine, studio, holding the painting, Midnight, 2009, that is being raffled in support of CMCA

The Center for Maine Contemporary Art (CMCA) is celebrating its first anniversary in its Toshiko Mori Architect building with its Summer Gala on Friday, August 18, 2017. The evening also celebrates the preview opening of the much-anticipated exhibition Linden Frederick: Night Stories, a collaboration between the artist and 15 award-winning authors, including Anthony Doerr, Andre Dubus III, Louise Erdrich, Joshua Ferris, Tess Gerritsen, Lawrence Kasdan, Lily King, Louis Lowry, Ann Patchett, Luanne Rice, Richard Russo, Elizabeth Strout, Ted Tally, and Daniel Woodrell.

The CMCA Summer Gala is the art center’s most important fundraising event, offering an exceptional evening of food, drinks, fun, and art. All proceeds provide essential support for CMCA’s exhibitions and programs, including ArtLab, CMCA’s signature hands-on education program for all ages. This year’s Summer Gala includes a moveable feast and cocktails by Trillium Caterers, oyster bar by Otter Cove Farm, silent auction, live music and entertainment. Festivities will end with Stone Fox Farm Creamery ice cream truck and dancing with music by DJ Owen Cartwright. Event tickets are $225 for CMCA members and $250 for non-members. Major media sponsor is Maine Home + Design magazine.

Gala attendees are also able to reserve an advance copy of the hardcover book, Night Stories: Fifteen Paintings and the Stories they Inspired ($45 + tax), signed by artist, with the purchase of Gala tickets. A number of the featured authors will be in attendance at the event to sign books throughout the evening.

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

Linden Frederick, Midnight, 2009, oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches, donated by the artist and Forum Gallery to benefit CMCA

In addition, to benefit CMCA, artist Linden Frederick and Forum Gallery have donated his painting, Midnight, 2009 (oil on panel, framed 15.5 x 15 inches, image 8 x 8 inches), valued at $5,500, to be raffled at the Gala. Raffle tickets are $100 each and only 100 will be sold. Tickets are available for purchase online at cmcanow.org or by calling 207-701-5005. Raffle ticket holders do not need to attend the event or be present to win.

Event Tickets are available online at cmcanow.org/summer-gala or by calling 207-701-5005. For sponsorship opportunities, please contact Jean Thompson at jthompson@cmcanow.org

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

Linden Frederick, Save-A-Lot, 2016, oil on linen, 36 x 36 in., courtesy Forum Gallery

The groundbreaking exhibition, Linden Frederick: Night Stories, from August 19 through November 5, 2017 with an Artist Talk August 29, at 5:30pm. The much-anticipated exhibition pairs fifteen newly created paintings by the noted realist painter with fifteen new works of fiction by some of America’s most acclaimed writers.

The exhibition, and the accompanying book, Night Stories: Fifteen Paintings and the Stories They Inspired, have been eight years in the making. When artist Linden Frederick (b. 1953) realized a growing number of his collectors were novelists and screenwriters, he wondered what would happen if the writer-illustrator relationship were reversed: the painting first, then the writing. The result is Night Stories. Fifteen celebrated American fiction writers each agreed to select one painting especially created by Frederick as inspiration and then, over the following months, write a unique story inspired by it.

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

Linden Frederick, Dish, 2016, oil on linen, 36 x 36 in., courtesy Forum Galler

A native of Amsterdam, New York, Linden Frederick’s paintings are celebrated for their evocative light and atmosphere. Compared favorably to Edward Hopper’s American scene paintings, Frederick’s contemporary works suggest the human presence without depicting it, allowing the viewer to complete the narrative. Frederick has lived and worked in Belfast, Maine since 1989. He has had more than twenty solo exhibitions of his work throughout the United States, including the exhibition You Are Here, held at CMCA in Rockport, in 2010.

CMCA, founded in 1952, is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207-701-5005 or visit cmcanow.org.

Henry Isaacs: Working Color II at Gleason Fine Art

Burnt Coat Harbor, Swans Island #5 oil on canvas 20x40"

Burnt Coat Harbor, Swans Island #5
oil on canvas 20×40″

Cranberry Island artist Henry Isaacs paints with energy, passion, and self-assurance. His style—broken brushwork and a palette of delicate blues, greens, pinks, and yellows—marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet. He is both worldly and down to earth, both witty and self-effacing, generous with his time, and passionate about the dangers of the art world’s becoming overly commercialized.

The show runs  from July 29 – August 29, 2017 with an Artist’s Reception: Friday, August 4th, 5-7pm.

For more information contact Gleason Fine Art:
www.gleasonfineart.com
31 Townsend Avenue / Boothbay Harbor / Maine 04538
207-633-6849

 

August Events at the ANNEX and Gallery B

Lyn Mayewski – An Exhibition of New Felted Animal Sculptures – a Fundraiser to Benefit Endangered Species

The felted sculptures are primarily of endangered and threatened animals throughout Maine and the world.  Half of the proceeds from sales will go to the World Wildlife Fund and the Climate Change Institute.
@Gallery B, 5 Main Street, Castine

Exhibition runs: July 28 – August 3, 2017
GALLERY B.
Free and open to everyone

 

Annex Feature Exhibition:  The work of Thomas Barrett and Leni Mancuso, and their son, Kedron Barrett

unnamed (3)

•Opening reception: Tuesday, August 1, 5-7
•Artist Talk: August 5, 7PM
•August 1 – 7

These longtime Castine residents were astonishingly gifted, avant-garde, and prolific. It is our honor to show their work at Gallery B and the ANNEX. Tom and Leni met in New York in the 1940s while studying art at the Brooklyn Museum School. They came up in the art world in New York City when it was the nexus of art innovation and they worked side-by-side with many of the well-known artists of the Abstract Expressionism movement. Both of their bodies of work reveal a deep thoughtfulness, a response to the different eras they lived in, and explorations of shifting styles and movements. They started summering in Maine in the 1960s, and much like Marsden Hartley and Fairfield Porter before them, they brought worldly expressive and stylistic innovations to bear on representing the Maine landscape and culture that became its own style. Kedron Barret, their son, was raised immersed in art and became a fabulous painter and print-maker himself. He lives in Berlin, Germany and visits Castine 3 or 4 times a year. Please join us to hear him talk about the lives and work of his parents, Leni and Tom and his own work.

For more information visit: www.gallerybgallery.com

New Artwork at Pemaquid Art Gallery

“Afternoon Shadows” by Bob Vaughan is one of the new works of art  currently on display at the Pemaquid Art Gallery at Lighthouse Park

“Afternoon Shadows” by Bob Vaughan is one of the new works of art currently on display at the Pemaquid Art Gallery at Lighthouse Park

As they have in past seasons, the exhibiting artists of The Pemaquid Artists Group have refreshed their panels with new works of art.  Visitors to the gallery after the mid-season point will discover many new and exciting oils, pastels, acrylics and watercolors.  In addition to larger framed works, gallery visitors will find smaller and very affordable paintings in the gallery’s bins of matted but unframed original artwork.  The Pemaquid Art Gallery exhibits only original work by local artists who reside in Lincoln County. There is an original painting for every taste and for every pocketbook. 

Current juried members of the Pemaquid Group of Artists include:  Barbara Applegate, Bristol, Debra Arter, Damariscotta, Bruce Babb, Pemaquid, Julie Babb, Pemaquid, Stephen Busch, South Bristol, Midge Coleman, Newcastle, Trudi B. Curtis, Damariscotta, William Curtis, Damariscotta, Dianne Smith Dolan, Round Pond, Peggy Farrell, New Harbor, Sarah Fisher, Damariscotta, Bill Hallett, Nobleboro, Claire Hancock, Newcastle, Kay Hannah, New Harbor,  Jean Harris, Damariscotta, Kathleen Horst, Damariscotta, Hannah Ineson, Damariscotta, Will Kefauver, Damariscotta, Jan Kilburn, Damariscotta, Barbara Klein, Bristol, Patti Leavitt, Bristol, Sally Loughridge, South Bristol, Marlene Loznicka, New Harbor,  Mary Mabry, Waldoboro, Nancy MacKinnon, New Harbor, Judy Nixon, Bristol, Paul Sherman, Damariscotta, Cindy Spencer, Wiscasset, Liliana Thelander, Bristol, Ernest Thompson, Jr., Damariscotta, Bob Vaughan, Bristol, Steve Viega, Walpole, Bev Walker, Chamberlain.

Gallery hours are daily from 10 a.m. to 5 p.m.  For more information, please call 677-2752 or visit on-line at www.pemaquidartgallery.com.

Betts Gallery Opens Comfort Zone

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Kathleen Mack, Trust, 2017 Oil and Wax on Canvas

Please join Betts Gallery at an opening reception on Friday August 4th, 5:30-8pm, for their late summer show entitled ‘Comfort Zone’. The show features paintings by two expressive midcoast artists, Kathleen Mack and Carol Sloane. Mack divides her time between Round Pond, Maine and Italy, and Sloane between Washington, Maine and Nova Scotia. In Mack’s oil and wax paintings, she explores the idea of wanderers, ‘living on the edge’ in search of a comfortable place, while Sloane’s oil paintings explore the mutual affection and devotional relationship between people and their pets.

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

Carol Sloane, Annie and Linda, 2017 Oil on Canvas

The show runs from August 4th through September 2nd. The Belfast Framer and Betts Gallery are located at 96 Main St, and also may be entered on Beaver St. For more information please call (207) 338-6465 or visit our website www.thebelfastframer.com

Verrazzano’s Islands of Maine at Blue Hill Bay Gallery

Paul Bernard King, N.A. 1867-1947, Monhegan Harbor

Paul Bernard King, N.A. 1867-1947, Monhegan Harbor

The August show at the Blue Hill Bay Gallery features the three Maine islands sighted by Verrazzano in the summer of 1524: Monhegan, Isle au Haut and Mount Desert. The show encompasses over 30 Island paintings from different eras by a wide variety of artists working in oil, pastel and watercolor.

Paul Bernard King’s “Monhegan Harbor” depicts the mackerel fishing fleet off the island landing. His combination of tonalist and impressionist techniques established his reputation in the early 1900’s. In 1938, after a productive 30-year career, he was elected as a full member of the National Academy. Other prominent artists in the show who paint on Monhegan Island are Mark Haltoff, Diane Scott, Neil Hughes and Alfred Fuller.

Charles McCaughtry, Island in Mist

Charles McCaughtry, Island in Mist

Charles McCaughtry, William Marvin and William Loebs concentrate their diverse talents on Acadia’s Isle au Haut and Mount Desert. McCaughtry paints the island interactions of earth, water, sky, and light. He has had over forty solo exhibitions and has participated in over two hundred national and regional exhibitions. William Marvin focuses on the cliffs of Acadia with dynamic compositions and an impressionistic use of color. William Loebs, a member of the Copley Society of Boston, Mass., uses the subtlety of pastel to capture the fleeting mist and fog that often surround MDI in summer.

Besides the Island collection, this late summer show encompasses 7 large rooms showing Maine land and seascapes from Kittery to Quoddy Head. The exhibition may be seen From August 1st until Labor Day at the Blue Hill Bay Gallery on Main St. in Blue Hill, Tues-Sat 10am to 4pm. For more information call 374-5773.

Connecting form, color and line at York’s George Marshall Store Gallery

Pairing of David Ernster’s ceramics with Wendy Prellwitz work.  Photo credit Alicia Bergeron

Pairing of David Ernster’s ceramics with Wendy Prellwitz work. Photo credit Alicia Bergeron

The mid-summer exhibitions at York’s George Marshall Store Gallery make inspiring visual connections between painting, prints and sculptural ceramics.  Work by Wendy Prellwitz and Phyllis Ewen, two Boston based artists, are paired with ceramics by New Hampshire ceramist David Ernster. Still life paintings of flowers, interiors and local landscapes by Portsmouth artist Amy Brnger fill the back gallery and the dock level gallery space is reserved for a solo show by Brett X. Gamache. The exhibitions continue through August 20th.

David Ernster ‘Black Rain Jar” Stoneware / 13 x 10 x 10” Photo credit Alicia Bergeron.

David Ernster ‘Black Rain Jar”
Stoneware / 13 x 10 x 10”
Photo credit Alicia Bergeron.

In the front room is a group exhibition entitled Imprint, bringing together works by David Ernster, Phyllis Ewen, and Wendy Prellwitz. The unified theme throughout these three artists is a common interest in water and the sea. Ernster’s fascination with water and nature began as a child growing up near the Mississippi River. This early interest in the fossil formations he observed along the river is evident in the work he creates today.

The exhibit includes very large wood fired jars and platters that are decorated with heavy glazes and incised lines. The forms, colors, and textures of Ernster’s ceramics connect visually with the other work on exhibit. In several instances, it is almost uncanny how well they relate to one another.

Phyllis Ewen “Northern Waters 4” Sculptural digital print, paint, and puzzle pieces 25 x 18.5”

Phyllis Ewen “Northern Waters 4”
Sculptural digital print, paint, and puzzle pieces
25 x 18.5”

The mixed-media artwork of Phyllis Ewen is equally influenced by the natural world with a fusion of art and science. The Somerville, Massachusetts. based artist aims to suggest a subtle commentary on politics, society, and nature throughout her work, no matter the medium. Her “Restless Sands” series is made up of collaged digital prints of the beaches on Cape Cod. Her collaged prints often include puzzle shaped pieces, a reference to the concern for the fragility of the environment.

Wendy Prellwitz “From Here to There” Acrylic on paper / 40 x 30”

Wendy Prellwitz “From Here to There”
Acrylic on paper / 40 x 30”

Similarly, the combination of graphic and organic imagery in Wendy Prellwitz‘s monotypes and paintings are a result of the dualities that she observes in the fluidity of water – the known and unknown, the tangible and intangible. We could be looking into the depth of a pool of water or we could be underwater looking towards the sky. Either way, the effect is cooling, calming and meditative. Her mono prints combine layers of watery blues, overlaid with the grain of wood cut prints. She employs many of the same imagery and colors into her paintings.  In Imprint, the works of these three, varied artists are thoughtfully presented in a cohesive dialogue with one another. 

Amy Brnger “Backyard, Noon” Oil on panel /  17 x 13”

Amy Brnger “Backyard, Noon”
Oil on panel / 17 x 13”

Surroundings presents two dozen oil paintings by Portsmouth, New Hampshire based artist Amy Brnger. Known for her still life, landscapes, interiors, and flower paintings, Brnger uses nature as a vehicle for expression and inspiration throughout her work. Her landscapes are often drawn from her surroundings on the seacoast, serving as a means to enjoy and record the region where she lives. Her painting Backyard, Noon recalls a quintessential summer afternoon in seacoast New Hampshire, no doubt a result of Brnger’s deep admiration for the area she calls home.

Brett X. Gamache “Lowtide Lobsterboat”
Oil on linen / 17 x 20”

Brett X. Gamache “Lowtide Lobsterboat”
Oil on linen / 17 x 20”

In the dock-level gallery space is Fresh & Ripe, an exhibition of paintings by Brett X. Gamache. Gamache’s vividly painted New England scenes illuminate the gallery space with their bright colors and fresh atmosphere. Fresh & Ripe includes a variety of subjects from lobster boats and surfing scenes, to still life and rocky shores. In Lowtide Lobsterboat, a snapshot of life on the water, Gamache captures the essence of the working waterfront. He paints mostly from observation, typically outdoors, and strives to capture the light, energy, and life that he sees before him. Gamache lives in Massachusetts and teaches at colleges and universities throughout New England.

The exhibitions continue through August 20th. Gallery hours are 10 to 5 Tuesday through Saturday, 1 to 5 on Sunday and by appointment. The gallery is a property and program of the Museums of Old York and is located at 140 Lindsay Road, York. 207-351-1083  www.georgemarhshallstoregallery.com

Two New Shows in August from Gleason Fine Art

Henry Isaacs, Near Damariscotta, oil, 30x40”

Henry Isaacs, Near Damariscotta, oil, 30x40”

Gleason Fine Art opens two new shows on July 27: Henry Isaacs: New Work and Peter Sculthorpe: An Eye for Monhegan. The opening reception for the artists is First Friday, August 4, from 5 to 7 pm. Everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine. The two shows run through August 29.

HENRY ISAACS: NEW WORK    Artist Henry Isaacs paints with energy, passion, and self-assurance. His style–broken brushwork, a liberal use of paint, and a sunny palette of blues, greens, pinks, and yellows–marks him as one of the most recognizable artists painting in Maine today. In person, Isaacs is as engaging an individual as you will ever meet.
Henry Isaacs and his wife Donna divide their time between Portland, Maine, Vermont, and the tiny village of Islesford on Little Cranberry Island, located just next door to the much larger island of Mount Desert. Little Cranberry has seen dozens of artists over the years, including most recently Isaacs and his close friend, renowned children’s book author Ashley Bryan. Earlier artists included Dorothy Eisner (whose estate is handled by Gleason Fine Art), William Kienbusch, and John Heliker.
Freelance writer, and Portland Newspapers arts reviewer, Dan Kany uses high praise to describe Isaacs’ technique: “Isaacs’ approach to color is based on balancing warm and cool tones. He does this brilliantly. His handling of paint owes an unapologetic debt to the chunky boldness of the early 20th century Modernists and Fauves such as Matisse. The brushwork is strong, dedicated to the job of pushing paint around the canvas–an activity Isaacs clearly enjoys.”

Peter Sculthorpe, Storm at Sunrise, oil, 30x30”

Peter Sculthorpe, Storm at Sunrise, oil, 30x30”

PETER SCULTHORPE: AN EYE FOR MONHEGAN      Classically trained at the prestigious Pennsylvania Academy of Fine Art, Peter Sculthorpe’s painting style is meticulous and hard-edged. Through his masterful use of light and unsurpassed observational skills, Sculthorpe creates the feeling in the viewer of being on the cusp of a significant event, either one that has occurred or is about to occur. He captures the tension and beauty as the sun sets, the moon rises, or the wind blows, suspending the viewer in the moment to ponder the infinite.
Sculthorpe has traveled extensively in the northeast and the maritime provinces to gather inspiration and subject matter for his paintings. However, it has been Monhegan Island that has really brought his imagination to the fore. Look at Sculthorpe’s magnificent “Morning Fog (Monhegan)”. This little white cape house on Swim Beach has been in dozens, if not hundreds, of paintings, but you’ve never seen it like this before. As is his genius, Peter Sculthorpe sees something different and then paints it as he sees it. It’s skill, but it’s also a little bit of magic.
Sculthorpe creates works of great beauty, finding the transcendent in what to the casual observer may at first seem commonplace. The Brandywine Museum, the Berman Museum, the Butler Institute, and the Delaware Art Museum all have sssSculthorpe paintings in their collections. Corporate collectors include Bank of America, Forbes, DuPont, and Nabisco. Peter Sculthorpe’s collectors are international. Locally, one of Peter Sculthorpe’s masterworks may be seen in Paul’s Restaurant at the Boothbay Harbor Country Club.
Gleason Fine Art has represented Sculthorpe for over a decade. We are his only gallery in Maine. Gallery Director Dennis Gleason wrote the foreword for the artist’s new book: The Art of Peter Sculthorpe (Schiffer).

Both “Henry Isaacs: New Work” and “Peter Sculthorpe: An Eye for Monhegan” are open now and run through August 29, with a reception for the artists on First Friday, August 1, from 5 to 7 pm. Friends, collectors, and fellow artists are all invited to attend the reception. Summer gallery hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4 pm. For further information, call Gleason Fine Art at 207-633-6849, or email the gallery at info@gleasonfineart.com. View both shows, and the gallery’s entire inventory of contemporary and estate art, at www.gleasonfineart.com

Jeffery Becton’s Montages at Courthouse Gallery and on National Tour

Jeffery Becton: Off Spirit Ledge, 2017, digital montage, 25 x 78 inches

Jeffery Becton: Off Spirit Ledge, 2017, digital montage, 25 x 78 inches

Ellsworth Courthouse Gallery is currently showing new work by Jeffery Becton through August 13, including several of his large-format digital montages. In addition, Becton’s over-sized montages are currently traveling in a national exhibition hosted by Bates College Museum of Art. The tour began at a solo exhibition at Bates in November 2015, and has since traveled to the University of Tennessee, the Vero Beach Museum of Art in Florida, and will open in Virginia at Lynchburg College on August 29.

“What I especially enjoy about Becton’s touch is that he doesn’t try to hide his Photoshop tracks (layers, cutout marks, filters – particularly Photoshop’s “watercolor” filter – etc.) just as many painters don’t try to hide their brushwork. . . . This is an important facet of Becton’s work: It is not simple conceptualism driven by one-dimensional wit. Becton follows his ideas with depth. . . . While the show includes a few (quite beautiful) black and white images, they underscore Becton’s broad palette. Moreover, with this exhibition, Becton makes the case that he is arguably the best colorist in Maine in any medium.” — Daniel Kany, Maine Sunday Telegram, 2016

Jeffery Becton: Stage Door, 2017, digital montage, 20 x 30 inches

Jeffery Becton: Stage Door, 2017, digital montage, 20 x 30 inches

“As in the work of surrealists like René Magritte (who, by the way, championed photomontage way before Adobe made it cool), things may not be what they seem in Becton’s work, but they still possess an unsettling, ambiguous familiarity. Erosion is a theme of both Becton’s art and his process: nature eroding the manmade, the digital eroding the physical—each one as implacable as the waves of the Atlantic lapping at Deer Isle’s shores.” — Grace-Yvette Gemmell, Down East, 2015

Inspired by the tidal reaches and atmospheric weather near his Deer Isle home and the summer homes on the Blue Hill Peninsula, Becton creates provocative photo-based digital montages, often playing with the borders between dream and reality, interior and exterior, abstraction and representation. His montages frequently contain architectural elements and objects from these vintage New England houses, many of which are part of his personal history.

Jeffery Becton: Alarm, 2017, digital montage, 20 x 33 inches

Jeffery Becton: Alarm, 2017, digital montage, 20 x 33 inches

Becton’s work has been in numerous solo, group, and juried exhibitions, featured in national and international publications, and is included in many private and museum collections, including Bates College of Art, Farnsworth Museum of Art, and Portland Museum of Art, among others. Becton’s work is also highlighted in “Jeffery Becton: The Farthest House” (Marshall Wilkes), a recent monograph by Carl Little. Signed copies of the book are available at Courthouse Gallery.

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Monday–Saturday 10am–5:30pm; Sunday 12–4pm. For more information on upcoming shows call 207-667-6611, or visit www.courthousegallery.com

“Nature As Color” at Landing Gallery

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

“Monhegan #21” Acrylic/Canvas 12” x 12” by Irma Cerese

Landing Gallery, 409 Main St. in Rockland opens “Nature As Color”, a solo exhibition of 55 new paintings by Irma Cerese, Aug 4 – Sept 10. The Opening Reception will be held on Friday, August 4th, from 5-8 PM during Arts In Rockland’s first Friday art walk in August.

Irma has always been fascinated with color and her primary interest in painting is focused on color relationships. Her current paintings use the intrinsic beauty and evocative qualities of color to speak to our emotions. Her landscape compositions become an entry point into her paintings rather than depict a specific location or illustrate an idea.

“I use landscape both as a point of connection and departure but I don’t wish to tell a story, or accurately describe the observed world, so I don’t “return to a place in the studio”. Instead, I convert the primary elements of what inspired me in the first place – trees, sky, ground, water, weather, the occasional building, – into an underlying loosely geometric structure. The resulting images often border on the abstract, although I often seek to evoke the general atmosphere of the subject. So I don’t seek to inspire people viewing my work with this or that place; I aim to produce evocative work that is compelling in its own right as a celebration of visual experience.”

 “Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

“Blue Hill #4” Acrylic/Canvas 30” x 30” by Irma Cerese

Irma Cerese received her formal training at the Academy of Art and the School of the Art Institute, both in Chicago, IL. Irma maintained a studio in New York City until 1985 and her paintings are in numerous private, corporate and institutional collections in the United States and Europe. Landing Gallery in Rockland, Maine, is Irma Cerese’s principal gallery affiliation and the gallery has held 11 consecutive, annual, solo exhibitions for her paintings since 2007.

Please join us in the gallery. Hours: Tues – Sat 11-5, Sun 12-5, Closed Mon, FMI 207 239-1223 or www.LandingArt.com

August 6th Opening Reception at Turtle Gallery

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5" x 8" x 6" © Lynn Duryea

Lynn Duryea, Slant #9, Terracotta slab construction, 24.5″ x 8″ x 6″ © Lynn Duryea

This new exhibition features new work from fiber artist Sondra Bogdonoff, the ceramics of Lynn Duryea and Paul Heroux, new abstract paintings by Jaap Eduard Helder and mixed media constructions by Jamie Johnston.

Fiber artist Sondra Bogdonoff will be exhibiting at the Turtle Gallery for the first time. Portland based, Bogdonoff has returned to the studio after a 20 year hiatus from full-time weaving. She describes the new work as a beginning and each weaving as it’s own short story. In addition to the weavings, Bogdonoff explores working on paper in a series titled “Stilled Life” which explores the grid structures and linear sensibilities of weaving in wax pastels.

Gallery artist Lynn Duryea will be exhibiting a new body of work she has completed since retiring from her tenure of teaching ceramics at Appalachian State and returning to Maine full-time. Through elemental shape and form, Duryea’s reference is to architectural, structural and mechanical elements.

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24" x 24", 2017 © Jaap Helder

Jaap Eduard Helder, Behind the Scenes, Acrylic on wood panel, 24″ x 24″, 2017 © Jaap Helder

Abstract painter Jaap Eduard Helder returns to the Gallery with a vibrant new series of paintings. Created over the winter and spring, he refers to the work as a re-emergence and re-commitment to his art. Helder creates in layers, working to create balance with new materials, on a new scale and with with new mark making methods. Largely working in square formats on wood panels, Helder creates vivid landscapes of abstractions.

Ceramic artist Paul Heroux returns with a new series of his distinctive forms and abstract compositions. Having worked with ceramic vessels as a painting surface for over twenty years, Heroux continues to reinvent the work using photo transfers, underglaze decals and metallic lusters. His folded vessels not only speak to his abilities as a painter but to his sculptural awareness – the folds of each vessel taking new lines and each foot finding a different path to the surface it rests on.

Paul Heroux, Folded double vase, soda-fired stoneware, 8" x 15" x 6", 2016 © Paul Heroux

Paul Heroux, Folded double vase, soda-fired stoneware, 8″ x 15″ x 6″, 2016 © Paul Heroux

Woodworker Jamie Johnston joins the Turtle Gallery with his show Constructions. His minimalist approach to design allows the woods inherent beauty to speak all while controlled by a masterful understanding of design.

In addition, Jewelers Glenda Arentzen and Heather Guidero will have full collections on display.

Opening Reception Sunday, August 6 from 2 to 6 PM – A vast collection of jewelry and contemporary craft, print collections and Sculpture Garden will also be on display. Light refreshments will be served.

Show runs through Saturday, September 2nd. For more information visit www.theturtlegallery.com

Art Space Gallery First Friday Art Walk

Art Space Gallery invites you to the August Arts in Rockland First Friday Art Walk.  We will be hanging a new show in our front room featuring works by John Wood, Penny Markley, Lara Marx, and Obrianna Cornelius. You’ll also find many new works displayed throughout the gallery. Please stop by and join us for wine, refreshments and meet our artists Friday, August 4th, 5 to 8pm.

John-Wood_At-Lobster-Cove_watercolor-copy

John Wood, Lobster Cove

John Wood is a painter who lives in Rockland, Maine. He studied oil painting under the tutelage of Michael Aviano at the National Academy in NYC. In 1996, Wood switched his style to watercolors, and location to Philadelphia where he studied with James McFarlane and Frank Webb. He joined the Watercolor Society of both Pennsylvania and Baltimore and exhibited at the Berman Art Museum and Woodmere in Pennsylvania. Moving to Maine in 2008, Wood resumed the oil painting and studied locally with Ron Frontin.

 

Penny-Markley_Willows-in-Spring_acrylic

Penny Markley, Willows in Spring

Penny Markley, a painter from central Maine, is fascinated by Maine’s varied landscapes, both inland and coastal. Recently she has focused on the various cloud patterns and light brought by changing weather. The paintings she displays in August’s show emphasize the sky and its effects on the land below. Her work has been accepted into numerous juried shows in Maine and out of state. Her work has hung in the Office of the President of the Maine State Senate, at the State House in Augusta, and is in private collections in the United States and England.

 

Lara-Max,-swimming-bass,-steel

Lara Max, Swiming Bass

Lara Max is an artisan blacksmith living in Orono. She works in steel, copper, and slate creating forms with texture and color out of basic metal shapes. Her interest in the reflective property of metal has inspired her to experiment. “I am intrigued by how hammered metal reflects light, adding details and character to a form with each hammer’s mark.” Her work is highly unique and captures fleeting moments such as bass swimming among the reeds of Maine’s freshwater ponds.

 

Obrianna-Cornelius--Lighthouse-Reflected--Watercolor

Obrianna Cornelius, Lighthouse Reflected

Obrianna Cornelius is a painter living in Hampden who received training in fine art at Pensacola Christian College. She specializes in watercolor landscapes. Her highly detailed paintings are filled with natural color and scenic lighting effects, using Maine’s beautiful landscapes and unique culture as inspiration. “From the glory of a sunset over the ocean, to the historic architecture, to the details of an ice covered berry or a brilliantly colored fall leaf, Maine never stops amazing me. I look forward to every day spent painting Maine.”

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  August hours are Monday through Saturday 10am to 6pm and Sundays 1pm to 4pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Star Gallery Opening Reception

Star

Please join Star Gallery for an exhibit featuring:

Jess Hurley Scott
Margery Torrey
Melina White

Thursday July 20,
5 – 7 pm

Star Gallery
6 Neighborhood Rd
P O Box 55
Northeast Harbor, ME 04662

Shaw Jewelry Opening Reception

shaw

 

Shaw Jewelry Opening Reception
Thursday, July 20, 5–7pm

July 20–August 2
Petra Class: The Aesthetics of Materials
This will be the first visit from Petra whose work we have presented for decades. She has a playful color palate, using gems connected like constellations in 18 kt and 22 kt gold. They are elegantly simple but dense with beauty. She will be in the gallery Thursday and bringing brand new work.

Julie Freund: Maine Landscapes Redefined
Landscape paintings of Maine composed of bold strokes. Julie abstracts our beloved trees, rocks and atmospheres in colorful montages of texture and color. She is not afraid to go in and rework her canvases to imbue them with life and spontaneity.

Sam Shaw: Figure Landscape Mashup
Sam’s second presentation of fantasy figurative landscapes. The paintings are male and female nudes, often dancing and cavorting in an imaginary setting. At times, the figures and the landscapes merge, tugging the brain between what the mind sees and what the eyes see.

Ben Lincoln: Atmospheric Realism
Ben’s oils straddle the real and the imaginary. Boats, planes, and objects are rendered with invisible forces at play made visible. Such include wind, vortexes, and currents that are given energy, space and presence. Ben was raised and lives today on MDI.

Dowling Walsh Gallery Announces July Shows

Scott Kelley, Bear, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley, Bear, Watercolor and gouache on paper, 55″ x 48″

All Shows run July 7 – August 2

Hours: Tuesday – Saturday 10AM – 5PM or by appointment

Scott Kelley

Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, spirit animals and Wabanaki elders. His new paintings, inspired by his previous series, explore a narrative of personified animals. His work is a constant lineage of exploration that creates immersive stories.

James Dodds, Yellow Beetle Cat, Bow, oil on linen, 30″ x 60″

James Dodds, Yellow Beetle Cat, Bow, oil on linen, 30″ x 60″

Coast to Coast: James Dodds & Guy Taplin

“James Dodds and Guy Taplin are inspired by history- Taplin by working decoys and Dodds by traditional boats and their builders- but those curves, a sense of mystery, and whimsey transform Taplin’s curlews, cranes, ibis, and flocks of shorebirds into objects of joy, and Dodds’ eel boats, dinghies, and one-designs into vessels of wonder and exploration.”

Guy Taplin, Four Ibis, carved and painted driftwood 38.5" x 44.5" x 22.9"

Guy Taplin, Four Ibis, carved and painted driftwood 38.5″ x 44.5″ x 22.9″

For more information: 207-596-0084 | info@dowlingwalsh.com | www.dowlingwalsh.com

James Groleau: Tide at Littlefield Gallery

"Hidden Falls, Bass Cove" collage on canvas 30 x 24

“Hidden Falls, Bass Cove” collage on canvas 30 x 24

James Groleau: Tide
July 17-August 14
Artist’s Reception July 22, 4-6 pm

Tide is a series of imagery exploring life at the margins of the sea. James Groleau was born in Lewiston, Maine, in 1960. He is the recipient of numerous awards, grants, and fellowhips, including a MacDowell Colony fellowhip in 2001. His work is included in the collections of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Portland Museum of Art, Portland, ME; Cleveland Museum of Art, Cleveland, OH; Oakland Museum of California; National Museum of Fine Art, Antwerp, Belgium; and the Janet Turner Print Museum, Chico, CA. He divides his time between San Francisco and coastal Maine.

"Schoodic Surge" collage on canvas 30 x 24

“Schoodic Surge” collage on canvas 30 x 24

The process for the collage works:

There are several steps I take in the process of making a collage; preparing the paper is a key element. I first paint color inks on crumpled paper, the hills and valleys of which concentrate the ink in certain areas creating an irregular pattern. I allow the painted paper to dry then crumple it again and paint the back side often with its complimentary color. While the paper is still wet I stack one sheet over another and allow that to dry before separating them. I sometimes add acrylic medium to encourage the paper to tear in separation. The image is then created by gluing torn pieces onto stretched canvas. In general the darker colors are laid down first, while the highlights are the final touches. I then sand the collage to an even finish before applying multiple layers of varnish.

For more information visit littlefieldgallery.com

The Cynthia Winings Gallery presents the new group exhibition Visual Impressions

Anna Hepler , March 5, collage on gessoed board

Anna Hepler , March 5, collage on gessoed board

VISUAL IMPRESSIONS: A Group Exhibition is the third show of Season V at the Cynthia Winings Gallery!  Everyone is warmly invited to the Opening Reception for the new group show, SUNDAY, July 23, 4 – 7 PM.

The gallery is pleased to present the artwork of Josephine Burr,Elizabeth Gourlay, Anna Helper, and David Hornung, with new work from Christine Lafuente and Jerry Rose. The exhibit also includes new work from Diane Green, Christine Lafuente, Jerry Rose and Suzanne Siegel. The gallery will also include work from Louise Bourne, Tom Curry, M P Landis, Buzz Masters, Bill Mayher, Libby Mitchell, Carol Pelletier, and John Wilkinson.

For more information contact:  Cynthia Winings, 917-204-2001; info@cynthiawiningsgallery.com

Artists Sherman and Thelander on View at the Pemaquid Art Gallery

“Door Knob” a painting by Damariscotta artist Paul Sherman

“Door Knob” a painting by Damariscotta artist Paul Sherman

Paul Sherman and Liliana Thelander are two of the talented artists seen at Pemaquid Art Gallery in Bristol this summer. They both use familiar objects and landscapes as jumping-off points for meticulous compositions that are exciting and personal rather than simply photographic.

Paul Sherman has pursued art for most of his life, studying with mentors and developing his own voice, creating a unique style of watercolor. His images are crisp and bold and range from a crystal doorknob, to complex reflections of buoys and boats in water, to landscapes, people and animals. He uses musical metaphors to describe his work and development as an artist, and sees the body of his work as an “orchestration,” which he performs as a bridge between the perception of the viewer and his own artistic vision. His stunning images are often edged or bordered with black, and value contrast is as important as brilliant color in his compositions.

Liliana Thelander’s “Loon on Nest”

Liliana Thelander’s “Loon on Nest”

Liliana Thelander is an award-winning realist oil painter who also uses familiar subject matter such as birds and other wildlife, landscapes and still life arrangements with bottles to create harmonious compositions. Her contemporary approach to still life gives the sense that the objects have deep meaning, to be interpreted personally by each viewer. Her intent is to “go beyond realism, bringing life and vibrancy to everyday objects and snapshots in time.”

Visit the Pemaquid Gallery of Art this season to see the work of the following additional member artists: Barbara Applegate, Debra Arter, Bruce Babb, Julie Babb, Stephen Busch, Midge Coleman, William Curtis, Dianne Dolan, Peggy Farrell, Bill Hallett, Claire Hancock, Kay Hannah, Jean Harris, Hannah Ineson, Will Kefauver, Jan Kilburn, Barbara Klein, Patti Leavitt, Sally Loughridge, Marlene Loznicka, Nancy MacKinnon, Judy Nixon, Cindy Spencer, Ernest Thompson, Bob Vaughan, Steve Viega, Bev Walker, and guest artists Mary Mabry, Sarah Fisher and Kathleen Horst.

Artists all reside within the Lincoln County area. The Gallery is situated within Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

Summer Opening At Gallery at Widgeon Cove

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Cathedral Woods , Monhegan handmade paper Georgeann Kuhl

Announcing showing of “Monhegan Days”, bas-relief paintings of handmade paper by Georgeann Kuhl. Gallery showing includes sculpture, jewelry, handmade books, gifts. Opening reception on Sunday, July 30, from 1 to 5 p.m. Public is invited, and refreshments will be served.
Route 123, Harpswell. Regular hours, Thursday through Saturday, 11 to 5
For more information call 833-6081 or visit widgeoncove.com

The Kefauver Studio & Gallery presents “The Boat Show”

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The Kefauver Studio & Gallery, Damariscotta, presents “The Boat Show”, running from June 30th through July 23rd.

The show features new work by oil painter Will Kefauver, and the work of his guest artists. Kefauver’s newest guest artists are acrylic painter Bill Child, oil painters Judith Fischer, Kathie James, and John Seitzer, and photographers James Nyce and Rachel Wyman.

Returning for this exhibit are woodblock printer Deborah Kozak, pen and ink artist Grey Kearney, woodcarver Dick Webster, painter and mixed-media artist Dale Dapkins, photographers Steve Dunn, Michael Fillyaw, and Claudia Noyes Griffiths, watercolorists Jane Bowman, Lydia Kaeyer, Judy Nixon, and Elizabeth Palmer, and oil painters Marcia Brandwein, Stephen Busch, Sandra Dunn, DiTa Ondek, and Brooke Pacy.

The Kefauver Studio & Gallery is located at 144 Bristol Road, Damariscotta, and is open from 10:00 – 6:30 daily. Will Kefauver can be reached at 207-226-0974, will@kefauverstudio.com, or www.kefauverstudio.com

Sweet Treats at Michael Good Gallery

BeverlyShipko1

Now through August 1st 2017, Michael Good Gallery features decadent dessert paintings by Beverly Shipko.

Dunkin Donuts, 20 x 24 inches
Shipko is an American artist best known for her oil paintings of partially consumed classic desserts. She confesses: “I believe that on some level all people are attracted to things they are not supposed to have. I am no exception.” Her “slice of life” approach has resulted in unforgettable images of Oreo cookies and ice cream sandwiches “bitten”, plus cakes, pies, and fruit tarts in states of human consumption. More recently, she has been exploring packaged desserts, bakery displays, and vending machine treats.

Beverly Shipko, Blueberry Cheesecake, Oil on wood, 6 x 6 inches

Save the date! Summer Celebration coming August 10th!

NOW Located in Rockport
325 Commercial Street, Rt. 1
Telephone: 207-236-9623
www.michaelgood.com
OPEN 7 days a week in summer, 11-5

Katherine Mead-von Huene featured at Centre St Arts Gallery

Transfiguration, oil on canvas

Transfiguration, oil on canvas

Arrowsic artist Katherine Mead-von Huene is the featured guest artist at Centre St Arts Gallery, LLC, at 11 Centre Street in Bath, from July 17 through September 8, 2017. An opening reception will be Friday, July 21, from 5 to 7 pm at the Gallery.

Mead-von Huene writes: “As a child, drawing gave me an alternate world, to which I could escape and saturate in the things I loved. My artistic mother encouraged me, providing lessons and materials. I attended art schools as finances permitted, but am mostly self-taught, working primarily in watercolor, oils and graphite.

Ready for the Launch, oil on canvas

Ready for the Launch, oil on canvas

“While living in Pennsylvania with several artist-friends, I painted that which surrounded us: flowers in the vast gardens, landscapes, and insects. Maine has been home for the past 26 years. Although raising my son took the place of art creation for many years, I am now getting back to my studio.”

Twenty member-artists of the Centre St Arts Gallery, LLC have new works in the latest show at the gallery which will run until September 8, 2017.

For more information call 207-442-0300, go to the website: centrestartsgalleryllc.com, or visit the gallery Monday through Saturday, 10:30 am to 5:00 pm, Sunday 12 noon to 4 pm (closed Tuesdays in September).

July 9th Opening Reception at The Turtle Gallery

Jeff Loxterkamp, View from Greenhead Lane

Jeff Loxterkamp, View from Greenhead Lane

Join The Turtle Gallery for an opening reception Sunday, July 9 from 2-6 pm

Featuring
Siri BECKMAN – Selected Works
Peter KEMBLE – New Work
Jeff LOXTERKAMP – Paintings
Barbara SULLIVAN – Maine Women Artist Portraits
* * *
with House Gallery
Black & White Show
featuring Vaino KOLA
Gene SHAW & Many More

Siri Beckman, Pileated Woodpeckers

Siri Beckman, Pileated Woodpeckers

Longtime Turtle Gallery artist and Deer Isle printmaking favorite Siri Beckman will be showing Selected Works including new woodcuts, her iconic wood engravings and handmade lampshades. The prints emanate an intimacy with island life and a deep appreciation of the character of our DownEast fishing communities; as well as the wildlife that is a part of daily life on the Maine Coast. Both Beckman’s rootedness in work and place are intangibly linked in this show, giving the viewer a look back with a simultaneous look forward in an artist’s journey.

Peter Kemble, Linescape

Peter Kemble, Linescape

Graphic artist Peter Kemble shows New Work. A longtime summer resident of Deer Isle, Kemble has been working to bring life and intrigue to an empty palette with technology as his tool. He defines his understanding of art as a form of experimental revelry – using form, line and color as methods to produce a playful interpretation of light and space.

Jeff Loxterkamp, NAPA Auto Parts

Jeff Loxterkamp, NAPA Auto Parts

Bangor-based painter Jeff Loxterkamp graces the Gallery Barn with a large collection of new Oil Paintings. With an enviable eye for finding beauty in and adding abstractions to everyday life, Loxterkamp paints views other eyes may miss. Infused with a vivid sense of reality, this collection of highly texturized and richly toned oils offers a striking visual interpretation of Maine.

Barbara Sullivan, Portraits

Barbara Sullivan, Portraits

Fresco artist Barbara Sullivan returns to the Turtle Gallery with a powerful series of Maine Women Artist Portraits. While painting is not a new endeavor for Sullivan, this series embarks on a larger mission of recognition, appreciation and a timely focus on how women are a driving force in Maine arts and beyond.

Vaino Kola, Norton Woods I

Vaino Kola, Norton Woods I

A Black & White Show fills the House Gallery and immerses the viewer in a monochromatic understanding of nature and space. Featuring the masterful etchings of Vaino Kola, woodcuts from Gene Shaw and prints and drawings from a host of Gallery artists.

A vast collection of jewelry and contemporary craft, print collections and sculpture garden will also be on display. Light refreshments will be served. For more information call 207-348-9977 or visit
TheTurtleGallery.com

The Rock & Art Shop Presents Current Gallery Artist Katie Hodgkins

rock art

The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents Succulent paintings by Katie Hodgkins. These realistic oil paintings of succulents are a delight. Hodgkins’ works offers an accessible way to connect with nature by embodying a modern and highly aesthetic take on natural history illustration.

Katie graduated from College of the Atlantic in 2016 with a degree in Human Ecology and a focus on fine arts and oil painting. Currently, she lives and works out of Northern Maine, taking her inspiration from the state’s local flora and fauna.

The show runs from June 5th to July 31st and can be viewed any day between 10am and 6pm at The Sohns Gallery in The Rock & Art Shop. For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

Cynthia Winings Gallery Presents LIGHT SOURCE, A Group Exhibition

winingsCynthia Winings Gallery Presents LIGHT SOURCE, A Group Exhibition featuring:

TOM CURRY, HÉLÈNE FARRAR, DOUGLAS FLORIAN, M P LANDIS, MARK LITTLE &
LARI WASHBURN. ‘Deer Isle Journal’, a special project with Susan Cohen and Marilyn Turtz. The exhibition will include artwork from Louise Bourne, Heidi Daub, Buzz Masters, Bill Mayher, Libby Mitchell, Carol Pelletier, Russell Smith, John Wilkinson and Goody-B. Wiseman.

The exhibition will be on view, June 20 – July 15. For more information please visit http://www.cynthiawiningsgallery.com/

“ISLAND | PAINTINGS BY JOEL JANOWITZ” at gWatson Galleries

Above: Writer's Moment, Oil on Linen, 36 x58", 2016

Above: Writer’s Moment, Oil on Linen, 36 x58″, 2016

The gWatson Gallery in Stonington, Maine is presenting new work by Joel Janowitz. Janowitz has spent time each summer for over twenty years at the former home of Fairfield Porter on Great Spruce Island in Penobscot Bay, and the work on exhibit in Stonington is a result of this time in Maine.

Commenting on his newest work, Janowitz writes, When we look, our focus constantly shits. Color and light change dramatically as we glance about. Often large swaths of a scene are barely observed, much less remembered, while particular details preoccupy us. Perceived forms often echo our own psychological states. I want to create paintings that embody this junction of perception, movement, feeling and memory – contemplative paintings that suggest the viewer’s own presence within the spaces they depict.

The gallery is open Monday – Saturday: 10AM to 5PM & Sunday: 1-5PM. For more information call 207.367.2900 visit https://www.gwatsongallery.com

Henry Isaacs – Finding Values at Greenhut Galleries

 

Somes Sound from Sargent Drive, 36x24, oil on canvas

Somes Sound from Sargent Drive, 36×24, oil on canvas

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush. He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

The exhibition runs July 6 – 29, 2017 with an opening reception on Thursday July 6th, 5-7pm.

Minter

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail. His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours: Mon to Fri 10am – 5:30pm and Saturday 10am – 5pm. For more information call
207.772.2693 or visit www.greenhutgalleries.com

Betts Gallery Opens PAPER, INK, PRESS

"Time and Distance #4" Mixed media on aluminum, paper and vellum

“Time and Distance #4” Mixed media on aluminum, paper and vellum

Please join Betts Gallery in Belfast for a group show entitled ‘Paper, Ink, Press’. Eleven midcoast artists show their stuff, using a variety of printmaking methods including, monotype, monoprint, wood block, linoleum block, deconstructed collograph, white line woodblock, and etchings. Printmaking is a way of producing multiples of an image, but it is often the process that gets printmakers excited, whether it’s the carving of a block, the etching of a plate, or the surprises that happen when the paper comes in contact with the ink. The artists are: Karen Adrienne, Daniel Anselmi, Holly Berry, Sally Brophy, Julie Crane, Jeffrey Jelenfy, Marc Leavitt, Leslie Moore, Maryfaith Morison, Willy Reddick and Dyan Ross. The show runs from June 30th through July 29th. The Belfast Framer and Betts Gallery are located at 96 Main Street, and also may be entered on Beaver Street. For more information please call (207) 338-6465 or visit our website www.thebelfastframer.com.

Artistic Interpretations of Local Landscape at the Pemaquid Art Gallery

“A Winter Morning on the Harbor” is just one of the coastal landscapes by Round Pond Artist Dianne Smith Dolan on exhibit at the Pemaquid Art Galler

“A Winter Morning on the Harbor” is just one of the coastal landscapes by Round Pond Artist Dianne Smith Dolan on exhibit at the Pemaquid Art Galler

Dianne Dolan and Bev Walker are relatively recent members of the Pemaquid Art Gallery. Both have a primary interest in interpretive color in the landscape, with either simplified or abstracted forms rather than specific geographical depiction.

Dianne Dolan, in her third season at the Pemaquid Art Gallery, received an art education that enabled her to teach art, and to paint and show her work. for 20 years. Although she also paints in her studio, based on memory and reflection, she has become particularly motivated to paint plein air, on location on the Pemaquid peninsula, during the warm months. Dolan’s work reflects the coastal landscape interpreted primarily in oil, with a particular interest in color, interpreted through the eyes of an artist rather than a photographer. The beauty of the local environment is evident in her interpreted landscapes. More of her work may be seen at www.diannedolan.com.

Chamberlain artist Bev Walker’s “Summer Clouds” is reflective of herwork with local subject matter and reveals her interest in abstraction and composition.

Chamberlain artist Bev Walker’s “Summer Clouds” is reflective of herwork with local subject matter and reveals her interest in abstraction and composition.

Bev Walker is a Maine native who has spent much of her adult life in Michigan, where she received her art education and for many years pursued a career in interior design. Her work has been shown in Michigan, Florida, and in various Maine locations. She served on the board of the Ann Arbor Women Artists, with a membership of over 200, and in 1999 co-founded the WSG Gallery in Ann Arbor, Michigan. Her work at the Pemaquid Art Gallery reflects local subject matter: trees, water, barns, fishing shacks, taken as elements that reveal her interest in abstraction, composition, and color. Samples of her paintings also can be seen at www.bevwalkerart.com.

Visit the Pemaquid Gallery of Art this season to see the work of the following additional member artists: Barbara Applegate, Debra Arter, Stephen Busch, Midge Coleman, William Curtis, Peggy Farrell, Bill Hallett, Claire Hancock, Kay Hannah, Jean Harris, Hannah Ineson, Will Kefauver, Jan Kilburn, Barbara Klein, Patti Leavitt, Sally Loughridge, Marlene Loznicka, Nancy MacKinnon, Judy Nixon, Paul Sherman, Cindy Spencer, Liliana Thelander, Ernest Thompson, Bob Vaughan, Steve Viega, and guest artists Mary Mabry, Sarah Fisher and Kathleen Horst.

Artists all reside within the Lincoln County area. The Gallery is situated within Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

“POINTS NORTH” Now Showing at Landing Gallery

“Standing Tall”  by Jill Valliere, Oil/Copper Leaf

“Standing Tall” by Jill Valliere, Oil/Copper Leaf

Landing Gallery at 409 Main St. in Rockland proudly announces the opening of “POINTS NORTH” from June 30 – July 30”. The new three-person exhibition focusing on current paintings and photographs by Roberta Baumann, Bruce Busko and Jill Valliere. The Artists’ Opening Reception will be held on Friday, July 7th, from 5-8 PM during Arts In Rockland’s first Friday art walk. All three artists are Rockland Residents and have widely exhibited their work throughout Maine.

Jill Valliere is a 1997 graduate of the Rhode Island School of Design. “I have always been drawn to the vibrancy and texture of art, this translates to my own process of layering, adding and subtracting elements in my works. This additive and subtractive process creates a textural surface and tension which ultimately brings forth the nuances of color, depth and shadow. My use of metal leaf as a medium in my paintings creates an effulgent, transitional passage, which serves as the basis for the conceptual origin of my work.”

“Quiet Cove, Low Tide”  by Roberta Baumann, Alternative Process Photograph on Copper

“Quiet Cove, Low Tide” by Roberta Baumann, Alternative Process Photograph on Copper

Roberta Baumann is an award winning fine art photographer with over 60 shows and exhibits. Roberta has been taking photographs all of her life and has kept up with new processes, techniques & equipment. “Physically exploring space and light while out in nature becomes the beginning of an image. Back in the studio the fun really begins. Additional processing using various applications and materials are combined for the final work. Alternative processing adds a richer and more complex final photograph.”

Bruce Busko is an exhibiting artist and Owner/ Director of Landing Gallery. His work has been exhibited in his galleries, in NY and ME, since 1980 with a long list of additional Juried Shows, Invitational Exhibits and Awards. He received his MFA from Pratt Institute and BFA from the Pennsylvania State University. “During my frequent hikes, throughout Maine, I like to gather inspiration and visual information for my paintings. Nature walks and my outdoor experience become the first step for creating art in my studio. Sketches, photos, memories and on site materials become the initial components of my painting process. Each element lends its “specific flavor” to enrich my feeling for nature.”

For more information please call 207 239-1223 or visit www.LandingArt.com

The Caldbeck Gallery Welcomes the Work of David Dewey

Pemaquid Light: Winter Moon, 2016  watercolor on paper  11 x 38 1/2 inches  David Dewey

Pemaquid Light: Winter Moon, 2016 watercolor on paper 11 x 38 1/2 inches David Dewey

From July 12 through August 12, The Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit new work in watercolor by David Dewey of Owls Head and Blairstown NJ. In the upstairs galleries, there will be an exhibit of selected paintings, photographs, and sculpture by gallery artists, including Katherine Bradford of Brunswick and NYC, Alan Bray of Sangerville, Sam Cady of Friendship, Jeff Epstein of Cushing and Brooklyn NY, Melanie Essex of Cushing, Nancy Glassman of Searsmont, John Goodman of Friendship and Wellesley MA, Frederic Kellogg of Thomaston and Washington D.C., Kristin Malin of Georgetown, K.Min of Friendship, Kayla Mohammadi of South Bristol and Brookline, MA, Dennis Pinette of Belfast, Barbara Sullivan of Solon, Todd Watts of Blanchard, Dan West of Friendship, Susan Williams of Camden, and Nancy Wissemann-Widrig of Cushing and Southold NY. A reception for the artists will take place on Wednesday, July 12, from 6-8 pm.

Pemaquid Point: On the Fourth, 2016 watercolor on paper  25 x 38 5/8 inches  David Dewey

Pemaquid Point: On the Fourth, 2016 watercolor on paper 25 x 38 5/8 inches David Dewey

The Pemaquid Light Paintings: Watercolors of an Iconic Maine Landmark 2014 – 2017 is David Dewey’s most recent body of work, painted over the time period of 2014 – 2017. The artist explains, “since first settling into Maine many, many years ago, I’ve visited both Pemaquid, the Light and the place, more times than I can count. It’s been a kind of Mecca and retreat for me, where I loved to paint small watercolors with my field kit. But as my dear friend, Joe Fiore, once told me, “sometimes you just need to take a walk and not paint, so you don’t miss the things of beauty in nature that are important”. I took this lesson to heart: some of my best experiences at Pemaquid were when I just walked around, or sat on those grand rocks and simply watched the light change. Those years of returning again and again to Pemaquid Light to visit and to paint have led to many significant large-scale watercolors.  The watercolors in this exhibit range in size from 8 x 36 inches to 27 x 39 inches. This is his 6th solo show with the Caldbeck Gallery, where he has been represented since 2004.

Gallery hours are Tuesday through Saturday 11-4, and Sunday 1-4. For more information, please call the gallery at 594-5935, or email at caldbeck@midcoast.com

Wiscasset Bay Gallery Exhibition Opens Saturday, July 8th

George Grosz, “New York Skyline, 1936” watercolor, 18” x 14”

George Grosz, “New York Skyline, 1936” watercolor, 18” x 14”

“Art in the Twentieth Century” opens at the Wiscasset Bay Gallery in Wiscasset, Maine on July 8th and will continue through August 4th. The exhibition explores the pluralistic nature of the art world in the twentieth century, with developing styles ranging from cubism, expressionism, realism and abstraction.

Of particular note is a work by German-American artist George Grosz (1893-1959) executed in New York in 1936. Grosz was born in Berlin, Germany in 1893. He became an important member of the Dada movement and openly rejected the rising German nationalism during the nineteen teens. The Dadaists sought to escape the rationalism and logic that they believed lead to World War I. Bringing an experimental, playful and even irrational approach to art Grosz and the Dadaists sought a return to our child-like nature. After Grosz emigrated with his family to New York in 1933 because of his strong anti-Nazi sentiments, he became a teacher at the Art Students League. A few years later Grosz painted “New York Skyline” in his loose, ethereal style with calligraphic marks accenting the tugboat and Manhattan skyline.

Andrew Winter, “Morning After the Storm,” oil on canvas, 30” x 40”

Andrew Winter, “Morning After the Storm,” oil on canvas, 30” x 40”

Contrasting Grosz’s abstracted, spirited work is Andrew Winter’s (1893-1958) “Morning After the Storm.” Rooted in a clear, realistic style and drawing on a dramatic event, the artist depicts four sailors on a cliff viewing the remains of their ship off the coast of Monhegan Island. Other significant twentieth century paintings and sculpture include a large modernist oil, “Woolwich Ferry Slip,” by John Folinsbee (1892-1972) and a major bronze by William Zorach (1887-1966) of his daughter Dahlov Ipcar entitled “Innocence.” The show also features drawings, watercolors and oils by important international artists such as Paul Guiragossian (Lebanese, 1926-1993), Andre Derain (French, 1880-1954), Marc Sterling (Russian/French, 1895-1976), Victor Vasarely (Hungarian/French, 1906-1997) and Ossip Zadkine (French, 1890-1967).

“Art in the Twentieth Century” will be on display at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through August 4th. For further information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:00 am until 6:00 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

Conversations: Studio and Table at Fiore Art Center

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

Susan Van Campen: Sunset with White Pines, watercolor, 13.5 x 16.5”

The Joseph A. Fiore Art Center will host its first ever gallery exhibit, opening on July 8th, with a public reception from 4-6pm. Conversations: Studio and Table is curated by David Dewey, co-director of the Fiore Art Center, curator of the estate of Joseph A. Fiore with the Falcon Foundation, and an esteemed watercolorist represented in Maine and New York. The exhibit features the work of sixteen prominent artists, most of whom live or spend summers in Maine: Richard Abbott, Sam Cady, Kimberly Callas, Lois Dodd, Nancy Glassman, Cynthia Hyde, Frances Hynes, Jim Kinnealey, Dennis Pinette, Carol Rowan, Susan Stephenson, Susan Van Campen, Tim Van Campen, Mary Jean Viano Crowe and Patricia Wheeler. All of these artists were invited to be a guest at the Fiore Art Center’s 2016 residency farm-to-table dinners and studio visits.

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

MJ Viano Crowe: Weight Of The World, mixed media on board (drawing, painting, collage), 18 x 15 x 5”

“2016 was a very exciting first step for our artist residency program at Rolling Ares Farm,” says Dewey. “Having distinguished artists join us for weekly studio visits and delightful farm-to-table dinners was a valuable experience for our artists-in-residence, as well as an important contribution to the Fiore Art Center’s residency program,” he explains. The exhibit, Conversations: Studio and Table was a natural outcome, as conversations begun in the studios turned into lively discussions around the table, touching on art, agriculture, the relationship between humans and environment, observation, intention, how art can be a voice for awareness, and so on.

As a program of Maine Farmland Trust, the Fiore Art Center aims to attract artists for whom the relationship between human and environment is an important element in their work. Naturally, many of the artists invited to the table resonate with that theme, and often, this resonance is apparent in the art they create. Take Kimberly Callas’ sculpture Honey-eyed, for instance: a digitally constructed, 3D-printed mask made from PLA filament (a corn-based plastic), coated with yellow and black iron oxide pigments in a solution of acrylic and beeswax

Kimberly Callas: Honey-eyed, 3D printed mask - PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Kimberly Callas: Honey-eyed, 3D printed mask – PLA filament, yellow and black iron oxide, acrylic and wax, 10 x 7 x 3.5”

Callas, who teaches sculpture at Monmouth University in New Jersey, explained that she wanted to explore working with 3D printing and train herself in that medium, as it is gaining ground in the arts, sciences and construction. “Creating masks gives me a way to integrate patterns of nature with the human form,” says Callas. “I ask myself: ‘Where is our ecological self, and how can we express that part of ourselves more?’ Sometimes when you speak from behind a mask, you can speak more truthfully and open up that ecological voice.

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16” 

Lois Dodd: Will’s Cabin, 2011, oil on panel, 12 x 16”

Lois Dodd’s work, in contrast, is a small landscape titled Will’s Cabin. “It’s a modest piece,” observes Dewey. “It shows the little white building artist Will Barnet would stay in when he would come up to be with his daughter, Ona Barnet, at the Rock Gardens Inn near Bath – a place of great natural beauty.” Barnet spent his summers “on retreat” there, while Dodd would be teaching painting workshops. Dewey chose this particular piece “because it marks the long relationship between Lois and Will: they became good friends, ever since she was a student of his at Cooper Union (NYC).”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

Frances Hynes: Evergreens, oil on linen, 30 x 24”

The work by the sixteen veteran artists in Conversations: Studio and Table represents a high water mark of the mission of the Joseph A. Fiore Art Center at Rolling Acres Farm: excellence in ideas, creative vision and environmental awareness. Conversations: Studio and Table will be on exhibit from July 8 through September 4, 2017. The Gallery at Rolling Acres is located at 152 Punk Point Road in Jefferson and is open on Saturdays throughout the summer, from 12-4, or by appointment. In addition to the exhibit, there will be Open Studio Days at the Center on the last Saturday of each month, showcasing the work of each month’s artists-in-residence. July’s Open Studio Day will take place on the 29th, from 11-3. For more information please visit https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/.

“By Land and by Sea” on display at Joy To The Wind Gallery

Under A Summer Sky”   18 x 24 oil on linen  Lynne Seitzer

Under A Summer Sky”
18 x 24 oil on linen
Lynne Seitzer

Joy To the Wind Gallery will present a compelling new exhibit featuring landscapes and seascapes by artists Lynne Seitzer and John M T Seitzer during the month of July. The artist reception for “By Land and By Sea” will be held at Joy to The Wind Gallery on Friday, July 7th from 7-9pm. All are welcome to join them in the celebration at 34 Atlantic Avenue, Boothbay Harbor, Maine.
The exhibit highlights the local color and natural beauty of the region.

The two artists continue to stretch themselves creatively. Both have spent their lives, to date, in the pursuit of art, creative exploration and knowledge. John M T Seitzer holds a BFA degree in painting and ceramics and a Bachelor of Science degree in Art Education from the University of Minnesota, Mankato. He also is an expert custom picture framer (45 years) which is reflected in the beautiful frames found on his and Lynne’s art. Lynne Seitzer earned a Liberal Arts degree from the University of Minnesota, Mankato and a Commercial Art degree from South Central College. Along with painting she has been an educator, art director , fashion illustrator and a greeting card designer.

First Light  30 x 40 oil on linen  John MT Seitzer

First Light
30 x 40 oil on linen
John MT Seitzer

For the last 18 years John and Lynne have owned and operated Joy To The Wind Gallery, Studio and Custom Picture Framing Service- a bright art filled gallery at 34 Atlantic Avenue, Boothbay Harbor, ME. Together they have dedicated their lives to the joys of living a life woven deeply in the visual arts. Don’t miss this journey “By Land and By Sea” reception Friday evening, July 7th from 7-9 pm at Joy To The Wind Gallery. For more information call 207-633-7025 or visit joytothewind.com

CRAFT Gallery opens “Table Matters”

Charcoal drawing of spoon by Lissa Hunter

Charcoal drawing of spoon by Lissa Hunter

CRAFT Gallery opens “Table Matters” on Friday, July 7. The show is dedicated to work created for utilitarian use in the presentation of food and also as non-utilitarian objects of artistic value, beauty and fantasy. The two featured artists share their artistic views on this subject in non-utilitarian ways.

Artist/sculptor Jacques Vesery’s work is nature-based, concerned with harmony, balance and form. His teapots ad spoons, hand carved in exotic woods, colored and gilded, become precious objects of art. His subjects suggest utility but are not intended for that purpose. The smallness in scale and richness in detail and finish express fantasy.

Artist Lissa Hunter’s charcoal drawings of spoons transcend their original purpose . They recall a time of formality when there was a a spoon for many purposes: tea, soup, grapefruit, etc. Her large scale drawings illustrate what happens during the creative process as she explores her subjects and transforms them from little importance as implements for use to fantasies of her imagination.

Both artists have impressive credentials. Portland artist Lissa Hunter’s work is in the permanent collections of The Museum of Arts and Design in New York and The Renwick/Smithsonian in Washington D.C. She has taught at Haystack and is a consistent exhibitor at CRAFT. Jacques Vesery, from Damariscotta, is a Maine Arts Commission Fellow. His work Is in the collections of The Yale University Art Gallery and The Carnegie Museum. He has lectured widely on his design concepts. This is his first exhibit at CRAFT

Other “table Matters” artists create utilitarian objects that are meant for use at the table. Wood carver Danielle Rose Byrd, potter Autumn Cipala, metalsmith Erica Moody and weaver Amy Smith show teapots and teacups, copper and brass spoons and chopsticks, placemats and table runners and hand carved birch bowls. CRAFT Gallery is located in the courtyard at 12 Elm Street in Rockland. Wind Ensemble will perform classical music in the courtyard during the evening of the July 7 First Friday Artwalk. For more information please call 207-594-0167 and visit www.craftonelm.com

 

Philippe Guillerm Gallery opens “Animals & Humans”

Courtesy of Samuel Morgan

Courtesy of Samuel Morgan

On Saturday, July 8th from 4 – 7 pm the Philippe Guillerm Gallery, 882 Main St., Waldoboro participates in ArtWalk Waldoboro with the opening of the exhibition “Animals & Humans”

A very special exhibit featuring works by both Samuel Morgan and Philippe Guillerm. Samuel is a well-known artist whose animals include those of many threatened and endangered species such as the Polar Bear, the Chimpanzee and the Giraffe. Philippe Guillerm’s body of work is a mesmerizing assemblage of human curves and feelings, from the rough driftwood to the smooth curved surface his musical instruments flow from Animal to Human.

The most important statement about Samuel Morgan is that he loves colors. Color is a common thread in his paintings as well as his life. From New England, although he has traveled extensively and lived in various places on the East coast, he currently makes his home in coastal Maine.

Artist Philippe Guillerm has brought the violin to life. Although these musical instruments can be described as lively, it is more often than not the music that they produce that is so. Instead of focusing on the music, Philippe Guillerm focuses on their physical form.

Gleason Fine Art opens two new shows

Andrea Peters, Lupine Land, oil on paper, 12x22”

Andrea Peters, Lupine Land, oil on paper, 12x22”

Gleason Fine Art opens two new shows: ANDREA PETERS: IN LIVING COLOR and KEVIN BEERS: FROM MANANA TO HAVANA, beginning Thursday, June 29th, and running through Tuesday, July 25th,. The opening reception for Beers and Peters is 1st Friday, July 7th, from 5 to 7 pm. Everyone is invited to join Andrea and Kevin and enjoy a glass of Monhegan Brewing Beer or fine wine.

ANDREA PETERS: IN LIVING COLOR
East Boothbay artist Andrea Peters’ world is outside her windows – salty inlets, mossy ledges, towering spruces, and abundant flower and vegetable gardens. It is a quintessentially Maine landscape, where the keen-eyed Peters sees more in a glance than many of us would see in a lifetime. Andrea loves color. She dazzles us with her passion for paint. Her yellows sizzle, her reds pop, and her blues make us swoon.

 Kevin Beers, Manana Sunset, oil on canvas, 18x22”

Kevin Beers, Manana Sunset, oil on canvas, 18x22”

KEVIN BEERS: FROM MANANA TO HAVANA
When Kevin Beers first walked into Gleason Fine Art nearly 20 years ago, he had just given up his Manhattan position as an art director in order to follow his passion, becoming a full-time artist. He had just begun to paint landscapes, but, “motorhead” that he is, he focused primarily on old cars and trucks that had caught his eye. Beers studied each vehicle to discover its story, so each painting became a kind of portrait. A pea-green truck with lots of missing paint became “Rusty,” and a car with a particularly ferocious looking grille became “Vampire.” The cars and trucks took a backseat. However, one place, a country where old cars have been repaired and reused for over half a century, lived on in Beers’ mind; that place was Cuba.

Both “Andrea Peters: In Living Color” and “Kevin Beers: From Manana to Havana” run through July 25. The reception for Andrea and Kevin, to which everyone is invited to come and share a glass of Monhegan Brewing beer or fine wine, is First Friday, July 7, from 5 to 7 pm. Both shows, plus the gallery’s entire inventory of contemporary and estate art, may be viewed on the gallery’s website gleasonfineart.com. For further information, call Gleason Fine Art at 207-633-6849 and ask for Dennis, Marty, or Andrew Gleason, or Diana Kerr. Or email the gallery at info@gleasonfineart.com. Summer hours are Monday through Saturday, 10 am to 5 pm, and Sunday, 11 am to 4

Haynes Galleries’ Celebrates the Summer Season With Majestic Views of the Water

Joseph McGurl Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises Oil on Panel 14 x 8.5 inches

Joseph McGurl
Cadillac Mountain Casts a Shadow on the Earth as the Moon Rises
Oil on Panel
14 x 8.5 inches

For its 2017 season, Haynes Galleries in Thomaston will present “Homage to the Art of the Sea.” This exhibition of seascapes will showcase the magic of marine vistas, including views of Maine, by four of the country’s finest marine artists. Through a modern lens, Joseph McGurl, William R. Davis, Donald Demers and Marc Dalessio capture in paint the appeal of the water, sky, and light along the coast, an appeal that often cannot be expressed in words. “Homage to the Art of the Sea” opens July 6 in Thomaston and continues through the summer until September 9 and will showcase four of the country’s finest marine artists but each has its own aesthetic and vision.

Joseph McGurl calls himself a contemporary luminist. For him that means his paintings explore the same ideas as the Luminists of the 19th century, like a poetic & philosophical contemplation on nature, but his paintings look a bit different. McGurl’s images of the sea can vary in brushstroke and texture, in aerial perspective, and in tone. Even individual pieces feature this variation, like “He Came Dancing Across the Water…Cortez Cortez” where a single ship in the middle ground illuminated by the sun and guided by clear skies contrasts with ominous dark clouds casting shadows on the rest of the fleet on the horizon.
William R. Davis Barkentine at Dusk Oil on Panel 6 x 12 inches

William R. Davis
Barkentine at Dusk
Oil on Panel
6 x 12 inches

A native of Cape Cod, William R. Davis has been surrounded by water and sailing his whole life. He’s acutely aware of the realities of being near the sea. Primarily self-taught, Davis opts for a more serene take on marine views. There is a stillness & dreaminess to his seascapes where water gently ripples off the bows of sailing ships and the sun, low on the horizon, glows like a comforting warm orb. To create the soothing effect Davis paints with thin semi-translucent paint. He carefully builds up layers, replicating the transparency of water and the way light bounces off the surface. He can even do it with moonlight like in the nocturnal scene “Moonrise.”

Donald Demers Bass Rocks Oil on Linen 16 x 24 inches

Donald Demers
Bass Rocks
Oil on Linen
16 x 24 inches

Donald Demers love of maritime subjects began during the summers of his youth spent in and around Boothbay Harbor. The sea has stayed with him all these years. His artistic career began as an illustrator but soon expanded to traditional fine art. His background as an award-winning illustrator is clear in his seascapes— an attention to detail pervades his scenes— but they also exhibit visual poetry as if they are the carefully remembered memories from a trip to the coast long ago.

Marc Dalessio The Grand Canal Oil on Linen 8 x 12 inches

Marc Dalessio
The Grand Canal
Oil on Linen
8 x 12 inches

Marc Dalessio has painted the seven seas, the waters of the Venice canals, and the tropical beaches of the South Pacific. This master of plein air painting has also turned his eye towards Maine. In his trademark quick and expressive style Dalessio works up a scene to capture its very essence, often from interesting and unexpected points of view.

An opening reception to celebrate the exhibition will take place the evening of July 6 from 5-7:30pm. Joseph McGurl, William R. Davis, and Donald Demers are expected to attend the opening to share their stories. Haynes Galleries is located at 91 Main Street in Thomaston, Maine. Gallery hours are Tuesday through Saturday, 10am to 4pm. For more information, visit haynesgalleries.com or call (615) 430-8147.

Two Artists Show Their Coastal Watercolors at the Pemaquid Art Gallery

Cindy Spencer’s light and airy “Pemaquid Lupine” is an example of her work which can be viewed at the Pemaquid Art Gallery this summer.

Cindy Spencer’s light and airy “Pemaquid Lupine” is an example of her work which can be viewed at the Pemaquid Art Gallery this summer.

Cindy Spencer and Bob Vaughan are watercolorists showing their work at the Pemaquid Art Gallery this season. They both enjoy exploiting the impressionist qualities of watercolor as the colors tend to blend and flow spontaneously. The concept of “less is more” is seen in Spencer’s watercolors, where she strives to convey mood and atmosphere without picky details. The effect is light and airy, a happy result. She feels that big brushes, experimentation and her imagination are her most important tools. This is Spencer’s first season at the Pemaquid Art Gallery. Her work also can be seen at cindyspencerart.com.

Bob Vaughan has been a member at the Pemaquid Art Gallery since 2011. His watercolors reflect his fascination with the “bright, translucent colors….that capture the beautiful light we see in nature.” Vaughan expresses the belief that “painting what you see to express how you feel” is a piece of artistic advice he has taken to heart. He especially enjoys portraying light as it falls on his subjects, whether he is interpreting landscape or has included buildings (iconic Maine houses and buildings are a favorite theme) and figures.

You may find Vaughan’s work at River Arts shows, and other area locations as well as at the Pemaquid Art Gallery. Painting plein air near the coast during the summer,  you may even find him concentrating on a new painting somewhere in the local area!

In addition to Spencer and Vaughan, see the work of the following artists at the Pemaquid Gallery of Art this season: Barbara Applegate, Debra Arter, Bruce Babb, Julie Babb, Stephen Busch, Midge Coleman, William Curtis, Dianne Dolan, Peggy Farrell, Bill Hallett, Claire Hancock, Kay Hannah, Jean Harris, Hannah Ineson, Steve Jaga, Will Kefauver, Jan Kilburn, Barbara Klein, Patti Leavitt, Sally Loughridge, Marlene Loznicka, Nancy MacKinnon, Judy Nixon, Paul Sherman, Liliana Thelander, Ernest Thompson, Bev Walker, and guest artists Mary Mabry, Sarah Fisher and Kathleen Horst.

Artists all reside within the Lincoln County area. The Gallery is situated in Lighthouse Park at Pemaquid Point, Bristol and online at www.pemaquidartgallery.com. The gallery is open daily through Columbus Day, from 10 AM until 5 PM.

“Island Boats Homes and Harbors” at New Era Gallery

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

“From Blueberry Hill” by Esther Garcia Eder, oil on canvas, 24 x 24

The mid-summer show at New Era Gallery is entitled “Island Boats Homes and Harbors” and will feature the work of painter Esther Garcia Eder and ceramic sculptor David Riley Peterson. Eder’s colorful and joyous oils and watercolors of familiar island locales, often seen from atop the hill where she maintains her studio, speak of her love and deep appreciation for the island.  Peterson, who has spent summers on the island since childhood, shows his lifelong love of boats and the water in his ceramic sculpture, a range including representational dories, shipwrecks, and fantastical mythological vessels.

The show will open on July 15, and run through August 2.  The gallery will host an artists’ talk and reception on July 15 beginning at 4:30. Summer gallery hours are Monday through Saturday 10:00 – 5:00, and Sunday 11:00 – 2:00. Please visit our website for a complete schedule of shows and events.

Joy to the Wind opens “By Land and By Sea”

 

Joy-

Fish House at Fish Beach, John MT Seitzer

Please join us for a glass of wine (or water) and some lovely chocolate.

It’s an evening party-from 7-9 at our Gallery at 34 Atlantic Ave., Boothbay Harbor. We will be opening our door at 7 pm.

Celebrating summer, friendship and art

Our new exhibit “By Land and By Sea.” is landscapes and seascapes by the two of us.

We really hope you can join us as a celebration is long overdue!

Sincerely,
Lynne and John

Greenhut Galleries presents “Henry Isaacs: Finding Values”

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Henry Isaacs “Somes Sound from Sargent Drive,” 36×24, oil on canvas

 

Greenhut Galleries presents “Henry Isaacs: Finding Values” July 6 – 29, with an Opening reception Thursday July 6th,  5-7pm

We are thrilled to present Henry’s first solo show here at Greenhut Galleries. Educated at Rhode Island School of Design and the Slade School of Fine Art at University College in London, Henry has taught in numerous institutions and his work is in public and private collections around the world. Maine Sunday Telegram art critic Daniel Kany writes, “Isaacs painting is easy to like: it is jaunty, loose and bold……He is the master with the brush.  He makes paintings that are appealing, vibrant but calm, so it’s easy to see the color virtuosity within them.”

Recent work by Daniel Minter will be in our side gallery this month. Daniel is a painter and illustrator who uses his art as a tool for dialogue with his community. He is the co-founder
and creative visionary of the Portland Freedom Trail.  His paintings, carvings, block prints and sculptures have been exhibited both nationally and internationally at galleries and museums.

Gallery Hours:  Mon to Fri 10am – 5:30pm
Saturday 10am – 5pm
207.772.2693

Shaw Opening for George Daniell, Barbara Heinric and Duncan Martin

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Shaw Jewelry in Northeast Harbor hosts an Opening Reception, Thursday, July 6, 5–7pm

July 6–19
George Daniell: Modernist Hero Returns
George (1911–2002) was a much-loved painter with local roots whose career started in the WPA era. He was a fixture at the Wingspread Gallery in NEH and a character with a life long dedication to the visual image. He won the prestigious Jenny Sesnan Gold medal from the Pennsylvania Academy of Art. We are presenting a selection of oils and watercolors spanning 60 years.

Barbara Heinrich:
Contemporary Classic Jewelry
Largest grouping from Thursday–Saturday, July 6–8
Barbara’s recognizable style consists of distinctive visual vocabulary defined by matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening through Saturday.

Duncan Martin: Maine Landscape Abstracted
Duncan’s painterly approach renders our familiar scenes in gestural strokes of color, form and texture. This is his second show with us, a follow up on last season’s success. He is a life long painter who lives in Colorado and has deep ties to Maine.

Star Gallery opens new exhibition

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Please join Star Gallery for an exhibit featuring:
Lindsay Hopkins-Weld
Paul Rickert
Cynthia Stroud
Thursday July 6
5 – 7 pm

Star Gallery
6 Neighborhood Rd
P O Box 55
Northeast Harbor, ME 04662

Art Space Gallery July 7th opening

Jean Byrd, Isand Anchorage, oil

Jean Byrd, Isand Anchorage, oil

Art Space Gallery invites you to the July Arts in Rockland First Friday art walk. We will be hanging a new show in our front room. Please stop by on Friday, July 7 from 5 to 8pm and join us for wine and refreshments and meet our artists. This reception will feature the work of Jean Byrd, Nancy Davies Tang, Sandra Leinonen Dunn, and Sylvia Isabelle Murdock.

Jean Byrd will be featuring her painting “Island Anchorage”. It is of “Devil’s Island”, an island in Merchant’s Row off the coast of Stonington, ME.  Devil’s Island, like many Maine islands, is a small island with water worn rocks on its shore and a forested interior.  This painting takes you down a shadowy path onto the rocky shore and the idyllic island anchorage beyond, a spot that is truly a place sailors dream of all winter.  Jean’s painting style is tradition realism. Her subject is the New England coast with all its fishing villages, islands, harbors, and seaports.  Her love of the sea is evident in her work.

Nancy Davies Tang, lobstah, fused glass

Nancy Davies Tang, lobstah, fused glass

Mother Nature offers boundless inspiration in form and color. She stills the mind and soothes the soul and, if you are lucky, will whisper in your ear and play the muse. Nancy Davies Tang looks to her garden, fields, and forests for inspiration to create works of art in kiln fired glass and dichroic glass jewelry. Largely self-taught, Nancy has been working with warm glass for over 20 years. She has a background in painting and sculpting and strives to bring all her experience to her work in glass. Currently she is working on pieces inspired by the ocean.

Sandra Leinonen Dunn, 12x12 inch, oil

Sandra Leinonen Dunn, 12×12 inch, oil

Sandra Leinonen Dunn is a Maine artist. Ms. Dunn is represented at many galleries throughout Maine as well as by the Cortile Gallery in Provincetown, Ma. Ms. Dunn’s intuitive use of color and free brushwork give her paintings a uniquely fresh feel. Her work is in collections throughout the U.S. as well as abroad.  Ms. Dunn is also a teacher and a published children’s book illustrator.  She has a studio at her home in Chelsea, Maine.

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock, watercolor

Sylvia Isabelle Murdock is a self-taught artist, Sylvia has painted seriously since she was 12 years old. She finds the simplicity and clarity of coastal living has left a lasting impression on her artist journey. Sylvia paints primarily with watercolors, but also occasionally works in egg tempera and oils.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. July hours are Monday through Saturday 10am to 6pm and Sundays 1am to 4pm. For more information visit our website at www.artspacemaine.com or join us on Facebook for up to date gallery news.

Groundbreaking Exhibition of Memento Mori from the Renaissance Opens at Bowdoin College Museum

Chicart Bailly, Pendant to a Rosary or Chaplet, Paris, France (?), ca. 1500–1530, elephant ivory with traces of polychromy, Detroit Institute of Arts, Detroit. Courtesy of Bowdoin College Museum of Art

Chicart Bailly, Pendant to a Rosary or Chaplet, Paris, France (?), ca. 1500–1530, elephant ivory with traces of polychromy, Detroit Institute of Arts, Detroit. Courtesy of Bowdoin College Museum of Art

The Bowdoin College Museum of Art (BCMA) will soon open a groundbreaking exhibition on the visual culture of mortality and morality in early Renaissance Europe. On view from June 24 to November 26, 2017, The Ivory Mirror: The Art of Mortality in Renaissance Europe reveals how, in an increasingly complex and uncertain world, Renaissance artists sought to address the critical human concern of acknowledging death while striving to create a personal legacy that might outlast it.

Featuring nearly 70 objects, this exhibition incorporates rarely-seen loans from major North American and European museums and works from Bowdoin’s own collection revealing new insights into the understanding of mortality and morality in Renaissance Europe. An elegant installation, organized into eight thematic sections, focused on subjects such as selfhood, morality, piety, and anatomy, enables audiences to understand the broad range of inspirations for and implications of memento mori imagery. Cases provide the opportunity to see ivory prayer beads and other statuettes in the round and in the context of paintings and prints from the period by leading artists such as Albrecht Dürer and Hans Holbein. Magnifying glasses further permit close examination of the exceptional detail with which artists of the period wrought the ivory objects brought together for the first time in The Ivory Mirrror.

Portrait of a Surgeon, Netherlands, 1569, oil on wood. Theodore M. Davis Collection, Bequest of Theodore M. Davis, Metropolitan Museum of Art, New York.

Portrait of a Surgeon, Netherlands, 1569, oil on wood. Theodore M. Davis Collection, Bequest of Theodore M. Davis, Metropolitan Museum of Art, New York.

“While we recognize the Renaissance as an age of exceptional human progress and artistic achievement, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. This provocative imagery runs riot in the remarkable array of artworks featured in The Ivory Mirror. For many scholars, these gruesome objects seem to be a last gasp, as it were, of a dying medieval world view, of a culture obsessed with the certainty of death, terrified by the threat of divine judgment, and incapable of enjoying earthly life,” continued curator Stephen Perkinson, “The Ivory Mirror rethinks that traditional view, seeking to understand these morbid images as intimately bound up in the period’s shifting conceptions of the self, of the place of humanity in the world, and of the nature of sin and pleasure. It demonstrates that these objects simultaneously reminded viewers not only of life’s fleeting nature but also of the need to both enjoy one’s time on earth and to live a moral and responsible life.”

Memento Mori Pendant, probably from a rosary, France or Belgium, ca. 1500, ivory. Walter E. Stait Fund, 2007, Philadelphia Museum of Art

Memento Mori Pendant, probably from a rosary, France or Belgium, ca. 1500, ivory. Walter E. Stait Fund, 2007, Philadelphia Museum of Art

The BCMA will display highlights from their own collection alongside artworks loaned from the Victoria and Albert Museum, the Ashmolean Museum at the University of Oxford, the Philadelphia Museum of Art, and the Walters Art Museum among others.

Fully accessible, the Bowdoin College Museum of Art is open to the public free of charge from 10:00 a.m. to 5:00 p.m. on Tuesday through Saturday; 10:00 a.m. to 8:30 p.m. on Thursday, and from 1:00 p.m. to 5:00 p.m. on Sunday.

For more information please visit Bowdoin College Museum of Art’s website or call 207-725-3275.

Shaw Jewelry Announces Opening of July Gallery Shows

shaw jewelryOpening Reception Thursday, July 6, 5-7pm

July 6-19
George Daniell: Modernist Hero Returns

George (1911-2002) was a much-loved painter with local roots whose career started in the WPA era. He was a fixture at the Wingspread Gallery in NEH and a character with a life long dedication to the visual image. He won the prestigious Jenny Sesnan Gold medal from the Pennsylvania Academy of Art. We are presenting a selection of oils and watercolors spanning 60 years.

Barbara Heinrich:
Contemporary Classic Jewelry 
Largest grouping from Thursday-Saturday, July 6-8

Barbara’s recognizable style consists of distinctive visual vocabulary defined by matte and burnished surfaces. Modern aesthetics and innovative construction meet old world craftsmanship and seductive materials. She grew up in a vineyard in Germany, and will be here Thursday evening through Saturday.

Duncan Martin: Maine Landscape Abstracted

Duncan’s work features gestural strokes of color, form and texture. This is his second show with us, a follow up on last season’s success. He is a life long painter who lives in Colorado and has deep ties to Maine.

VISIT SHAWJEWELRY.COM FOR FULL EXHIBITION DETAILS

Mars Hall Gallery features Manuel Retrospective

DelmarjTrena Vl (1998)

DelmarjTrena Vl (1998)

If you drive to the end of Rt. 131 South you’ll end up on the Monhegan Island Ferry dock. Look to the right across the channel and you’ll see beautiful Hupper Island. In 1975 Dr. Arthur (Bert) Wills bought a small cape on the NW corner of this 500 acre island. It began his passionate love affair with Hupper. Since then Bert has shared his island home with friends many artists. “I have always wanted young people to help sustain my passion for the island, not just for art but for anything they wanted to pursue”.

In 1978 Dr. Wills acquired an island farm which he called “Bert’s Boathouse University”. Luke Randall from Rhode Island came to paint on Hupper’s in 1992, soon to be joined by his friend and fellow painter R. Michael Carr, also from Rhode Island. They were followed by three more artists in 1996 for the islands best attended “art colonization” ever. Sue McNally and Theodore Tihansky both Newport, RI based oil painters and Manuel Rincon from Margarita Island, Venezuela. They became the “Hupper’s 5ive” and painted on the island in October or several years. Dr. Wills exhibited the resulting paintings in an annual group show at his Downtown Medical Associates office in Boston. All five have become accomplished artists.

The Hupper’s 5ive celebrate the late Manuel Rincon in “Manuel Rincon Retrospective” which previewed June 16th and runs through August 6th. Rincon, a once successful business man, gave up the corporate dream to pursue his dream of being an artist. Bold shapes and vivid color are used to portray the playful images in Manuel’s paintings. His work has been shown in Maine, Boston, Rhode Island, and New Jersey as well Venezuela. A reception for the show will be held Saturday, July 8th from 6-8 p.m. For more information call 207-372-9996 or visit www.marshallgallery.net

Blue Hill Bay Gallery Presents “From Cape Ann to Maine”

Paul Strisik, Morgan’s Cove, Oil on canvas 16 x 24

Paul Strisik, Morgan’s Cove, Oil on canvas 16 x 24

Cape Ann, the oldest art colony in the US, has long inspired American artists with roster of painters that read like a virtual who’s who of American art. Among the thousands are Fitz Henry Lane, Winslow Homer, John Twachtman, Childe Hassam, and Edward Hopper. This show features three prominent Cape Ann artists: William Lester Stevens, Paul Strisik and Tom Nicholas. Each enjoyed a long career both painting and teaching, won several hundred awards, and was elected to the National Academy. My other reason for choosing them is that they all also loved to paint Maine.

Born in Rockport, Mass., William Lester Stevens was their first native son to achieve a national reputation. He co-founded the Rockport Art Association in 1921 with the goal of making art more accessible to all people. Paul Strisik was widely respected for his willingness to share his talents with young artists, and wrote several books, his last one being “Capturing the Light in Oils.” Tom Nicholas has been at the forefront of American landscape painting for almost a half century and was one of the youngest members ever elected to the National Academy.

Their works, as well as a dozen more Cape Ann artists, can be seen at the Blue Hill Bay Gallery throughout the month of July, 10-4 pm Tuesday thru Saturday. For more information call 374-5773.

Courthouse Gallery presents Philip Barter: Maine Oasis and Judith Leighton Retrospective in July

 

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Philip Barter: Oasis 8, 2017, acrylic on linen, 36 x 48 inches

Courthouse Gallery Fine Art is pleased to present two solo exhibitions—Philip Barter: Maine Oasis and Judith Leighton Restrospective—from June 21 through July 20. Also showing are Susan Amons, Judy Belasco, Philip Koch, Mark Kidschi, and Stephen Porter. The exhibitions are free and open to the public.

 

Philip Barter: Maine Oasis

Philip Barter (b.1939) is a self-taught artist from Boothbay, Maine, who was living in California during the 1960s when he met Alfonso Sosa, an abstract expressionist painter. Sosa took Barter under his wing and added a “charge of light and color” to Barter’s aesthetic vision that influenced his work for the next fifty years. Barter has spent a half-century painting narratives based on the Maine’s fiercely independent people and the landscape of his home state, becoming the “painter laureate” of the region. Barter was the subject of a feature profile in Down East magazine and went national when, in January 1995, Tim Sample highlighted his life in art in one of his “Postcards from Maine” segments on the CBS Sunday Morning program hosted by Charles Kuralt.

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip Barter, Bottom: Book Jacket

Top Left: Carl Little (Photo by Erin Little), Top Right: Philip

 

In conjunction with the show Philip Barter: Maine Oasis, Courthouse Gallery will host a Book Launch and Signing on July 12 from 4–7pm for Philip Barter: Forever Maine, a new book by Carl Little (Marshall Wilkes). At 5:30pm Little will introduce Philip Barter, who will talk about his narrative paintings, process, and career. The author will be available for book signing. Books can be reserved by calling (207) 667-6611. The event is free and open to the public.

 

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton: Protection, 2007, pastel, 27 x 21 inches

Judith Leighton Retrospective

Judith Leighton (1929–2011) was the former owner of the Leighton Gallery in Blue Hill and an artist in her own right.  She began painting with watercolors in the 1950s, gaining notice for her work by the 1960s. After moving to Maine in 1970, Leighton worked almost exclusively with dry pastels.Her modernist inspired motifs included flowers, landscapes, tables and chairs, and women, often seated as if engaged in an pleasant conversation, or standing, or holding a dog, cat or bird. Leighton was passionate about art that “celebrated life” whether it was the art she showed at her gallery, or the art she made.

 

Courthouse Gallery is located at 6 Court Street in Ellsworth. Hours: Monday–Saturday 10am– 5:30pm; Sunday 12–4pm. For more information on upcoming shows call 207-667-6611, or visit www.courthousegallery.com

Victor Leger’s Maine landscapes at Littlefield Gallery

"Rolling Island" oil on panel 12 x 24

“Rolling Island” oil on panel 12 x 24

From June 19 through July 16, Littlefield Gallery in Winter Harbor will display the largest body of Victor Leger’s Maine landscapes thus far. The work is a variety of coastal scenes on the Schoodic Peninsula section of Acadia National Park.Though the paintings are all realistically represented, they diverge greatly in terms of daylight, weather, composition, and sizes. “I have been experimenting to find new ways to hold the viewers’ attention. I believe this area has 10 lifetimes of inspiration for an artist.”

Victor painting at Schoodic Point

Victor painting at Schoodic Point

When exploring a location for a new painting, Leger watches for the light to overwhelm him. Once he finds that spot, he has rarely been disappointed in its ultimate expression. As every plein air painter knows, working quickly is imperative. “My life’s mission is to give that same sense of magic to the viewer.” The gallery is open daily from 11-5:30. For more information visit www.littlefieldgallery.com

Dowling Walsh Gallery to Feature Three Artists in July

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.
Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

“Rebel Angels” — Birds at Tidemark Gallery

Pastel by Chris Augusta

Pastel by Chris Augusta

“Rebel Angels” — Birds at Tidemark Gallery ArtWalk Waldoboro July 8

Chris Augusta sees them as “Rebel Angels.” Pam Cabañas shows what it probably feels like to be a sea bird soaring over the ocean. These two artists bring a powerful and transforming vision of birds to Tidemark from July 5 through August 5. Artists reception Saturday, July 8, 4 to 7 pm.

For a preview of the show, please visit tidemarkgallery.com To see examples of these artists’ other work, please visit them at pamcabanas.com and chrisaugusta.com

Barbara Prey Projects announces summer exhibitions

Barbara Prey

Barbara Prey Projects is pleased to present three upcoming summer exhibitions of recent work by internationally acclaimed artist Barbara Ernst Prey.

BARBARA ERNST PREY: New Oil Paintings and Prints July 1 – July 14

INFLECTION POINTS 40 Years Painting Maine July 15 -Sept 4
MASS MoCA: Studies from a Museum Commission August 15 – Sept 20

Barbara Ernst Prey: New Oil Paintings and Prints

The summer 2017 inaugural exhibition at Barbara Prey Projects will feature recent small-scale oil paintings along with a new series of limited edition prints. While Prey is mostly known as a watercolorist, the artist has recently returned to the medium in which she first began her instruction; the size of the panels and nature of the oil medium enabled Prey to experiment with levels of freedom and informality not afforded by watercolor. The exhibition will debut the paintings of nearby Seavy Island as well as new works from the artist’s Village View series in conjunction with recent digital prints of select drawings.

Inflection Points: 40 Years Painting Maine

An American painter with international reputation, Barbara Prey has been maintaining a studio and painting in Maine for over 40 years. The northeastern state has a long tradition in the history of American landscape painting, thinking of artists such as Hopper, Church, Homer, Wyeth—but few, if any, are women.
Over the many years of painting in Maine, Prey built a close and longstanding relationship with the local fishing community, which is fundamental to her subject matter.
Prey mostly works on site ‘en plein air’ and was always drawn to the unique landscape of Maine, examining and implementing her surroundings through the visual language of landscape painting. The exhibition is a synthesis of Barbara Prey’s dialogue with her immediate environs in the Port Clyde, ME area and her observations on the same location’s evolution over the course of 40 years.
40 Years Paining Maine further explores the strong watercolor tradition in Maine and with a woman painter, revising the male dominated art-historical tradition.

MASS MoCA. Studies from a Museum Commission

The Massachusetts Museum of Contemporary Art (MASS MoCA) has commissioned Barbara Ernst Prey to paint a groundbreaking monumental watercolor for their new Building 6 that opened its doors to the public at the end of May 2017.
Barbara Prey’s massive interior portrait of MASS MoCA’s 120,000 square foot Building 6 depicts part of the historic mill in its raw, un-renovated state, just prior to the beginning of the construction work. Measuring 8 feet tall by 15 feet wide, the painting is monumental by any standard, but for a watercolor on paper—perhaps the most unforgiving combination of any painterly media—the undertaking is truly breathtaking as it stretches the medium in new and exciting ways. The monumental scale of Prey’s project broke boundaries and opened up new ideas and concepts within the artist’s own practice; the project was a technical tour de force, requiring specially made papers, mounts, frames as well as an extra large studio space to paint.
As an artist that works mainly on site, Prey spent countless hours in the space at MASS MoCA, looking, distilling and thinking about the architecture; as the concept developed, she started working on preliminary drawings during her visits. The studies began small and in pencil to accurately capture the architecture and overall composition; Prey then moved to color and larger formats, working out the light and the complex colors.
The drawings displayed in this exhibition serve as references for the final painting and uniquely chronicle the development of Barbara Prey’s commission for MASS MoCA.

For more information visit www.barbarapreyprojects.com

Outtakes From a Memoir – Celebrating Deborah Joy Corey’s newly released book, Settling Twice

Woman with Blue Irises by William Irvine

Woman with Blue Irises by William Irvine

Please Join Us to Celebrate – Outtakes From a Memoir – a Group Exhibition of Artworks Inspired by (or relating to) Deborah Joy Corey’s newly Released Memoir, Settling Twice.

Friday, June 16, 5-7PM
Exhibition Runs June 17 – 29, Wed. – Sun., 11:00-5:00
At the ANNEX, 8 Water Street, Castine, Maine

Mother Nature by Mattina Blue. Watercolor, 27x33", 2017

Mother Nature by Mattina Blue. Watercolor, 27×33″, 2017

The Author and many of the artists will be present. Refreshments and books will be available. The artists in this exhibit are all connected with Deborah Joy Corey. When asked if they would read excerpts of her upcoming memoir, Settling Twice, and respond to it visually in their own medium – these artists enthusiastically answered the call. The result is a joyful and cacophonous visual representation in different mediums and styles to moments, themes, or sections of the book. Each artist experienced the writing in a different way and we are excited to see the work all together, a frolicking visual representation of a single text which resonated for everyone who read it.

Eatons Boatyard by Greg Dunham, Watercolor, 2016

Eatons Boatyard by Greg Dunham, Watercolor, 2016

This cross-disciplinary dialogue between art and literature by local artists and writers feels like an accurate reflection of a community that is filled to the brim with gifted cultural producers, most of whom show an active enthusiasm and curiosity for the world around them and the work of their peers. Outtakes from a Memoir aims to highlight the significant relationship between the arts and highlight the great talents of our very own creators.

For more information visit www.annexarts.org and www.gallerybgallery.com or call 213-839-0851

July exhibits at The Gallery at Somes Sound

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40" x 40", oil on linen

Joellyn Duesberry, Mt. Desert from Big Cranberry Island, Maine, 40″ x 40″, oil on linen

Exhibits run July 1 – July 31
Open House and Reception Saturday, July 1st
4:00 – 6:00 pm

A TRIBUTE TO JOELLYN DUESBERRY:
Reflections of MaineArtist Joellyn Duesberry’s (1944-2016) paintings on display for the month of July, celebrating her summers in Maine. Joellyn Duesberry (called Joly by friends and family) enjoyed a long and illustrious career as a landscape painter. Rich in coloration, Duesberry’s abstract images reveal a strong interest in geometry and an awareness of such modernist masters as John Marin and Milton Avery. . . .
Richard Oedel, Macassar end tables

Richard Oedel, Macassar end tables

STUDIO FURNITURE EXHIBIT
(to coincide with the Joellyn Duesberry Exhibit)
Featured Masters of NHFMA
The New Hampshire Furniture Masters Association
enjoys a membership of nearly two dozen makers from New Hampshire, Maine, Massachusetts and Vermont. These gifted artisans create studio furniture that is exceptionally beautiful and wonderfully diverse, and spans an array of styles including Period, Early American, Shaker,
Neo Classical, Traditional, Contemporary and Art Furniture.Participating Masters include . . .
Ted Blachly, Jon Brooks, Greg Brown, John Cameron, Timothy Coleman, Jeffrey Cooper, Garrett Hack, David Lamb, Terry Moore, Richard Oedel,
Brian Reid, Jeffrey Roberts, and visiting artist, Roger Myers

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40" x 60", oil on linen

Joellyn Duesberry, Seal Cove Pond, Marsh Maples, 40″ x 60″, oil on linen

THE LIFE OF JOELLYN DUESBERRY
Saturday, July 8
7:00 – 9:00 pm
Reservations are required
To make your reservation please call 207 610-4622

On Saturday, July 8th from 7 pm – 9 pm, the Gallery will host a celebration of Duesberry’s life. The evening will include a screening of Peter Logue’s new documentary “Joellyn” and a performance by musicians Brittany Parker and Katherine Perkins of Barn Arts Collective.

Please visit www.galleryatsomessound.com/events for more information

July shows at Dowling Walsh Gallery

dowlingwalshlogo

Dowling Walsh Gallery is hosting three shows in the month of July: James Dodds, Guy Taplin, and Scott Kelley. Opening Receptions in conjunction with Rockland First Friday Art Walk, 5-8pm. Free and open to all.  Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

James Dodds, Barge Boat "Thalatta", Oil on linen on canvas, 35-1/2" x 35-1/2”

James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

James Dodds
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Once a shipwright, James Dodds’ paintings illustrate the anatomy of boats, revealing the materials and curves that underwrite the finished vessel. Yet his paintings go beyond retracing the shipwright’s logic. Rich in color, tone and texture, they move beyond the literal and evoke sailing’s mythic and historic dimensions. Ethereal in light and tone, paintings of restored boats evoke a lifetime at sea, unearthing the layers of memory that shroud every vessel.
James Dodds, Barge Boat “Thalatta”, Oil on linen on canvas, 35-1/2″ x 35-1/2”

Guy Taplin, Jays, carved and painted driftwood, 13-3/4" x 13" x 13-3/4"

Guy Taplin, Jays, carved and painted driftwood, 13-3/4″ x 13″ x 13-3/4″

Guy Taplin
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Taplin’s bird sculptures embody our longed for harmony with the natural world. His obsession with birds extends beyond their beauty to their endurance, intuition and symbolic loyalty. Mostly shorebirds of various species, each bird is composed to capture their specific habits and character. His simplified, stylized forms seem to breathe each bird’s very essence. Sculpted from found driftwood, which he forages from coasts and estuaries around the world, Taplin’s birds are therefore enriched by previous lives. Weathered by time and the elements, each piece of wood bears marks that enhance his design, suggesting the outline of a wing or layers of plumage.

 

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55" x 48"

Scott Kelley, Diamond Beaver, Watercolor and gouache on paper, 55″ x 48″

Scott Kelley
July 7 – July 29
Opening Reception: Friday, July 7 from 5-8pm
Scott Kelley has distinguished himself as a visual storyteller of subjects including ornithology, whaling, and most recently spirit animals of the Wabanaki. His new paintings, inspired by the Wabanaki legends of Gluskap, create a narrative of personified animals decorated in traditional native clothing. His work is a constant lineage of exploration that creates immersive stories.

New Era Gallery presents “In the Garden”

“Crab Apple”, Watercolor on Vellum, Curly Lieber

“Crab Apple”, Watercolor on Vellum, Curly Lieber

New Era Gallery in Vinalhaven presents “In the Garden” beginning Saturday, June 24.  The show features Gobelin-style tapestries by Don Burns, botanical drawings and watercolors by Curly Lieber and stoneware sculpture by Gail Savitz.  There will be an artists talk in the Windy Way Barn at 4:30 pm followed by an opening reception in the main gallery from 5:00–7:00pm.

The exhibition will run through July 12.  Summer gallery hours, beginning June 25, are Monday through Saturday 10:00am – 5:00pm, Sunday 11:00am-2:00pm.  For more information call 863-9351 or visit neweragallery.com

14 Miles to the Horizon at Mars Hall Gallery

Mimo Gordon Riley's "Overlooking Our Lives"

Mimo Gordon Riley’s “Overlooking Our Lives”

Mars Hall Gallery opens its 2017 Summer Season with a show titled “14 Miles to the Horizon”. This ever changing Exhibit will showcase Maine ART along with an expanded selection of fine antiques and collectibles. On display are paintings by Nancy Baker, Leo Brooks, Jeanette Steele Esposito, Linda Funk, Kris Johnson, Roger Kirby, Brian Kliewer, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, David Paffhausen, Elaine Reed, Jimmy Reed, Mimo Gordon Riley, Holly Smith, Carl Sublett, William Thon, Ron Weaver and Eleanor Zuccola. Also on exhibit is black & white pinhole photography by Antonia Small, mixed media assemblage by Bill Cook, whimsical driftwood fish by Claire Perry and a variety of quality crafts including decoupage by Davene Fahy, hand carved decoys by Stephan Hill and mixed media stained glass, mosaics and pottery by Dona Bergen. Metal sculptors Jay Hoagland and Brian Read will have works on display through out the gallery as well as outside in the Sculpture Gardens. Phase One of the show runs through Sunday, August 6th.

The gallery wants to congratulate Antonia Small and Gary Libby for winning the John N. Cole Maine Literary Award for Maine Themed Nonfiction for their book “Caught”. Autographed copies are available at the gallery as well as Antonia’s photography. Also congratulations to Linda Funk for being featured in the current Victoria Magazine. A botanical painting of hers was selected for use in advertizing of the 2017 Boston Flower Show.

The new wing will preview a retrospective show opening in July for the late Venezuelan artist Manuel Rincon. A reception will be held on Friday, June 16th, from 5-8 p.m.. The gallery is open 10-5, Wed. thru Sun. or by appointment and is located 12.7 miles down the beautiful St. George peninsula in Martinsville. For more information call 207-372-9996 or visit us on the web at www.marshallgallery.net

York’s George Marshall Store Gallery 2017 Exhibition Season Underway

GMSG-logo-150

A beautiful warm evening, jazz and swing music by the Seasmoke trio, work by four talented New England artists and a capacity crowd marked the 2017 opening of York’s George Marshall Store Gallery. Work by Vermont painter Kate Emlen and ceramics by Paul Heroux are nicely paired in the entryway and front room. Paintings by Anna Dibble are exhibited in the smaller gallery space that looks out to the York River, and the lower “dock level” gallery is filled with paintings by University of New Hampshire professor Brian Chu. The four, complementing exhibitions continue through July 9.

Kate Emlen “Dog Island” Oil on linen, 40” x 50”

Kate Emlen “Dog Island” Oil on linen, 40” x 50”

Kate Emlen’s command of composition and luminous color are the foundation of her paintings. Tilted horizons, tree trunks in conversation with one another, and skies laden with weather conspire to draw in the viewer. These paintings are a response to the artist’s view of the natural world and her intimacy and passion for her northern New England surroundings.

Paul Heroux ceramics

Paul Heroux ceramics

Paul Heroux is a ceramic artist and a maker of vessels. His surface decoration references plant life, erotics, landscape, and a number of other changing influences. The painterly quality of the surfaces is achieved by combining various reduction glazing techniques and transfer printing on the clay body. Gold and silver luster give added reflective qualities to several of the pieces.

Anna Dibble, Brief Shining Moment, 2016, Acrylic on baltic birch, 16″ x 20″

Anna Dibble, Brief Shining Moment, 2016, Acrylic on baltic birch, 16″ x 20″

Anna Dibble’s show, Confluence,  is reflective of her recovery from a series of deaths, and her interest in the losses and changes in ecological biodiversity due to human activity. Dibble uses symbolic images of evolution, ancient marine life, birds, boats, and humans to explore a personal mythology that’s based on her love of the natural world, and concern for its future. Despite this concern for the fragility of the environment, the paintings have a sense of hope.

Brian Chu, On Route to Berwick, 2013, Oil on canvas, 24″ x 24″

Brian Chu, On Route to Berwick, 2013, Oil on canvas, 24″ x 24″

Brian Chu has titled his current exhibition “Curious Vision.” Rooted in observation, Chu’s work maintains a dialogue between objectivity and subjectivity in all subjects: landscape, figure and still life. His intense perceptual engagement with the world is evident in textured layers of vibrant colors. He chooses to paint extremely ordinary in an extraordinary way. These are paintings about painting that are both beautiful and thought provoking.

The exhibitions continue through July 9. Gallery hours are 10 to 5 Tuesday through Saturday, 1 to 5 on Sunday and by appointment. The gallery is a property and program of the Old York Historical Society and is located at 140 Lindsay Road, York. For more information call 207-351-1083 or visit www.georgemarshallstoregallery.com

Nancy R. Davison – Linocuts: Past & Present

Narrow Cove, linocut – Ogunquit Maine

Narrow Cove, linocut – Ogunquit Maine

Morgan Gallery at Kittery Community Center features a gallery show by Nancy R. Davison. Nancy  has been making linoleum cuts of the world around her for fifty years. Many of her images come from Pittsburgh, Pennsylvania as well as York Beach and Ogunquit, Maine. Others have been inspired by trips to Italy, Japan and the third floor stair landing of the Portland Art Museum.

 Summer Day, linocut – York Beach Maine

Summer Day, linocut – York Beach Maine

The exhibition ends September 30, 2017. Free and open to the public during KCC business hours and Star Theater performances.

FMI: www.kitterycommunitycenter.org/morgangallery or 207-439-3800

William Wegman | Reel to Real Opens June 10 at CMCA

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

William Wegman, Materialism, 1975, pencil, chalk and ink on paper, 12 x 9 in.

The Center for Maine Contemporary Art (CMCA) announces the opening of the exhibition William Wegman: Reel to Real on Saturday, June 10. The exhibition features selections from the artist’s early videos and drawings and is on view through October 22, 2017.

An important pioneer in video art, William Wegman created a series of short videos between 1970 and 1978, which are now considered classics in the field. He began experimenting with the new medium in earnest in 1970, while living in Southern California, where he taught for a year at California State College, Long Beach. Working concurrently with other early West Coast video artists as Bruce Nauman and John Baldessari, Wegman perfected a deadpan humor and absurdist logic in his videos that came to define much of the West Coast conceptual art of this period.

It was in Long Beach that Wegman acquired his first Weimaraner, Man Ray, who became an active participant in the early videos and an iconic presence in the artist’s career. “My background is in painting,” says Wegman, “but in school in the sixties, like many artists of that time, I believed that painting was dead. I began to work in collaboration with other artists in the creation of performance and installation works. Soon after, I started making video and photographic works and in the process became fascinated with the media itself. Before long I was setting things up just for the camera. In 1970, I got a dog and he turned out to be very interested in video and photography as well.”

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

William Wegman, Spelling Lesson, 1973-1974, video, 0:49

Born in 1943, in Holyoke, Massachusetts, William Wegman is one of the best-known and most highly regarded artists of his generation. He received a BA from the Massachusetts College of Art and an MFA from the University of Illinois, Urbana. With homes and studios in both New York and Rangeley, Maine, he continues to make videos, to take photographs and to make paintings and drawings.

A public reception celebrating CMCA’s summer exhibitions will be held on Saturday, June 24, from 5 to 8pm. William Wegman, accompanied by his Weimaraners, will discuss his work as part of CMCA’s Tuesday Talk series on July 25 at 5:30pm at The Strand Theatre, Main Street, Rockland, with a reception following at CMCA. Tickets for the talk will be available online starting July 1 at www.rocklandstrand.com.

CMCA is a contemporary arts institution presenting year-round exhibitions, engaging events, and educational programs for all ages. Location: 21 Winter Street, Rockland, Maine. Hours: June through October, Monday – Saturday, 10am to 5pm, Sunday, 12 to 5pm; November through May, Wednesday – Saturday, 10am to 5pm; Sunday, 12 to 5 pm; closed Federal holidays. Admission $8; Seniors (65+) and students with ID $6; children under 18 free; CMCA members free. For more information, call 207.701.5005 or visit cmcanow.org

Littlefield Gallery opens “Best in Show: Animal-Inspired Art.”

Don Best, "Jungle Dream", relief sculpture 38 x 50 x 6

Don Best, “Jungle Dream”, relief sculpture 38 x 50 x 6

Littlefield Gallery opens its ninth season on May 26 with “Best in Show: Animal-Inspired Art.” This group show features some of Maine’s best artists including Robert Pollien, Don Best, Ben Lincoln, Diana Arcadipone and Matt Welch. The show will run through June 18.

An artists’ reception will be held June 10 from 4-6 p.m. The gallery is open daily from 11 a.m. to 5:30 p.m.

For more information contact 207.963.6005 or 207.838.4174
info@littlefieldgallery.com

D’Alessio Gallery and Open Studio first Friday Art Walk

Russell D'Alessio, "Fat Cat" original on wrapped canvas 48" x 36" x 2"

Russell D’Alessio, “Fat Cat”
original on wrapped canvas 48″ x 36″ x 2″

The studio will be OPEN to the public all evening long. Visit where he creates, see finished works in progress on paper, canvas and more, chat with the artist.

Wine served
15 Cottage St., Bar Harbor, Bayside Landing upstairs in the courtyard
(follow the Art Walk flag)

The Gallery will showcase his latest works including “Fat Cat!”

Wine also served!
12 Mt. Desert St., Bar Harbor

Be sure to stop by and visit, we look forward to seeing you.
Walking maps for Art Walk available at the Chamber of Commerce, most lodging establishments, and participating venues or download online at;

http://www.artwalkbarharbor.com/venues.html

Art Space Gallery opens new show for Rockland First Friday Art Walk

 

JK Herman, Three Pears, watercolor

JK Herman, Three Pears, watercolor

Art Space Gallery invites you to the June Arts in Rockland first Friday art walk. We will be hanging a new show in our front room. Please stop by and join us for wine, refreshments and meet our artists Friday, June 2rd, 5 to 8pm. This reception will feature the work of Lori Davis, Teddi-Jann Covell, Keith Plummer, and Judith Herman.

Judith Herman has been working in watercolor for over 30 years. The exciting properties of the watercolor medium gives her flexibility in creating depth and luminosity in her art. Currently she is capturing the light, color, and movement in her still life paintings.

 

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell, Asticou Gardens, oil

Teddi-Jann Covell is a Fine Art oil painter who lives and works in Orono, Maine. Teddi-Jann primarily creates, “Plein-aire” style all year, all around the state. She is represented in Fine Art Galleries such as North Light Gallery in Millinocket, River Arts Gallery in Damariscotta and Harlow Gallery in Hallowell. Teddi-Jann is also a member of several artists Co-Ops including Saltwater Gallery in Pemaquid and Southwest Harbor Artisans. “My art is a reflection of my love and passion for Maine, for Baxter State Park and for the rugged coast of Maine and all her secret spots in between!

Keith Plummer, Ghost Dancers, mix media

Keith Plummer, Ghost Dancers, mix media

As a self taught metal smith and sculptor, Keith’s experimental evolution has lead him to create a body of work that incorporates the precision of metallurgy with an inventive transformation of bone into anthropomorphic form. He is inspired to use ancient processes that result in textures, colors, and a spirit not found in modern, manufactured jewelry. While working under magnification, Mr. Plummer adds minute details to create an overall effect of an artifact from a lost civilization. Keith hopes his jewelry pieces become memorable conversation pieces and spark discussions about this ancient craft.

 

Lori Davis, Red Fox, photograph

Lori Davis, Red Fox, photograph

Lori Davis is a professional photographer specializing in nature, wildlife and landscape images. With a background in wildlife rehabilitation, she was inspired at an early age to pick up a camera and start capturing unique moments with the intent to share with others. She’s traveled cross county and to Alaska on multiple occasions, capturing dramatic landscapes and wildlife encounters, before finally settling in Maine. Working out of her home studio, Lori prints her own work. With multiple fine art Giclée printers, Lori can recreate her images in a variety of sizes and prices, both on canvas and as matted and framed photographs.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. June hours are 11am to 6 pm Monday through Saturday and 1pm to 4pm on Sundays. Visit our website for more information at www.artspacemaine.com

17th Annual MDI Open at Shaw Gallery

Chris Gray's "Wonderland Rocks"

Chris Gray’s “Wonderland Rocks”

The 17th Annual MDI Open, an art exhibition featuring over forty local artists, will be featured at the Shaw Gallery in Northeast Harbor from May 25th through June 14th. Stop in and see what your friends have been up to all winter. Refreshments will be served. All are welcome. For more information visit http://www.shawjewelry.com/

Sarah Faragher to exhibit at Landing Gallery

 

"8 A.M. SCHOODIC POINT, MAINE", Oil/Linen 18" x 24" by Sarah Faragher

“8 A.M. SCHOODIC POINT, MAINE”, Oil/Linen 18″ x 24″ by Sarah Faragher

 

Landing Gallery, 409 Main St in Rockland is pleased to announce the opening of “WATER & STONE: SCHOODIC & MOUNT DESERT ISLAND”, a solo exhibit of new paintings by Sarah Faragher from May 26 – June 25. Sarah will be present at the Artist’s Opening Reception if you would like to meet and talk with her. The Reception will be held on Friday, June 2nd, from 5-8 PM during Arts In Rockland’s first Friday art walk.

Sarah Faragher is a 1990 graduate of Colby College, Magna cum laude and Phi Beta Kappa. Her work was included in ART OF ACADIA by David Little and Carl Little, published in 2016 by Down East Books. Sarah was a 2015 Artist-in-residence at Acadia National Park, a 2008 Artist-in-residence at the Weir Farm National Historic Site in Wilton, Connecticut and has been invited to participate, numerous times, in Art Week on Great Spruce Head Island.

"RADIANCE, RISING TIDE, SCHOODIC, MAINE", Oil/Linen 10" x 10" by Sarah Faragher

“RADIANCE, RISING TIDE, SCHOODIC, MAINE”, Oil/Linen 10″ x 10″ by Sarah Faragher

“I moved away from Mount Desert Island when I was still a child, and ever since then it has felt like a lost Eden. But in recent years, returning to paint the landscape set some stopped part of me back into motion. And this could turn out to be a lifelong subject, since the more deeply I look, the better it gets. Especially at Schoodic, where the elemental is particularly insistent. I love to be there, out on what feels like the edge of everything, participating in nature. Paradise lost is sweeter regained.”

“My paintings are memoirs of my experiences with nature. Through painting I participate in the landscape, recognize transcendent moments in nature, honor the integrity of natural forms, and describe where my heart lives. I often feel as if the places I paint have commissioned me to tell their autobiographies, at the same time that I tell my own.”

"OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE", (Detail) Oil/Canvas 20" x 16" by Sarah Faragher

“OUTFLOW, INRUSH, BARNACLE COLONY, SCHOODIC, MAINE”, (Detail) Oil/Canvas 20″ x 16″ by Sarah Faragher

Please join us in the gallery. Hours: Wed – Sat 11-5 & Sun 12-5, Closed Mon & Tue. FMI 207 239-1223, LandingArt.com.

New Era Gallery 2017 Season Opening

“Spring, Drinking Place Brook” by Elaine Austin Crossman

“Spring, Drinking Place Brook” by Elaine Austin Crossman

New Era Gallery opens for the 2017 season with the exhibition, “Spring !” The show is open to all Gallery artists, featuring new works created during the winter months, and those that embrace the new season.
Gallery hours through early June are Tuesday through Saturday 10am-4pm.

Please visit neweragallery.com for a full schedule of summer shows and events, and to sign up to receive show announcements.

A New American Sculpture at PMA

Screen Shot 2017-05-29 at 7.53.40 PM

A New American Sculpture, 1914-1945: Lachaise, Laurent, Nadelman, and Zorach is the first exhibition to investigate the integral relationships between modernism, classicism, and popular imagery in the interwar sculpture of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach. The exhibition, co-organized by the Portland Museum of Art and the Amon Carter Museum of American Art, explores how this circle of European-born artists became preeminent figures of modernism in the United States. By juxtaposing their works, A New American Sculpture reveals the confluences of sources—from archaism and European avant-garde art to vernacular traditions and American popular culture—that informed these artists’ novel contributions to the history of sculpture. Assembled from public and private collections, this exhibition of approximately 60 sculptures and a number of preparatory drawings addresses the remarkable affinities between the oeuvre of four divergent personalities, who redefined sculpture’s expressive potential during the turbulent interbellum period.

Gaston Lachaise (1882-1935); Woman Seated; 1918, cast 1925; Bronze with nickel plate; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase with funds provided by the Council of the Amon Carter Museum of American Art; 2007.8

Gaston Lachaise (1882-1935); Woman Seated; 1918, cast 1925; Bronze with nickel plate; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase with funds provided by the Council of the Amon Carter Museum of American Art; 2007.8

The exhibition is on view at the Portland Museum of Art from May 26, 2017 to September 8, 2017. The exhibition has been organized by the Portland Museum of Art, Maine, and the Amon Carter Museum of American Art. For more information visit https://www.portlandmuseum.org/exhibitions/new-american-sculpture-1914-1945

“Take a Detour” to the DIAA Gallery!

"Time Square” photo mosaic by Chris Raphael

“Time Square” photo mosaic by Chris Raphael

“Take a Detour” to the DIAA Gallery! From May 26  to June 8,  the Deer Isle Artists Association Gallery will be holding a multi-media exhibit of glass, painting, printmaking, and photographs by a variety of local artists. Appearing in the show will be work by Chuck Collison, Daniel Hodermarksky, Leslie Miller Landrigan, Katama Murray, Woodley Osborne, Chris Raphael, Robert Starkey and Carolyn Walton. Featured in the Art Rack will be pieces by Ron Deprez, Daniel Hodermarksky and Katama Murray.

The DIAA Gallery is located at 15 Main Street in Deer Isle Village, and is open daily from 10:00 AM until 6:00 PM. 207-348-2330.

Dan Graziano exhibit opens at Roux and Cyr International Fine Art Gallery

"are you ready to order?" , Dan Graziano, 12" x 16", oil on panel

“are you ready to order?” Dan Graziano, 12″ x 16″, oil on panel

Dan Graziano is happy to announce his upcoming solo show at Roux & Cyr International Fine Art Gallery which opens on June 2nd in Portland, Maine. Over twenty paintings will be featured sharing the themes of restaurants, cafes and street life. Sun dappled figures of waiters, sidewalk cafes and glistening wine glasses are depicted with bold, “juicy” brush strokes in an impressionistic manner creating an unfinished narrative for the viewer to define with their own story. With strong contrasts of light, shadow and color, these paintings were made to invite you into the world of food, wine and the lively characters who inhabit “café society.”

The gallery exhibition opens with a wine reception on June 2nd from 5:00 to 8:00pm.

The exhibition runs from June 2nd to July 6th. Roux & Cyr International Fine Art Gallery is located at 48 Free Street in Portland, Maine. For more information visit www.dangrazianofineart.com or www.rouxandcyrgallery.com

Philippe Guillerm Gallery presents “PARTS AND COLORS” – An Architectural Artist Work

 

Pistachio, Oil on Canvas by Jim Root

Pistachio, Oil on Canvas by Jim Root

Philippe Guillerm Gallery will ones again re-open its doors on June 10th, 2017 with an exciting new exhibit from Jim Root and Philippe Guillerm. Jim Root is known for his dramatic views of our surrounded local islands and water views and Philippe Guillerm for his remarkable and intriguing work of drift wood and music instruments.

 

The exhibition will include as yet unseen paintings from Jim Root and sculptures from Philippe Guillerm from the 2017 collection as part of the ArtWalk Waldoboro.

The exhibition will run from June 10 – July 7, 2017 with a reception on Saturday, June 10, 2017 from 4pm to 7pm.

Philippe Guillerm Gallery
882 Main Street – Waldoboro ME 04572 – 207-701-9085
Gallery Hours:
Tuesday – Friday: 10am – 4pm
Saturday – Sunday: By Appointment Only

For More Information Contact:
207-701-9085
philippeguillermgallery@gmail.com

Kay Sullivan exhibition at Centre St. Arts Gallery

Spring Ripple, pastel, Kay Sullivan

Spring Ripple, pastel, Kay Sullivan

Centre St Arts Gallery, LLC, celebrates the arrival of guest pastel artist Kay Sullivan’s work and a new exhibition of member work at 11 Centre Street, Bath.

Kay Sullivan is a Maine based artist whose work from nature reflects time’s passing: its rhythms, cycles, seasons. Kay describes her work: “These places in my drawings are my home: the yard and woods where I walk, the river where I unwind. As I continue to explore this land which has been in my husband’s family for generations, I am acutely aware of time’s passing. It is evident in the changes of days and the rhythms of seasons. Through the movement of my hand, in my lines and marks, I make my connection with nature’s energy. These marks are the evidence I leave, the history of my time in this place.”

Kay’s work will be on exhibit until July 14.

Twenty Maine artist members work in a wide variety of styles and media, producing new work for every show. All work is original, with framed and matted pieces available, and sculpture in stone, clay and bronze.

The Centre St Arts Gallery, LLC, is open Wednesday through Saturday, 10:30 am to 5:00 pm, through May. June hours are Monday, Wednesday, Thursday, Friday and Saturday 10:30 am to 5:00 pm, and Sunday 12 noon to 4:00 pm.

For more information, please call 207-442-0300 during business hours. Website: centrestartsgalleryllc.com
Email: centrestartsgalleryllc@gmail.com

Mary Bourke’s “Small Things” at Greenhut Galleries

"Brothers" acrylic on panel 18 x 18 inches

“Brothers”
acrylic on panel
18 x 18 inches

Greenhut Galleries presents “Small Things”, a solo exhibition, June 1 – July 1, 2017  with an opening reception on Thursday, June 1st from 5 – 7pm.

Mary Bourke’s paintings, which focus on her childhood memories, are truly a delight to behold. In a recent article, when asked about the current subjects of her paintings Mary said the following: I ran across some old photographs that showed my parents, grandparents and all of us, there are nine siblings. I combined images, photographs and memories; I also developed a new style and technique, learning about layering colors and glazes. The paintings themselves have more depth although my bright colors haven’t changed.”

While it’s apparent that Ms. Bourke feels comfortable with experimentation and feels less restricted with her current work, she still treasures one thing that will never change: her affinity for nostalgia. We can see that when she talks about her pieces inspired by childhood memories, especially concerning her growing up on Long Island.

For more information call 207-772-2693 or email info@greenhutgalleries.com

Randy Eckard to exhibit at Richard Boyd Gallery

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Randy Eckard ~ ‘Shades of Grey’ ~ Watercolor on Paper 15” x 21”

Richard Boyd Art Gallery opens a solo exhibition of paintings by noted watercolorist Randy Eckard on June 1 at 10 a.m. A trained commercial and fine artist living in Blue Hill, ME Randy’s career as a fine artist working exclusively with watercolors spans more than three decades. Eckard is known for his use of light and shadow, with the subject of most of his paintings being light and how it defines and shapes the scene before him. His iconic architectural landscapes are expertly detailed and capture the essence of New England. Randy’s paintings have won over 190 awards in watercolor throughout New England and the Southeast. His paintings are widely collected and included in numerous private and corporate collections.

The public is invited to meet Randy at a reception at Richard Boyd Art Gallery on Saturday, June 3 between the hours of 12:00 noon and 3 p.m. where he will be available to discuss his current series of paintings. The exhibit is open free of charge between 10 a.m. and 5 p.m. daily through June 29, 2017. Additional days and times can be scheduled by appointment. For more information about the exhibit or reception please contact the gallery by phone at 207-712-1097, email info@richardboydartgallery.com or visit www.richardboydartgallery.com

Pemaquid Group of Artists opens 89th Season

Gallery Sign

The Pemaquid Group of Artists opens its 89th season on Sunday June 4, with a gala public reception from 5 until 6:30 p.m. in the Pemaquid Art Gallery located at Lighthouse Park.  The park is renowned for its panoramic views of sea, shore, and sky and the historic Pemaquid Lighthouse, which graces the Maine quarter. Refreshments, conversation with the artists and exciting new works of art will be featured.

The Pemaquid Group of Artists has invited Midge Coleman of Newcastle, Bill Hallett of  Nobleboro, Cindy Spencer of Wiscasset and Steve Viega of Walpole to permanent membership.   Sarah Fisher and Kathleen Horst both of Damariscotta and Mary Mabry  of Waldoboro  will be guest artists for the current exhibition season. They will show their work, together with that of 26 other juried members of the group, at Pemaquid Art Gallery at Lighthouse Park beginning Monday, June 5.  Thirty-three panels/exhibition spaces will be filled with original artworks in oil, pastel, watercolor, gouache, and acrylic as well as marquetry, pottery and turned wooden bowls.

New 2017 Artists at PAG

The Pemaquid Group of Artists invites you to visit the gallery often.  Ongoing sales permit the gallery to display new works continually.  The gallery is open daily from 10 a.m. to 5 p.m. through Columbus Day.  For more information, please call the gallery at 677-2752 or vist www.pemaquidartgallery.com.

The Wiscasset Bay Gallery opens 33rd season with “New England Summers”

Keith Oehmig, “About to Leave Harbor, Camden” oil on board, 24” x 30”

Keith Oehmig, “About to Leave Harbor, Camden” oil on board, 24” x 30”

The Wiscasset Bay Gallery celebrates the gallery’s 33rd season with the opening of “New England Summers.” Highlighting this show is a pair of energetically painted oils by John Fulton Folinsbee (1892-1972). “Up the Kennebec” is rendered in rich blues and greens and depicts the clear light of a Maine summer day on the Kennebec River. In contrast, “Squall” utilizes strong blacks, browns and ultramarine blues to capture two men in a dory crossing Montsweag Bay under threatening skies. Playing against Folinsbees’ intensity is Theresa Bernstein’s (1890-2002) “Sunbathers at the Beach, Gloucester” setting the mood of restful summer idyll.

Equally painterly and vibrant in color are Max Kuehne’s (1880-1968) “Sailing Out of the Harbor,” and Jay Hall Connaway’s (1893-1970) “Rising Seas.” Other twentieth century artists featured in the exhibition include William Zorach (1887-1966), Carl Peters (1897-1980), Earl Horter (1881-1940), John Checuti (1900-1976) and William Lester Stevens (1888-1969).

Jay Hall Connaway, “Rising Seas,” oil on board, 8” x 10”

Jay Hall Connaway, “Rising Seas,” oil on board, 8” x 10”

Among the contemporary New England works are views of Monhegan Island by David Kasman painted in thick, sculptural strokes and the harborfront of Camden and Rockport captured in vibrant blues by Keith Oehmig. Guy Corriero will be showing his luminous seascapes and Diana Johnson her jewel-like pastels. Scott Redfern’s oils render Maine’s soft atmospheric light with a distinctive clarity. Other contemporary artists exhibiting in the show are Carlton Plummer, Michael Graves, Tom McCobb and David Lussier.

“New England Summers” will be on display at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through July 7th. Wiscasset Bay Gallery Modern & Contemporary located at 8 Federal Street will also be open for the season and will feature surrealist photography and mid-century works. For further information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:30 am until 5:00 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

“Dorothy Eisner (1906-1984): The Cranberry Island Years.” at Gleason Fine Art

Dorothy Eisner, Boat Trip II

Dorothy Eisner, Boat Trip II

Beginning Thursday, May 25, 2017, Gleason Fine Art at 31 Townsend Avenue in Boothbay Harbor opens its first show of the season: “Dorothy Eisner (1906-1984): The Cranberry Island Years.” The show runs through Tuesday, June 27, with a reception First Friday, June 2, from 3 to 5 pm.

Dorothy Eisner’s artistic career spanned seven decades. From her Greenwich Village studio, she traveled widely, including to the American West, Mexico, and Europe. However, it was her discovery in 1960 of Cranberry Island, an enchanting small island off Mount Desert, and its vibrant community of artists that was the beginning of Eisner’s passion for Maine, a passion that lasted for 24 summers, until the very end of her life. We hope you enjoy these sumptuous paintings as much as we have. Eisner’s mastery of color will brighten your day—and perhaps your life.

“Dorothy Eisner: The Cranberry Island Years” opens May 25 and runs through June 27, with a First Friday reception on June 2, from 3 to 5 pm. Spring/Early summer hours are Monday through Saturday, 10 am to 5 pm. For further information, call Gleason Fine Art at 207-633-6849, email the gallery at info@gleasonfineart.com, or view the show, and our entire inventory of contemporary and estate art at gleasonfineart.com

UMaine Museum of Art announces Summer Exhibitions

The University of Maine Museum of Art, located at 40 Harlow Street in downtown Bangor, opens three new featured exhibitions. UMMA is open Tuesday – Saturday from 10am – 5pm and brings modern and contemporary art exhibitions to the region, presenting approximately 12 original exhibitions each year. UMMA’s summer exhibitions open to the public on May 19 and run through September 2, 2017. Museum admission is free thanks to the generosity of Deighan Wealth Advisors.

Image credit: Jason Bard Yarmosky Wintered Fields, 2015 Oil on canvas Courtesy of the artist and Aeroplastics Contemporary, Brussels

Image credit:
Jason Bard Yarmosky
Wintered Fields, 2015
Oil on canvas
Courtesy of the artist and Aeroplastics Contemporary, Brussels

JASON BARD YARMOSKY: SOMEWHERE
May 19 – September 2, 2017

Somewhere, a series of paintings, drawings and video by Brooklyn, NY-based artist Jason Bard Yarmosky, explores issues of aging and specifically, dementia and Alzheimer’s. A longtime subject of Yarmosky’s paintings is his grandmother who has played an integral role in the evolution of these works. Depicted with realistic precision, she travels through these compositions wearing assorted costumes and masks imbued with symbolism. Every feature, from wrinkles of skin to the folds of varied fabrics, is meticulously rendered. The artist states, “These large-scale portraits study expressions of dementia, confronting the viewer with psychological vulnerability. They respond to the loss of control and the subconscious mind, speaking to a dream-like state–a place intangible to those not experiencing it.”

A focal point of the exhibition is Wintered Fields, a large-scale triptych measuring six by twelve feet, that depicts the artist’s grandmother donning superhero attire. The uncanny juxtaposition of the elderly subject, who seems to be superimposed against a background of a gesturally-rendered, snow-covered field, creates an unsettling psychological tension. Also featured are several graphite drawings–some studies for larger works–that reflect the artist’s keen ability to capture the figure with striking clarity and sensitivity.

Exhibition Sponsors:
St. Joseph Healthcare/St. Joseph Hospital

The Jason Bard Yarmosky exhibition at UMMA is supported in part by a grant from the Cultural Affairs/Distinguished Lecture Series Fund.

Image credit: Susan Barnett I Wear What I Want, 2014 Inkjet print Courtesy of ClampArt, NYC

Image credit:
Susan Barnett
I Wear What I Want, 2014
Inkjet print
Courtesy of ClampArt, NYC

SUSAN BARNETT: I WEAR WHAT I WANT
Curated by George Kinghorn
May 19 – September 2, 2017

I Wear What I Want features over 100 images by NYC-based photographer Susan Barnett. The exhibition, composed of color photographs from Barnett’s Not In Your Face series, explores how the messages and graphics we choose to wear on t-shirts provide a window into our sense of style, personal philosophies and values. Barnett states that her subjects are “human billboards that advertise purposes in life, philosophies that drive us, ideologies we attest to. They are calls for action, they are calls home, they might be to honor a fallen hero, the death of a celebrity. They are the soundtrack of a city, a visual newspaper.”

The photographer traveled the U.S. and abroad to capture intriguing individuals wearing an array of styles and catchy phrases that range from raunchy text to campy cartoon imagery. Not only vehicles of personal expression, these t-shirts exhibit messages that illustrate the complex polarities of thought currently existing within the nation. Many of the screen-printed shirts pictured in Barnett’s images are emblazoned with in-your-face language that convey a spectrum of beliefs; issues of race, unyielding politics, and religion are prominently featured in these collected images. Barnett’s subjects, bodies of all shapes, ages and sizes, are pictured from behind. The messages and graphics embraced by these individuals include celebrity idolization, sexual braggadocio, rebellious pronouncements and even nods to artistic masterpieces.

Image credit: Lee Cummings Installation Detail, 2016-17 Porcelain Courtesy of the artist

Image credit:
Lee Cummings
Installation Detail, 2016-17
Porcelain
Courtesy of the artist

LEE CUMMINGS: WHAT LIES BENEATH

May 19 – September 2, 2017

In What Lies Beneath, Maine-based artist Lee Cummings creates an immersive, exuberant ceramic environment. The central installation, composed of over 300 individually sculpted forms, is inspired by an array of marine species. The stark white porcelain elements, ranging from one inch to three feet, take the form of urchins, tube worms, coral and other sea dwellers. The collective grouping of sculptures invite both macro and micro views of what lies beneath the ocean’s surface.

For the artist, the sheer quantity of unique, wondrous forms brought together reflect a “sea that is about abundance wherever life can get a foothold.” Cummings invites the viewer to contemplate the wonders of the natural world filtered through a process of creative spontaneity. Adding to the experience is the interplay of shadows created by the diverse undulating forms that inhabit floor and wall.

For more information contact: 

Kathryn Jovanelli
kathrynj@maine.edu
207.581.3370

​Best In Show: Animal-Inspired Art at Littlefield Gallery

Don Best, "Jungle Dream", relief sculpture 38 x 50 x 6

Don Best, “Jungle Dream”, relief sculpture 38 x 50 x 6

Littlefield Gallery opens its ninth season on May 26 with “Best in Show: Animal-Inspired Art.” This group show features some of Maine’s best artists including Robert Pollien, Don Best, Ben Lincoln, Diana Arcadipone and Matt Welch. The show will run through June 8.

An artists’ reception will be held June 10 from 4-6 p.m. The gallery is open daily from 11 a.m. to 5:30 p.m.

For more information contact 207.963.6005 or 207.838.4174
info@littlefieldgallery.com

Koichiro Kurita featured at Caldbeck Gallery

"Concord River" Concord MA  1991  platinum palladium print on Japanese gampi paper  30 x 24 inches Koichiro Kurita

“Concord River” Concord MA 1991 platinum palladium print on Japanese gampi paper 30 x 24 inches Koichiro Kurita

From June 2 through July 8, the Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit the platinum palladium prints of Koichiro Kurita of Lowell MA, the fine art digital prints of Jeanne Goodman of Wellesley MA and Friendship ME, as well as 5 artists in a group show: Kathleen Florance of South Thomaston, Stew Henderson of Northport, Jenifer Mumford of Tenants Harbor, John Silverio of Lincolnville, and Graham Wood of Cape Elizabeth. A reception for the artists will take place on First Friday, June 2, from 5-8 pm.

In “Watersheds”, Koichiro Kurita will show a selection of platinum palladium prints, ranging in size from 8×10 inches to 23 x 34 inches. Retracing Thoreau’s footsteps throughout New England, Kurita translates Thoreau’s philosophy into a visual dialogue. The artist writes, “When I was a commercial photographer, I had a fateful encounter with…Thoreau’s WALDEN. It was reminiscent of Chuang-Tzu’s philosophy and very close to the Oriental way of understanding nature. My work is the expression of these mysterious junctures in nature, including the connections between myself and nature. The artist’s works have been exhibited internationally and collected by numerous museums, including the Museum of Fine Arts in Boston, The Museum of Fine Arts in Houston, the Los Angeles County Museum of Art, the Tokyo Fuji Art Museum, and recently, the Farnsworth Art Museum. This is his first exhibition at the Caldbeck.

MORNING GLORY 2017 archival digital print 12 x 12 inches Jeanne Goodman

MORNING GLORY 2017 archival digital print 12 x 12 inches Jeanne Goodman

Jeanne Goodman explains her new work: “In my recent project; Sea Glass, rather than succumb to the beauty of the spectacle for its own sake, I have experimented with layering physicality into the photographs by using glass objects, salvaged from flotsam and jetsam along the shore, to filter and disrupt my images. The imperfections imbedded in the found glass objects illuminate the visible and the invisible in unpredictable ways, creating the lush textures and disorienting illusions that help to evoke rich and emotional memories.” Measuring 7 ½ x 7 ½ inches and 12 x 12 inches, the 18 fine art digital prints are printed in archival inks on archival museum etching paper. Now Goodman leads exhibition tours at the Institute of Contemporary Art in Boston, training with working artists from around the world, artists whose art is as challenging and provocative as it is inspirational.

In the group show, Kathleen Florance will exhibit 5 new works from her “Tango” series. Stew Henderson’s painted wood wall pieces, called “Family”, refer to the research he is doing on his family’s genealogy; Jenifer Mumford will show 2 drawings in charcoal on paper, one measuring 47 x 34 inches, and 24 x 24 inches; John Silverio will show a number of his fibonaccci based drawings in watercolor on paper, as well as one in wood; and Graham Wood, who is the director of the Ocean House Gallery in Cape Elizabeth, will show small constructed panels in painted wood.

Early summer gallery hours are Wednesday – Saturday 12-4, and Sunday 1-4. For more information, please call the gallery 207-594-5935 or email caldbeck@midcoast.com

Mars Hall Gallery – St. George Sales into Summer 2017

LB-Monhegan Laundry

Mars Hall Gallery will celebrate the holiday weekend as part of “St. George Sales into Summer”. The annual event runs Memorial Day through Friday, June 16th, the gallery will be open by appointment only.

The show offers an eclectic mix of paintings by watercolorists Leo Brooks, Nat Lewis, Greg Mort, Cam Noel, Elaine Reed and Carl Sublett; acrylic and oil paintings by Nancy Baker, Kris Johnson, Roger Kirby, Sharon Larkin, Maurice Michel Lode, Elaine Niemi, Jimmy Reed, Manuel Rincon, Holly Smith and Ron Weaver; and black and white pinhole photography by Antonia Small.

Also on display will be a large variety of 3-D Art by Bill Cook, Jay Hoagland,  and Elaine Niemi; a variety of quality crafts including driftwood fish by Claire Perry; decoupage by Davene Fahy; carved decoys by Stephen Hill; mixed-media cards by Eleanor Zuccola and stained glass, pottery and mosaics by Dona Bergen. The gardens will be alive with two exhibits; “The Recycled Zoo” by Brian Read and “Heavy Metal Mobiles” by Jay Hoagland. A large collection of antiques, vintage jewelry, unique junque and farm fresh eggs are also available.

The gallery is located 12.7 miles down the St. George peninsula at 621 Port Clyde Road/Route 131. For more information, call 372-9996 or 372-8194 or visit marshallgallery.net or email marshallgallery@roadrunner.com

Opening Exhibitions at Barn Gallery

Untitled by Diana Shank

Untitled by Diana Shank

An exciting new season of art exhibitions and programs by artists of the Ogunquit Art Association begins Wednesday, May 24. Opening Exhibitions include ‘OAA Expressions,’ an exhibition with a wide variety of subject and medium and ‘Anything Goes,’ a playful exploration of new media and artistic collaboration. Invited New England Sculptors exhibit in the outdoor Sculpture Court. Sculptor Judy O’Donnell and painter Diana Shank Showcase their work in the North Gallery.

Join them for a free Gallery Talk on Thursday, June 15 at 6:00 PM.

Circles by Judy O'Donnell

Circles by Judy O’Donnell

Barn Gallery, Shore Road & Bourne Lane, Ogunquit, Maine
May 24 – June 24. Hours: 11 AM – 5 PM daily, 1 – 5 PM Sunday
FMI: 207-646-8400 or oacbarngallery@gmail.com. www.barngallery.org

Turtle Gallery Opens for 35th Season

Screen Shot 2017-05-29 at 1.09.57 PM

L to R: Arthur Hardigg, Galen Davis, Rebecca Goodale

 

Turtle Gallery is Opened its 35th season on Saturday, May 27th with new work from all gallery artists.

2017 Schedule
Open Memorial Day Weekend Thru Columbus Day
Tuesday-Saturday 10-5:30 and Sunday 2-6
Opening receptions 2-6 pm

Sunday June 11

Zuzonna HUOT – New Work
Susan MANGAM – Paintings from Four Islands
Treacy ZIEGLER – Bronzes
Karl SCHRAG – Small Gouaches in House Gallery
Focus on Glass with Gabriel Greenlaw,
David Jacobson and more

Sunday July 9

Siri BECKMAN – Selected Works
Jeff LOXTERKAMP – Paintings
Barbara SULLIVAN – Portraits of Women
Peter KEMBLE – New work
Black & White Print Show in House Gallery
featuring Vaino Kola, Gene Shaw,
Brian Keegstra and more

Karl Schrag Gouache

Karl Schrag Gouache

Sunday August 6

Lynn DURYEA – Structures
Paul HEROUX – New Works
Jaap Eduard HELDER – Paintings
Jamie JOHNSTON – Constructions
Sondra BOGDONOFF – New Work
Sunday September 3

Alix BACON – Paintings
Mary BARNES – Mixed Media
Anderson GILES – Paintings
Alice SPENCER – New Work

We look forward to celebrating 35 years of art and creativity with you in Deer Isle this summer! For more information call 207.348.9977 or visit TheTurtleGallery.com

CMCA Announces Summer 2017 Exhibitions and Events

Sara Stites + Jenny Brillhart, studio view

Sara Stites + Jenny Brillhart, studio view

The Center for Maine Contemporary Art (CMCA) in Rockland is celebrating its one-year anniversary in its stunning new building, designed by internationally acclaimed architect Toshiko Mori, with an exciting and diverse lineup of exhibitions and events.

Early Summer Exhibitions & Events

  • Sara Stites + Jenny Brillhart: Temporality, May 20 – August 13, 2017 
  • William Wegman: Reel to Real, June 10 – October 22, 2017
  • John Walker: From Seal Point, June 24 – October 29, 2017
  • Opening Reception, Saturday, June 24, 5-8pm
  • William Wegman, public presentation, Tuesday, July 25, 5:30pm
William Wegman, Joke Paper, 1972-1973, video, 0:54

William Wegman, Joke Paper, 1972-1973, video, 0:54

Late Summer Exhibition & Events

  • Linden Frederick: Night Stories, August 19 – November 5, 2017
  • CMCA Summer Gala, Friday, August 18, 6:30-9pm
  • Artist’s reception, Friday, August 25, 5-8pm
John Walker, 2017, studio view

John Walker, 2017, studio view

Exhibitions opening in early summer 2017 will showcase the work of artists William Wegman, John Walker, Jenny Brillhart and Sara Stites. A public reception celebrating the early summer exhibitions and artists will be held on Saturday, June 24, from 5 to 8pm.

On Friday evening, August 18, the CMCA Summer Gala will coincide with the opening of the exhibition, Linden Frederick: Night Stories, a collaboration between the artist and fifteen of America’s most acclaimed fiction writers. An artist’s reception, open to the public, will follow on Friday, August 25, from 5 to 8pm.
Linden Frederick, Liquor, 2016, oil on linen, 36 x 36 inches

Linden Frederick, Liquor, 2016, oil on linen, 36 x 36 inches

CMCA hours for Summer 2017 are: Monday – Saturday, 10am-5pm; and Sunday, 12noon – 5pm. Closed Federal Holidays. Admission is $8; free for those under 18; $6 for seniors and students with ID. For more information, please visit cmcanow.org.

BOB THOMAS’ ABSTRACT PAINTINGS AT SOUTHPORT LIBRARY

bob Thomas painting
The Southport Memorial Library is pleased to announce a wine and cheese reception to open an exhibit of Edgecomb artist Bob Thomas’ work on Thursday evening, May 4th from 7 until 9 o’clock.
Thomas, whose work is vibrant, deeply textured modernist paintings, was born in the United States, but spent most of his first 18 years in Beirut, Lebanon, where his father worked. His current work, landscape-inspired abstracts, was influenced by the textures and layers of the ancient walls and buildings he knew during those years, combined with the blues, greens, and oranges of Maine’s coast, forests, and sunsets.
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Thomas’ paintings will be on display at the Southport Memorial Library, 1032 Hendricks Hill Road in Southport from May 4th until July 30th. One-third of the price of any painting sold during this exhibition will be donated to the library. The Southport Memorial Library is open Tuesdays, Thursdays and Saturdays from 9am to 4pm, with additional evening hours of 7pm to 9pm on Tuesdays and Thursdays.
For further information, contact the Southport Memorial Library (207-633-2741) or Bob Thomas (207-882-5569).

Marilyn Turtz exhibition at Dowling Walsh Gallery

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“Ms. Turtz has perfected the art of distilling a scene’s essence without getting bogged down in fussy detail. She has an especially sensitive way with atmosphere, catching with equal skill mist over morning fields, afternoon’s golden glow, and the lengthening shadows of evening.” – Helen A. Harrison, The New York Times

Marilyn Turtz’s paintings capture the quiet serenity in a moment of pause. Her works depict time passing through a shifting landscapes. Light and shadows reveal a scene or object’s perceptual qualities, heightening the everyday to the sublime.

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Marilyn Turtz received her MFA from Brooklyn College in 1985, where she studied with such notable artists as Lois Dodd, Phillip Pearlstein and Lennart Anderson. Her BFA, from Pratt Institute was awarded in 1978. Her paintings have been shown in New York City, Long Island, Maine and California. Her work is in the permanent collection of the Heckscher Museum in Huntington and the Long Island Museum in Stony Brook. Turtz has been an Artist in Residence at The Heliker-LaHotan Foundation on Great Cranberry Island, Maine, Weir Farm Trust in Wilton, Ct. and Cummington Community for the Arts in Cummington, Ma. She has received public and corporate commissions from such organizations as Cold Spring Harbor Laboratory, the City of Glen Cove and the New York City Arts for Transit, Metropolitan Transit Authority.

OPENING RECEPTION: FRIDAY, MAY 5, 5-8PM

For more information:
Dowling Walsh Gallery
365 Main Street, Rockland, Maine 04841
207-596-0084 | info@dowlingwalsh.com

Landing Gallery in Rockland opens the Season

“Morning View to North Haven from Pendleton Point, Islesboro, Maine” oil/linen, 16” x 14”  by Sarah Faragher

“Morning View to North Haven from Pendleton Point, Islesboro, Maine” oil/linen, 16” x 14” by Sarah Faragher

Landing Gallery, 409 Main St in Rockland opens this Season with the “2017 SEASON INVITATIONAL”, May 5 – May 21. Specializing in work celebrating the “Environment and Nature in Maine”. New works by Scott Baltz, Andrew Anderson-Bell, Roberta Baumann, Bruce Busko, Tom Curry, Sarah Faragher, Brian Krebs, Monique Lazard, Marlene Loznicka, Björn Runquist, Robert Stebleton, Liliana Thelander, Jill Valliere & J.M. Wilde are included in the exhibition. The Artists’ Opening Reception will be held on Friday, May 5th from 5-8 PM during Arts In Rockland’s first Friday art walk for 2017.
Please join us in the gallery. Hours: Wed – Sat 11-5, Sun 12-5, Closed, Mon & Tue. FMI 207 239-1223 or LandingArt.com

Art Space Gallery Opening May 5th

Teddi-Jann Covell, San Beach New Year's Day, oil

Teddi-Jann Covell, San Beach New Year’s Day, oil

Art Space Gallery invites you to the first opening reception of this season on Friday May 5th from 5 to 8pm. This reception will introduce the three new Maine artists in our front room, Teddi-Jann Covell, Keith Plummer, and John Wood.

Teddi-Jann Covell is a Fine Art oil painter who lives and works in Orono, Maine. Teddi-Jann primarily creates, “Plein-aire” style all year, all around the state. She is represented in Fine Art Galleries such as North Light Gallery in Millinocket, River Arts Gallery in Damariscotta and Harlow Gallery in Hallowell. Teddi-Jann is also a member of several artists Co-Ops including Saltwater Gallery in Pemaquid and Southwest Harbor Artisans. “My art is a reflection of my love and passion for Maine, for Baxter State Park and for the rugged coast of Maine and all her secret spots in between!

Keith Plummer, Narwhale, mix media

Keith Plummer, Narwhale, mix media

As a self taught metal smith and sculptor, Keith’s experimental evolution has lead him to create a body of work that incorporates the precision of metallurgy with an inventive transformation of bone into anthropomorphic form. He is inspired to use ancient processes that result in textures, colors, and a spirit not found in modern, manufactured jewelry. While working under magnification, Mr. Plummer adds minute details to create an overall effect of an artifact from a lost civilization. Keith hopes his jewelry pieces become memorable conversation pieces and spark discussions about this ancient craft.

John Wood, At Lobster Cove, watercolor

John Wood, At Lobster Cove, watercolor

Moving to New York in the 70s, Wood studied oil painting under the tutelage of Michael Aviano at the National Academy in NYC. In 1996, Wood switched his style to watercolors, and location to Philadelphia where he studied with James McFarlane and Frank Webb. He joined the Watercolor Society of both Pennsylvania and Baltimore and exhibited at the Berman Art Museum and Woodmere in Pennsylvania. Moving to Maine in 2008, Wood resumed the oil painting and studied locally with Ron Frontin. “I find that my portraits and landscapes in oil and watercolor compliment each other,” he said. As proof of his words, Wood was accepted in both mediums into the prestigious juried Tri-County Biennial in Florida where he now winters.
Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland. The gallery features works by nineteen artists who work in various media and genres. May hours are 11am to 4 pm on Wednesday through Saturdays. Visit our website for more information at www.artspacemaine.com.

New Exhibitions Open at Caldbeck, Friday May 5

BREATHING LIGHT, 2017 oil on wood panel 24 x 12 inches

BREATHING LIGHT, 2017 oil on wood panel 24 x 12 inches

From May 1 through May 27, the Caldbeck Gallery, 12 Elm Street in Rockland, will exhibit new work by Krisanne Baker of Waldoboro, in an exhibit titled  “Breathing Light: explorations below the ocean’s surface of what makes life above possible”.  Also hanging, “A Flower Show”, an exhibit of work by 10 artists.  Two of those artists are showing at the Caldbeck for the first time: Annie Bailey of Tenants Harbor, and Bayard Chanler of Rockport. The other 8 artists are Cicely Aikman, late of Friendship, Elizabeth Awalt of Swans Island, Lois Dodd of Cushing, Jeff Epstein of Cushing, Maggie Foskett, late of Camden, Nancy Glassman of Searsmont, Paul Plante, late of Oquossoc, Barbara Sullivan of Solon, and Nancy Wissemann-Widrig of Cushing.  A reception will take place on First Friday, May 5, from 5-8 pm.

In Baker’s exhibit, the 18 paintings in oil on wood panel measure 8 x 8 inches, 12 x 12 inches, and 24 x 12 inches.   Focusing on the underwater scenes that she witnessed last summer during her Monhegan Artists Residency, the artist brings to light what we normally don’t see.  “There’s a whole world down there that we know less about than we do the moon”, says Baker.  “I feel it’s vital for people to learn that the oceans, and all the waters from upstream that lead to the oceans, are the lungs and arteries of this planet.  The waters keep flowing and pumping; we need to respect the oceans for their life giving function – not just for the fish, whales, and phytoplankton that live in them, but for all of us.  Those life giving components of the ocean web create the material that all living things depend on”.   This summer, Baker will take part in a 2 week artist residency at the Shoals Marine Laboratory on Appledore Island in Maine.  There, she will do her own research and exploration of phyto and zooplankton, and will also share her artistic vision with the lab’s students of marine field science.  Together, artist and students will creatively connect the disciplines of art and science.   In addition to the paintings in her Caldbeck show, Baker will install in a front window, “Phytoplankton: Living, Breathing”, her sculpture made from recycled glass.

 

BEYOND COSMOS 1999 2/3 Cliché Verre 20 x 16 inches Maggie Foskett

BEYOND COSMOS 1999 2/3 Cliché Verre 20 x 16 inches Maggie Foskett

A FLOWER SHOW

In “A Flower Show”, 10 different artists give 10 different interpretations and visions of nature.  Annie Bailey’s loose interpretations are like short poses in figure painting – no time to describe in detail, just give the flow of color and shape.  Bayard Chanler’s oil paintings carry the charm and warmth of the tradition of flower still life painting. Maggie Foskett’s cliché verre photographic print of a mirror imaged iris, portrays the voluptuousness of mother nature.  Cicely Aikman’s primal Florida palm flowers do the same.  Elizabeth Awalt steeps us in Maine’s springtime.  Each of the 10 artists shows us that flowers in art will never grow old or out of date.

Exhibitions run May 1 – May 27, 2017
Reception: First Friday, May 5, 5 – 8 pm

Spring Hours: Wednesday – Saturday, 12-4

FMI: caldbeck@midcoast.com   www.caldbeck.com   207 594 5935

39th Annual Student Art Show at Barn Gallery

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Reception: Friday, May 12 from 4 to 6 PM.
Exhibition: Saturday and Sunday May 13 and 14—1 to 4 PM

Imagination and energy will fill Barn Gallery to overflowing as students from area elementary, middle and high schools exhibit their latest works of art. The artistic skill and enthusiasm of the young artists shine forth in a variety of media and subjects. They are delighted, as were many of their parents and grandparents before them, to have their artwork in a ‘real’ gallery. Thanks go to Gary W. Tirrell for sponsoring this event in memory of Norman West.

FMI: 207-646-8400 or oacbarngallery@gmail. com

The Sohns Gallery presents Relief Works by Artist John LeBlanc

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Located in The Rock & Art Shop, the show runs from April 4th to June 4th. A reception and artist talk will be held on May 12th from 5 to 7pm.
John LeBlanc’s relief works are created with thick impasto acrylic paint and many layers of cardboard adhered together.  John likens his artwork approach to that of a jazz musician. Each mark becomes a note which helps to determine the following mark. Within the loose framework of his subject matter, John elaborates his marks into endless variations of pattern and color. The depth that LeBlanc is able to achieve with his relief works is truly worth seeing in person.
A reception and artist talk will be held on May 12th from 5 to 7pm. The reception will be combined with the Bangor Symphony Orchestra’s Sweets, Shopping, and Bubble fundraising event at The Rock & Art Shop. Three members of the Orchestra will be on hand to play live music in the gallery. Sweets from Specialty Sweets and champagne will be provided. A portion of all sales made from this event will be donated back to the Bangor Symphony Orchestra.
For more information please contact the Sohns Gallery:
(207) 947-2205 or  therockandartshop@gmail.com

New Art Show at the Wine Cellar Art Gallery downstairs at John Edwards Market

Credits - Provincetown Tanager, By Brian Emerson; Downeast Icons, by Matthew Barter; Squirrel by Brent Ander

Credits – Provincetown Tanager, By Brian Emerson; Downeast Icons, by Matthew Barter; Squirrel by Brent Ander

 

For the months of April & May, we are very happy to host the works of Matthew Barter, Brian Emerson, & Brent Anders.

We welcome Matt Barter, currently of Richmond, Maine. Matt is showing paintings on board and canvas. These pieces focus on iconic Downeast images and the stories of the people who live here told in bold, bright colors and a homegrown primitive style. We are so glad to hang his work.

We are very happily showing new works by Brian Emerson of Portland. Brian’s paintings on board and canvas pop with an exuberant abstract style that sings the joy of the moment. Reflective garden discoveries and seaside musings are portrayed with seemingly carefree strokes and saturated colors. We love supporting Brian’s work.

Brent Anders is an artist new to the Wine Cellar Gallery, and we are excited to host his work. Brent resides in our own fair Ellsworth. His pieces are exacted with such realism, one is impelled to step closer for a better look. Maine wildlife and classically illustrated lighthouses are rendered with colored pencil, pastels, & watercolors. We are delighted to welcome Brent to our gallery.

An opening of this show is planned in conjunction with a wine tasting for Friday, May 5th, from 5:00 – 7:00 pm. Please join us.

Please visit the Wine Cellar Art Gallery. We are open daily. Contact 207-667-9377 or johnedwardsmarket.com

Pathways by Jeff Woodbury on display at Vestibule 594

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Pathways by Jeff Woodbury will be on display from May 1st to May 30th with an opening reception on First Friday, May 5th from 5-8pm. Don’t miss it! This will be the final opening reception at Vestibule 594. Located at 594 Congress Street, this street-level gallery is a viewing glass for passersby and art enthusiasts alike.

“I work concurrently on a range of ideas in a variety of media. I grew up in a military family, as part of an invisible rootless tribe. The way I work reflects my nature and my nurture. My work and my life are paths crossing others, connecting and diverging, fashioning patterns of people and choices and ideas and feelings. It’s all in the mix.

It’s difficult to categorize my work as a whole. I usually work through ideas in series of related pieces, yet some stand alone. Sometimes ideas are set aside, only to be picked up years later.

I choose materials to express my thoughts, and the materials in turn suggest more ideas. My art lives not just in the final product, but in its making, and in its relation to other work.

I enjoy the freedom to explore where my ideas lead. I want to share the wonder I find. It’s not my intention to lead you to specific interpretations or conclusions. Words stand in the way of the direct experience of visual art. You’re part of the process now. Relax and enjoy.” -Jeff Woodbury

William Irvine & Nancy Morgan Barnes at Greenhut Galleries

William Irvine, Resting Fisherman, oil on canvas

William Irvine, Resting Fisherman, oil on canvas

 

Nancy Morgan Barnes and William Irvine are storytellers.
Irvine paints his stories in the place between the abstract and the real. Morgan Barnes leads us through narratives that are not what they initially seem. Born in South Bend, Indiana, Morgan Barnes received her undergraduate degree from St. Mary’s College in South Bend, Indiana, and her graduate degree from Indiana University.
Irvine grew up in Troon, Scotland and is a graduate of the Glasgow School of Art in drawing and painting. He moved to Maine in the 1960’s.

Nancy Morgan Barnes, Bear and Hare, oil on board

Nancy Morgan Barnes, Bear and Hare, oil on board

For more information contact Greenhut Galleries :
146 Middle St
Portland, Maine 04101
207-772-2693
www.greenhutgalleries.com

Artists reception Thursday, May 11 from 5-7pm
Exhibition on display May 4 – 27
Gallery Hours: Mon -Fri 10-5:30pm, Sat 10-5pm

Maine Farmland Trust Gallery shows “Inside View”

 

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Margaret-LaFarge,-1800-farm-house,-14-18×1014

 

Maine Farmland Trust Gallery shows “Inside View” of Barns and Farm Houses

 

Belfast. Machias watercolorist Margaret LaFarge has lived in Maine since 1980. Her intimate paintings transport us across time and space, into the rooms of farmhouses with which LaFarge has a special connection. “These are primarily homes I have lived in,” she points out. “And so my paintings revolve around family, memories and history.”

The farmhouse interiors depicted in paintings such as “Horse Hair Chair” and “1800 Farm House” hail from New England villages that once had a vibrant farming community. “But a lot of farming has disappeared here,” said LaFarge. “It’s so sad to see old farmhouses fall apart. I am fortunate that my family has always maintained them.”

 

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 Tessa O’Brien, Headlights, acrylic, enamel, dye on panel, 48 x 48”,

An old box of photos took painter Tessa O’Brien on a trip down memory lane, to a time in her childhood when her parents and their friends built a timber frame together. “Everyone stayed and camped out with their babies and dogs. I just love those images, and the memories they conjure up,” said O’Brien.

In her bold, colorful paintings, the timber frame itself became a symbol for community, sustainability and craftsmanship. “I was pursuing my MFA at the time,” O’Brien explained. “And visually, I loved the structure of the timber frame as an image in its own right. I’m primarily interested in paint – the possibilities of it, the textural quality – but I need an organizing principle to direct my work.”

 

Leslie-Harris-600-00-Hayloft-20x16-oil-on-linenboard

Leslie Harris, Hayloft, oil on linen board, 20x16”,

 

What followed was much like a community engagement project. “I started hunting down timber frames in Maine, and ended up meeting the people building them, and hearing their stories,” O’Brien shared. “I love the stories that go along with the buildings, and the way these structures interact with the land.”

The Portland painter recognized that the subject matter of farm houses runs the risk of being nostalgic. “While I started from a place of nostalgia that is not what I want to communicate. I want to show the present-day possibilities, which are very alive in Maine, and ask what these traditions can bring us now.”

With The Inside View, Maine Farmland Trust Gallery is aiming to show a variety of interior views of farms: old and new; still used for farming or transformed into an artist’s space; the family’s kitchen table versus the cow’s barn. The group show includes oil paintings, acrylics, mixed media, drawings and photography by artists Julie Cyr, Kerstin Engman, Leslie Harris, DiTa Ondek, Susan Smith, Sarah Szwajkos, and afore-mentioned Margaret LaFarge and Tessa O’Brien.

The Inside View will be on exhibit from April 3rd through June 23rd. There will be artist talks at 5:00pm on Friday May 26, followed by a reception as part of the Belfast Art Walk from 5:30-8:00pm.

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. On Fourth Friday Art Walks, the gallery is open until 8pm. More information can be found at www.mainefarmlandtrust.org/public-outreach-new/gallery/ .

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

 

Upcoming Events at Harlow Gallery

Harlow logo
UPCOMING  EXHIBITIONS

Hector Arrache

Hector Arrache Retrospective & Sale
On View: April 19-28, 2017
Opening Reception: Friday, April 21, 5-7pm
A retrospective exhibition and sale of works by Maine physician, poet and artist, Hector Arrache. He passed away unexpectedly in April of 2016. Arrache’s family has generously donated a large body of his work to the Harlow for the purpose of benefiting the non-profit gallery that Hector frequented for over 25 years. Works will be on display with a suggested retail price or best offer.

EVENTS

Pinhole
SECOND SUNDAYS: Pinhole Photography
Lewiston Pinhole photograph by Johanna Moore Sunday, April 9, 2-4pm

In light of Worldwide Pinhole Photography Day on April 30, 2017, join us to learn about the rudiments of pinhole photography with Johanna Moore. Build your own camera and jump-start your adventures in analog photography. All welcome. No registration necessary.

Paper Cutting
Paper Cutting w/ Leslie Miller
Sunday, April 30, 2-4pm

Explore a true folk craft and investigate several forms of paper cutting as you make the craft your own. During this workshop participants will experiment using various tools and papers.

Tuition: members: $40 adults/$35 kids, non-members: $60 adults/$55 kids. Ages 10 and up, children under 12 must be accompanied by an adult. Payments must be received in advance in order to reserve spaces.

Harvest Art

The Art of Harvest with Heather Rose
Heather Rose Workshop Sunday, May 28, 2-4pm

Create a work of art that you eat! Discover how a handful of harvest is made of so much more than what meets the mouth. Gain knowledge about a wide variety of botanical beauties throughout the seasons, harvested fresh from local farms and gardens. Arrange an artful bouquet, reflect and take home to devour! Diverse colors, shapes and flavors will awaken the senses and connect us with creativity, nourishment and possibility.

Tuition: $25 Members/$30 non-members + $10 materials fee. This workshop is open to anyone ages 10 and up, children under 12 must be accompanied by an adult. Payments must be received in advance in order to reserve spaces.

CALL FOR ARTISTS

summer show

Summer Members’ Show
Helene Farrar Encaustic Deliver artwork: Saturday, June 24, 12-6pm

Artist members are invited to submit one piece of art for the annual Members’ Show and Sale. All media welcome, including but not limited to painting, drawing, printmaking, fiberarts, photography, sculpture and fine craft such as ceramics, wood, metal and mixed media. One work of art per member.

For More Information contact:

HARLOW GALLERY
160 Water Street
Hallowell, ME 04347
kvaa@harlowgallery.org
207-622-3813

Maine: The Way Life Is at Greenhut Galleries

Colin Page Waterfront Oil on canvas 24 x 36 inches

Colin Page
Waterfront
Oil on canvas
24 x 36 inches

Greenhut Galleries is celebrating its 40th year anniversary ALL YEAR, and what better way than to throw a full gallery invitational exhibit honoring the state of Maine. We are pleased to announce our upcoming exhibit of paintings by 50 local artists in our new biennial fondly titled: Maine: The Way Life Is.

It’s easy to see why artists have been coming to Maine for over 100 years. So many are drawn to the rugged coastline, the islands, the wild beauty and isolation of this majestic state. The landscape is an obvious inspiration and has been captured time and time again in classic works by some of the most skilled artists, from Winslow Homer to Andrew Wyeth, from Thomas Cole to Frederick Church.

rita Holmquist Last Light Oil on linen 24 x 36 inches

Brita Holmquist
Last Light
Oil on linen
24 x 36 inches

What interests us about many of these iconic scenes is how they translate to our contemporary culture. We have curated this invitational with artists who each have a unique vision of what “Maine” means to them. The result makes for an exciting, thought-provoking, dynamic and diverse exhibition!

Dedicated to showing the finest art made by Maine’s best artists, Greenhut Galleries is pleased to have you join us in celebrating our wonderful state of Maine. Discover something new, stay curious, LOVE ART.

The exhibit runs April 6-29 with an Artists reception, Saturday April 8, 1 – 3 pm. Gallery hours are Mon – Fri 10am – 5:30pm and Sat. 10am – 5:00pm. For more information please contact info@greenhutgalleries.com

Three New Shows at CMCA

Piper-Cub

Piper Cub

Who can do anything better than this propeller? Can you? —Marcel Duchamp, speaking to Constantin Brancusi in front of an airplane, 1914

The most noticeable thing about artist Mark Wethli’s Piper Cub is that it’s incomplete; the abstract framework of an airplane rather than one that’s ready to fly. Piper Cub’s identity is further complicated, like Magritte’s famous pipe, by its uncertainty. Is it an actual plane, a sculpture of a plane, a full-scale model of a plane or in some sense (in its idealized, Platonic forms) the prototype of a plane? Although it’s not an actual aircraft (one that can be flown) it’s built from the original plans, identical to a real Piper Cub in every detail and dimension including the use of actual Piper Cub parts for the windshield, landing gear, and tires.

Significantly, Wethli has done nothing to artistically modify or interpret the plane, other than painstakingly recreating and presenting it (or, one might say, re-presenting it), suggesting that the “art” of the piece resides in its conceptual nature (posing questions such as the ones above) rather than its formal one.

At the same time, by presenting Piper Cub in a gallery setting, Wethli seems to beg the question of the aesthetic nature of mechanical objects and our categorical approach to beauty. By handcrafting the plane (with help from a team of friends and fellow artists in the final stages), Wethli seems to be encouraging us to look for beauty in unexpected places, not least of all in the contemplation of uncertainty, the joys of memory, and the beauty of sheer abstract form.

Mark Wethli (b. 1949) is a painter and public artist who lives and works in Brunswick, Maine, where he is also the A. LeRoy Greason Professor of Art at Bowdoin College. Continually asking the viewer to contemplate their own awareness of knowing and seeing, Wethli has explored many forms in his artwork including painting, sculpture and installation, both representational and abstract.

 Piper Cub, 2007, pine, birch plywood and aircraft parts, 35 x 22 x 7 ft., private collection

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David Driskell, Renewal and Form

“Religion and ritual and the mythic are concerns I have always nurtured in my art.” – David Driskell

Boldly drawn and richly patterned, David Driskell’s imagery in his prints, as in his collages and mixed media work, derives from his childhood experiences growing up in the rural South, his deep love for the Maine landscape, and his in-depth knowledge of and appreciation for African art and textiles. Presented in this exhibition are selected examples of the artist’s recent woodcuts, serigraphs, linocuts, and monoprints.

Widely respected as an artist, curator, educator, and scholar of African-American art, David Driskell (b. 1931, Eatonton, Georgia) has been a summer resident of Falmouth, Maine, since 1961. He was first introduced to the state while attending the Skowhegan School of Painting and Sculpture in 1953. When not in Maine, Driskell lives in Hyattsville, Maryland, where he is Professor Emeritus of Art at the University of Maryland, College Park, and where the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora honors his contributions to the field.

David Driskell began making prints in 1952 while attending Howard University in Washington, D.C. Professor James L. Wells, considered the dean of African-American printmakers at the time, introduced him to lithography and woodcuts. Woodcuts have remained a favorite medium throughout Driskell’s career. As he often did not have access to a printing press, he came to rely on the traditional manual method of producing relief prints: rubbing the back of the paper with a wooden spoon. Like the painter’s brush, a simple tool such as the spoon links the artist’s mind, eye, and hand directly to the work.

Exhibition Sponsor | Greenhut Galleries, Portland, Maine

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Sam Cady, Parts of  the Whole

“The world is emblematic. Parts of speech are metaphors, because the whole of nature is a metaphor of the human mind.” —Ralph Waldo Emerson

The first full-scale retrospective of the work of artist Sam Cady, this exhibition presents a broad selection of the artist’s emblematic shaped and rectangular paintings created over four decades, as well as a sampling of drawings, studies, and recent “fragments,” painted abstractions culled from the remainders of the shaped canvases. Ever tuned to seeing aesthetic possibility in the most mundane of objects, Cady turns these discards into explorations of pure color, form, and edge, adding another “part” to the whole.

Born in 1943 in Boothbay Harbor, Maine, Sam Cady has been sailing and exploring the coast of Maine his entire life and the imprint of the state’s rugged topography, numerous offshore islands, and waterfront industries is threaded through his art. After receiving a BA from the University of New Hampshire and an MFA from Indiana University, he taught in the graduate program at the School of Visual Arts, NYC, from 1984 to 2007. Throughout this period, he split his time between New York and his home and studio in Friendship, Maine, where he lives today. The urban/rural divide that defined his life for so many years is evident in the range of his subjects from highway overpasses to boats on jack stands.

Foe more information, visit http://cmcanow.org/

MFT Gallery presents “In Dialogue with Nature”

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Robert Pollien (courtesy of Dowling-Walsh Gallery)

 

In Dialogue with Nature is currently on display until March 24th, with artist talks and a closing reception on Friday March 17 at 5pm. New work by MFT Gallery artists Julie Cyr, Dahlov Ipcar, Sheep Jones, Christopher O’Connor and Lou Schellenberg on the second floor.

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J. Thomas R. Higgins (courtesy of Greenhut Gallery)

 

Belfast. In the summer of 2016, four artists spent a month living and creating at Rolling Acres Farm in Jefferson. More precisely: a month of observing and noting, walking and musing, painting and drawing, collecting and interacting with the soil, the water, the weeds, woods and sky.

These four artists, all from Maine, were the very first artists-in-residence at Maine Farmland Trust’s Joseph A. Fiore Art Center, an initiative started last year in collaboration with the Falcon Foundation in Damariscotta, which holds the works of late artist and environmentalist Joseph A. Fiore (1925-2008).

The Joseph A. Fiore Art Center at Rolling Acres Farm aims to actively connect the creative worlds of farming and art making by way of exhibitions and public educational events, through research and development of new farming practices and by hosting residencies for artists on a working farm.

David Dewey, trustee and curator of the Falcon Foundation and co-director of the Fiore Art Center believes that an artist residency is an important creative interlude from the demands of life, which allows artists time to refresh their creative batteries and develop their art work with a clear mind. “We all need a break at times; the residency program can be a valuable period of critical artistic growth that both the artist and the public can benefit from.”

The four 2016 artists-in-residence Thomas R. Higgins*, Robert Pollien*, Thérèse Provenzano and Susan Smith are now exhibiting the work created during their month at Rolling Acres Farm at the Maine Farmland Trust Gallery in Belfast. The exhibition, titled In Dialogue with Nature, is on display until March 24th, with artist talks and a closing reception on Friday March 17, at 5pm. (*Higgins appears courtesy of Greenhut Gallery, Pollien appears courtesy of Dowling-Walsh Gallery.)

The artists each had their own unique approach and experience. Higgins, a landscape painter who worked mostly in oils, followed by some drawing, shared: “Having the unobstructed freedom to come and go as I please has resulted in the opportunity to focus on subject matter not explored in recent years, and the chance to get to know a few locations intimately.” Pollien, also a landscape painter, said: “The month was very productive and I find that the intensity of the residency has carried over nicely. The time spent working and thinking deeply about painting continues to be of lasting value.”

 

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Thérèse Provenzano

 

Provenzano, pastel painter, spent many a day right outside the glass doors of her barn studio. “My residency at Rolling Acres Farm provided a new lay of land to digest, en plein air.  The sky read imposing, vast or aloof. Rain and clouds made their presence known. Reaching and digesting the land, alone and unencumbered […], took precedence.”

The vibrant greens and lively brush strokes of Higgins’ paintings; the reverent stillness which Pollien is able to evoke with his coastal views and clouds; Provenzano’s meditation on the S-curved farm road meandering down to Damariscotta Lake – each speak to a different aspect and experience of the fields, water and sky at Rolling Acres Farm.

 

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Susan Smith

Smith took a different approach entirely. Her site-specific art practice lies somewhere between the archeological, ideological, experimental and ephemeral. She collected rusty old bits of farm equipment, branches, soil and plant materials, and created intricate eco-prints by tightly wrapping these different ingredients into cloth “bundles,” then steaming them. Her work wants to be touched, and speaks straight to the soul of buried history, sleeping memory, and connection to land that longs to be known.

___

In Dialogue with Nature is currently on display until March 24th, with artist talks and a closing reception on Friday March 17 at 5pm. New work by MFT Gallery artists Julie Cyr, Dahlov Ipcar, Sheep Jones, Christopher O’Connor and Lou Schellenberg on the second floor.

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrustgallery.org.

The Joseph A. Fiore Art Center at Rolling Acres Farm, located at 152 Punk Point Rd, Jefferson, is accepting applications for 2017 residencies until March 1st. More information can be found at https://www.mainefarmlandtrust.org/public-outreach-new/jaf-art-center/.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

 

 

 

Assemblage Works by Joe Kennedy & Wally Warren at The Sohns Gallery

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The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents Assemblage Works by Joe Kennedy & Wally Warren.
The collective works of artists Wally Warren and Joe Kennedy are thought provoking, unique and inspiring. Working with found and recycled objects; both sculptors create works from items most of us may dispose of too easily, without even thinking twice. Both artists seem to enjoy seeing relics of a useful past whose time has ended, being reborn again to serve us in a different yet fulfilling way. Delighted to emerge themselves in whimsical and fantasy worlds, each creates their own style that may transcend you to another place and time. Kennedy and Warren have been neighbors on Stream Road in Ripley for decades and Warren, a lifelong artist, has served as friend and mentor to Kennedy-a plumber turned found-object artist.

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The show runs from Feb 13th – April 2, 2017 and can be viewed any day between 10am and 6pm in The Rock & Art Shop. Please, join us for a Reception and Artist Talks will be held on March 3rd, at 6:30. For more information contact therockandartshop@gmail.com

Yarmouth Frame and Gallery presents Enchanted

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Yarmouth Frame and Gallery presents Enchanted, a show of 23 gallery artists. Featured artist is Jennifer Van Cor who has painted a colorful body of work from Provence France. Her 14th annual painting holiday with college friends. In her own words, “Each painting of Provence is done with the joy that this shared experience evoked. The visual stimulus and the feeling of being connected to fellow artist friends has influenced the sense of color, space and the choice of content.” FMI: 207-846-7777 visit us on facebook or twitter or website: www.YarmouthFrameAndGallery.com

Mother Earth – Sister Moon at Rock and Art Shop

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Mother Earth – Sister Moon – paintings and drawings by Kay Carter will be on display in the Back Gallery at Rock and Art Shop, 36 Central St, Bangor from April 4 to April 23. The opening is April 7 from 5:00-7:00 pm. All are welcome.

These paintings and drawings were inspired by a connection with both the natural and nocturnal environment. The Full Moon Rising series, completed mostly in pastels, was created between June and November 2016 on-site in New Mexico and Maine. From the stillness of the New Mexico desert in June, to moon rise during a Bangor waterfront concert in August, and the Supermoon rise over Blue Hill and Bucksport in November the series tells a diverse story of our activities within the cycles of time.

The drawings and paintings in the show, created in oil, pen and ink, charcoal, and nero lead each looks closely at minutia in our environment. The style varies between realism and abstraction.

For more information call (207)944-7814 or email kaycarter08@gmail.com

Young Artists Takeover the Galleries at Waterfall Arts

Young Artists Take Over Gallery

To celebrate Arts Advocacy Month this March, Waterfall Arts presents the second annual Young Artists Gallery Takeover exhibit which opens with a reception on Friday, March 3 from 5 to 8 pm. The reception is free, everyone is welcome to attend, meet the artists and enjoy the show.

Young people from Waldo County schools and youth groups created the artwork filling the galleries. The purpose of the exhibit is to recognize these young people as our next generation of creative artists. Arts Advocacy Month emphasizes the value of art education for all children and encourages support for quality school art programs. It also provides a forum for recognizing skills developed through visual arts experiences that are not possible in other curriculum subjects.

Young Artsit Jazmine Garnier and Youth and Family Outreach Coordinator Bridget Matros

In addition, the show will highlight what’s going on with the arts in the schools and recognize art educators and teachers. The Young Artists Takeover exhibit will be up through March 30th; gallery hours are 10 to 5 Tuesday through Friday and by appointment.

Since 2000, Waterfall Arts has served as the midcoast area’s non-profit community art center, offering innovative classes, open print, clay and photography studios, exhibitions, studio rentals, and cultural events. Youth and family programs are supported by the Green Store, the Kendel Kennedy Fund, the NLT Foundation and the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. Waterfall Arts is located at 256 High Street in Belfast. For more information, visit waterfallarts.org or call 207-338-2222.

Greenhut Galleries’ “Abstraction”

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Kayla Mohammadi

 

Abstraction
abˈstrakSH(ə)n
1. freedom from representational qualities in art
2. an invitational group show of 25 Maine artists at Greenhut Galleries in Portland
February 2 – 25, 2017

Please join us!
Artists reception, Saturday, February 4, 1 – 3pm

Daniel Anselmi, Chris Beneman, Grace DeGennaro, Ingrid Ellison,
Tom Flanagan, Alison Goodwin, Ken Greenleaf,
Jaap Eduard Helder, Elizabeth Hoy, Jon Imber, Penelope Jones, David Kelly, Richard Brown Lethem, George Lloyd, Frederick Lynch, Kayla Mohammadi, Lisa Noonis, Tom Paiement, Sandra Quinn, Noriko Sakanishi, Jenny Scheu, Claire Seidl, Lori Tremblay,  Dietlind Vander Schaaf, Willa Vennema

Greenhut

FMI,  www.greenhutgalleries.com
Greenhut Galleries
146 Middle Street
Portland, ME  04101
207-772-2693

info@greenhutgalleries.com
Gallery hours: Mon-Fri 10-5:30, Saturdays 10-5

Harlow Gallery presents The Venn Project

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On View: February 3 – March 11, 2017 | Opening Reception: Friday, February 3, 5-7pm

The Harlow Gallery presents The Venn Project, featuring the work of Pamela Hetherly, Anita Morrissey, and Nancy Keenan Barron. The Venn Project is on view February 3 – March 11, 2017 with an opening reception on Friday, February 3, from 5-7pm. Both the exhibition and the opening reception are free and open to the public.

The three artists came together in the spirit of the Venn diagram: what they share, what they don’t.  Each artist claims one circle as her own and shares a piece of that circle with the other two. (A Venn diagram is a concept developed by John Venn in 1880.   He used overlapping or non-overlapping circles to show relationships.  Where the circles overlap, something is shared or in common.  Where the circles do not overlap, items are different.)

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Eighteen months ago artists Anita Morrissey, Pamela Hetherly and Nancy Keenan Barron began meeting regularly to paint together from life.  They explain their process as follows:

We took notes of our similarities and differences.  As the months passed we observed the others’ ways of working, challenged each other, and broadened our thought processes.  We observed how our individual practices changed and evolved from the influence of the others.  The goal of the project was to notice what worked, to try new things, and to support each other in this process.

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Early on in the project, it became clear that one large shared, overlapping piece in the Venn diagram for all three artists was the Harlow Gallery. We first met each other at the Harlow, we are all longtime members and have all benefited greatly from the Harlow community.

The artists invite the viewer to take note of the similarities, the differences and the changes that took place in their work during their 18-month-long project.

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For more information visit: http://harlowgallery.org/the-venn-project/

Miller Student Art Show at Tidemark Gallery

Self Portrait, Bryson Oulette, grade 5, Miller School

Self Portrait, Bryson Oulette, grade 5, Miller School

“Young Hearts,” a valentine-themed Miller student art show opens at Tidemark Gallery on Thursday, February 9, from 4 to 6pm (snow date Friday, February 10). This mid-winter tradition began five years ago as a collaboration between school and gallery to showcase the students’ art in a professional setting and make time for families and friends to celebrate our creative and talented youth.

Nathan Fogg, Miller School Art Teacher, says “The Young Hearts Art Show is a wonderful opportunity for students at Miller School to showcase their creativity, problem solving and technical abilities in the visual arts in a professional gallery setting.  We welcome you to come see the wonderful work on display by our student artists!” 

Miller’s students and PTO members will lend their enthusiastic help in setting up the exhibit and providing refreshments.

Snow cancellation announcements will be made on Tidemark Gallery’s Facebook page and at tidemarkgallery.com

UMaine Museum of Art announces Winter Exhibition

Brenton Hamilton, Little Mask Face, 2015,  Multiple gum bichromate,  Courtesy of the artist

Brenton Hamilton,
Little Mask Face, 2015,
Multiple gum bichromate,
Courtesy of the artist

The University of Maine Museum of Art, located at 40 Harlow Street in downtown Bangor, opens three new featured exhibitions in January. UMMA is open Tuesday-Saturday from 10 am – 5 pm and brings modern and contemporary art exhibitions to the region, presenting approximately 12 original exhibitions each year. UMMA’s winter exhibitions open to the public on January 13 and run through May 6, 2017. Admission to the Museum of Art is free in 2017 thanks to the generosity of Deighan Wealth Advisors.

BRENTON HAMILTON: 20 YEARS

January 13 – May 6, 2017

Maine-based photographer Brenton Hamilton employs unconventional approaches to photographic techniques and materials to achieve his layered, dreamlike visions. This exhibition surveys Hamilton’s long career creating images using 19th century handmade photographic processes.

Serving as inspirations for Hamilton’s compositions are his ongoing studies of cultural history, sciences, early medicine, minerals and oceanology. Often working with collage and using liquid photographic emulsions as paint, Hamilton pushes the traditional boundaries of photography, offering a fresh interpretation of the medium. A wide range of historic processes including cyanotype, black glass ambrotype, tintype and gum bichromate –as well as an astonishing hybrid of media –offer a bridge between the antique and the postmodern. The exhibition also includes 18th century sculpted heads and objects that provide a glimpse of the unique source material often depicted within the artist’s compositions.

Brenton Hamilton received his MFA in photography from the Savannah College of Art and Design and is the Chair of the Professional Certificate Program in Photography at the Maine Media Workshops.

Siobhan McBride, Bones, 2014, Gouache on paper on panel, Courtesy of the artist

Siobhan McBride,
Bones, 2014,
Gouache on paper on panel,
Courtesy of the artist

SIOBHAN MCBRIDE: FOUR HOUR FORTUNE COOKIE

January 13 – May 6, 2017

Siobhan McBride works primarily in gouache on paper to render places and scenes that are imbued with incongruities, memories, and psychological tension. McBride comments that the depicted scenes, “are tense with anticipation, or blushing in the aftermath of an unseen event.” They are “descriptions of awkward experiences, passages from books and film fragments, things caught in the corner of my eye, and an attempt to conjure slippery memories.”  

McBride creates works that are steeped in mystery–images that hover between the humorous and the eerie. Bold light amplifies an array of realistically rendered objects and environments, and in doing so accentuates the unsettling nature of things obscured within shadows. When viewed from a distance McBride’s constructed images crystalize, but while up-close the surface is a complex abstract accumulation of colored shapes. Siobhan McBride received her MFA in Painting from the University of Pennsylvania.

Jared Cowan, Untitled, 2001, Cast bronze with video, Courtesy of the artist, Photo credit: Mat Thorne

Jared Cowan,
Untitled, 2001,
Cast bronze with video,
Courtesy of the artist,
Photo credit: Mat Thorne

JARED COWAN: THE LIFE OF DAVID

January 13 – May 6, 2017

In The Life of David, Maine-based sculptor, video and installation artist Jared Cowan presents a new series of works that explore the monumental events in the life of Emilio David Mazzeo (1920-1997). In 1948 Mazzeo, a marathon cross-country runner, was the fourth American to cross the finish line of the Boston Marathon and a member of the United States Olympic Team at the Summer Olympic Games in London.

The cast bronze works, video components and interactive construction in this exhibition are inspired by the oral retelling of Mazzeo’s life through family and friends. Later in life, Mazzeo experienced a catastrophic loss of his legs. This life altering event is reflected in the bronze forms the artist has cast from the actual prosthetic legs of his subject. Through these glimpses of Emilio David Mazzeo’s life story, Cowan conveys a message of perseverance over tragedy. The artist suggests that the “folkloric acquisition of materials speaks to the legend building that occurs while passing on information, and marks an end point in the thematic gradient that spans past and present works.” Jared Cowan received his Bachelor of Arts in Studio Art in 2001 from the University of Maine.

For More Information please contact:
Kathryn Jovanelli
207.561.3350
kathrynj@maine.edu
www.umma.umaine.edu

The Cynthia Winings Gallery presents The Mid-Winter (Valentine’s Day) Show

Jerry Rose, Ledges, Oil on panel

Jerry Rose, Ledges, Oil on panel

A group exhibition featuring the artwork of Jenny Brillhart, Tim Christensen, Avy Claire, Devta Doolan, Sarah Doremus, Buzz Masters, Carol Pelletier, Jerry Rose, Nisa Smiley

Evening Reception: Friday, February 10th, 5:00 – 8PM.

Devta Doolan, Pave Spinel and Gold Earrings

Devta Doolan, Pave Spinel and Gold Earrings

Cynthia Winings, Woman In Coat, Oil on panel

Cynthia Winings, Woman In Coat, Oil on panel

This is a one day event where the gallery is shining with creative expression – Come for the art, stay for the buttered rum. Please dress warmly. Everyone is Welcome!
Please contact Cynthia Winings for more information at info@cynthiawiningsgallery.com or 917.204.4001

The Sohns Gallery presents “Taking Flight”

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The Sohns Gallery, located in The Rock & Art Shop, presents: Taking Flight, A Silent Art Auction to Benefit Avian Haven. The show runs from January 3rd – February 10th.

Twenty-six local artist have artworks with bird themes hanging in this beautifully diverse show. All the artworks will be sold through silent auction with 50% of the starting bid going to the artist and all other proceeds being donated to Avian Haven.

Avian Haven, in Freedom, Maine, is the largest non-profit wild bird rehabilitation center in New England. With a mission that includes research and education as well as rehabilitation. They are dedicated to the return of injured and orphaned wild birds of all species to natural roles in the wild. Avian Haven is not funded by any governmental agencies. All operating expenses are covered by private donations and foundation grants.

For more information please contact the Sohns Gallery
Sohns Gallery (207) 947-2205 therockandartshop@gmail.com

MEMBER SHOW AT CENTRE ST ARTS GALLERY

Mossy Woods, Sarah Harvey

Mossy Woods, Sarah Harvey

Centre St Arts Gallery, LLC, celebrates the new year’s first exhibition, at 11 Centre Street, Bath. 

Twenty Maine artist members work in a wide variety of styles and media, producing new work for every show.  All work is original, with framed and matted pieces available, and sculpture in stone, clay and bronze.

The Centre St Arts Gallery, LLC, is open Wednesday through Saturday, 10:30 am to 5:00 pm, Through April.  For more information, please call 207-442-0300 during business hours.  Website: centrestartsgalleryllc.com.  Email: centrestartsgalleryllc@gmail.com

Introductions: New Work for the New Year at Camden Falls Gallery

"Pemaquid Light" by Taddeus Retz

“Pemaquid Light” by Taddeus Retz

Camden Falls Gallery would like to introduce five artists who are new to the gallery with a limited showing of “New Work for the New Year.” This brief preview of things to come in 2017 will be on view through the third week of January, when we will be closing our doors for three months for our annual winter hiatus.

The youngest of our five new artists is Taddeus Retz, who began his artistic career working primarily as a sculptor. An avid student of the fine craft and history of classical painting, Retz has pursued various avenues of study to expand his technical expertise as a painter. It was through an exhaustive study of the old masters that Retz developed an appreciation for the principles of tone, value, and composition that inform his work. His lovely oil “Pemaquid Light” exhibits his mastery of texture, color, and form. Today, Retz has a journeyman’s discipline that belies his youth, painting outdoors or in his studio every day.

"Downeast Roses" by Barb Walker

“Downeast Roses” by Barb Walker

It has been said that all we really have is the present moment. Barb Walker has the enlightened person’s ability to delve deeply into the singular experience that each moment presents, and to translate that experience into unique plein air work. Primarily self-taught, Walker draws inspiration from diverse sources such as workshops, books, videos, and even podcasts. Like Retz, she puts in daily hours at the easel and in close observation of the natural world around her. Maine’s coastline and small villages have been a regular painting vacation destination for this midwesterner to experience northern New England, submersed in the moment to experience it profoundly.

"The Old Boat Yard" by Ken DeWaard

“The Old Boat Yard” by Ken DeWaard

For over 30 years, Ken DeWaard has been challenging his powers of observation by painting en plein air as much as possible, in locations as varied as Cape Ann, Laguna Beach, Sonoma, and Florida. DeWaard has taught at the Academy of Fine Art in Denmark, Wisconsin, and has conducted art workshops around the country. DeWaard, his wife, and four children now reside amidst a wealth of natural beauty as recent arrivals to the town of Hope, Maine.

"July on the Bay" by Charles Fenner Ball

“July on the Bay” by Charles Fenner Ball

The son of a famous railroad historian and photographer, new artist Charles Fenner Ball developed a love of trains and the richness of landscape at an early age. He is especially drawn to the colors and contours of the southwest, as well as the New England coast. These starkly contrasting landscapes are continuing sources of inspiration for new work. The forthright simplicity of “July on the Bay” features the front side of a shoreline house emblazoned with sunlight. Two windows seem to gaze back at the viewer like opaque eyes, masking the interior life within. A placid, deep blue bay recedes to island silhouettes against a paler sky. Ball characterizes his paintings as “having a representational style, a dose of impressionism, with a slightly contemporary edge.”

"Sandy Point" by J.C. Airoldi

“Sandy Point” by J.C. Airoldi

New artist Julie (J.C.) Airoldi enjoyed a successful 10-year career in commercial graphics before pursuing her longtime dream of painting professionally. A graduate of the Massachusetts College of Art and Design, she is currently an artist member of the North Shore Art Association in Gloucester, as well as the Rockport Art Association. Airoldi was also elected into the prestigious Guild of Boston Artists in 2012. She and her family reside in Hampstead, New Hampshire. Airoldi’s two small oils, “Star Island” and “Sandy Point,” both portray shoreline vistas with great sensitivity and subtlety. In describing her plein air painting experience, Airoldi writes, “I feel so fortunate to witness ordinary scenes made extraordinary by light and atmosphere… and then set out to capture the spirit of my experience in my work.”
As we bring our 2016 season to a close, we invite you to visit the gallery to learn more about these new artists and enjoy a small sampling of their work. Camden Falls Gallery is open daily from 10am-5pm through the third week of January. For more information, please call 207-470-7027 or visit our website at www.camdenfallsgallery.com.

Art in the Capitol Special Exhibit: Painting Islands: Uniting Community with Art

Moores Harbor, Isle-au-Haut. Photograph by Howie Motenko.

Moores Harbor, Isle-au-Haut. Photograph by Howie Motenko.

The Maine Arts Commission is pleased to announce the opening of a special exhibit in its Art in the Capitol program. “Painting Islands: Uniting Community with Art” by Maine photographer Howie Motenko explores collaborative art using the photographic technique of light painting on all 15 of Maine’s un-bridged, year-round islands. The exhibit is free to the public and on display until June 30, 2017 on the second floor of the State House in the Governor’s Reception area.
“We selected these photographs to showcase Maine’s rich island heritage, and the ways in which the arts can bring communities together,” said Julie Horn, the Visual Arts Program Director for the Maine Arts Commission and the curator for Art in the Capitol. “These photos are lush with color and light and bring attention to one of Maine’s provincial regions, which makes them a perfect fit for the Governor’s Reception area.”
Motenko’s mission in the “Painting Islands” project, funded in part by the Maine Arts Commission, was to create participatory art with each island community through the medium of light painting photography. The result is 15 highly color saturated, archival pigment prints that represent Maine’s island community’s choices of images that best represent them. For a full year beginning in June of 2015, Motenko, working in partnership with the Maine Seacoast Mission and the Island Institute, visited, discussed and documented each island. The artistic collaboration began with island residents selecting a subject that resonated most strongly with their community. Next, at dusk, island volunteers “light painted” their self-selected scene with flashlights to complete the artistic collaboration: they illuminated the most significant image of their community while Motenko created a long-exposure photograph of it during the blue hour. The relationship of the artist’s vision and the islanders’ combined illumination created a glowing image reflecting each island’s unique identity and collective values. The project is designed to create a stronger sense of community for each island. To learn more about this project please visit www.paintingislands.com.

Swans Island Quarry. Photograph by Howie Motenko.

Swans Island Quarry. Photograph by Howie Motenko.

“Everyone who takes part in creating an image like this can feel proud,” Motenko said in The Mount Desert Islander earlier this year. “I know that the people who shine flashlights will remember exactly where they were and what they lit that night.”
Photographer Howie Motenko is a resident of Mount Desert Island who has spent the past nine years photographing Acadia National Park and local area. He says that “Travel and landscape photography are in my blood,” and has visited six continents, 30 countries and 26 states. Additional projects have included “Painting Bridges: Uniting Community with Art,” studies of the carriage road bridges at Acadia National Park, and Acadia Photo Safari.
The Art in the Capitol program features rotating exhibits throughout the Capitol Complex and offers an additional venue to expand the audiences for Maine artists or artists working in Maine on Maine-based themes. Exhibitions are self-guided and may be viewed during the building hours where the exhibition is on display. Building hours: Maine Arts Commission Office 8:30 a.m. – 4:30 p.m., Monday through Friday; State House and Burton M. Cross Buildings 8 a.m. – 5 p.m., Monday through Friday. To learn more about the Art in the Capitol Program please contact Julie Horn at julie.horn@maine.gov or 207-287-2713.

Mars Hall celebrates “Yuletide in St. George”

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“Transit of Venus” by Antonia Small

Mars Hall will celebrate the holiday season as part of the “Yuletide in St. George” annual festival. Join us for hot cider and cookies on Friday, Nov. 25th & Saturday, Nov. 26th from 10 – 4 or by appointment.

The gallery offers a large variety of gift items including handmade Santa’s and homemade dog biscuts by Karen Zola, handmade soaps by Stone House Road Apiary, driftwood fish by Claire Perry, decoupage boxes by Davene Fahy, carved decoys by Stephan Hill and mixed media sculpture by Bill Cook, Jay Hoagland, Constance Kiermaier and Elaine Niemi. The “Recycled Zoo” by Brian Read and “Heavy Metal Mobiles” by Jay Hoagland will be on display inside as well as outside in the gardens. Also available are handmade Christmas ornaments, mosaic lamps, antique negative mirrors, stained glass, pottery and a wonderful selection of vintage jewelry, antiques and collectibles.

An eclectic mix of ART is available by artists Leo Brooks, Kris Johnson, Roger Kirby, Sharon Larkin, Nat Lewis, Maurice Michel Lode, Greg Mort, Elaine Niemi, Cam Noel, C.W. Oakes, Elaine Reed, Jimmy Reed, Manual Rincon, Holly Smith, Carl Sublett, William Thon and Ron Weaver. Also on exhibit are Antonia Small’s black & white pinhole photographs. Also available are affordable works by guest artists.

The gallery is located 12.7 miles down the beautiful peninsula at 621 Port Clyde Rd. in Martinsville. For more info call 207-372-9996 or 207-372-8194 or visit www.marshallgallery.net.

For all of you from “Away”, ( as they say in Maine), have a Happy, Healthy and Safe Holiday Season and Wintah! Thank You for supporting the ARTS and we look forward to your return in 2017.

Art Space Gallery Invites the community for the Holidays

art-space

Art Space Gallery invites you to the December “Arts in Rockland” first Friday art walk.  We will be hanging a new show in our front room.  Please stop by and join us for wine, refreshments and meet our artists on Friday, November 25th, from 5 to 8 pm.  Unlike our usual first Friday events, this month we will be featuring all of our gallery artisans in the front room with a focus on winter. Come kick off the holiday season with a fun evening in Rockland while enjoying the arts.

Art Space Gallery is located at 342 Main Street across from the Strand Theater in Rockland.  The gallery features works by nineteen artists who work in various media and genres.  December hours are Wednesday through Saturday 11 am to 4 pm.  Visit our website for more information at www.artspacemaine.com or join us on Facebook for up to date gallery news.

SIMPLE PLEASURES ~ A HOLIDAY CELEBRATION

Winter Interlude by Angelo Franco, oil, 12” x 16”

Winter Interlude by Angelo Franco, oil, 12” x 16”

Sylvan Gallery is proud to present their annual holiday exhibition, “Simple Pleasures,” featuring a selection of small works of art by contemporary masters from December 3, 2016 through January 14, 2017. This exhibition features works in oil, acrylic, and pastel with many of the paintings being 11” x 14” or smaller. The subject matter is the artists’ choice and includes a versatile selection of Maine landscapes and coastal views, winter snow scenes, local farmscapes, European cafe and street scenes, and figurative works.

Garden Thistle by Heather Gibson Lusk, oil, 7” x 5”

Garden Thistle by Heather Gibson Lusk, oil, 7” x 5”

Enjoy giving the gift of art this holiday season, and treat yourself too! The gallery artists whose work will be on display include Peter Layne Arguimbau, Al Barker, Joann Ballinger, Angelo Franco, Nina Fuller, Susannah Haney, Neal Hughes, Charles Kolnik, Heather Gibson-Lusk, Robert Noreika, Crista Pisano, Ann Scanlan, Polly Seip, Laura Winslow, and Shirley Cean Youngs.

For more information, call Ann Scanlan at 882-8290 or go to www.sylvangallery.com. Also, find Sylvan Gallery on Facebook. The gallery is open Wednesday through Saturday from 11:00 a.m to 5:00 p.m. at 49 Water St., Wiscasset, on the corner of Main Street (Route 1) and Water Street, next to Red’s Eats.

Holiday Show at Greenhut Galleries

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Join Us For The Holiday Show…
December 1- 31, 2016

We’re Having a Party!
Reception Saturday, December 3rd 1-3pm

Join us in celebrating the season and our Greenhut artists.
Welcome the new owners Kelley Lehr and John Danos.
Toast Peggy Golden with a champagne sendoff in appreciation of her vision, her tireless work on behalf of Maine artists, and her enormous contribution to the Portland art community as she embarks on her retirement.

Gallery Hours: Mon – Fri 10am – 5:30pm
Sat. 10am – 5:00pm
info@greenhutgalleries.com
www.greenhutgalleries.com

The Forth Annual All Small Art Show Reception to be held Dec. 2nd

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The Sohns Gallery, located in The Rock & Art Shop at 36 Central Street, presents The Forth Annual All Small art show. The show is the largest yet with 56 local Maine artist. Each artist was given three small (6”x 6”) birch wood panels and asked to create. The result is one of the our most diverse gallery shows. Artist’s works include a wide variety of mediums from wax encaustics, cardboard relief, screen prints, carved wood, to, collage, assemblage, oil and fused glass works. The 168 All Small works hung together on the gallery wall provide a great viewing experience and the size of the works helps keep the prices accessible.
Curator Annette Dodd says “this show is a great way to encourage gifts of art, with the show ending on Dec. 24th just in time for Christmas. It is traditionally one of our best received shows.”
The show runs from Nov 2nd – Dec. 24th and can be viewed any day between 10am and 6pm in The Rock & Art Shop. An artist’s reception will be held on Dec. 2th at 6:30 with refreshments and a live band (Tough End String Band).
For more information contact the Sohns Gallery at (207) 947-2205 or at therockandartshop@gmail.com

2016 Handmade Art/Craft/Show/Sale at Waterfall Arts

 

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Photo: top row – J. Ottino Graf, L. Moore, D. Mitchell, Moonbeam, A. Dove middle row – J. Delicata, E. Louden, M. Bolles, E. Hope Bottom row – J. Rose, J. Hardy, L. Jones

Waterfall Arts’ annual Handmade Art and Craft Show and Sale returns to the Clifford Gallery on Friday, December 2nd, with a glittering opening party: everyone is welcome to attend. The juried show includes work from over one hundred artists and crafts people from all over Maine and some from a little bit beyond the border. The proceeds from sales benefit both the vendors and Waterfall Arts.

Finely made glass, ceramics, jewelry, prints, drawings, paintings, sculpture, specialty foods, soaps, tea, cards, textiles, journals, vintage treasures, home furnishings, décor, calendars and more are included in the show. Efforts have been made to keep prices low; almost all the items are under $100 with the majority well below that. There is truly something for everyone at the Handmade Show.

The opening night party, on December 2nd from 5 to 8 pm, will be merry occasion with refreshments from Moody Dogs and other vendors. The gallery will be decorated and stuffed with exceptional merchandise and the Bridge Art Studio will be open for hands on activities. There’s also a Free Range Music Series concert with Starcrossed Losers + Hollow Horse in the Fallout Shelter beginning at 7:30. Tickets at the door are $10 or go to freerangemusicseries.com for advance tickets.

The Handmade show runs through Friday, December 23rd; hours are 12 noon to 6 pm on Wednesdays, Thursdays, and Fridays and from 10 am to 2 pm on Saturdays and Sundays. The show will be also be open during Belfast’s Early Bird hours on Saturday Dec. 3rd from 6 to 9 am. Stop in for the best pickings and free hot chocolate. Arrangements to shop at other times can be made by calling the Waterfall Arts office at 338-2222.
Waterfall Arts is located at 256 High Street in Belfast and is supported by yearlong sponsors Revision Energy, All Creatures Acupuncture and Cold Mountain Builders and by the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

For more information on the Handmade Show, classes, exhibitions, studio rentals and events, visit waterfallarts.org, stop by or call 338-2222.

AIA Maine Design Awards Exhibition Comes to Waterfall Arts

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The Maine branch of the American Institute of Architects will showcase project submissions for the 2016 AIA Maine Design Awards program at Waterfall Arts from December 2nd to 23rd. The Corridor Gallery exhibit opens with a festive reception shared with Waterfall’s Handmade show on Friday, December 2 from 5 to 8 pm. All are welcome to attend.

Featuring over sixty projects from Maine’s local architectural community, the exhibit celebrates the best of Maine’s architecture and showcases the various ways in which architects design buildings that respond to Maine’s natural and built landscape.

The compilation of projects is a result of AIA Maine’s 35-year old Design Awards program. The program solicits projects from member architects for a juried review by a group of nationally prominent peers from outside of the state of Maine. This year’s New Haven-based jury was selected for their individual accomplishments and collective understanding of Maine’s climate and geography. The jury awarded eleven total projects and was impressed with the overall work presented.
Waterfall Arts is located at 256 High Street in Belfast and is supported by yearlong sponsors Revision Energy, All Creatures Acupuncture and Cold Mountain Builders and by the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
Gallery hours through December 23rd are Tuesday through Friday from 10 to 5 and Saturday and Sundays from 10 to 2 or by appointment.

For more information on the AIA exhibit, classes, studio rentals and events, visit waterfallarts.org, stop by or call 338-2222.

Sandra Leinonen Dunn opening at Roux & Cyr

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Roux & Cyr International Fine Art Gallery invites you to a solo exhibit featuring Sandra Leinonen Dunn. Please join us for wine and Cheese on First Friday December 2 from 5:00 – 8:00. This exhibit runs through December 30.

Sandra Leinonen Dunn Is a prolific Maine painter who is well known throughout the State. Her skills are admired for her beautiful colors, her soft delicate touch as well as her pronounced brushstrokes. She captures atmospheric conditions in nautical scenes and chiaroscuro (coming out from shadow into the light) in her still life paintings. She impresses with her depictions of porcelain and copper for her realistic yet emotional interpretations.

Leinonen Dunn brings us a varied collection of recent works. She will be present at the opening. Come meet the artist and enjoy her beautiful paintings.

Roux & Cyr International Fine Art Gallery is truly Uniting the World Through Art.

Our Studio Exhibit, also opening on December 2, will be showcasing the works of Portland’s Katharina Gifford. She focuses mainly on figurative works, portraits and still life. Trained classically at the Florence Academy of Art, her oil paintings reflect rich color and a deep understand of light.

Please join us for these two wonderful exhibits along with works of 25 artists from 10 different countries. Both artists will be present for the opening. We look forward to seeing you soon!

For more information contact: Susan Roux • 207-576-7787 • rouxandcyrgallery@gmail.com

Small Asian brush by Jean Kigel at Archipelago

edible-wild-food-red-currant-asian-brush-jean-kigel perspicacity-parrot-asian-brush-jean-kigelviennese-waltz-asian-brush-jean-kigel  Archipelago / The Island Institute Store / on 386 Main Street in Rockland presents small, affordably priced Asian brush paintings by Jean Kigel. Kigel painted them on 2”x15” Shikishi Boards, a Japanese product made from fine handmade, absorbent “rice paper” called “shuen” laminated to a hard board backing edged by gold. The result is stunning. These must be seen in person to be fully appreciated, as they are seriously cool little works of art.  

Kigel’s bright paintings, executed with wolf and sheep bristles,  are drawn from three separate series:  Edible Wild Plants, Orchids, and Exotic Animals. In addition, Kigel is re-introducing unframed prints for the holiday season. 

For more information:

Archipelago
386 Main Street
Rockland, ME  04841

207.596.0701

Unique Attic Window Series by Jean Kigel at Gifts at 136 Damariscotta

 

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Gifts at 136 on Main Street in Damariscotta presents a unique series of Attic Windows paintings by Waldoboro artist, Jean Kigel. Attics occupy a special space directly below the pitched roof of a house. Once common in New England houses, attics are now obsolete architectural structures. These awkwardly shaped spaces, with exposed rafters and difficult-to-reach corners, are generally used for storage. Vast troves of family papers in neatly tied bundles, heaped beside dusty Seth Thomas clocks, and sea chests of clothing stored in attics, reveal family histories.

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“There is something romantic about an attic.” In Kigel’s paintings the viewer is invited to take a virtual look from the street into attic windows to imagine the history within. Kigel travels Mid-Coast Maine towns, seeking unusually shaped attic windows, in the form of crescent moons, polygons, or ornately arranged and decorated multi-panes. Her compositions consist of apexes of old New England homes clustered into an architectural community. In these compositions harmonized of colors and shapes create a distinct personality of a given town. Gifts at 136 is open seven days a week from 10-5

Member Show at Centre St. Arts Gallery

Zebra Head, Hackenberg

Zebra Head, Hackenberg

Centre St Arts Gallery, LLC, is celebrating a new, All Member Exhibition. Twenty Maine artist members work in a wide variety of styles and media, producing new work for every show.  All work is original, with framed and matted pieces available, and sculpture in stone, clay and bronze.

Founding member Marnie Hackenberg’s work will include images from her recent trip to Africa.  Other members’ works will include local scenes, still life, land and seascapes, and abstracts. 

The gallery is open 6 days a week through Dec. 30, 2016; closed Tuesday.  Open Monday, Wednesday, Thursday, Friday, and Saturday 10:30 to 5:00 pm, Sunday noon to 4 pm.

 For more information, please call the Centre St Arts Gallery at 207-442-0300.

“ESTATE SALE” opens at Landing Gallery

“TURQUOISE WAVE” BY JANET LEDOUX  OIL/PANEL 6” X 12”

“TURQUOISE WAVE” BY JANET LEDOUX OIL/PANEL 6” X 12”

Landing Gallery, 409 Main St. in Rockland is pleased to announce the opening of “ESTATE SALE” with collections from three Mid Coast Estates, opening on Friday, November 4 through December 18.  Art, antiques and vintage collectibles are offered at extremely affordable prices, just in time for Holiday gift giving.  Bids are welcome and all reasonable offers will be considered. 

The “ESTATE SALE” includes paintings by Siri Beckman, Bruce Busko, Janet Ledoux, Colin Page, Andrea Peters, Maude Olsen, Eugene Quinn, Bjorn Runquist and Jane Ryan.  There is a large collection of new (some signed) and antique Art Books.  Victorian oak furniture including a high chair, two child’s chairs, a cradle and a 54” round dining table with two extensions.  There are many new and antique signed etchings, photographs and posters, cameras, silver and diamond jewelry, kerosene lamps and a large assortment of vintage and antique home accessory items.

A wine & cheese opening reception will be held on Friday, November 4th from 5 – 8 pm, during Arts in Rockland’s November art walk.

Hours: Weds – Sat 11– 5, closed on Sun, Mon & Tues. For more information please call 207 239-1223 or visit www.LandingArt.com.

Fourth Annual GLOW SHOW at Waterfall Arts November 12

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Every year, for one night, the rooms and hallways of the former Andersen School go dark so revelers can “ooo” and “ahh” their way through an interactive installation of all things that glow, flicker, sparkle and shine. 

The fourth annual Glow Show takes place at Waterfall Arts on Saturday, November 12 from 6 to 10 pm. This All Ages Art Happenings (AAAH), described as “the most psychedelic party in Belfast” and “an arts and craft rave for kids,” attracted over 250 visitors last year, and plans are in the making to prepare for more big crowds!

This one of a kind event is inspired by holidays around the world that “light the darkness” of late autumn, and by the illuminated artwork of the organizer, Bridget Matros. The newly opened “Bridge Studio” on the first floor will feature a magical gallery of work by Matros and her students, as well as the many super-fun light-up toys from years past – the Wall of Lite Brites being a favorite! 

Downstairs, the Fallout Shelter will be exclusively lit by black lights (provided by event sponsors, Marshall Wharf Brewing Company). Isolating the room from “normal” light will give optimal glowing effects, so the beverages, snacks, toys, sensory tables, catwalk, and neon posters can reallylight up. 

This year, by request, there will be a bigger dancefloor, a Neon Fashion Show, and possibly performances from young local artists.  Another new addition is a “Glowtography Booth” for capturing those white smiles. There will be Glow Show souvenirs for sale in addition to the refreshments, and fun prizes will be given away at random!

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Tickets at the door are $5, $3 for kids under 12. Recommended for ages 6 and up, parental supervision required – stay and play!

All Ages Art Happenings, created by Waterfall Arts’ Youth and Family Outreach Coordinator Bridget Matros, are affordable fun events that allow all sorts of people to get together for memorable, multisensory experiences. Each AAAH is a themed party packed with hands-on, creative activities for everyone, from touchy toddlers to adults who want to cut loose and play.  

Youth and Family programs at Waterfall Arts are supported by the Basil Burwell Foundation, the Mini Money Fund, the Kendel Kennedy Fund of the George and Ethel Kennedy Foundation, the Davis Foundation, Bangor Savings Bank and the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

Waterfall Arts is located at 256 High Street in Belfast. .To learn more about AAAH events, classes, exhibitions and studio rentals, visit www.waterfallarts.org or go to Facebook: waterfallartsmaine.

Greenhut Galleries Features New Work By Margaret Lawrence

Across the Water, oil on panel, 18 x 18 inches

Across the Water, oil on panel, 18 x 18 inches

Margaret Lawrence finds inspiration in images gathered from a variety of sources. Nature, personal experience, and a reflective, internalized response to her physical environment inform her tranquil and textured dreamscapes, which seem to exist at the horizon between the personal and the universal.

In Lawrence’s own words,”My paintings are developed by removing paint as much as by applying it. Through this layering, the give and take of paint, an image that was inspired by a specific place transforms into a sense of place.” This approach yields a rich image using layered surfaces with deceptively complex color and texture. Both the effect achieved and Lawrence’s process itself are evocative of dream formation, wherein specific personal memories undergo a similar cycle of abrasion and accretion before they wash up in our dreams. Stripped of literal meaning but enriched with latent content, they exist in the symbolic realm, just beyond the grasp of language, where boundaries soften and binaries dissolve….

About the new work:

These recent paintings are a further exploration of the interplay between water, land and sky. Grounded in the constancy of the daily cycles of the sun and tide, I am drawn to colors and textures at various times of day or year that tap a sense of wonder.

After working as a registered nurse until her children were school aged, Margaret decided to pursue a long-harbored interest in art, eventually earning a BFA at  Maine College of Art. In 2015, she was commissioned to create four large paintings for the Augusta Judicial Center’s permanent collection. In recent years she has participated in an artist residency at the International School of Painting and Drawing and Sculpture in Umbria, Italy. Her work is in many private and corporate collections in Canada, Great Britain, and throughout the U.S. Margaret has been represented by Greenhut since 1997.

New Work runs from November 3 – 26, 2016

Opening reception Thursday November 3rd 5-7pm

Gallery Hours:  Mon to Fri 10am – 5:30pm and Saturday 10am – 5pm 

For More Information call 207.772.2693 

New Exhibitions Open at Caldbeck, Friday November 4

CHRIS OSGOOD,  SAMBA,  2016 watercolor and Japanese ink on paper 14 x 17 inches

CHRIS OSGOOD, SAMBA, 2016 watercolor and Japanese ink on paper 14 x 17 inches

FALL HARVEST – GROUP SHOW FEATURING:

ANNE ALEXANDER, LISE BECU, KATHERINE BRADFORD
ALAN BRAY, EMILY BROWN, LOIS DODD
MORRIS DAVID DORENFELD, JEFF EPSTEIN
MELANIE ESSEX, NANCY GLASSMAN, JOHN GOODMAN
KAYLA MOHAMMADI, JENIFER MUMFORD
ELIZABETH O’REILLY, DENNIS PINETTE, PAUL PLANTE
BARBARA SULLIVAN, TODD WATTS, DAN WEST
SUSAN WILLIAMS

TOM OSGOOD, FLIP,  2015 painted fabricated steel 19 1/2 x 32 x 16 inches

TOM OSGOOD, FLIP, 2015 painted fabricated steel 19 1/2 x 32 x 16 inches

November 4 – December 31, 2016

Reception: First Friday, November 4, 4:30 – 6:30 pm
Gallery Hours: Thursday, Friday, Saturday, 12-4

caldbeck@midcoast.com www.caldbeck.com 207 594 5935

CMCA 2016 Biennial Exhibition

Sarah Bouchard, Potent, 2015, site-specific installation of 50 handmade paper orbs, dimensions variable

Sarah Bouchard, Potent, 2015, site-specific installation of 50 handmade paper orbs, dimensions variable

The Center for Maine Contemporary Art (CMCA) in Rockland will open its 2016 Biennial Exhibition showcasing the work of twenty-five artists from across Maine, with a public opening reception on Friday, November 4, from 5 to 8pm.  The exhibition will remain on view through February 5, 2017. As the first Biennial in its new home, CMCA will be dedicating all 5,500 square feet of display space in the three galleries to the exhibition.

The twenty-five artists whose work will be included in the CMCA 2016 Biennial are: Phoebe Adams (Phippsburg), Sachiko Akiyama (Skowhegan), Marcia Annenberg (Boothbay Harbor), Steven Baines (Portland), MJ Blanchette (Kittery Point), Sarah Bouchard (Arundel), Philip Brou (South Portland), Emily Brown (Montville), Cole Caswell (Peaks Island), Scott Davis (Rockland), Morris David Dorenfeld (Spruce Head), Lynn Duryea (Deer Isle and South Portland), Carly Glovinski (Berwick), Tonee Harbert (Portland), Richard Iammarino (Rockland), Kayla Mohammadi (Walpole), Ann H. Mohnkern (Yarmouth and Phippsburg), Paul Oberst (Freedom), Kate Russo (Portland), Claire Seidl (Rangeley), Gail Skudera (Lewiston), Richard Van Buren (Eastport), George Wardlaw (Portland), Kathy Weinberg (Morrill), Andrew White (Union).

Philip Brou, Cold Was the Ground, 1, 2015, oil on panel, 36 x 48”

Philip Brou, Cold Was the Ground, 1, 2015, oil on panel, 36 x 48”

“We are excited to be working with this remarkable group of artists,” says Associate Curator Bethany Engstrom. “The new galleries open up possibilities for exhibiting a wide diversity of work in terms of scale and medium, providing an engaging reflection of what is happening in contemporary art in Maine now.”

Cole Caswell, Source Plate #4, Peaks Island, ME, 2016, tintype, 8 x 10”

Cole Caswell, Source Plate #4, Peaks Island, ME, 2016, tintype, 8 x 10”

The CMCA Biennial Exhibition typically takes place in the fall of even numbered years. The concept of an open juried competition at CMCA dates back to 1978, when then director Ben Goldsmith presented the first Annual Juried Exhibition. It was the only continuing statewide juried exhibition until the Portland Museum of Art introduced its first Biennial in 1998. Since then, CMCA and the PMA have presented Biennials in alternating years. 

The jurors for the 2016 Biennial were Christine Berry, director of Berry Campbell Gallery, New York City, and John Yau, noted writer, poet, and art critic for Hyperallergic. Seven hundred and eighty artists submitted work for this year’s CMCA Biennial. 

Lynn Duryea, Insert #2, 2014, slab-constructed terracotta and staples, 5 ½ x 13 x 6”

Lynn Duryea, Insert #2, 2014, slab-constructed terracotta and staples, 5 ½ x 13 x 6”

Berry says, “The artistic community in Maine has a long-standing tradition of excellence and the Center for Maine Contemporary Art will continue to tell this important story with the 2016 Biennial. John Yau and I had the difficult task of narrowing down a large stellar group of artists to a finely curated few. The review process took much longer than I anticipated because of the quality level of the applicants. It has been a wonderful experience for all involved and I look forward to seeing our selections in CMCA’s new building this fall.”

In describing the review process for this year’s Biennial, Yau states, “I thought about the many different artists who have lived in Maine while I was looking at this year’s submissions. The many marvelous portfolios that I saw made it extremely difficult to winnow down the selection. … I think the Center for Maine Contemporary Art will do much to change the culture of the state, and the Biennial is one of the ways it will do this, as it brings together as well as celebrates members of the Maine arts community.”

Paul Oberst, Banded Measure, 2015, video, 5:13 min.

Paul Oberst, Banded Measure, 2015, video, 5:13 min.

In conjunction with the exhibition, CMCA will host a series of talks entitled, “Who Do You Love,” in which Biennial artists will speak about the work of other artists who inspire them. The talks will be held at 3pm on Sundays, November 20, and January 8 and 22. The talks are free with admission.

Support for the CMCA 2016 Biennial is provided by sponsors Allen Insurance and Financial and CHUBB. Their generous gift made it possible to waive entry fees for the 780 artists who submitted work for this year’s CMCA Biennial. CMCA is located at 21 Winter Street, Rockland, Maine.

Kate Russo, Paintings by Men, 2015, oil on panel, 50 x 31 ½”

Kate Russo, Paintings by Men, 2015, oil on panel, 50 x 31 ½”

CMCA is a contemporary arts institution presenting year-round exhibitions as well as dynamic educational programs and special events for all ages. Hours: June through October: Tuesday through Saturday 10 am to 6 pm, Sunday 1 pm to 6 pm, and First Fridays 10 am until 8 pm. November through May: Closed on Monday and Tuesday. Closed Federal Holidays. Admission $6; Children under 12 free; Members free. For more information, call 207.701.5005 or visit cmcanow.org.

Two by Two: Two Couples, Four Photographers at MFT Gallery

Kathryn Oliver

Kathryn Oliver

When it comes to photography, couples Ralph and Kathryn, and Margaret and Drew, are two peas in a (tri-)pod. For both pairs, being photographers together is a core part of their relationship – not unlike farming is to many farming couples. This November and December at Maine Farmland Trust  Gallery, each of these four photographers is showing a selection of their work.

Kathryn has been an artist her whole adult life. She met Ralph when he contacted her to collaborate on a photo series in May 2013. It was a dance series and she participated as the subject. Shortly thereafter they became good friends and eventually fell in love. “Ralph inspired me to step behind the lens myself,” says Kathryn. “So we continue to bounce ideas off each other, share critiques but we pursue our own projects independently.

Ralph was born in West Germany and studied European literature in Germany and France. He immigrated to the United States in 2002. He is a self-taught photographer who regularly presents his work in national and international shows.

Ralph Hassenpflug

Ralph Hassenpflug

“Kathryn and Ralph both often work in black and whites, and their images are rather dream-like,” says Anna Witholt Abaldo, curator of MFT Gallery. “But that is where the resemblance stops. There is a definite difference in feel, which completely echoes their individual spirit. Kathryn’s works – especially her encaustics – have an ephemeral, wispy, whimsical quality that pulls us into imaginary worlds filled with voices of flowers and wind-swept grass. Ralph’s work can be both beautiful and haunting at the same time. It strikes me as truly European: born from a philosopher’s soul, he mixes equal parts of the same dark and dripping angst found in Rilke’s poems with raw and unexpected beauty. The resulting images quiver with melancholy longing.”

Margaret Lindsey Sanborn

Margaret Lindsey Sanborn

Margaret and Drew typically photograph and exhibit together. “We often spend several hours working at the same location—it could be an old farm, an abandoned mill site, or perhaps an historical building,” Margaret says.

Margaret was not a photographer when they met, but Drew was. “I would come along when he was taking pictures,” says Margaret. Drew proceeded to give Margaret a camera. “I had liked photography in my childhood – but I was always interested in abstract stuff, and was told I was taking the wrong kind of pictures!”

A common thread in their work is their interest in the still-visible remainders of Maine’s 19th and early 20th century history. Abandoned machinery from farms and factories, evolving rural landscapes, and even libraries of vintage books are all viewed with a contemporary sensibility.

Drew Sanborn

Drew Sanborn

“Margaret and Drew know how to do justice to the beauty and personality of all things old,” says Anna Witholt Abaldo. “Looking at their work I sense a stillness and emptiness, like time has momentarily stopped.”

Two by Two: two couples, four photographers will be on display from November 7, 2016 through January 6, 2016. There will be an artist talk with all four photographers on Friday November 18, from 4:30-5:30pm, followed by a reception from 5:30-8pm.

MFT Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm. More information can be found at www.mainefarmlandtrust.org/public-outreach-new/gallery/ .

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org

Biennial Artists Show extended at CRAFT

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Two Biennial artists are currently showing their work at CRAFT Gallery. Textile and tapestry artist Morris David Dorenfeld, whose work is shown here, is one of them as is sculptor Lynn Duryea. Dorenfeld employs design, composition, proportion and color, using a vertical tapestry loom to create “paintings” in wool yarn. The gallery offers an extended view of additional pieces of their work as well as that of four artists from the 2014 Biennial, all of whom create work using traditional craft materials. CRAFT will extend the show until November 15th in order to give the public an opportunity to further explore the work of these Biennial artists. The gallery also has new ceramics by Hanako Nakazato and Tim Christensen, woven shawls and scarves by Amy Smith and hand painted silks by Fiona Washburn. The gallery will participate in the First Friday Art Walk on November 4th from 4:30 to 7 pm.

Please visit CRAFT in the courtyard at 12 Elm Street in Rockland and at www.craftonelm.com

Chris Beneman’s “Lineation” at Vestibule 594

The Iron Works

The opening reception for Chris Beneman’s solo show “Lineation” will be held at Vestibule 594 from 5-8pm during the First Friday Art Walk on November 4th. The show will be up from November 4 – December 31 with a closing reception on Friday, December 2nd. Vestibule 594 is located at 594 Congress Street and is open on First Fridays and by appointment only.

Lineation noun lin·e·a·tion ˌli-nē-ˈā-shən
1. the action of marking with lines
2. an arrangement of lines

According to Beneman, “In my printmaking work I create pieces based on architectural forms. These deconstructed urban landscapes teeter between order and disorder. In my paintings I combine and rearrange elements of the working waterfront, creating a kind of crazy quilt from the fishing shacks, pilings, buoys, rigging and boats.”

Chris Beneman is a graduate of Bates College and has attended classes at Maine College of Art and Haystack Mountain School in Maine, The Art New England Workshops in Vermont and Ballinglen Arts Foundation in Ireland. Her work has been widely exhibited, most recently in the 25th anniversary exhibition of the Peregrine Press at the Lewis Gallery in Portland. He has had other recent exhibitions throughout the Northeast.

Ms. Beneman’s work is in many public and private collections including the Portland Museum of Art, The New York Public Library, the Colby College Museum of Art, The Farnsworth Museum, Bowdoin College Museum of Art, University of New England and the New Britain (CT) Museum of Art. She is a member of the Peregrine Press and the Boston Printmakers.

For more information call (508)259-4632 or email info@vestibule594.com

George Marshall Store Gallery’s “Various Shades of Grey”

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Michael Olszewski “Surge” crochet, applique, embroidery silk, linen, leather, 16.5” x 16”

Contrasts in color and forms

The blaze of autumn colors outside are in stark contrast to the “Various Shades of Grey” exhibition currently on view in York’s George Marshall Store Gallery. The show brings together a wide range of media including painting, prints, drawings, sculpture, jewelry and ceramics by two dozen regional artists. Color and form is also on view in the dock level gallery, which features the work of Boston painter Robert Baart and ceramics by New Hampshire artist Boyan Moskov. The shows continue through November 13th.

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Leon Anderson, “When I Close my eyes at Night” painted wood, 27” x 42”

An absence of color does not mean a lack of light, texture, form and imagery. The arrangement of works on the left hand gallery wall exemplifies the variety of media found throughout the show. Cabot Lyford’s black walnut “Raven” is positioned as if about to fly into “Surge” and “The Sea Inside,” by Chicago based artist Michael Olszewski. The artist uses applique, embroidery silk, paper, plastic, linen and leather in these crochet pieces. Next is a 16 panel, slate and white gold leaf piece called “Way Back” by Gary Haven Smith, followed by “When I close my Eyes at Night” by Leon Anderson who installs his wooden constructions several inches off the wall, so that the casted shadows become a part of the piece. Peter Dellert’s “Music Nest #2” is a collage of cut and reassembled wasp nest and vintage sheet music.

 

There is nothing blacker than graphite and charcoal, a medium that is well used in the bold drawings by George Lloyd and Rick Fox. Amparo Carvajal Hufschmid, combines bees wax with graphite in her suite of six drawings. Curator Mary Harding, looked high and low to round out the variety of approaches within the confines of black, white and grey. Her findings include jewelry by Blair LaBella, ceramics by Don Williams, prints by Chris Beneman, Kate Emlen, Bob Parker, Elizabeth Meyer and Francis Ashforth, walking sticks and drawings by Charles Ramsburg, figurative and objective paintings by Don Lent, Christopher Cook and Grant Drumheller, wall mounted constructions and paintings by Jeff Kellar, collages of sewing patterns by Lesia Sochor and enamels and metals by Peter Bennett and Michele Caron.

 

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Robert Baart “Into the Woods” Oil on canvas, 20” x 24”

Color abounds in the dock level gallery. Robert Baart has titled the selection of his paintings “A green thought in a green shade,” a line from the poem “The Garden”, by Andrew Marvell. This famous seventeenth century English poem expresses the poet’s personal emotions and feelings about nature. Baart’s colorful and impressionistic paintings are also about his personal connection with nature. His paintings hover between realism and abstraction using robust colors and strong gestural marks. Although his work is not specific to any one place, it is a personal expression of the artist’s relationship to the landscape and his concerns for the environment. Baart retired in 2009 after 35 years of teaching painting at the School of the Museum of Fine Arts, Boston. Since then he has been painting full time in his space at the Fenway Studios.

Boyan Moskov’s ceramics complement Baart’s paintings in both color and texture. The artist brings all the elements of fine art to his work: sculpture, drawing and painting. He was born in Ruse, Bulgaria and studied at the Troyan Art School and the Sofia Art Academy. He moved to the United States in 2007 and settled in his wife’s home state of New Hampshire. His pieces often begin on the wheel and then are further altered by hand and carving techniques. The surfaces may be enlivened with colorful glazes or decorated with incised lines and carvings. He is inspired by his medium and is constantly exploring new ideas and forms.

The exhibitions continue through November 13th. Gallery hours are 10 to 4 Wednesday through Saturday, 1 to 4 on Sunday and by appointment. The gallery is a property and program of the Museums of Old York and is located at 140 Lindsay Road, York. 207-351-1083 www.georgemarhshallstoregallery.com

 

DIAA Presents Drawings by Illustrator and Furniture Designer Bruce Bulger

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Deer Isle illustrator and furniture designer Bruce Bulger will exhibit his drawings in large format at the DeerIsle Artists Association gallery from Oct. 22-30, 2016. In addition, Bulger will discuss his work at a public reception held at the DIAA gallery on Sunday, Oct. 23 from 4 p.m. to 6 p.m. He will be in the gallery creating his work from Noon to 5 p.m. at the gallery on 15 Main St., Deer Isle.

The exhibit, called Projection, will feature Bulger projecting his sketchbook drawings onto large canvases on the DIAA walls. He will then paint and draw onto the canvas.

Bulger described the process he’ll use as follows: “When in the landscape or many other drawing situations (after you have chosen the motif), you have to make some choices: what medium to be used and surface to draw on. Watercolor paper, which may be purchased in journal form, is my preferred choice. So now get to work. Timing is critical. Every mark counts, so focus on the rectangle in your control. You are composing what’s on your mind and fingertips — distance, nearness, solidity, light, dark, etc. Say you have worked hard for an hour and your time is up. Take a deep breath, look deep and return to the piece at your next chance. Open your book and continue to make decisions on what makes it art.  I propose to project the small drawing large. Many important decisions have already been made. This is where your marks will feel freer. Your new larger marks will be stronger energetic, loose and important.”

Bulger graduated from the Philadelphia College of Art as an illustrator. He has been an illustrator and furniture designer for 40 years. His studios and gallery are on Deer Isle at the old Deer Isle High School Seamark Building. Bulger’s work may also be viewed at www.brucewbulger.com.

Founded in 1972, the Deer Isle Artists Association is a member-run nonprofit organization committed to creating and exhibiting art. Our more than 100 members include painters, sculptors, printmakers, jewelers, photographers, ceramicists and fiber artists.

Wine Cellar Art Gallery showing Jill Hoy and Kathleen Noyes

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White Bird by Kathleen Noyes, on the right is Brenda’s by Jill Hoy.

 

The Wine Cellar Art Gallery downstairs at John Edwards Market in Ellsworth is currently showing works by artists Jill Hoy and Kathleen Noyes. This show will be available through November. Come and see!

Jill Hoy divides her time among residences in Stonington, Maine; Somerville, Massachusetts; and New York City. The work she creates in Maine is inspired by direct observation of the landscape and includes seascapes, architecture, and gardens.

Working on location, Jill is especially interested in the effects of natural light, color, and pattern. Her use of vivid color in the Maine paintings results in surfaces that are richly and intensely painted so that images seem to vibrate. The artist considers the quality of light to be an important element in her work. “The light in Maine is crystal clear, with a sharp-edged clarity and a gem-like quality. I often work in the morning or late afternoon when these qualities are especially strong.” As a result, her paintings capture specifics of time and light.   Because she’s been a regular resident of the Deer Isle area since 1965, much of Jill’s work can be seen as a document of places and time in the area.

 

As an artist Kathleen Noyes explores the dynamic of innocence and darkness in human life through her figurative work. There is always a certain, deeply-held dark knowledge behind the new eyes and expression of wonder in her figures. The interplay of the light and shadow side of consciousness is expressed at once in her human forms. Kathleen’s intention is for the viewer to feel but have trouble naming what the subject feels. She leaves it to the audience to interpret the significance of emotion in her work.

In creating her collage and mixed media abstracts, Kathleen likens the process to experiencing the spontaneous and serendipitous happenings in life; the unforeseen materializes as she cements the pieces together.

 

FMI  207-667-9377 or  johnedwardsmarket.com

Greenhut Galleries opens “Joel Babb: The Nature of Things”

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Fog, Surf Murmurs Hunter’s Head, 2016, oil on linen, 20 x 19 inches

The Nature of Things is Joel Babb’s first solo exhibition at Greenhut Galleries.  Babb began painting the Maine coast in 1975, during construction of his house and studio in Sumner, Maine. After discovering Mount Desert, he would visit the island in all seasons, painting that coastline as well. But eventually, Babb lost his zest for painting the storied coast of Maine, feeling it had been depicted so frequently it was no longer possible for him to see it as it really is. So, for a time, he stopped, though he did continue painting nature in the woods and brooks nearby.

Artist Talk Saturday October 22nd 1pm

For the past several years, Babb has returned to Acadia, finding new inspiration in the epic confrontation of sea, granite, pine, and clouds. He states, “It is as if the Maine woods were being ground away to the foundations by this meeting with the sea.  When the water is calm, the shoreline is still evocative of storms of unimaginable scale.  I love the architectonic structure of the rocks, and the opposing movement of the water as if resentful of the rigidity, the sway of light and atmosphere over everything.

The Lucretian vision of eternal forces and elements interacting comes to life for me in Mount Desert, in the geology, the weather, and especially the action of the sea with the land.  I’ve visited Acadia the day after a hurricane passed through and climbed Cadillac Mountain the day after an ice storm in February. Once on a foggy morning, I startled a deer herd on Ocean Drive, and when I stopped at my spot to continue a painting, long spider webs across the road told me I was the first to pass that way. No matter how many visit Acadia, nature is still the impressive narrative.”

Babb is equally known for his urban views. In his book, Nature & Culture:  The Art of Joel Babb, Carl Little writes, “He divides his time between country and city, continuing to explore both places even as he builds on his repertoire of subjects. . . .For Babb, realism represents a philosophy of art.  As such, he says, the realist painter is constantly discovering ‘new understandings new realizations’ of the mysteries of existence.  ‘Realism as a philosophy,’ he muses ‘suggests that a small corner of the universe, when rightly observed, may open up universal laws in action.’ A modern day Thoreau.”

Joel Babb is a graduate of Princeton and the Boston Museum School, where he taught for several years. He has also taught at Tufts and Harvard universities. His paintings have been exhibited in many museums and galleries throughout the Northeast and are in numerous prestigious corporate collections and in several museums, including the Fogg Museum of Harvard University and the DeCordova Museum in Lincoln, MA.

Carver Hill opens “Ted’s Oils”

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On First Friday, October 7, 2016, Carver Hill Gallery, 338 Main Street in Rockland, Maine, will open TED’S OILS: TED KELLER LIKE YOU’VE NEVER SEEN HIM. Ted will be in the gallery from 5 – 8 PM to answer questions and meet people.

Ted Keller is a well-known career artist in Midcoast Maine. For the first 30+ years of his professional life, Ted made and sold ceramic pottery and sculpture while teaching college level art classes at Oregon State University, the University of Maine, and the Rockport Photographic Workshops (now Maine Media). At age 53 he gave up ceramics and started to work as a painter.

“When I started painting about 16 years ago, I worked in oil for a couple of years. I made about 100 paintings, and then put them away. The never before seen paintings from that time recently resurfaced, and I rather liked many of them. These 20 or so works at Carver Hill Gallery are from the end of that period, when I felt that my voice had made its presence in the paintings. The brush strokes are confident and the paintings have life. They are mostly plein aire works of the Midcoast Maine landscape.”

After complete immersion in the exploration of oil, Ted switched to watercolor and stuck with it for 14 years. His subject matter ranged from city-scapes, to portraits of dead artists and proportionally playful interiors with people. Ted is enviably competent in all of the subject matter, and the style is cohesive and easy to recognize. The images are loose, directly painted, colorful, full of life and sometimes a little quirky.
After this long hiatus from oils and the subsequent shift to watercolor, during the summer of 2016 when Ted rediscovered the oil paintings he had left in Maine, he fell back in love with oil painting. He returned to New Mexico, and the still life flower paintings emerged.

“As you look at my painting here are a few thoughts that might help. I work quickly. I trust my hands more than my mind. I don’t care what I paint as much as how I paint. This allows me freedom to paint whatever interests me at the time. The paintings proceed without much revision. I have mostly worked in watercolor which does not often reward reworking. My paintings do not get better with more time, refinements, and worry. I make paintings spontaneously for better or worse and get on to the next one. I approach the oil paintings in the same way as the watercolors. I am more interested in the process of art than the product, and for that reason I believe I can make a good painting when that freedom brings everything together just right.” Ted’s artist mantra is “I hope the Love shows”. This is important because for him – Art is about Love.

The gallery will be showing 14 framed, never before seen landscapes from 16 years ago, and 8 brand new floral still life paintings in this exhibition. Unframed work is also available.

* After 35 years in Midcoast Maine, Ted now spends most of the year in Taos New Mexico; however, he maintains a house in Union, Maine, and he frequently visits to keep the connection. Ted has a BFA in ceramics and painting from Syracuse University, and an MFA in ceramics from the University of Montana. He has created more than1500 watercolors and 150 oils. His work can be found on the walls of interesting people worldwide.

Show runs through November 2. FMI, http://www.carverhillgallery.com

ArtLab Open Studio at CMCA

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The Center for Maine Contemporary Art announces the launch of ArtLab Open Studio, a new hands-on program for all ages that is offered free of charge with museum admission.

During regular museum hours, visitors of all ages are invited to drop in the ArtLab classroom in CMCA’s new building at 21 Winter Street to engage in self-directed creative art making with the free materials and tools provided.

CMCA director, Suzette McAvoy, says, “ArtLab Open Studio offers another avenue for visitors to discover and understand CMCA’s exhibitions. In this interactive space, kids and adult can discover, play, and create as they make connections between their own creative explorations and the ideas, tools, and techniques of contemporary art.”

For the month of October, ArtLab Open Studio will be stocked with materials and activity guides related to the exhibition Don Voisine: X/V, offering participants the opportunity to create paper collages inspired by the paintings on view.

A native of Fort Kent, Maine, artist Don Voisine works with symmetry and a standardized format in his paintings. Within these restrictions, he creates seemingly endless variations of elegant, precise abstract compositions.

The exhibition Don Voisine: X/V is on view in CMCA’s Main Gallery through October 28. ArtLab Open Studio is free with CMCA admission and is open Tuesday-Saturday, 10am-6pm, and Sunday, 1-6pm.

In addition to ArtLab Open Studio, CMCA offers ArtLab for All Ages on the first Saturday of every month from 2-4pm, and Look Inside, a guided exploration of the exhibitions for school and community groups. Look Inside tours can be customized for all ages and interests. For more information, please visit www.cmcanow.org/learn.

ArtLab is supported in part by the Milton and Sally Avery Arts Foundation, the Bob Crewe Foundation, Camden National Bank, and individual donors. To contribute to ArtLab and CMCA’s education programs, please visit http://cmcanow.org/product/cmca-donation/

Dowling Walsh opening “GRETA VAN CAMPEN: A Year on Barters Point Road 2016”

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Dowling Walsh is opening “GRETA VAN CAMPEN: A Year on Barters Point Road 2016” with an opening reception Friday Oct. 7 from 5 to 8 pm, during the Rockland First Friday Artwalk. Greta Van Campen’s show is a study of the dynamic passage of time from her studio on Barters Point Road in Tenants Harbor. Her view looks onto Long Cove and Two Bush Channel towards Matinicus; the islands High, Northern and Southern in her immediate sights. She is inspired by the constant changes on the ocean front, from winter to summer and morning to night. This series includes a painting from each month of the year, as well as a set of small paintings capturing each hour within a 24 hour day.

Brand new work at Greenhut Galleries

Greenhut Galleries at 146 Middle St in Portland announces new work. Gallery Hours are Mon -Fri 10-5:30pm, Sat 10-5pm

Glenn Renell

Violet Sky  36 x 30 inches, oil on canvas

Violet Sky 36 x 30 inches, oil on canvas

 

Henry Isaacs

Barge Landing, Eastern Prom  36 x 36 inches, oil on linen

Barge Landing, Eastern Prom 36 x 36 inches, oil on linen

 

Alan Magee

Impermanence and Continuity  63 x 78 1/2 inches, woven cotton tapestry

Impermanence and Continuity 63 x 78 1/2 inches, woven cotton tapestry

 

 

Alec Richardson

Edge of the Deepest Cove  8 x 8 inches, oil on canvas on panel

Edge of the Deepest Cove 8 x 8 inches, oil on canvas on panel

 

 

J. Thomas R. Higgins

Sunset Cove  14 x 14  inches, oil on panel

Sunset Cove 14 x 14 inches, oil on panel

 

 

Alison Goodwin

Indian Point, North Haven 36 x 36 inches, Mixed media on panel

Indian Point, North Haven 36 x 36 inches, Mixed media on panel

For more Information visit www.greenhutgalleries.com or call 207-772-2693

CRAFT Artists in Biennials Past and Present

Clay Sculpture by Lynn Duryea

Clay Sculpture by Lynn Duryea

CRAFT  Gallery opens its last show of 2016 on Friday, October 7th, with six fine craft artists who have been included in the 2016 and 2014 Biennials at The Center for Maine Contemporary Art. Susan Dewsnap, Morris Dorenfeld, Lynn Duryea, Jan Owen and Sharon Townshend, all of whom live and work in Maine, create artworks  that honor traditional craft methods and are recognized as works of fine art. All have studied drawing, painting and  art history at major art institutions and universities and have turned their interests to creating art with traditional craft materials. By using the craft medium as support, they break down the boundaries between craft and fine art.

Potter Susan Dewsnap, Professor of Art and Visual Culture at Bates College, investigates the dynamic of how drawing on the surface and the shape of her pottery can be intimately connected. She looks to painting and ceramic history, merging the two in her art. Weaver Morris Dorenfeld studied  and practiced painting and has chosen the medium of fiber and tapestry technique to weave his abstract designs on the loom. He and Lynn Duryea  are included in the 2016 CMCA Biennial. Duryea has returned to Maine after serving as Ceramics Professor of Art at Appalachian State University in North Carolina. Her non- functional clay sculptures reference architectural, structural and mechanical elements. The physicality of construction, assembling and the poetic use of color is what interests her. Artist Jan Owen communicates through the art of calligraphy with brush marks, woven shapes and written words to create patterns and textures as strong design elements in her books, panels and scrolls. Quilter Daphne Taylor is a draftswoman who draws with thread. She explores the potential of fabric, needle and thread to create her “quilt drawings” with the eye of a painter, limiting herself to the bare essentials of color, line and design. Clay artist Sharon Townshend’s work is based on nature, finding inspiration in woods, fields, trees and plants. Working in clay is a continuum of these encounters. Her sought after Raku veggies are offered at CRAFT.

The show will continue until mid November to coincide with the Biennial at CMCA. CRAFT is located in the courtyard at 12 Elm Street in Rockland. Blind Albert will play live music outside in the courtyard, which will be comfortably heated and lit, from 5 to 7:30 pm during  the October 7th First Friday Art Walk. FMI call 207 594 0167 and visit www.craftonelm.com

Tidemark Gallery Commemorates Hieronymus Bosch

Detail from The Garden of Earthly Delights, a triptych, 1495-1505, attributed to Heironymus Bosch

Detail from The Garden of Earthly Delights, a triptych, 1495-1505, attributed to Heironymus Bosch

“The Garden of Earthly Delights” is a special group show curated by Chris Augusta and Dick Koubek to mark the 500th anniversary of the death of Heironymus Bosch. While this painter was one of the most influential artists of his time and place; sixteenth century Netherlands, this show does not intend to imitate, but to acknowledge the complexities of life in very different ways.

his Old House Plant, linocut by Holly Berry

his Old House Plant, linocut by Holly Berry

Selected works by fourteen artists will be on view from October 5 through November 5. The artist’s reception will be Saturday, October 8, from 4 to 7pm, in participation with ArtWalk Waldoboro. For more information contact 207-832-5109

“Autumn Arrivals”opens at Wiscasset Bay Gallery

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Fritz Eichenberg, “The Steps, 1934,” wood engraving, 6 1/8” x 4 5/8”

“Autumn Arrivals” will open on Saturday, October 15, at the Wiscasset Bay Gallery. The exhibition highlights recent acquisitions of paintings and prints by important American and European artists.

René Magritte’s “Un Seduisant Naive D’eau Mer,” a colorful lithograph from 1962 by the Belgian Surrealist, shows a half-woman, half-fish creature seated on a rock with a schooner in the distance. Fritz Eichenberg (American, 1901-1990) captures street life in New York City during the Great Depression with “The Steps, 1934.” In this wood engraving, a cat searches a garbage can, two boys wrestle in the street, and a well-dressed dandy looks in his pocket mirror, while his lady of the night looks on admiringly. Freight-laden tugboats steam past the Manhattan skyline in Earl Horter’s (American, 1881-1940) depiction of the New York waterfront during the 1930s. Other prominent twentieth century artists featured in the exhibition include Adolph Gottlieb (American, 1903-1974), Jules Pascin (French/American, 1885-1930), John Folinsbee (American, 1892-1972), Don Stone (American, 1929-2015), and Jay Hall Connaway (American, 1893-1970).

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René Magritte, “Un Seduisant Naive D’eau Mer,” color lithograph, 12 1/2” x 17 3/4”

In the contemporary galleries, recent work by Maine artists include Judith Magyar’s dynamically designed composition of a boathouse interior, which plays with light and spatial relations. David Kasman’s “Red Truck, Black Duck” is a thickly painted oil of village life on Monhegan Island. Other New England artists exhibiting include Roberta Goschke, Michael Graves, Keith Oehmig, Tom Curry, Carlton Plummer and Guy Corriero.

“Autumn Arrivals” will be on display at the Wiscasset Bay Gallery, 67 Main Street, Wiscasset, Maine through November 30th. For further information, call (207) 882-7682 or visit the gallery’s website at www.wiscassetbaygallery.com. The Wiscasset Bay Gallery is open daily from 10:00 am until 5:30 pm and is located at 67 Main Street (Route 1) in historic Wiscasset village.

New Photographs by Lynn Karlin, Marquetry by James Macdonald at MFT Gallery

Lynn Karlin, Beets, photograph from The Tray Series

Lynn Karlin, Beets, photograph from The Tray Series

We taste (rather we eat), we touch (maybe not enough). But how often do we slow down to take in the beauty of the often-overlooked vegetables that nourish us?” Thus begins Lynn Karlin’s artist statement on her new body of work, The Tray Series.

Starting September 23rd, Maine Farmland Trust Gallery will be exhibiting Lynn Karlin’s much-awaited Tray Series on the ground floor. Eight years ago Belfast’s own Karlin began a quest to honor even the humblest vegetables by elevating them, as she puts it, “to a place where they belong: on a pedestal.” The stunning Pedestal Series which resulted from this endeavor earned Karlin the Julia Margaret Cameron Award for “Best in Still Life Category” for the last two years, and “Gold” for the Prix De La Photographie Paris in 2015 – along with worldwide acclaim.

Lynn Karlin, Flatware, photograph from The Tray Series

Lynn Karlin, Flatware, photograph from The Tray Series

The photographs in The Tray Series offer an aerial view of a confined space, with the subject often exiting the frame to break up the design. Thinking within the box, Karlin looks for good form, texture, patina and color. Subjects may now include familiar man-made kitchen objects as well as her beloved fruits and vegetables, showing “beauty can be found everywhere, if you take the time to really look.”

James Macdonald, Reverence, marquetry from Growers and Grown

James Macdonald, Reverence, marquetry from Growers and Grown

Another artist who wants to treat his subjects in a way that reveals both their importance and aesthetics is Unity artist and craftsman James Macdonald. His exceptional marquetry work – defined as the art and craft of applying pieces of veneer to a structure, in order to form decorative patterns, designs or pictures – will be shown on the gallery’s second floor.

Macdonald’s body of work, titled Growers and Grown, was funded by an Artist Project Grant from the Maine Arts Commission and features new farmers in Waldo County. Says Macdonald: “My work in this exhibition comes from my fascination with the relationship between us and the food we eat. Here I’ve chosen to present a mix of work showing