Archive for openings

Maine Craft Portland Nupitals: Adornment for a New Age

Nupitals: Adornment for a New Age

Maine Craft Portland unveils an alternative bridal show not to be missed! Over 20 craft artists have created one-of-a-kind ceremonial adornment, accessories, and jewelry that embody new ideas to present bridal with a twist!

This 2-month long exhibit will showcase unique offerings for the discerning contemporary looking to get hitched in distinctive true to you style. How about matching hand stamped leather belts, lovers’ knot bracelets, or a silk skived unisex Kurta? These dazzling, ready to wear pieces, like all offerings at the Maine Craft Portland retail gallery were handcrafted by talented Maine-based craft artists.

Exhibition Dates: May 3 – June 29th
First Friday Art Walk Receptions
May 3rd, 5-8pm Opening Reception with jazz pianist Sonja Florman
June 7th 5-8pm Musical guest Owen Kennedy from Pineland Fiddlers

The Gallery at Somes Sound and the Myers Family, Wendell Gilley Museum presents an exhibition

Annual Spring Open House & Carving Show
A Trio of Treats!
 
Featuring Member’s Carving Show, 

Master Carver Harold Haertel,
and Artist Paul Rickert’s Susan Abbott Myers Collection 
 
Master Carver Harold Haertel was a contemporary of Wendell Gilley.  An exhibition curated by Mr. Haertel displays his beautifully crafted carvings and decoys.
 
In collaboration with the Gallery at Somes Sound and the Myers Family, Wendell Gilley Museum presents an exhibition of paintings by acclaimed Artist Paul Rickert collected by Susan Abbott Myers (1935-2017).  
Sunday, May 12th  |  12:00 – 4:00 pm
4 Herrick Road, Southwest Harbor

Landing Gallery presents “2019 SEASON INVITATIONAL EXHIBITION”

“A Distant Fog” oil/canvas, 30” x 40” by Lisa Kyle

 

Landing Gallery, 409 Main St in Rockland opens this Season with the “2019 SEASON INVITATIONAL EXHIBITION.”  The original paintings are based on environmental interaction, celebrating nature and the environment in Maine.  New works by gallery artists; Roberta Baumann, Bruce Busko, Irma Cerese, Sarah Faragher, Christopher French, Brian Krebs, Lisa Kyle, Monique Lazard, David Peterson, Björn Runquist, Michael Weymouth & J.M. Wilde are included in this exhibition.

 

“Afternoon in North Haven” oil/panel, 11” x 14” by Christopher French

The Artists’ Opening Reception will be held on Friday, May 3rd from 5-8 PM during Arts In Rockland’s first Friday art walk for 2019.  Please join us in the gallery for light refreshments. The exhibition will be showing May 3 – May 19.

 

“Water #11/Sunset Wave” oil/panel, 13” x 13” by Brian Krebs

 

 

“Birch Grove, Acadia National Park, Maine” oil/linen, 30” x 40” by Bruce Busko

 

Hours: Wed–Sat 11-5, closed, Sun, Mon & Tue  FMI 207 239-1223

To follow our new work and events, please visit and like us at w.w.w.facebook.com/LandingGallery/

Waiting for Spring at Markings Gallery

Warm and Cozy…. “Waiting for Spring” at Markings Gallery in Bath, March 1 to April 1, with a Gallery reception March 17, from 12-4pm with artist’s demos of felting…. and just possibly a performance of belly dancers!

We are all familiar with Maine euphemisms for our seasons.  “Maine has two seasons: winter and preparing for winter.”  Or how about:  “Maine has two seasons: winter and August.”  March is notorious for teasing us with a few warming days and plenty of mud!

So let’s cozy up and make the wait colorful and comfortable.

The scarves of Fiona Washburn (featured in photo) are hand painted with extraordinary detail on silk, and silk velvet.  Kris Sandoy creates marvelous felted hats and scarves in a wonderful palate of colors and styles.

Janice Jones has transitional weight scarves and lovely vests to help chase dreary spring weather away.

Warm up your living space with the glorious rag rugs of Hillary Hutton.  Hector Jaegar’s hand dyed wool rugs invite one to settle in and muse on his contemporary exploration of color and design.

And for tickling the sense of the absurd the tea cozies of Susie Stephenson will make one smile away the winter blues.

60+ artists are represented in Markings Gallery. Their work inspires us to keep looking for the beauty in each day, no matter the weather outside.Warm and Cozy…. Waiting for Spring

Sohns Gallery Solo Exhibit “Oh You Pretty Things” by Kat Johnson

 

The Sohns Gallery at The Rock & Art Shop in Bangor announces a solo exhibition by local artist Kat Johnson, Oh You Pretty Things. The exhibit runs March 4 – April 28, with an opening reception Friday, March 8 at 6:30 pm. The artist will be on site to give remarks at 7:30. This event is free and open to the public.

Oh You Pretty Things will include all new works created in the past six months. The exhibition will showcase eight new large relief prints. These framed works will be for sale along with the unframed prints in the edition and other smaller prints of various subjects. The artist will be donating a portion of all sales made during the duration of the show to Mabel Wadsworth Center.

Johnson has lived and worked in Bangor for over fifteen years and this is her fourth solo show in the area and second at the Sohns Gallery. Johnson works as the Senior Museum Educator and Marketing Manager at the University of Maine Museum of Art in Downtown Bangor. She received her Masters of Fine Art in Intermedia in 2012 from the University of Maine and has been an active member of the creative community since her arrival in Maine in 2003.

This is the second exhibition of Johnson’s work at the Sohns Gallery. The first showing was a large scale evolving painting which was the inaugural show in the gallery. Having focused on painting for many years, Johnson has now turned to printmaking to create her images. Regarding this shift Johnson stated, “I’ve always painted large, flat areas of color with bold line work, very much in the style of a screen print or relief print. I thought it was time I finally made that leap to fully delve into the process of printmaking.”

Cynthia Winings Gallery’s MID-WINTER Valentine’s Day Show


The Cynthia Winings Gallery in Blue Hill presents: The Mid-Winter Valentine’s Day Show: A group exhibition featuring the artworks of Louise Bourne, Jenny Brillhart, Molly Blake, Avy Claire, Devta Doolan, Sarah Doremus, Heather Lyon, Buzz Masters, Bill Mayher, Cynthia Winings and Goody-B. Wiseman!

 

Buzz Masters

 

 

Evening Reception: Friday, February 8, 5:00 – 8PM. 

Please Join me for this One Day Event where the Art will Warm Your Heart And Soul – There will be Refreshments and Good Company, too.
PLEASE DRESS WARMLY. Everyone is Welcome!

Betts Gallery celebrates annual ‘Holiday Galleria’

 

This December, Betts Gallery celebrates the holidays with their annual ‘Holiday Galleria’ show, joining in on the Belfast Holiday Artwalk with an opening reception, Friday December 7th, 5:30-8pm. The exhibit of local, affordable art, in a variety of media includes works by: Sally Brophy, Jennie Connor, Susan Cooney, Julie Cyr, Kris Engman, Sarah Faragher, Helene Ferrar, Conny Hatch, David Jacobson, Sheep Jones, Mark Kelly, Allegra Kuhn, Kathleen Mack, Leslie Moore, Willy Reddick, Wes Reddick, Betty Schopmeyer, Lesia Sochor, Kay Sullivan, Mary Trotochaud and Peter Walls. Be sure to check in often, as the show, which runs from December 7th through the 22nd, will be changing throughout the month as sold pieces are replaced by new work.

SugarWood Gallery showing photography of Ramona du Houx.

 

Starting on November 8th the SugarWood Gallery, of Farmington, will feature new fine art photography of Ramona du Houx. The open house will be held on Nov 16th at 4-7 pm.

Ramona du Houx creates fine art photography that looks like watercolor paintings evoking a sense of wonder. Many have found they relieve stress, as they are relaxing, thought proving and mystical. Her new work will include images of landscapes of Maine’s Western Mountains, fields and flowers created with her technique she first discovered in 1979.

“I’m excited and honored to be showing my work at SugarWood. Many of the new pieces depict the magnificent lands surrounding Farmington,” said Ramona, of Solon. “I try to bring the beauty, magic and mystery of nature to viewers by amplifying nature’s essence. I translate what I feel when I’m outside, merged within nature’s embrace, through my art work, thereby bringing the energy and peace of the natural world into the lives of folks who view my images.”

Ramona du Houx is currently represented by Fukurou Gallery, 20 Main Street, Rockland Maine, owned by the Solon Center for Research and Publishing and Gallery Storks of Tokyo, Japan.

She uses the camera with a painter’s eye. Her technique uses movement to create a sense of wonder through colors, textures, memories, energy and the seasons. Everything within the viewfinder becomes visibly interconnected when objects merge with the motion of the camera as the image, the “lightgraph,” is taken.

“Many Native American’s believed that everything is interconnected. I try and depict the energy and emotion that makes those connections tangible. But the technique can be challenging, as I never know exactly what the results will be,” said Ramona.

“Scientists, innovators, and inventors throughout history took the time to observe the connective rhythms in nature. Ben Franklin’s electrical experiment depended upon his observation of those connections. Aerodynamic technologies that make cars, planes and athletes faster have relied upon recording those rhymes. But the innovators of tomorrow may be in jeopardy for now society plugs us into the Internet, and while that can open doors, sometimes too much of being Internet-connected disconnects us from the mysteries of the natural world — that can be transformational.”

By the time Ramona was 12 she couldn’t be seen without a camera. By 18 she was teaching photography and industrial design at Collegio San Antonio Abad in Puerto Rico.

During college she worked with three New York City photographers. In 1979 she landed jobs to take political photographs of Sen. Ted Kennedy, and President Jimmy Carter. The same year she discovered her “lightgraph” technique and held her first exhibit in Huntington, Long Island. Excited by the new way of expressing herself she took her “lightgraph” images to the Museum of Modern Art, where they were put on file.

The Zen nature of her work became obvious to Ramona so she continued her studies in art, and philosophy in Kyoto, Japan while teaching. Her travels in the East led to numerous exhibits in Japan and lifelong connections.

In England and Ireland, she explored the mythology of the region, while raising three children, ghost writing a novel, and forever taking photographs. After returning stateside to Maine, she started a publishing company, Polar Bear & Company, with her husband and was hired as a consultant by a local artist. During this time she also explored more about the mysteries of motion in her lightgraph technique, worked for newspapers and wrote a children’s novel. By 1998 she was given access to a color darkroom at the Lewiston Creative Photographic Art Center to print a backlog of work in exchange for advising the Center’s photography students.

In 2005 Ramona started a newsmagazine, Maine Insights, which continues to this day. She worked as a photographer for the 2008 DNC convention in Denver, Colorado, and photographed President Barack Obama’s second Inauguration in 2012.

For the past three years she’s been consulting, writing, exhibiting, organizing and always taking photographs. Recently she organized the Elected Officials to Protect America’s Lands, a group comprised of veterans who are also lawmakers, to send a letter to Sec. Zinke requesting he support the Land and Water Conservation Fund. The LWCF supports millions of dollars of projects, in every county in Maine and in every state, for the upkeep of our parks. As the organizer/photographer she traveled with the EOPA delegation to Washington, D.C. where they made their case to seven US Senators.

“The Senators and their staff were incredibly supportive of our mission, wanting to protect our public lands,” said Ramona. “I see my political work as an extension of my art work. I’m passionate about protecting our public lands, without them we loose sight of who we are as a people.”

SugarWood Gallery is located at 248 Broadway in Farmington and is open Monday thru Friday 10 a.m. to 5:30 p.m., and Saturday and Sunday from 10 a.m. to 4 p.m.

Greenhut’s October show is “Sandra Quinn: Inside Out”

Sandra Quinn, Safe Passage, encaustic and mixed media, 16 x 18 inches

“What is art in the final analysis?
Art is the shining forth of one’s interiority.”
~ Mu Xin
“I found I could say things with color and
shapes that I couldn’t say any other way
things I had no words for.”
~Georgia O’Keeffe
Greenhut’s October show will be an exhibition of Sandra Quinn’s contemplative, graceful, and quietly evocative encaustic paintings, aptly entitled Inside Out, with an Opening reception Thursday, October 4 from 5-7 pm. Sandra is a gifted abstract painter who has, in Portland Press Herald art critic, Dan Kany’s words, “really mastered encaustic as a medium to the point where she can think fluently in the medium instead of being limited by it.” This fluency is apparent in the finished work, and crucial to the success of the artist’s introspective, deeply meditative process, through which she channels richly personal interior spaces to the outside world using her own unique, energetic, and continually evolving nonverbal language – a language coursing with immediacy and a certain joy in its own being. The work is atmospheric, lyrical, and exudes the quiet confidence of an artist in full control of/complicity with her medium. This complicity not only opens the door to spontaneity, it invites it in. The show runs through October 27.
Like music, Quinn’s art is abstract in the purest sense. It adheres to no object, and refers to no subject. Quinn succeeds in expressing her sui generis emotional being and specific sites of recalled sensation and memory through color, texture, gesture, and symbol (musical notations and glyph-like calligraphy applied to the encaustic surface with graphite or paint sticks).
Central to her style is a fascination for, and an ability to visually depict, space itself, which is often represented in large, irregular, neutral-colored formations at the center of her canvas. She manipulates these spaces in a variety of ways; they might evoke a sweet summer breeze in one painting, and in the next, an invisible force field, driving the colors and other marks to the edge of the canvas. In a sense, the true subject of all of Quinn’s paintings is a transcendent locus of experience and emotion that lies beyond language and falls between the cracks of literal meaning.
Quinn exercises a type of mindfulness, creating a space to convene with her Self – a quiet space for authentic being and emotion to emerge: “My goal is to make work that expresses the feeling of being fully present and focused. I want to explore and experiment, responding to each mark or brushstroke that I put down. There needs to be clarity and balance, bathed in the subtle nuances of space and means to quietly look inside – to see what memories or experiences might bubble to the surface, to be alert and listen. This journey grounds me in the present and guides me to the future.”
There is an intrepid and non-self-critical openness to Quinn’s approach – a non-teleological joy in the process for the process, and a willingness to engage with whatever truths might emerge from the realm of the unconscious. This mind space is accessible only to those who have truly mastered their medium, who trust in their gift, and who have the courage to follow wherever the dialogue between artist and his of her emerging object may lead. Painter’s block is never an issue: “When looking at the blank white surface, I see an invitation, a reminder that anything is possible.”
Sandra Quinn earned a BFA in Painting (with Honors) from Portland School of Art (presently Maine College of Art), and a BA in Painting from San Diego State University. She is a member of the Peregrine Press, and her work has been included in a number of juried exhibitions, including five showings at the Center for Maine Contemporary Art. Her work is included in the permanent collections of the University of New England as well as in numerous corporate and private collections.

Glenn Renell, “Valley Grass”

In the side gallery this month we have new oil paintings by another long-time Greenhut artist, Glenn Renell. An accomplished landscape painter, Glenn has cultivated a profound understanding of the relationship between a painter, a place, and a viewer. His perceptive observation of the subtleties of light and the relationships of sky, land, and horizon are beautifully rendered in his paintings.
“There is a place in landscape painting where the spirit of place meets the soul of the painter, and when the viewer sees and shares that place in a painting, that’s where art begins.”
Born in Portland, Maine [1947] and raised in New York, Glenn attended Rhode Island School of Design, spent four years in the Navy, and graduated from Fort Wright College with a BFA in painting in 1975. He went on to receive an MFA in painting from the University of Massachusetts in 1978 and taught design, drawing and painting at Maine College of Art from 1980 through 2001. Glenn left teaching to paint full-time and now resides in southeast Arizona between the Dragoon and Chiricahua mountains. Renell’s works have been included in numerous museum shows, and are included in public and private collections throughout the world.

Betts Gallery welcomes autumn with “Trees”

Helene Farrar, “Tree Love”

 

Betts Gallery welcomes autumn with a show celebrating “Trees.” Besides the beauty of trees, the majestic living beings offer us shade, they help clean the air we breathe, some provide food, and selectively harvested, they provide us with wood. This show of 2-D work includes oil and acrylic paintings, pastels and encaustic interpretations by local artists Julie Cyr, Kris Engman, Sarah Faragher, Helene Farrar, Sheep Jones, Betty Schopmeyer and Kay Sullivan. The show runs from September 28 through November 2, with an opening reception Friday September 28th, 5:30-8pm as part of the Belfast Fourth Friday Art Walk. The Belfast Framer and Betts Gallery is located at 96 Main Street in Belfast, and also may be entered from Beaver Street. For more information please call 338-6465 or visit the website, www.thebelfastframer.com.